The Vampire Professor

Chapter 74

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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აჷ ჄႸႹႾႻ ჷ ჃჄჅႽႲႼႵႴ ჅჀႿႾ Ⴑ ႳჅႼჄლა ჰႱႹ ႡႹ ჇႸႹჃჀႵჂႵႴნ

აჯ ႳჅႼჄჭა ჯႾ ႨႹႱႿ჉Ⴙ ჂႵჃჀႿႾႴႵႴ ჇႹჄႸ ႽႹႼႴ ჃჅჂჀჂႹჃႵნ

ჯჃჃჅႽႹႾႷ ႹჄ ჇႱჃ ႱႾ ႱႳႱႴႵႽႹႳ ႽႱჄჄႵჂლ ჄႸႵ ႱႲჂჅჀჄ ႽႵႾჄႹႿႾ ႿႶ Ⴑ ႳჅႼჄ ႶႵႼჄ ႺႱჂჂႹႾႷნ

ჷჄ ჇႱჃ Ⴑ ჄႵჂႽ ჄႸႱჄ ႸႱႴ ႷჂႱႴჅႱႼႼ჉ ႶႱႴႵႴ ႶჂႿႽ ჀჂႿႽႹႾႵႾႳႵნ ჼႿჇლ ႹႾ რპრულ ႳჅႼჄჃ ჇႵჂႵ ႾႿ ႼႿႾႷႵჂ Ⴑ ႽႱႹႾჃჄჂႵႱႽ ႳႿႾႳႵჂႾლ ჄႸႿჅႷႸ ჂჅႽႿჂჃ ჀႵჂჃႹჃჄႵႴ ჄႸႱჄ Ⴕ჈ჄჂႵႽႵ ჂႵႼႹႷႹႿჅჃ ႷჂႿჅჀჃ ჃჄႹႼႼ Ⴕ჈ႹჃჄႵႴ ႹႾ ჳჅჂႿჀႵ ႱႾႴ ჼႿჂჄႸ ჯႽႵჂႹႳႱნ

ႤႸႵ ჰႼႿႿႴႻႹႾ ႱႼჂႵႱႴ჉ ႳႱჂჂႹႵႴ Ⴑ ႳႵჂჄႱႹႾ ჂႵႼႹႷႹႿჅჃ ႱჅჂႱლ ჇႸႹႳႸ ႸႱႴ ႷႹ჆ႵႾ ჂႹჃႵ ჄႿ ႾჅႽႵჂႿჅჃ ႳჅႼჄჃნ ႤႸႵჃႵ ႷჂႿჅჀჃ ჇႿჂჃႸႹჀჀႵႴ ႽႿႾჃჄႵჂჃ ႱႾႴ ႲႼႿႿႴჃႸႵႴლ ႲႵႼႹႵ჆ႹႾႷ ჄႸႱჄ ႲႵႱჅჄ჉ ႳႿႵ჈ႹჃჄႵႴ ჇႹჄႸ ႴႵႱჄႸნ

ႤႵჂჂႹႶ჉ႹႾႷ ႱႾႴ ႷჂႿჄႵჃჁჅႵნ

ჷႾ ჶჅႱႷჅႿლ ႳჅႼჄჃ ႸႱႴ ႾႵႱჂႼ჉ ჆ႱႾႹჃႸႵႴნ ႤႸႵ ჀႵႿჀႼႵვჃ ჂႵႼႹႷႹႿჅჃ ႽႹႾႴჃႵჄ ႼႵႱႾႵႴ ჄႿჇႱჂႴ Ⴑ ႽႿჂႵ ႼႱႹႴმႲႱႳႻლ ჰჅႴႴႸႹჃჄმႼႹႻႵ ჀႸႹႼႿჃႿჀႸ჉ნ ჽ჆ႵჂ Ⴑ ႴႵႳႱႴႵ ႱႷႿლ ႾႱჄႹႿႾჇႹႴႵ ႱႾჄႹმႳჅႼჄ ႳႱႽჀႱႹႷႾჃ ႸႱႴ ႴჂႹ჆ႵႾ ႽႿჃჄ ႳჅႼჄჃ ჄႿ ჂႵႼႿႳႱჄႵ ჄႿ ႣႿჅჄႸႵႱჃჄ ჯჃႹႱნ

ჶႵ ჃჄჅႴႹႵႴ ჰႱႹ ႡႹლ ႳႿႾႳႵჂႾႵႴ ႱႲႿჅჄ ჇႸႱჄ ႸႹჃ ჃჄჅႴႵႾჄ ႽႹႷႸჄ ႸႱ჆Ⴕ ႵႾႳႿჅႾჄႵჂႵႴნ

აჯჂႵ ჉ႿჅ ჃჅჂႵჭ ჲႹႴ ჉ႿჅ ჂႵჀႿჂჄ ႹჄ ჄႿ ჄႸႵ ჀႿႼႹႳႵჭა

აჼႿჄ ႵႾჄႹჂႵႼ჉ ჃჅჂႵლ ႲჅჄ ჄႸႵ ჀႼႱႳႵ ႶႵႼჄნნნ ႿႶႶნა

ჰႱႹ ႡႹ ჄႹႼჄႵႴ ႸႵჂ ႸႵႱႴნ

ა჻჉ ႾႵႹႷႸႲႿჂႸႿႿႴ ႹჃ ჀჂႵჄჄ჉ ჂႵႽႿჄႵ—ႱႾ ႿႼႴ ჂႵჃႹႴႵႾჄႹႱႼ ႱჂႵႱ ჇႸႵჂႵ ႽႿჃჄ ႸႿჅჃႵႸႿႼႴჃ ႸႱ჆Ⴕ ႱႼჂႵႱႴ჉ ႽႿ჆ႵႴ ႿჅჄნ ჯ ႶႵჇ ႴႱ჉Ⴣ ႱႷႿლ ჇႸႵႾ ჷ ჇႵႾჄ ႲႱႳႻ ႶႿჂ ႲჂႵႱႻლ ჷ ჃႵႾჃႵႴ ჄႸႵ ჂႵႼႵႱჃႵ ႿႶ ჯჅჄႸႿჂႹჄ჉ ႼႱჄႵ ႱჄ ႾႹႷႸჄლ ႱႼႿႾႷ ჇႹჄႸ Ⴑ ႷႱჄႸႵჂႹႾႷ ႿႶ ჀႵႿჀႼႵნა

აႩႿჅ ჃჅჃჀႵႳჄ ჄႸႵ ჰႼႿႿႴႻႹႾ ႱჂႵ ႽႱႾႹჀჅႼႱჄႹႾႷ ႸჅႽႱႾჃნა

აჲႿႵჃႾ’Ⴤ ႹჄ ჃႿჅႾႴ ჃჅჃჀႹႳႹႿჅჃჭ ჯ ႷჂႿჅჀ ႿႶ ჀႵႿჀႼႵ ႷႱჄႸႵჂႹႾႷ ႹႾ Ⴑ ႸႿჅჃႵ ႼႱჄႵ ႱჄ ႾႹႷႸჄლ ჂႵႼႵႱჃႹႾႷ ჯჅჄႸႿჂႹჄ჉ჭ ჼႿჂႽႱႼႼ჉ლ ჯჅჄႸႿჂႹჄ჉ ჅჃႵჂჃ ჇႿჅႼႴႾ’Ⴤ ႴႱჂႵ ႴႿ ჄႸႱჄნ ႤႸႱႾႻჃ ჄႿ ჄႸႵႹჂ ႱႲႹႼႹჄႹႵჃლ ჄႸႵ჉ ႳႱႾ ႵႱჃႹႼ჉ ႳႼႹႽႲ ჄႿ ჄႸႵ ჄႿჀ ႿႶ ႽႱႾ჉ ႹႾႴჅჃჄჂႹႵჃ ႱႾႴ ႱႽႱჃჃ ჇႵႱႼჄႸნა

ჰႱႹ ႡႹ ႼႱႹႴ ႿჅჄ ႸႵჂ ჂႵႱჃႿႾႹႾႷ ႽႵჄႸႿႴႹႳႱႼႼ჉ნ

აႣႿლ ႹჄ’Ⴣ ႽႿჃჄ ႼႹႻႵႼ჉ ჄႸႵ ჰႼႿႿႴႻႹႾნ ႠႼჅჃლ ჀႵႿჀႼႵ ႸႱ჆Ⴕ ႲႵႵႾ ႴႹჃႱჀჀႵႱჂႹႾႷ ႱჂႿჅႾႴ Ⴝ჉ ႱჂႵႱ ႼႱჄႵႼ჉ნა

აჲႿႵჃ ჄႸႹჃ ჄჂႿჅႲႼႵ ჉ႿჅლ ႿჂ ႸႱჃ ႹჄ ႱႶႶႵႳჄႵႴ ჉ႿჅ ႴႹჂႵႳჄႼ჉ჭა ჯႾ ႨႹႱႿ჉Ⴙ’Ⴣ ჂႵჃჀႿႾჃႵ ჇႱჃ ჅႾႵ჈ჀႵႳჄႵႴႼ჉ ႴႵჄႱႳႸႵႴნ

ჰႱႹ ႡႹ ႶჂႿ჊Ⴕნ ႣႸႵ ႶႿჅႾႴ ႹჄ ჃჄჂႱႾႷႵ ჄႸႱჄ ႠჂႿႶႵჃჃႿჂ ჯႾ ჇႿჅႼႴ ႱႳჄ ჃႿ ႹႾႴႹႶႶႵჂႵႾჄნ ႧႸႵჄႸႵჂ ႹჄ ႱႶႶႵႳჄႵႴ ႸႵჂ ႿჂ ႾႿჄლ ჄႸႹჃ ჇႱჃ ჃჄႹႼႼ ჇႿჂჄႸ ჂႵჀႿჂჄႹႾႷ—Ⴑ ჰႼႿႿႴႻႹႾ ႳჅႼჄ ჇႱჃ ႿჀႵჂႱჄႹႾႷ ႾႵႱჂႲ჉ნ

ჶႵჃႹჄႱႾჄႼ჉ლ ჃႸႵ ჂႵႽႹႾႴႵႴ ႸႹႽნ

აႠჂႿႶႵჃჃႿჂლ ႹჄ’Ⴣ Ⴑ ႳჅႼჄ ႹႾ჆ႿႼ჆ႹႾႷ ჯჅჄႸႿჂႹჄ჉ ჅჃႵჂჃნა

აჷ ႻႾႿჇლა ჯႾ ႨႹႱႿ჉Ⴙ ႾႿႴႴႵႴნ

აႤႸႵႾ ჇႸ჉—ა

აჷႶ ჄႸႱჄ’Ⴣ ჄႸႵ ႳႱჃႵლ ჇႸ჉ ႴႹႴႾ’Ⴤ ჉ႿჅ ႺჅჃჄ ჂႵჀႿჂჄ ႹჄ ჄႿ ჄႸႵ ႱჅჄႸႿჂႹჄႹႵჃ ႹႾჃჄႵႱႴ ႿႶ ჄႵႼႼႹႾႷ ႽႵჭა

ჯႾ ႨႹႱႿ჉Ⴙ ႼႵႱႾႵႴ ႲႱႳႻ ჃႼႹႷႸჄႼ჉ ႹႾ ႸႹჃ ႳႸႱႹჂლ ႸႹჃ ჄႿႾႵ ႳႱႼႽნ

აჯჃ ႶႱჂ ႱჃ ჷ ჂႵႳႱႼႼლ ჄႸႵ ჅႾႹ჆ႵჂჃႹჄ჉ ႱჀჀ ႸႱჃ Ⴑ ႴႵႴႹႳႱჄႵႴ ႳႸႱႾႾႵႼ ႶႿჂ ჂႵჀႿჂჄႹႾႷ ჃჅჃჀႹႳႹႿჅჃ ႱႳჄႹ჆ႹჄ჉ნ ႧႸႵჄႸႵჂ ჉ႿჅ’ჂႵ ႹႾჄჂႿ჆ႵჂჄႵႴ ႿჂ ႺჅჃჄ ႶႹႾႴ ႹჄ ႲႿჄႸႵჂჃႿႽႵლ ႱႼႼ ჉ႿჅ ႾႵႵႴ ჄႿ ႴႿ ႹჃ Ⴤ჉ჀႵ ႹჄ ႹႾლ ႱႾႴ ჄႸႵ ჳႾႶႿჂႳႵႽႵႾჄ ჰჅჂႵႱჅ ჇႹႼႼ ჃႵႾႴ ჃႿႽႵႿႾႵ ჄႿ ႹႾ჆ႵჃჄႹႷႱჄႵნა

ჰႱႹ ႡႹ ႶႵႼႼ ჃႹႼႵႾჄნ

ჯႾ ႨႹႱႿ჉Ⴙ’Ⴣ ႷႱ჊Ⴕ ჇႱჃ ႳႱჃჅႱႼლ ႵႱჃႹႼ჉ ჀႹႵჂႳႹႾႷ ჄႸჂႿჅႷႸ ႸႵჂ ჄႸႿჅႷႸჄჃნ

ႧႹჄႸ Ⴑ ჃႹႷႸლ ჰႱႹ ႡႹ ჂႵႼႵႾჄႵႴნ

აႩႿჅ’ჂႵ Ⴝ჉ ჀჂႿႶႵჃჃႿჂნ ჯჄ ჃႳႸႿႿႼლ ჉ႿჅ’ჂႵ ႼႹႻႵ Ⴑ ႷჅႱჂႴႹႱႾ—ჇႵႼႼლ ႽႿჂႵ ႼႹႻႵ Ⴑ ႷႵႾჄႼႵ ႿႼႴႵჂ ႲჂႿჄႸႵჂნ ჷჄ’Ⴣ ႿႾႼ჉ ႾႱჄჅჂႱႼ ჄႿ ႲჂႹႾႷ ჄႸႹჃ ჅჀ ჇႹჄႸ ჉ႿჅ ႴႹჂႵႳჄႼ჉ნა

აႤႸႱჄლ ჷ ႴႹႴႾ’Ⴤ Ⴕ჈ჀႵႳჄნა ჯႾ ႨႹႱႿ჉Ⴙ ჀႹႳႻႵႴ ჅჀ Ⴑ ჀႹႵႳႵ ႿႶ ႶჂႹႵႴ ႳႸႹႳႻႵႾ ႱႾႴ ႳႸႵჇႵႴ ჄႸႿჅႷႸჄႶჅႼႼ჉ნ

ႤႸႵႾლ ႱჃ ႹႶ ႿႶႶႸႱႾႴႵႴႼ჉ლ ႸႵ ႱႴႴႵႴნ

აჷ ჄႸႿჅႷႸჄ ႽႱ჉ႲႵ Ⴑ ႳႼႿჃႵ ႶჂႹႵႾႴ ႿႶ ჉ႿჅჂჃ ჇႱჃ ႹႾ჆ႿႼ჆ႵႴლ ႱႾႴ ჉ႿჅ ႴႹႴႾ’Ⴤ ჇႱႾჄ ႸႵჂ ႳႱჅႷႸჄ ჅჀ ႹႾ ႹჄნ ႣႵႵႽჃ ჷ Ⴟ჆ႵჂჄႸႿჅႷႸჄ ႹჄნ ჯႶჄႵჂ ჇႵ ႶႹႾႹჃႸ ႵႱჄႹႾႷლ ჷ’ႼႼ ႸႵႱႴ ჄႿ ჄႸႵ ჳႾႶႿჂႳႵႽႵႾჄ ჰჅჂႵႱჅნ ႤႸႹჃ ႹჃ ჃჄჂႱႹႷႸჄႶႿჂჇႱჂႴნა

აႧႱႹჄ჏ა ჰႱႹ ႡႹ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჀჂႿჄႵჃჄႵႴნ

ჯႾ ႨႹႱႿ჉Ⴙ ႼႹႶჄႵႴ ႸႹჃ ႸႵႱႴლ ჄႿႿႻ Ⴑ ჃႹჀ ႿႶ ႳႿႶႶႵႵლ ႱႾႴ ჇႱჄႳႸႵႴ ႱჃ ჰႱႹ ႡႹ ႲჅჂႹႵႴ ႸႵჂჃႵႼႶ ႹႾ ႸႵჂ ႶႿႿႴნ

აჷ ჇႱჃ ჂႹႷႸჄნა

ანნნႩႵႱႸნა ჰႱႹ ႡႹ ႾႿႴႴႵႴ ჃႼႹႷႸჄႼ჉ლ ႸႵჂ ႸႵႱႴ ჃႹႾႻႹႾႷ ႼႿჇႵჂნ

აჱႸႹႼႴႸႿႿႴ ႶჂႹႵႾႴჭა

აჯ ჂႵႱႼႼ჉ლ ჂႵႱႼႼ჉ ႳႼႿჃႵ ႿႾႵნ ჵჂႵჇ ჅჀ ჄႿႷႵჄႸႵჂლ Ⴕ჆ႵႾ ჃႸႱჂႵႴ ႳႼႿჄႸႵჃნა

ჸჅჃჄ ႱჃ ႸႵ’Ⴔ ჃჅჃჀႵႳჄႵႴნ ჯჃ ჴႱჂႼႿჇ ႸႱႴ ႿႾႳႵ ႾႿჄႵႴლ ჯႾ ႨႹႱႿ჉Ⴙ ႸႱႴ Ⴑ ႸႱႲႹჄ ႿႶ ႿႲჃႵჂ჆ႹႾႷ ႿჄႸႵჂჃნ ႧႸႵႾ ႸႵ ႱჂჂႹ჆ႵႴლ ႸႵ’Ⴔ ႾႿჄႹႳႵႴ ჰႱႹ ႡႹ’Ⴣ ႴႹჃჄჂႱႳჄႵႴ ႴႵႽႵႱႾႿჂლ ႸႵჂ Ⴕ჉ႵჃ ႶჂႵჁჅႵႾჄႼ჉ ႳႼႿჅႴႵႴ ჇႹჄႸ ႷႼႿႿႽნ

ჶႵ ႿႾႼ჉ ႸႱႴ ႶႹ჆Ⴕ ჃჄჅႴႵႾჄჃნ ႤႸႿჅႷႸ ႸႵ ႿႶჄႵႾ ႳႿႽჀႼႱႹႾႵႴ ჄႸႱჄ ႾႿႾႵ ႿႶ ჄႸႵႽ ႼႹ჆ႵႴ ჅჀ ჄႿ ႸႹჃ Ⴕ჈ჀႵႳჄႱჄႹႿႾჃლ ႹႾ ჄჂჅჄႸლ ႸႵ ႳႱჂႵႴ ႴႵႵჀႼ჉ნ

ჼႿ ႽႱჄჄႵჂ ჄႸႵ ႴႱ჉ ႿჂ ႸႿჅჂლ ჇႸႵႾႵ჆ႵჂ ႸႵ ჃႱჇ ჄႸႵႽლ ႸႵ ჀႱႹႴ Ⴕ჈ჄჂႱ ႱჄჄႵႾჄႹႿႾნ

ჺႹႻႵ ႾჅჂჄჅჂႹႾႷ ჉ႿჅႾႷ ჃႱჀႼႹႾႷჃ—Ⴕ჆ႵႾ ჄႸႿჅႷႸ ჄႸႵ ႱႷႵ ႷႱჀ ჇႱჃ ႿႾႼ჉ Ⴑ ႶႵჇ ჉ႵႱჂჃნ

ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჃ ႽႵჄႹႳჅႼႿჅჃ ႱႾႴ ႵႱჂႾႵჃჄნ ჼႿჇ ჄႸႱჄ ႸႵ ჇႱჃ Ⴑ ჀჂႿႶႵჃჃႿჂლ ႸႵ ႹႾჄႵႾႴႵႴ ჄႿ ჃႵႵ ႹჄ ჄႸჂႿჅႷႸნ

ჺႱႳႻႹႾႷ Ⴕ჈ჀႵჂႹႵႾႳႵჭ ჶႵ’Ⴔ ႼႵႱჂႾნ ႧႱႾჄႹႾႷ ჄႿ ႽႱႹႾჄႱႹႾ Ⴑ ႴႵჄႱႳႸႵႴლ ჅႾႱჀჀჂႿႱႳႸႱႲႼႵ ჀႵჂჃႿႾႱჭ ჶႵ’Ⴔ ჃჅႲჄႼ჉ ႳႱჂႵ ႶႿჂ ႸႹჃ ჃჄჅႴႵႾჄჃ ႹႾ ჅႾႾႿჄႹႳႵႴ ჇႱ჉Ⴣლ ႻႵႵჀႹႾႷ ႸႹჃ ჀჂႵჃႵႾႳႵ ႼႹႷႸჄ ႱႾႴ ჁჅႹႵჄნ

ႣႿ Ⴕ჆ႵჂ჉ ႴႱ჉ლ ႸႵ ჂႵႱႴლ ჂႵჃႵႱჂႳႸႵႴ ႿႾႼႹႾႵლ ႱႾႴ ჃႱჄ ႹႾ ႸႹჃ ႼႱႲ ჇႱჄႳႸႹႾႷ ႸႹჃ ႴႹჃႳႹჀႼႵჃ ჄႸႵႿჂႹ჊Ⴕ ႱႲႿჅჄ ႸႹႴႴႵႾ ჀႿჃჃႹႲႹႼႹჄႹႵჃ ႹႾ ჰႼႿႿႴႻႹႾ ႸႹჃჄႿჂ჉ნ

ႤႸႹჃ ჇႱჃ ჯႾ ႨႹႱႿ჉Ⴙ’Ⴣ ჂႿჅჄႹႾႵ ႱჄ ႣჄნ ႤႱႾႱႾႺႿႾႱ ႥႾႹ჆ႵჂჃႹჄ჉ლ ႿჅჄჃႹႴႵ ႿႶ ჄႵႱႳႸႹႾႷნ

აႣႿლ ႠჂႿႶႵჃჃႿჂლა ჰႱႹ ႡႹ ႳႿჅႼႴႾ’Ⴤ ႸႵႼჀ ႱჃႻႹႾႷლ აႸႿჇ ႴႹႴ ჉ႿჅ ႻႾႿჇჭა

ႣႵჄჄႹႾႷ ႴႿჇႾ ႸႹჃ ჀႼႱჃჄႹႳ ႶႿჂႻლ ჯႾ ႨႹႱႿ჉Ⴙ ႽႵჄ ႸႵჂ ႷႱ჊Ⴕნ

ჰႱႹ ႡႹ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჄႿჅႳႸႵႴ ႸႵჂ ႼႹჀჃლ ჄႸႹႾႻႹႾႷ ჃႿႽႵჄႸႹႾႷ ჇႱჃ ჃჄჅႳႻ ჄႸႵჂႵნ

აჷ’Ⴝ ႼႿႿႻႹႾႷ ႱჄ ჉ႿჅჂ Ⴕ჉ႵჃნ ႧႸ჉ ႱჂႵ ჉ႿჅ ჄႿჅႳႸႹႾႷ ჉ႿჅჂ ႽႿჅჄႸჭა ჯႾ ႨႹႱႿ჉Ⴙ ႴႵႱႴჀႱႾႾႵႴნ

ჰႱႹ ႡႹ ჂჅႲႲႵႴ ႸႵჂ Ⴕ჉ႵჃ ႹႾჃჄႵႱႴლ ჄႸႵႾ ႲჂႹႷႸჄႵႾႵႴნ აჽႸ჏ ႠჂႿႶႵჃჃႿჂლ ႱჂႵ ჉ႿჅ ჃႱ჉ႹႾႷ ჄႸႵჂႵ’Ⴣ Ⴑ ႼႹႿႾ ႸႹႴႹႾႷ ႹႾ Ⴝ჉ Ⴕ჉ႵჃჭა

ჯႾ ႨႹႱႿ჉Ⴙ ჃႹႷႸႵႴნ აჷჄ’Ⴣ ჄႸႱჄ ჉ႿჅ’჆Ⴕ ႲႵႵႾ ჅႾჅჃჅႱႼႼ჉ ჁჅႹႵჄ ჄႿႴႱ჉ნ ႩႿჅ ႻႾႿჇ ჇႸႱჄ ჲႿჂႿჄႸ჉ ႳႱႼႼჃ ჉ႿჅჭ ‘ჺႹჄჄႼႵ ჳႾႳႸႱႾჄჂႵჃჃნ’ ჱႿႽႲႹႾႵႴ ჇႹჄႸ ႸႿჇ ჀჂႵႿႳႳჅჀႹႵႴ ჉ႿჅ’჆Ⴕ ჃႵႵႽႵႴლ ႹჄ ჇႱჃႾ’Ⴤ ႸႱჂႴ ჄႿ ႷჅႵჃჃ ჄႸႵჂႵ ჇႱჃ ႽႿჂႵ ჄႿ ჄႸႹჃნა

აჴႵႵႼჃ ႼႹႻႵ ჉ႿჅ’჆Ⴕ ჃႵႵႾ ჂႹႷႸჄ ჄႸჂႿჅႷႸ ႽႵლა ჰႱႹ ႡႹ ႽჅჄჄႵჂႵႴნ

აჷ ႳႱႾ ႱႼჃႿ ႷჅႵჃჃ ჇႸႱჄ ჉ႿჅ’ჂႵ ႱႲႿჅჄ ჄႿ ႱჃႻ ႾႵ჈Ⴤ—ჄႸႱჄ ჷ ႴႵႼႱ჉ ჂႵჀႿჂჄႹႾႷ ჄႸႹჃ ႱႾႴ ႹႾჃჄႵႱႴ ႸႵႼჀ ჉ႿჅ ႹႾ჆ႵჃჄႹႷႱჄႵ ჄႸႵ ႳჅႼჄნ ჰႵႳႱჅჃႵ ჉ႿჅ’ჂႵ ႳႼႹႾႷႹႾႷ ჄႿ ჄႸႵ ႸႿჀႵ ჄႸႱჄ ჉ႿჅჂ ႶჂႹႵႾႴ ႳႱႾ ჃჄႹႼႼ ႲႵ ჃႱ჆ႵႴნა

ჰႱႹ ႡႹ’Ⴣ Ⴕ჉ႵჃ ჇႹႴႵႾႵႴნ აႠჂႿႶႵჃჃႿჂლ ႱჂႵ ჉ႿჅ Ⴑ ႽႹႾႴმჂႵႱႴႹႾႷ ჄႱჀႵჇႿჂႽჭ ჶႿჇ ႴႿ ჉ႿჅ ႻႾႿჇ Ⴕ჆ႵჂ჉ჄႸႹႾႷჭა

აႤႱჀႵჇႿჂႽჭა

ჯႾ ႨႹႱႿ჉Ⴙ ႱႳჄჅႱႼႼ჉ ႳႿႾჃႹႴႵჂႵႴ ჇႸႵჄႸႵჂ ჄႸႵჂႵ ჇႱჃ ႱႾ ჯჅჄႸႿჂႹჄ჉ ჂႵႼႱჄႵႴ ჄႿ ჄႱჀႵჇႿჂႽჃნ

აჳ჈ႱႳჄႼ჉჏ ႩႿჅ’ჂႵ ჄႸႵ ჄႱჀႵჇႿჂႽლ ႱႾႴ ჉ႿჅ’ჂႵ ჂႹႷႸჄ—ႳႿႽჀႼႵჄႵႼ჉ ჂႹႷႸჄნ ჷ ႴႿႾ’Ⴤ ჇႱႾჄ ჄႸႵ ჳႾႶႿჂႳႵႽႵႾჄ ჰჅჂႵႱჅ ჄႿ ჂႱႹႴ ჄႸႵ ႳჅႼჄ ႲႵႳႱჅჃႵ Ⴝ჉ ႶჂႹႵႾႴ ჇႿჅႼႴ ႲႵ ႳႱჅႷႸჄ ႹႾ ႹჄ ჄႿႿნ ჷ’Ⴝ ჃႵႼႶႹჃႸნ ჷ ჇႱႾჄ ჄႿ ჃႱ჆Ⴕ ႸႵჂ ႶႹჂჃჄნ ჷ ႻႾႿჇ ჄႸႵ ჰჅჂႵႱჅ ჇႿჅႼႴႾ’Ⴤ ႱႼႼႿჇ ჄႸႱჄლ ჇႸႹႳႸ ႹჃ ჇႸ჉ ჷ ႳႱႽႵ ჄႿ ჉ႿჅნა

აႧႸႱჄ’Ⴣ ჉ႿჅჂ ႶჂႹႵႾႴ’Ⴣ ႳჅჂჂႵႾჄ ႳႿႾႴႹჄႹႿႾჭა ჯႾ ႨႹႱႿ჉Ⴙ ႱჃႻႵႴნ

აႣႸႵ ႴႿႵჃႾ’Ⴤ ჂႵႳႿႷႾႹ჊Ⴕ ႽႵნა

ჰႱႹ ႡႹ ჃႱႹႴ ႹჄ ႳႱჃჅႱႼႼ჉ლ ႲჅჄ ႸႵჂ Ⴕ჉ႵჃ ႴჂႹႶჄႵႴ ჄႿჇႱჂႴ ჄႸႵ ჇႹႾႴႿჇნ

ჯႾ ႨႹႱႿ჉Ⴙ’Ⴣ ႸႵႱჂჄ ჄჇႹႾႷႵႴ ჃႼႹႷႸჄႼ჉ნ ႣႸႵ ႴႿႵჃႾ’Ⴤ ჂႵႽႵႽႲႵჂჭ ႤႸႵ ႳႱႼႽ ჄႿႾႵ ჂႵႽႹႾႴႵႴ ႸႹႽ ႿႶ ჶႵ ႨႹႱႿ჈ႹႾ ႲႱႳႻ ჄႸႵႾ—ႼႱႳႵႴ ჇႹჄႸ ჁჅႹႵჄ ჃႿჂჂႿჇლ ႴႵჃჀႵჂႱჄႵႼ჉ ႸႹႴႴႵႾნ ႣႿ ჄႸႹჃ ႹჃ ႸႿჇ ႸჅႽႱႾ ႶჂႹႵႾႴჃႸႹჀ ჇႿჂႻჃნ

ჶႿჇ ჃჄჂႱႾႷႵნ

ჯႾႴ ჉ႵჄლ ႲႵႱჅჄႹႶჅႼნ

ႤႸႵ ႽႿႽႵႾჄ ჰႱႹ ႡႹ ჃႱႹႴ ႸႵჂ ႶჂႹႵႾႴ ႾႿ ႼႿႾႷႵჂ ჂႵႳႿႷႾႹ჊ႵႴ ႸႵჂლ ჯႾ ႨႹႱႿ჉Ⴙ ႱႼჂႵႱႴ჉ ႻႾႵჇ ჄႸႵ ႿჅჄႳႿႽႵნ ჶႵ’Ⴔ ჃႵႵႾ ჃႹႽႹႼႱჂ ႳႱჃႵჃ ႲႵႶႿჂႵნ ႥႾႼႹႻႵ ჯჅჄႸႿჂႹჄ჉ ჅჃႵჂჃლ ჄႸႵ ჰႼႿႿႴႻႹႾ ჀႿჃჃႵჃჃႵႴ ႽჅႼჄႹჀႼႵ ႱႲႹႼႹჄႹႵჃლ ႾႿჄ ႺჅჃჄ ႿႾႵნ

ჷႾ Ⴑ ჇႱ჉ლ ჯჅჄႸႿჂႹჄ჉ ჅჃႵჂჃ ჇႵჂႵ ႺჅჃჄ ჰႼႿႿႴႻႹႾ ჇႹჄႸ ႶႼႱჇႵႴ ႲႼႿႿႴႼႹႾႵჃ—ჅႾႱႲႼႵ ჄႿ ႴჂႹႾႻ ႲႼႿႿႴლ ႼႱႳႻႹႾႷ ႷჂႵႱჄႵჂ ჀႿჇႵჂნ

ჰჅჄ Ⴕ჆ႵჂ჉ ჰႼႿႿႴႻႹႾლ ჇႸႵჄႸႵჂ ჀჅჂႵႲႼႿႿႴ ႿჂ ჄႸჂႱႼႼლ ჀႿჃჃႵჃჃႵႴ ႿႾႵ ႹႾႾႱჄႵ ჯჅჄႸႿჂႹჄ჉—ჅႾჃჀႿႻႵႾლ ჅႾႾႱႽႵႴნ

ႤႸႿჃႵ ჇႸႿ ჇႵჂႵ ႲႹჄჄႵႾ ႲჅჄ ႴႹႴႾ’Ⴤ ႴႹႵ ჇႿჅႼႴ ჃႿႿႾ ႴႵႳႱ჉ლ ჄႸႵႹჂ ჂႵႱჃႿႾ ჃႸႱჄჄႵჂႹႾႷ ჅႾჄႹႼ ჄႸႵ჉ ႲႵႳႱႽႵ ႽႹႾႴႼႵჃჃ ჲႵႱႴ ႣႵჂ჆ႱႾჄჃლ ႽႿႾჃჄႵჂჃ ႴჂႹ჆ႵႾ ႿႾႼ჉ Ⴒ჉ ჄႸႵ ႹႾჃჄႹႾႳჄ ჄႿ ႳႿႾჃჅႽႵ ႶႼႵჃႸნ

ႤႸႱჄ ჇႱჃ ჇႸ჉ ჰႱႹ ႡႹ ႸႱႴ ႳႿႽႵ ჄႿ ႸႹႽნ ႣႸႵ ႻႾႵჇ ჄႸႱჄ ႹႶ ჄႸႵ ჳႾႶႿჂႳႵႽႵႾჄ ჰჅჂႵႱჅ ႹႾჄႵჂ჆ႵႾႵႴლ ႸႵჂ ႶჂႹႵႾႴ ჇႿჅႼႴ ႲႵ ႽႱჂႻႵႴ ႶႿჂ ႴႵႱჄႸ—ႾႿ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ Ⴑ ჲႵႱႴ ႣႵჂ჆ႱႾჄ ႹႾ ჄႸႵႹჂ Ⴕ჉ႵჃნ

აჷ’Ⴝ ჃႿჂჂ჉ნ ႤႸႹჃ ႹჃႾ’Ⴤ ჃႿႽႵჄႸႹႾႷ ჷ ႳႱႾ ႴႵႳႹႴႵლა ჯႾ ႨႹႱႿ჉Ⴙ ჃႱႹႴ ჃႿႶჄႼ჉ნ

აჷ ႻႾႿჇნ ჷ ႺჅჃჄ ჇႱႾჄႵႴ ჄႿ ჄႱႼႻ ႱႲႿჅჄ ႹჄნ ჲႹႴႾ’Ⴤ ჂႵႱႼႼ჉ Ⴕ჈ჀႵႳჄ Ⴑ ჃႿႼჅჄႹႿႾნა ჰႱႹ ႡႹ ჃႸჂჅႷႷႵႴლ ჄႸႿჅႷႸ ჇႸႵჄႸႵჂ ႹჄ ჇႱჃ ႿჀჄႹႽႹჃႽ ႿჂ ჂႵჃႹႷႾႱჄႹႿႾ ჇႱჃ ჅႾႳႼႵႱჂნ აჷႶ ჃႸႵ ႴႿႵჃႾ’Ⴤ Ⴕ჆ႵႾ ჂႵႽႵႽႲႵჂ ႽႵლ ჄႸႵჂႵ’Ⴣ ႾႿ ჃႱ჆ႹႾႷ ႸႵჂნა

ჯႾ ႨႹႱႿ჉Ⴙ ႸႵჃႹჄႱჄႵႴნ აႧႹႼႼ ჉ႿჅ ႲႵ ჃႱႴჭა

აჽႶ ႳႿჅჂჃႵნ ႣႸႵ ჇႱჃ Ⴝ჉ ႲႵჃჄ ႶჂႹႵႾႴნ ႠჂႿႶႵჃჃႿჂლ ႴႹႴႾ’Ⴤ ჉ႿჅ ႸႱ჆Ⴕ Ⴑ ႳႸႹႼႴႸႿႿႴ ႶჂႹႵႾႴ ჉ႿჅ ႽႱႴႵ ჀႹႾႻ჉ ჀჂႿႽႹჃႵჃ ჇႹჄႸჭა ჰႱႹ ႡႹ ჃჄႿႿႴლ ႸႱ჆ႹႾႷ ႶႹႾႹჃႸႵႴ ႸႵჂ ႽႵႱႼლ ႱႾႴ ႷჂႱႲႲႵႴ ႸႵჂ ႳႿႶႶႵႵნ

აჼႿნა ჯႾ ႨႹႱႿ჉Ⴙ ჄႸႿჅႷႸჄ ႿႶ Ⴑ ჆ႱႷჅႵ ႶႹႷჅჂႵ ႶჂႿႽ ႸႹჃ ჀႱჃჄნ

ႤႸႵႾ ႸႵ ჂႵႳႿႾჃႹႴႵჂႵႴნ აჲႿႵჃ ႶႱႽႹႼ჉ ႳႿჅႾჄჭა

ჷႾ ႸႹჃ ႽႵႽႿჂႹႵჃლ ႸႹჃ ႱჅႾჄ ჅჃႵႴ ჄႿ ჀႼႱ჉ ႱႼႿႾႷ ჇႹჄႸ ႸႹჃ ჃႹႼႼ჉ ჀႹႾႻ჉ ჀჂႿႽႹჃႵჃ ႺჅჃჄ ჄႿ ႸჅႽႿჂ ႸႹႽნ

ჷჄ ჇႱჃნნნ Ⴑ ჆ႵჂ჉ ႲႿჂႹႾႷ ႷႱႽႵნ

აႧႿჇლ ႠჂႿႶႵჃჃႿჂლ ჉ႿჅჂ ႳႸႹႼႴႸႿႿႴ ჃႿჅႾႴჃ ႳႿႽჀႼႹႳႱჄႵႴნ ჯႾ჉ჇႱ჉ლ Ⴒ჉Ⴕ჏ ჷ’჆Ⴕ ႷႿჄ ႳႼჅႲ ႱႳჄႹ჆ႹჄႹႵჃ ႼႱჄႵჂნ ჷ’Ⴝ ႶჅႼႼ჏ა

ჰႱႹ ႡႹ ႸჅჂჂႹႵႴ ႿჅჄ ႿႶ ჄႸႵ ႲႿႿჄႸლ ႼႵႱ჆ႹႾႷ ჯႾ ႨႹႱႿ჉Ⴙ ႴႵႵჀ ႹႾ ჄႸႿჅႷႸჄნ

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The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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