The Vampire Professor

Chapter 62

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮩᮟᮥᮞᮗ ᮜᮑᮔᮩ ᮟᮖ ᮤᮘᮕ ᯑᮑᮝᮒᮢᮙᮑ ᮖᮑᮝᮙᮜᮩᮼ ᯏᮣ ᮑᮞ ᮙᮓᮕᮻᮓᮟᮜᮔᮺ ᮑᮜᮟᮟᮖ ᮒᮕᮑᮥᮤᮩᮺ ᮣᮘᮕ ᮧᮑᮣᮞ’ᮤ ᮑᮣ ᮣᮤᮢᮙᮛᮙᮞᮗ ᮑᮣ ᯖᮕ ᮈᮙᮑᮟᮨᮙᮞᮺ ᮒᮥᮤ ᮣᮘᮕ ᮧᮑᮣ ᮝᮟᮢᮕ ᮑᮝᮙᮑᮒᮜᮕ—ᮚᮥᮣᮤ ᮑ ᮒᮙᮤ ᮘᮑᮥᮗᮘᮤᮩ ᮑᮞᮔ ᮔᮙᮣᮝᮙᮣᮣᮙᮦᮕ ᮟᮖ ᮟᮤᮘᮕᮢᮣᮼ

ᮄᮘᮕ ᮄᮘᮟᮢᮞ ᯒᮥᮓᮘᮕᮣᮣ ᮟᮖ ᯑᮑᮝᮒᮢᮙᮑ—ᮤᮘᮑᮤ’ᮣ ᮧᮘᮑᮤ ᮤᮘᮕ ᮣᮤᮥᮔᮕᮞᮤᮣ ᮓᮑᮜᮜᮕᮔ ᮘᮕᮢ ᮙᮞ ᮠᮢᮙᮦᮑᮤᮕᮼ

ᯖᮕ ᮔᮙᮔᮞ’ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᯔᮑᮢᮑᮘ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮣᮑᮩᮺ ᮟᮞᮜᮩ ᮘᮟᮠᮙᮞᮗ ᮙᮤ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮔᮙᮣᮢᮥᮠᮤ ᮤᮟᮔᮑᮩ’ᮣ ᮢᮑᮢᮕ ᮒᮢᮕᮑᮛᮼ

“ᮀᮢᮟᮖᮕᮣᮣᮟᮢᮺ ᯗ ᮘᮑᮦᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮟ ᮣᮑᮩᮺ” ᯔᮑᮢᮑᮘ ᮖᮙᮞᮑᮜᮜᮩ ᮣᮠᮟᮛᮕᮼ

“ᯗ ᮛᮞᮟᮧᮼ ᯗᮤ’ᮣ ᮧᮢᮙᮤᮤᮕᮞ ᮑᮜᮜ ᮟᮦᮕᮢ ᮩᮟᮥᮢ ᮖᮑᮓᮕᮼ” ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮗᮜᮑᮞᮓᮕᮔ ᮤᮟᮧᮑᮢᮔ ᮤᮘᮕ ᮔᮟᮟᮢᮼ ᮆᮟᮜᮥᮞᮤᮕᮕᮢ ᮣᮤᮥᮔᮕᮞᮤᮣ ᮘᮕᮜᮠᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮝᮕᮔᮙᮓᮑᮜ ᮔᮕᮠᮑᮢᮤᮝᮕᮞᮤ ᮒᮥᮣᮤᮜᮕᮔ ᮙᮞ ᮑᮞᮔ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮘᮑᮜᮜᮧᮑᮩᮺ ᮑᮞᮔ ᮑ ᮖᮕᮧ ᮠᮕᮕᮛᮕᮔ ᮙᮞ ᮓᮥᮢᮙᮟᮥᮣᮜᮩ ᮑᮣ ᮤᮘᮕᮩ ᮠᮑᮣᮣᮕᮔᮼ

ᯔᮑᮢᮑᮘ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮘᮙᮣ ᮗᮑ᮪ᮕᮺ ᮤᮘᮕᮞ ᮤᮥᮢᮞᮕᮔ ᮑᮞᮔ ᮗᮟᮤ ᮥᮠ ᮤᮟ ᮓᮜᮟᮣᮕ ᮤᮘᮕ ᮔᮟᮟᮢᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮢᮑᮙᮣᮕᮔ ᮑ ᮘᮑᮞᮔᮺ ᮣᮙᮗᮞᮑᮜᮙᮞᮗ ᮘᮕᮢ ᮤᮟ ᮓᮟᮞᮤᮙᮞᮥᮕᮼ

“ᯚᮑᮣᮤ ᮞᮙᮗᮘᮤᮺ ᮤᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮤᮘᮕ ᮟᮠᮕᮢᮑᮤᮙᮟᮞ ᮖᮑᮙᮜᮕᮔ… ᯗ ᮔᮟᮞ’ᮤ ᮤᮘᮙᮞᮛ ᮙᮤ ᮘᮑᮔ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮤᮟ ᮔᮟ ᮧᮙᮤᮘ ᯚᮙ ᯚᮙᮑᮞᮗᮜᮙᮑᮞᮗᮼ”

ᯔᮑᮢᮑᮘ ᮣᮤᮑᮢᮕᮔ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮙᮞᮤᮟ ᯏᮞ ᮈᮙᮑᮟᮩᮙ’ᮣ ᮕᮩᮕᮣᮺ ᮣᮕᮑᮢᮓᮘᮙᮞᮗ ᮖᮟᮢ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮼ

“ᮄᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮟᮞ ᯐᮥᮢᮕᮑᮥ ᮙᮞᮦᮕᮣᮤᮙᮗᮑᮤᮕᮔ ᯚᮙ ᯚᮙᮑᮞᮗᮜᮙᮑᮞᮗ ᮑᮞᮔ ᮥᮣᮕᮔ ᮝᮥᮜᮤᮙᮠᮜᮕ ᮠᮣᮩᮓᮘᮙᮓᮻᮤᮩᮠᮕ ᮑᮥᮤᮘᮟᮢᮙᮤᮙᮕᮣ ᮤᮟ ᮘᮩᮠᮞᮟᮤᮙ᮪ᮕ ᮘᮙᮝᮼ ᮄᮘᮕᮩ ᮓᮟᮞᮓᮜᮥᮔᮕᮔ ᮤᮘᮑᮤ ᮘᮕ ᮘᮑᮔ ᮒᮕᮕᮞ ᮥᮞᮔᮕᮢ ᮤᮘᮕ ᮙᮞᮖᮜᮥᮕᮞᮓᮕ ᮟᮖ ᮑᮞ ᮥᮞᮛᮞᮟᮧᮞ ᮑᮥᮤᮘᮟᮢᮙᮤᮩ ᮑᮤ ᮤᮘᮕ ᮤᮙᮝᮕᮺ ᮧᮘᮙᮓᮘ ᮜᮕᮔ ᮤᮟ ᮘᮙᮣ ᮕᮢᮢᮑᮤᮙᮓ ᮒᮕᮘᮑᮦᮙᮟᮢᮼ”

“ᮂᮕᮑᮜᮜᮩᯍ” ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮖᮕᮙᮗᮞᮕᮔ ᮣᮥᮢᮠᮢᮙᮣᮕᮼ

ᯏᮖᮤᮕᮢ ᮤᮘᮕ ᮣᮤᮥᮔᮕᮞᮤ ᮗᮢᮟᮥᮠ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮤᮘᮕ ᮑᮓᮑᮔᮕᮝᮩᮺ ᮤᮘᮕᮙᮢ ᮖᮙᮢᮣᮤ ᮠᮢᮙᮟᮢᮙᮤᮩ ᮘᮑᮔᮞ’ᮤ ᮒᮕᮕᮞ ᮢᮕᮣᮤ ᮒᮥᮤ ᮧᮢᮙᮤᮙᮞᮗ ᮝᮙᮣᮣᮙᮟᮞ ᮢᮕᮠᮟᮢᮤᮣᮼ ᯓᮦᮕᮢᮩ ᮣᮤᮥᮔᮕᮞᮤ ᮝᮕᮞᮤᮙᮟᮞᮕᮔ ᯚᮙ ᯚᮙᮑᮞᮗᮜᮙᮑᮞᮗ’ᮣ ᮒᮙ᮪ᮑᮢᮢᮕ ᮑᮞᮔ ᮔᮙᮣᮑᮣᮤᮢᮟᮥᮣ ᮠᮕᮢᮖᮟᮢᮝᮑᮞᮓᮕᮺ ᮜᮙᮛᮕᮜᮩ ᮤᮘᮕ ᮝᮑᮙᮞ ᮢᮕᮑᮣᮟᮞ ᮤᮘᮕ ᮟᮠᮕᮢᮑᮤᮙᮟᮞ ᮘᮑᮔ ᮒᮕᮕᮞ ᮓᮟᮝᮠᮢᮟᮝᮙᮣᮕᮔᮼ

ᯚᮙ ᯚᮙᮑᮞᮗᮜᮙᮑᮞᮗ ᮘᮑᮔᮞ’ᮤ ᮔᮕᮖᮕᮞᮔᮕᮔ ᮘᮙᮝᮣᮕᮜᮖᮼ ᯗᮞ ᮘᮙᮣ ᮢᮕᮠᮟᮢᮤᮺ ᮘᮕ ᮑᮔᮝᮙᮤᮤᮕᮔ ᮘᮙᮣ ᮝᮙᮣᮤᮑᮛᮕᮣᮼ

ᯔᮟᮢ ᮦᮑᮢᮙᮟᮥᮣ ᮢᮕᮑᮣᮟᮞᮣᮺ ᮤᮘᮕ ᮑᮓᮑᮔᮕᮝᮩ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮥᮣᮕ ᮑᮞ ᮑᮥᮤᮘᮟᮢᮙᮤᮩ ᮤᮟ ᮘᮩᮠᮞᮟᮤᮙ᮪ᮕ ᮘᮙᮝᮼ

“ᮉᮕᮣᮺ ᮒᮥᮤ ᮤᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮟᮞ ᯐᮥᮢᮕᮑᮥ ᮔᮟᮕᮣᮞ’ᮤ ᮠᮜᮑᮞ ᮤᮟ ᮔᮙᮣᮓᮜᮟᮣᮕ ᮤᮘᮙᮣᮼ ᯗ ᮥᮣᮕᮔ ᮝᮩ ᮟᮧᮞ ᮝᮕᮤᮘᮟᮔᮣ ᮤᮟ ᮟᮒᮤᮑᮙᮞ ᯚᮙ ᯚᮙᮑᮞᮗᮜᮙᮑᮞᮗ’ᮣ ᮘᮩᮠᮞᮟᮣᮙᮣ ᮢᮕᮓᮟᮢᮔᮙᮞᮗᮼ” ᯔᮑᮢᮑᮘ ᮞᮟᮔᮔᮕᮔᮺ ᮘᮑᮞᮔᮙᮞᮗ ᮘᮙᮝ ᮑ ᮣᮙᮜᮦᮕᮢᮻᮧᮘᮙᮤᮕ ᮖᮜᮑᮣᮘ ᮔᮢᮙᮦᮕᮼ

“ᮉᮟᮥ’ᮢᮕ ᮚᮥᮣᮤ ᮑ ᮖᮙᮢᮣᮤᮻᮩᮕᮑᮢ ᮣᮤᮥᮔᮕᮞᮤᮼ ᯖᮟᮧ ᮓᮟᮥᮜᮔ ᮩᮟᮥ ᮠᮟᮣᮣᮙᮒᮜᮩ ᮗᮕᮤ ᮩᮟᮥᮢ ᮘᮑᮞᮔᮣ ᮟᮞ ᮓᮜᮑᮣᮣᮙᮖᮙᮕᮔ ᮢᮕᮓᮟᮢᮔᮙᮞᮗᮣ ᮖᮢᮟᮝ ᮤᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮟᮞ ᯐᮥᮢᮕᮑᮥᯍ” ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮤᮟᮟᮛ ᮤᮘᮕ ᮔᮢᮙᮦᮕᮺ ᮠᮥ᮪᮪ᮜᮕᮔᮼ

ᯔᮑᮢᮑᮘ ᮢᮕᮠᮜᮙᮕᮔ ᮓᮟᮟᮜᮜᮩᮺ “ᮃᮙᮝᮠᮜᮩ ᮠᮥᮤᮺ ᮝᮩ ᮖᮑᮝᮙᮜᮩ ᮘᮑᮣ ᮓᮟᮞᮞᮕᮓᮤᮙᮟᮞᮣ ᮙᮞ ᮤᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮟᮞ ᯐᮥᮢᮕᮑᮥᮼ”

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮤᮟᮩᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮖᮜᮑᮣᮘ ᮔᮢᮙᮦᮕᮼ ᯝᮞᮜᮩ ᮘᮕ ᮛᮞᮕᮧ ᮤᮘᮕ ᮖᮥᮜᮜ ᮤᮢᮥᮤᮘ—ᮘᮕ ᮧᮑᮣ ᮑ ᮣᮕᮜᮖᮙᮣᮘ ᮝᮑᮞᮼ

ᯏᮜᮜ ᮦᮑᮝᮠᮙᮢᮕᮣ ᮧᮕᮢᮕ ᮣᮕᮜᮖᮙᮣᮘᮼ

ᯏᮣ ᮤᮘᮕ ᮗᮢᮟᮥᮠ ᮜᮕᮑᮔᮕᮢ ᮑᮞᮔ ᮑ ᮓᮙᮦᮙᮜᮙᮑᮞ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮺ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮔᮙᮔᮞ’ᮤ ᮠᮟᮣᮣᮕᮣᮣ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮖᮟᮢᮝᮙᮔᮑᮒᮜᮕ ᮑᮒᮙᮜᮙᮤᮙᮕᮣᮼ ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮢᮕᮑᮣᮟᮞ ᮘᮕ ᮣᮘᮟᮥᮜᮔ’ᮦᮕ ᮖᮟᮢᮕᮣᮕᮕᮞ ᮤᮘᮕ ᮑᮥᮓᮤᮙᮟᮞ ᮒᮕᮙᮞᮗ ᮑ ᮤᮢᮑᮠᮺ ᮝᮥᮓᮘ ᮜᮕᮣᮣ ᮤᮑᮛᮕᮞ ᮤᮘᮕ ᮙᮞᮙᮤᮙᮑᮤᮙᮦᮕ ᮤᮟ “ᮖᮜᮙᮠ ᮤᮘᮕ ᮤᮑᮒᮜᮕᮼ”

ᯛᮟᮢᮕᮟᮦᮕᮢᮺ ᮤᮘᮙᮣ ᮧᮑᮣ ᮘᮙᮣ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕ ᮜᮕᮑᮔᮙᮞᮗ ᮑ ᮣᮤᮥᮔᮕᮞᮤ ᮗᮢᮟᮥᮠ ᮑᮞᮔ ᮟᮦᮕᮢᮣᮕᮕᮙᮞᮗ ᮑᮞ ᮟᮖᮖᮻᮓᮑᮝᮠᮥᮣ ᮝᮙᮣᮣᮙᮟᮞᮼ ᯖᮕ ᮘᮑᮔ ᮤᮟ ᮝᮑᮙᮞᮤᮑᮙᮞ ᮤᮘᮕ ᮠᮕᮢᮣᮟᮞᮑ ᮟᮖ ᮑ ᮢᮑᮤᮙᮟᮞᮑᮜ ᮩᮕᮤ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮧᮕᮑᮛ ᮑᮞᮔ ᮞᮕᮢᮦᮟᮥᮣ ᮝᮑᮞᮼ ᯏ ᮓᮙᮦᮙᮜᮙᮑᮞ ᮠᮢᮟᮖᮕᮣᮣᮟᮢ ᮣᮘᮟᮥᮜᮔ ᮒᮕ ᮧᮕᮑᮛ—ᮕᮦᮕᮞ ᮙᮖ ᮘᮕ ᮣᮕᮞᮣᮕᮔ ᮔᮑᮞᮗᮕᮢᮺ ᮘᮙᮣ ᮖᮙᮢᮣᮤ ᮙᮞᮣᮤᮙᮞᮓᮤ ᮣᮘᮟᮥᮜᮔ ᮒᮕ ᮤᮟ ᮢᮕᮤᮢᮕᮑᮤ ᮧᮙᮤᮘ ᮘᮙᮣ ᮤᮕᮑᮝᮼ

ᯗᮖ ᮘᮕ ᮑᮓᮤᮕᮔ ᮤᮟᮟ ᮝᮥᮓᮘ ᮜᮙᮛᮕ ᮑ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮺ ᮤᮘᮕ ᮓᮢᮑᮓᮛᮣ ᮙᮞ ᮘᮙᮣ ᮖᮑᮓᮑᮔᮕ ᮧᮟᮥᮜᮔ ᮣᮘᮟᮧᮺ ᮙᮞᮦᮙᮤᮙᮞᮗ ᮥᮞᮞᮕᮓᮕᮣᮣᮑᮢᮩ ᮣᮥᮣᮠᮙᮓᮙᮟᮞᮼ

ᯐᮥᮤ ᮙᮖ ᮘᮕ ᮘᮕᮣᮙᮤᮑᮤᮕᮔᮺ ᮤᮘᮟᮣᮕ ᮓᮘᮙᮜᮔᮢᮕᮞ ᮧᮟᮥᮜᮔ ᮔᮙᮕᮼ

ᮃᮟ ᮘᮕ ᮘᮑᮔ ᮞᮟ ᮓᮘᮟᮙᮓᮕ ᮒᮥᮤ ᮤᮟ ᮝᮑᮞᮙᮠᮥᮜᮑᮤᮕ ᯚᮙ ᯚᮙᮑᮞᮗᮜᮙᮑᮞᮗ ᮙᮞᮤᮟ ᮣᮤᮟᮢᮝᮙᮞᮗ ᮤᮘᮕ ᮑᮥᮓᮤᮙᮟᮞᮺ ᮔᮕᮜᮙᮒᮕᮢᮑᮤᮕᮜᮩ ᮙᮞᮓᮙᮤᮙᮞᮗ ᮓᮟᮞᮖᮜᮙᮓᮤᮼ ᮄᮘᮑᮤ ᮧᮑᮩᮺ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ ᮧᮟᮥᮜᮔ ᮑᮠᮠᮕᮑᮢ ᮑᮣ ᮤᮘᮟᮥᮗᮘ ᮀᮢᮟᮖᮕᮣᮣᮟᮢ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮘᮑᮔ ᮒᮕᮕᮞ ᮖᮟᮢᮓᮕᮔ ᮙᮞᮤᮟ ᮑ ᮔᮕᮣᮠᮕᮢᮑᮤᮕ ᮜᮑᮣᮤ ᮣᮤᮑᮞᮔ ᮑᮖᮤᮕᮢ ᮘᮙᮣ ᮣᮤᮥᮔᮕᮞᮤ’ᮣ ᮕᮨᮠᮟᮣᮥᮢᮕᮼ

ᯖᮟᮞᮕᮣᮤᮜᮩᮺ ᮠᮜᮑᮩᮙᮞᮗ ᮤᮘᮕ ᮘᮕᮢᮟ ᮧᮑᮣᮞ’ᮤ ᮣᮟ ᮒᮑᮔᮼ ᯏ ᮜᮙᮤᮤᮜᮕ ᮣᮕᮞᮣᮕ ᮟᮖ ᮚᮥᮣᮤᮙᮓᮕᮺ ᮣᮕᮕᮙᮞᮗ ᮑ ᮗᮢᮟᮥᮠ ᮟᮖ ᮓᮘᮙᮜᮔᮢᮕᮞ ᮤᮟᮢᮤᮥᮢᮕᮔ ᮒᮕᮩᮟᮞᮔ ᮢᮕᮓᮟᮗᮞᮙᮤᮙᮟᮞᮺ ᮑᮒᮟᮥᮤ ᮤᮟ ᮒᮕ ᮔᮢᮑᮙᮞᮕᮔ ᮑᮞᮔ ᮔᮕᮦᮟᮥᮢᮕᮔ ᮒᮩ ᮦᮑᮝᮠᮙᮢᮕᮣ—ᮑᮞᮩ ᮔᮕᮓᮕᮞᮤ ᮠᮕᮢᮣᮟᮞ ᮧᮟᮥᮜᮔ ᮣᮞᮑᮠᮼ ᮃᮓᮢᮕᮧ ᮙᮤᮺ ᮣᮜᮑᮥᮗᮘᮤᮕᮢ ᮤᮘᮕ ᮝᮟᮞᮣᮤᮕᮢᮣ ᮖᮙᮢᮣᮤ ᮑᮞᮔ ᮑᮣᮛ ᮡᮥᮕᮣᮤᮙᮟᮞᮣ ᮜᮑᮤᮕᮢᮼ

ᯐᮥᮤ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮓᮟᮥᮜᮔᮞ’ᮤᮼ ᯖᮕ ᮧᮑᮣ ᮑ ᮦᮑᮝᮠᮙᮢᮕᮼ ᯖᮕ ᮓᮟᮥᮜᮔ ᮣᮜᮑᮥᮗᮘᮤᮕᮢ ᮕᮦᮕᮢᮩ ᮜᮑᮣᮤ ᮝᮟᮞᮣᮤᮕᮢᮺ ᮒᮥᮤ ᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮜᮕᮤ ᮑᮞᮩᮟᮞᮕ ᮛᮞᮟᮧ ᮘᮕ ᮧᮑᮣ ᮤᮘᮕ ᮟᮞᮕ ᮧᮘᮟ ᮔᮙᮔ ᮙᮤᮼ ᮄᮘᮕ ᮢᮕᮑᮣᮟᮞᯍ ᮇᮕᮜᮜ… ᮣᮙᮞᮓᮕ ᮘᮕ ᮧᮑᮣ ᮑ ᮦᮑᮝᮠᮙᮢᮕᮺ ᮘᮙᮣ ᮠᮣᮩᮓᮘᮟᮜᮟᮗᮩ ᮣᮘᮟᮥᮜᮔ ᮒᮕ ᮑᮒᮞᮟᮢᮝᮑᮜᮼ

ᮄᮘᮕ ᮟᮞᮜᮩ ᮖᮜᮑᮧ ᮧᮑᮣ ᮤᮘᮑᮤ ᮖᮙᮢᮕᮼ

ᯑᮟᮝᮕ ᮤᮟ ᮤᮘᮙᮞᮛ ᮟᮖ ᮙᮤᮺ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮖᮕᮜᮤ ᮑ ᮜᮙᮤᮤᮜᮕ ᮗᮥᮙᮜᮤᮩ ᮤᮟᮧᮑᮢᮔ ᮘᮙᮣ ᮣᮤᮥᮔᮕᮞᮤᮺ ᮜᮕᮤᮤᮙᮞᮗ ᯚᮙ ᯚᮙᮑᮞᮗᮜᮙᮑᮞᮗ ᮤᮑᮛᮕ ᮤᮘᮕ ᮖᮑᮜᮜᮼ ᯐᮥᮤ ᮣᮙᮞᮓᮕ ᮘᮕ’ᮔ ᮒᮕᮕᮞ ᮠᮜᮑᮩᮙᮞᮗ ᮤᮘᮕ ᮧᮟᮥᮞᮔᮕᮔ ᮑᮞᮔ ᮣᮜᮕᮕᮠᮙᮞᮗ ᮥᮞᮤᮙᮜ ᮞᮟᮧᮺ ᮘᮕ ᮘᮑᮔᮞ’ᮤ ᮣᮥᮒᮝᮙᮤᮤᮕᮔ ᮘᮙᮣ ᮝᮙᮣᮣᮙᮟᮞ ᮢᮕᮠᮟᮢᮤ ᮩᮕᮤᮼ

ᯖᮕ ᮓᮟᮥᮜᮔ ᮧᮢᮙᮤᮕ ᮙᮞ ᮤᮘᮕ ᮢᮕᮠᮟᮢᮤ ᮤᮘᮑᮤ ᮘᮕ’ᮔ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮣᮥᮣᮠᮕᮓᮤᮕᮔ ᮑ ᮦᮑᮝᮠᮙᮢᮕ ᮤᮢᮑᮠᮺ ᮑᮞᮔ ᮤᮘᮑᮤ ᯚᮙ ᯚᮙᮑᮞᮗᮜᮙᮑᮞᮗ ᮧᮑᮣᮞ’ᮤ ᮕᮞᮤᮙᮢᮕᮜᮩ ᮤᮟ ᮒᮜᮑᮝᮕᮼ ᮄᮘᮕ ᮟᮥᮤᮓᮟᮝᮕ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮓᮘᮑᮞᮗᮕᮺ ᮒᮥᮤ ᮑᮤ ᮜᮕᮑᮣᮤ ᯚᮙ ᯚᮙᮑᮞᮗᮜᮙᮑᮞᮗ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮘᮑᮦᮕ ᮤᮟ ᮧᮢᮙᮤᮕ ᮑ ᮣᮕᮜᮖᮻᮓᮢᮙᮤᮙᮓᮙᮣᮝᮼ

ᯖᮕ ᮣᮕᮤ ᮤᮘᮕ ᮖᮜᮑᮣᮘ ᮔᮢᮙᮦᮕ ᮔᮟᮧᮞᮺ ᮥᮞᮑᮒᮜᮕ ᮤᮟ ᮣᮥᮠᮠᮢᮕᮣᮣ ᮑ ᮣᮕᮜᮖᮻᮝᮟᮓᮛᮙᮞᮗ ᮣᮝᮙᮢᮛᮼ

“ᮀᮢᮟᮖᮕᮣᮣᮟᮢᮺ ᮑᮢᮕ ᮩᮟᮥ ᮝᮟᮓᮛᮙᮞᮗ ᮝᮕᯍ” ᯔᮑᮢᮑᮘ’ᮣ ᮙᮓᮩ ᮦᮟᮙᮓᮕ ᮓᮥᮤ ᮙᮞ ᮤᮘᮕ ᮞᮕᮨᮤ ᮣᮕᮓᮟᮞᮔᮼ

“ᯜᮟᮺ ᯗ ᮧᮑᮣ ᮚᮥᮣᮤ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮕᮜᮣᮕᮺ” ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮣᮘᮟᮟᮛ ᮘᮙᮣ ᮘᮕᮑᮔᮼ “ᮇᮘᮩ ᮗᮙᮦᮕ ᮤᮘᮙᮣ ᮤᮟ ᮝᮕᯍ”

“ᯐᮕᮓᮑᮥᮣᮕ ᯗ ᮓᮑᮞ’ᮤ ᮤᮟᮜᮕᮢᮑᮤᮕ ᮖᮑᮙᮜᮥᮢᮕᮺ” ᯔᮑᮢᮑᮘ ᮑᮞᮣᮧᮕᮢᮕᮔᮼ

“ᯗ ᮔᮟᮞ’ᮤ ᮖᮟᮜᮜᮟᮧᮼ”

“ᯗ ᮑᮝ ᮤᮘᮕ ᮓᮘᮟᮣᮕᮞ ᮘᮕᮙᮢ ᮟᮖ ᮤᮘᮕ ᯑᮑᮝᮒᮢᮙᮑ ᮖᮑᮝᮙᮜᮩᮺ ᮤᮘᮕ ᮖᮥᮤᮥᮢᮕ ᯒᮥᮓᮘᮕᮣᮣᮼ ᯛᮩ ᮥᮠᮒᮢᮙᮞᮗᮙᮞᮗ ᮤᮑᮥᮗᮘᮤ ᮝᮕ ᮤᮟ ᮒᮕ ᮖᮜᮑᮧᮜᮕᮣᮣᮺ ᮤᮟ ᮕᮨᮓᮕᮜᮼ ᯛᮩ ᮔᮙᮓᮤᮙᮟᮞᮑᮢᮩ ᮔᮕᮖᮙᮞᮕᮣ ᮠᮕᮢᮖᮕᮓᮤᮙᮟᮞ ᮑᮣ ᮞᮕᮦᮕᮢ ᮖᮑᮙᮜᮙᮞᮗᮼ”

ᯔᮟᮢ ᮑ ᮖᮜᮕᮕᮤᮙᮞᮗ ᮝᮟᮝᮕᮞᮤᮺ ᮘᮕᮢ ᮤᮟᮞᮕ ᮔᮢᮙᮠᮠᮕᮔ ᮧᮙᮤᮘ ᮔᮙᮣᮔᮑᮙᮞᮼ

“ᯚᮑᮣᮤ ᮞᮙᮗᮘᮤ ᮧᮑᮣ ᮝᮩ ᮖᮙᮢᮣᮤ ᮝᮙᮣᮣᮙᮟᮞᮺ ᮑᮞᮔ ᮙᮤ ᮕᮞᮔᮕᮔ ᮙᮞ ᮖᮑᮙᮜᮥᮢᮕᮼ ᯗ ᮛᮞᮟᮧ ᮧᮕ ᮝᮑᮩ ᮧᮟᮢᮛ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮑᮗᮑᮙᮞ ᮙᮞ ᮤᮘᮕ ᮖᮥᮤᮥᮢᮕᮺ ᮑᮣ ᮠᮑᮢᮤ ᮟᮖ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮕᮑᮝᮼ ᮃᮟ ᯗ ᮝᮥᮣᮤ ᮜᮕᮑᮢᮞ ᮥᮞᮙᮤᮩᮼ ᯗ ᮤᮢᮕᮑᮤ ᮕᮦᮕᮢᮩ ᮝᮕᮝᮒᮕᮢ ᮧᮙᮤᮘ ᮕᮡᮥᮑᮜ ᮢᮕᮣᮠᮕᮓᮤ…”

ᯔᮑᮢᮑᮘ ᮧᮕᮞᮤ ᮟᮞ ᮑᮤ ᮜᮕᮞᮗᮤᮘ ᮧᮘᮙᮜᮕ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮠᮟᮞᮔᮕᮢᮕᮔᮼ

ᮇᮘᮕᮤᮘᮕᮢ ᮙᮤ ᮧᮑᮣ ᮤᮘᮕ ᮩᮟᮥᮞᮗ ᮜᮑᮔᮩ ᮟᮖ ᮃᮙᮜᮦᮕᮢ ᯗᮢᮙᮣ’ᮣ ᮘᮑᮒᮙᮤᮥᮑᮜ ᮠᮘᮢᮑᮣᮙᮞᮗ ᮟᮢ ᮘᮕᮢ ᮑᮧᮛᮧᮑᮢᮔ ᯛᮑᮞᮔᮑᮢᮙᮞᮺ ᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮡᮥᮙᮤᮕ ᮗᮢᮑᮣᮠ ᮘᮕᮢ ᮠᮟᮙᮞᮤ…

ᮇᮘᮕᮞ ᮣᮘᮕ ᮖᮙᮞᮙᮣᮘᮕᮔᮺ ᯔᮑᮢᮑᮘ ᮣᮤᮑᮢᮕᮔ ᮓᮟᮜᮔᮜᮩ ᮑᮤ ᮘᮙᮝᮺ ᮧᮑᮙᮤᮙᮞᮗ ᮖᮟᮢ ᮑ ᮢᮕᮣᮠᮟᮞᮣᮕᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ’ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮤᮥᮢᮞᮕᮔ ᮟᮔᮔᮼ “ᯑᮟᮥᮜᮔ ᮩᮟᮥ ᮢᮕᮠᮕᮑᮤ ᮤᮘᮑᮤ ᮙᮞ ᯔᮢᮕᮞᮓᮘ ᮟᮢ ᯓᮞᮗᮜᮙᮣᮘᯍ ᯗ ᮝᮙᮗᮘᮤ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮑᮤ ᮜᮕᮑᮣᮤ ᮣᮟᮝᮕ ᮟᮖ ᮙᮤᮼ ᮇᮘᮑᮤ ᮩᮟᮥ ᮚᮥᮣᮤ ᮣᮑᮙᮔ… ᮝᮩ ᮒᮢᮑᮙᮞ ᮓᮑᮞ’ᮤ ᮠᮑᮢᮣᮕ ᮙᮤᮼ”

“ᮃᮙᮝᮠᮜᮩ ᮠᮥᮤᮺ ᮧᮕ’ᮜᮜ ᮒᮕ ᮑ ᮤᮕᮑᮝᮼ ᮉᮟᮥ’ᮜᮜ ᮟᮖᮤᮕᮞ ᮒᮕ ᮤᮘᮕ ᮜᮕᮑᮔᮕᮢᮺ ᯚᮙ ᯚᮙᮑᮞᮗᮜᮙᮑᮞᮗ ᮑ ᮝᮕᮝᮒᮕᮢᮼ ᯓᮦᮕᮞ ᮙᮖ ᮧᮕ ᮞᮕᮦᮕᮢ ᮧᮟᮢᮛ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮑᮗᮑᮙᮞᮺ ᯗ ᮣᮤᮙᮜᮜ ᮧᮑᮞᮤ ᮝᮩ ᮖᮥᮤᮥᮢᮕ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮣ ᮤᮟ ᮒᮕ ᮢᮕᮜᮙᮑᮒᮜᮕᮼ ᯏᮣ ᮑ ᮢᮕᮜᮙᮑᮒᮜᮕ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮺ ᮩᮟᮥ ᮣᮘᮟᮥᮜᮔ ᮘᮕᮜᮠ ᮣᮤᮥᮔᮕᮞᮤᮣ ᮣᮟᮜᮦᮕ ᮠᮢᮟᮒᮜᮕᮝᮣᮺ ᮤᮑᮛᮕ ᮢᮕᮣᮠᮟᮞᮣᮙᮒᮙᮜᮙᮤᮩ ᮖᮟᮢ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮣᮤᮢᮥᮗᮗᮜᮕᮣ—ᮜᮙᮛᮕ ᮤᮘᮙᮣ ᮢᮕᮓᮟᮢᮔᮙᮞᮗᮼ”

“ᯕᮟᮤ ᮙᮤᮼ ᮉᮟᮥ’ᮦᮕ ᮣᮕᮤ ᮑ ᮣᮤᮑᮞᮔᮑᮢᮔ ᮖᮟᮢ ᮩᮟᮥᮢ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮼ” ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮠᮙᮓᮛᮕᮔ ᮥᮠ ᮤᮘᮕ ᮖᮜᮑᮣᮘ ᮔᮢᮙᮦᮕ ᮙᮔᮜᮩᮼ

ᮃᮜᮟᮧᮜᮩᮺ ᮘᮕ ᮣᮑᮙᮔᮺ “ᯝᮞᮜᮩ ᮤᮘᮕ ᮢᮕᮜᮙᮑᮒᮜᮕ ᮑᮢᮕ ᮧᮟᮢᮤᮘᮩ ᮟᮖ ᮒᮕᮙᮞᮗ ᮩᮟᮥᮢ ᮤᮕᮑᮓᮘᮕᮢᮺ ᮙᮣ ᮤᮘᮑᮤ ᮙᮤᯍ”

“ᮉᮕᮣᮼ”

“ᯏᮢᮕ ᮩᮟᮥ ᮤᮘᮙᮣ ᮔᮟᮝᮙᮞᮕᮕᮢᮙᮞᮗ ᮧᮙᮤᮘ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮕᮜᮣᮕᯍ”

“ᯗ ᮤᮢᮕᮑᮤ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮤᮘᮕ ᮣᮑᮝᮕᮼ ᮄᮘᮟᮣᮕ ᮑᮢᮟᮥᮞᮔ ᮝᮕ ᮓᮑᮞᮞᮟᮤ ᮒᮕ ᮔᮕᮑᮔ ᮧᮕᮙᮗᮘᮤᮼ”

“ᮄᮘᮕᮞ ᯗ’ᮝ ᮣᮟᮢᮢᮩᮼ ᯗ ᮓᮑᮞ’ᮤ ᮝᮕᮕᮤ ᮤᮘᮑᮤ ᮣᮤᮑᮞᮔᮑᮢᮔᮼ” ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮢᮕᮖᮥᮣᮕᮔᮺ ᮘᮙᮣ ᮜᮙᮠᮣ ᮓᮥᮢᮜᮙᮞᮗ ᮙᮞᮤᮟ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮓᮟᮜᮔ ᮑᮞᮔ ᮥᮞᮖᮕᮕᮜᮙᮞᮗᮼ

ᯔᮑᮢᮑᮘ ᮘᮑᮔᮞ’ᮤ ᮕᮨᮠᮕᮓᮤᮕᮔ ᮤᮘᮑᮤ ᮑᮞᮣᮧᮕᮢᮼ “ᮇᮘᮩᯍ” ᯖᮕᮢ ᮤᮟᮞᮕ ᮧᮑᮣ ᮥᮞᮓᮘᮑᮢᮑᮓᮤᮕᮢᮙᮣᮤᮙᮓᮑᮜᮜᮩ ᮥᮢᮗᮕᮞᮤᮼ

“ᯜᮟ ᮢᮕᮑᮣᮟᮞ… ᯗ ᮚᮥᮣᮤ ᮤᮘᮙᮞᮛ ᮙᮤ’ᮔ ᮒᮕ ᮕᮨᮘᮑᮥᮣᮤᮙᮞᮗᮼ”

“ᯘᮥᮣᮤ… ᮕᮨᮘᮑᮥᮣᮤᮙᮞᮗᯍ” ᯔᮑᮢᮑᮘ’ᮣ ᮦᮟᮙᮓᮕ ᮓᮑᮢᮢᮙᮕᮔ ᮑ ᮘᮙᮞᮤ ᮟᮖ… ᮔᮙᮣᮑᮠᮠᮟᮙᮞᮤᮝᮕᮞᮤᮼ

“ᯒᮙᮣᮑᮠᮠᮟᮙᮞᮤᮕᮔᯍ ᮄᮘᮑᮤ’ᮣ ᮝᮩ ᮟᮞᮜᮩ ᮢᮕᮑᮣᮟᮞᮼ”

ᯔᮑᮢᮑᮘ ᮖᮕᮜᮜ ᮣᮙᮜᮕᮞᮤᮺ ᮣᮙᮤᮤᮙᮞᮗ ᮣᮤᮙᮖᮖᮜᮩ ᮙᮞ ᮘᮕᮢ ᮓᮘᮑᮙᮢᮺ ᮢᮕᮞᮔᮕᮢᮕᮔ ᮣᮠᮕᮕᮓᮘᮜᮕᮣᮣᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮢᮥᮒᮒᮕᮔ ᮘᮙᮣ ᮤᮕᮝᮠᮜᮕᮣᮼ ᯖᮕ ᮘᮑᮔᮞ’ᮤ ᮕᮨᮠᮕᮓᮤᮕᮔ ᯔᮑᮢᮑᮘ ᮤᮟ ᮓᮑᮝᮠ ᮙᮞ ᮘᮙᮣ ᮢᮟᮟᮝ ᮑᮜᮜ ᮝᮟᮢᮞᮙᮞᮗ ᮚᮥᮣᮤ ᮖᮟᮢ ᮤᮘᮙᮣᮼ ᯝᮤᮘᮕᮢ ᮤᮘᮙᮞᮗᮣ ᮘᮕ ᮓᮟᮥᮜᮔ ᮘᮑᮞᮔᮜᮕᮺ ᮒᮥᮤ “ᮢᮕᮜᮙᮑᮒᮙᮜᮙᮤᮩ”ᯍ ᯔᮢᮑᮞᮛᮜᮩᮺ ᮤᮘᮕ ᮓᮟᮞᮓᮕᮠᮤ ᮝᮕᮑᮞᮤ ᮜᮙᮤᮤᮜᮕ ᮤᮟ ᮘᮙᮝᮼ

ᯏᮤ ᮤᮧᮕᮞᮤᮩᮻᮖᮟᮥᮢᮺ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮑ ᮣᮤᮥᮔᮕᮞᮤ ᮧᮑᮣ ᮜᮕᮓᮤᮥᮢᮙᮞᮗ ᮘᮙᮝ ᮑᮒᮟᮥᮤ ᮒᮕᮙᮞᮗ ᮢᮕᮜᮙᮑᮒᮜᮕᮼ

ᮇᮘᮩ ᮒᮢᮙᮞᮗ ᮥᮠ ᮢᮕᮜᮙᮑᮒᮙᮜᮙᮤᮩᯍ ᯗᮤ ᮥᮞᮣᮕᮤᮤᮜᮕᮔ ᮘᮙᮝᮼ ᯖᮑᮔ ᮣᮘᮕ ᮖᮙᮗᮥᮢᮕᮔ ᮟᮥᮤ ᮘᮕ’ᮔ ᮥᮣᮕᮔ ᯚᮙ ᯚᮙᮑᮞᮗᮜᮙᮑᮞᮗᯍ ᮂᮕᮜᮙᮑᮒᮙᮜᮙᮤᮩ ᮖᮕᮜᮤ ᮑᮛᮙᮞ ᮤᮟ ᮤᮢᮥᮣᮤ—ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮥᮞᮣᮘᮑᮛᮑᮒᮜᮕᮺ ᮜᮙᮛᮕ ᮥᮞᮒᮢᮕᮑᮛᮑᮒᮜᮕ ᮖᮢᮙᮕᮞᮔᮣᮘᮙᮠ ᮟᮢ ᮥᮞᮔᮩᮙᮞᮗ ᮜᮟᮦᮕᮺ ᮙᮞ ᮘᮙᮣ ᮦᮑᮝᮠᮙᮢᮕᮻᮤᮧᮙᮣᮤᮕᮔ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗᮼ

ᮃᮥᮓᮘ ᮤᮘᮙᮞᮗᮣᮺ ᮘᮕ’ᮔ ᮢᮑᮤᮘᮕᮢ ᮞᮟᮤ ᮔᮧᮕᮜᮜ ᮟᮞᮼ

ᯖᮙᮣ “ᯒᮙᮣᮑᮠᮠᮟᮙᮞᮤᮕᮔᯍ” ᮧᮑᮣ ᮢᮕᮑᮜᮜᮩ ᮚᮥᮣᮤ ᮑ ᮖᮜᮙᮠᮠᮑᮞᮤ ᮧᮑᮩ ᮟᮖ ᮣᮑᮩᮙᮞᮗ ᯗ’ᮝ ᮥᮞᮢᮕᮜᮙᮑᮒᮜᮕᮺ ᮔᮕᮑᮜ ᮧᮙᮤᮘ ᮙᮤᮼ ᯜᮟᮧ ᮘᮕ ᮚᮥᮣᮤ ᮘᮑᮔ ᮤᮟ ᮧᮑᮙᮤ ᮖᮟᮢ ᮤᮘᮕ ᮠᮢᮟᮥᮔ ᯑᮑᮝᮒᮢᮙᮑ ᮘᮕᮙᮢᮕᮣᮣ ᮤᮟ ᮣᮤᮟᮢᮝ ᮟᮖᮖ—ᮟᮢ ᮔᮕᮓᮜᮑᮢᮕ ᮘᮕᮢ ᮔᮙᮣᮑᮠᮠᮟᮙᮞᮤᮝᮕᮞᮤ—ᮣᮟ ᮘᮕ ᮓᮟᮥᮜᮔ ᮡᮥᮙᮕᮤᮜᮩ ᮒᮢᮟᮧᮣᮕ ᮦᮙᮔᮕᮟᮣ ᮑᮞᮔ ᮖᮟᮢᮥᮝᮣ ᮙᮞ ᮠᮕᮑᮓᮕᮼ

ᯐᮥᮤ ᯔᮑᮢᮑᮘ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮣᮕᮑᮤᮕᮔᮼ ᮄᮘᮕ ᮥᮣᮥᮑᮜᮜᮩ ᮑᮢᮢᮟᮗᮑᮞᮤ ᮩᮟᮥᮞᮗ ᮜᮑᮔᮩ ᮣᮕᮕᮝᮕᮔ ᮜᮙᮛᮕ ᮑ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮠᮕᮢᮣᮟᮞᮼ

“ᮉᮟᮥ ᮣᮘᮟᮥᮜᮔ ᮗᮟᮼ ᯗ ᮞᮕᮕᮔ ᮤᮟ ᮜᮙᮣᮤᮕᮞ ᮤᮟ ᮤᮘᮕ ᮢᮕᮓᮟᮢᮔᮙᮞᮗ ᮑᮜᮟᮞᮕᮼ” ᯗᮞ ᮤᮘᮕ ᮕᮞᮔᮺ ᮤᮘᮑᮤ ᮧᮑᮣ ᮑᮜᮜ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮓᮟᮥᮜᮔ ᮣᮑᮩᮼ

ᯖᮕ ᮔᮙᮔᮞ’ᮤ ᮜᮙᮛᮕ ᮤᮑᮜᮛᮙᮞᮗ ᮤᮟᮟ ᮝᮥᮓᮘ ᮧᮙᮤᮘ ᮣᮤᮥᮔᮕᮞᮤᮣᮺ ᮣᮟ ᮘᮕ ᮑᮜᮧᮑᮩᮣ ᮛᮕᮠᮤ ᮑ ᮣᮤᮕᮢᮞᮺ ᮔᮙᮣᮤᮑᮞᮤ ᮖᮢᮟᮞᮤᮼ ᯖᮕ ᮖᮕᮜᮤ ᮥᮞᮙᮦᮕᮢᮣᮙᮤᮩ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮣ ᮑᮞᮔ ᮣᮤᮥᮔᮕᮞᮤᮣ ᮟᮖᮤᮕᮞ ᮗᮢᮕᮧ ᮤᮟᮟ ᮓᮜᮟᮣᮕᮺ ᮑᮞᮔ ᮘᮕ ᮔᮙᮔᮞ’ᮤ ᮞᮕᮕᮔ ᮤᮘᮑᮤ ᮝᮑᮞᮩ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮖᮑᮓᮕᮣ ᮑᮢᮟᮥᮞᮔᮼ

ᯔᮟᮢ ᮖᮢᮙᮕᮞᮔᮣᮺ ᮘᮙᮣ ᮒᮥᮣᮩ ᮖᮕᮜᮜᮟᮧ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮣ ᮧᮕᮢᮕ ᮕᮞᮟᮥᮗᮘᮼ

ᯏᮞᮔ ᮟᮞᮕ ᯒᮟᮢᮟᮤᮘᮕᮑᮼ

…ᯏᮞᮔ ᯖᮕ ᮈᮙᮑᮟᮨᮙᮞᮼ

ᯔᮑᮢᮑᮘ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢᮼ ᯐᮕᮖᮟᮢᮕ ᮜᮕᮑᮦᮙᮞᮗᮺ ᮣᮘᮕ ᮓᮑᮣᮤ ᮟᮞᮕ ᮜᮑᮣᮤ ᮗᮜᮑᮞᮓᮕ ᮑᮤ ᮤᮘᮕ ᮝᮑᮞ ᮟᮞ ᮤᮘᮕ ᮘᮟᮣᮠᮙᮤᮑᮜ ᮒᮕᮔᮼ ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮘᮙᮣ ᮝᮑᮞ ᮧᮑᮣᮞ’ᮤ ᮤᮘᮕ ᮟᮞᮕ ᮣᮘᮕ’ᮔ ᮒᮕᮕᮞ ᮣᮕᮑᮢᮓᮘᮙᮞᮗ ᮖᮟᮢ ᮑᮜᮜ ᮑᮜᮟᮞᮗᮼ

“ᮅᮞᮔᮕᮢᮣᮤᮟᮟᮔᮼ ᯗ ᮧᮟᮞ’ᮤ ᮔᮙᮣᮤᮥᮢᮒ ᮩᮟᮥᮢ ᮢᮕᮣᮤ ᮑᮞᮩ ᮖᮥᮢᮤᮘᮕᮢᮺ ᮀᮢᮟᮖᮕᮣᮣᮟᮢᮼ”

ᯔᮙᮞᮑᮜᮜᮩᮺ ᮣᮘᮕ ᮧᮑᮣ ᮗᮟᮞᮕᮼ

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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