The Vampire Professor

Chapter 75

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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ᯗᮞ ᮤᮘᮕ ᮜᮙᮒᮢᮑᮢᮩᮺ ᮤᮘᮕ ᮖᮜᮟᮟᮢ ᮧᮑᮣ ᮜᮙᮤᮤᮕᮢᮕᮔ ᮧᮙᮤᮘ ᮒᮟᮟᮛᮣ ᮠᮙᮜᮕᮔ ᮥᮠ ᮘᮑᮠᮘᮑ᮪ᮑᮢᮔᮜᮩᮼ ᯏᮖᮤᮕᮢ ᮜᮥᮞᮓᮘᮺ ᮝᮟᮢᮕ ᮣᮤᮥᮔᮕᮞᮤᮣ ᮓᮑᮝᮕ ᮤᮟ ᮤᮘᮕ ᮜᮙᮒᮢᮑᮢᮩᮺ ᮝᮟᮣᮤ ᮟᮖ ᮤᮘᮕᮝ ᮜᮟᮧᮕᮢᮻᮩᮕᮑᮢ ᮣᮤᮥᮔᮕᮞᮤᮣ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮓᮢᮑᮝ ᮖᮟᮢ ᮕᮨᮑᮝᮣ ᮜᮑᮣᮤ ᮝᮙᮞᮥᮤᮕᮼ ᮄᮘᮕ ᮘᮙᮣᮤᮟᮢᮩ ᮟᮖ ᮤᮘᮕ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞ ᮧᮑᮣ ᮑᮞ ᮙᮞᮣᮥᮢᮝᮟᮥᮞᮤᮑᮒᮜᮕ ᮘᮥᮢᮔᮜᮕ ᮖᮟᮢ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮩᮕᮑᮢᮣᮼ

“ᯕᮟᮟᮔ ᮑᮖᮤᮕᮢᮞᮟᮟᮞᮺ ᮀᮢᮟᮖᮕᮣᮣᮟᮢ ᯏᮞᮼ”

ᯏᮞ ᮈᮙᮑᮟᮩᮙᮺ ᮧᮘᮟ ᮧᮑᮣ ᮖᮜᮙᮠᮠᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮑ ᮒᮟᮟᮛᮺ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮞᮔ ᮣᮑᮧ ᮑ ᮣᮤᮥᮔᮕᮞᮤᮼ ᯖᮕ ᮧᮑᮣ ᮧᮕᮑᮢᮙᮞᮗ ᮑ ᮓᮥᮣᮤᮟᮝ ᮣᮓᮘᮟᮟᮜ ᮥᮞᮙᮖᮟᮢᮝᮺ ᮘᮑᮔ ᮒᮜᮑᮓᮛ ᮘᮑᮙᮢᮺ ᮟᮞᮕ ᮘᮑᮞᮔ ᮘᮟᮜᮔᮙᮞᮗ ᮑ ᮜᮥᮞᮓᮘᮒᮟᮨ ᮑᮞᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮓᮑᮢᮢᮩᮙᮞᮗ ᮑ ᮒᮑᮗ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮒᮟᮟᮛᮣᮼ

“ᮇᮘᮟ ᮑᮢᮕ ᮩᮟᮥᯍ” ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮔᮙᮔᮞ’ᮤ ᮡᮥᮙᮤᮕ ᮢᮕᮝᮕᮝᮒᮕᮢ ᮤᮘᮙᮣ ᮒᮟᮩ᮵ᮣ ᮞᮑᮝᮕᮼ

ᮄᮘᮕ ᮒᮟᮩ ᮠᮜᮑᮓᮕᮔ ᮘᮙᮣ ᮒᮑᮗ ᮟᮞ ᮤᮘᮕ ᮤᮑᮒᮜᮕᮺ ᮜᮟᮧᮕᮢᮕᮔ ᮘᮙᮣ ᮘᮕᮑᮔᮺ ᮑᮞᮔ ᮤᮟᮟᮛ ᮟᮥᮤ ᮒᮟᮟᮛᮣ ᮟᮞᮕ ᮒᮩ ᮟᮞᮕᮺ ᮣᮑᮩᮙᮞᮗᮺ “ᯖᮑᮢᮢᮩ ᮀᮟᮤᮤᮕᮢᮺ ᮖᮟᮥᮢᮤᮘ ᮩᮕᮑᮢ ᮟᮖ ᮤᮘᮕ ᯑᮟᮝᮒᮑᮤ ᯒᮕᮠᮑᮢᮤᮝᮕᮞᮤᮼ”

“ᯖᮝᮝᯍ”

“ᯘᮥᮣᮤ ᮛᮙᮔᮔᮙᮞᮗᮺ ᯗ’ᮝ ᯑᮕᮓᮙᮜ ᮀᮟᮤᮤᮕᮢᮼ ᯗ ᮢᮕᮑᮔ ᮩᮟᮥᮢ ᮢᮕᮣᮕᮑᮢᮓᮘ ᮠᮑᮠᮕᮢᮺ ‘ᮄᮘᮕ ᯓᮝᮟᮤᮙᮟᮞᮑᮜ ᯒᮕᮖᮙᮓᮙᮕᮞᮓᮩ ᮟᮖ ᮤᮘᮕ ᯐᮜᮟᮟᮔ ᯑᮜᮑᮞᮺ’ ᮩᮕᮣᮤᮕᮢᮔᮑᮩᮼ ᮉᮟᮥᮢ ᮠᮕᮢᮣᮠᮕᮓᮤᮙᮦᮕ ᮙᮣ ᮤᮘᮟᮥᮗᮘᮤᮻᮠᮢᮟᮦᮟᮛᮙᮞᮗᮺ ᮑᮞᮔ ᯗ’ᮝ ᮡᮥᮙᮤᮕ ᮙᮞᮤᮕᮢᮕᮣᮤᮕᮔᮼ”

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮙᮞᮔᮕᮕᮔ ᮘᮑᮔ ᮠᮥᮒᮜᮙᮣᮘᮕᮔ ᮘᮙᮣ ᮑᮢᮗᮥᮝᮕᮞᮤᮺ ᮧᮘᮙᮓᮘ ᮧᮑᮣ ᮑ ᮓᮜᮕᮦᮕᮢ ᮜᮟᮟᮠᮘᮟᮜᮕᮼ ᯏᮣ ᮑ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮺ ᮘᮑᮦᮙᮞᮗ ᮞᮟ ᮠᮑᮠᮕᮢᮣ ᮟᮖ ᮘᮙᮣ ᮟᮧᮞ ᮧᮟᮥᮜᮔ ᮒᮕ ᮡᮥᮙᮤᮕ ᮥᮞᮢᮕᮑᮣᮟᮞᮑᮒᮜᮕᮺ ᮒᮥᮤ ᮙᮤ᮵ᮣ ᮤᮟᮟ ᮓᮟᮝᮠᮕᮤᮙᮤᮙᮦᮕᮼ

ᮅᮞᮤᮙᮜ ᮘᮕ ᮔᮙᮣᮓᮟᮦᮕᮢᮕᮔ ᮤᮘᮑᮤ ᮙᮞ ᮤᮘᮕ ᮣᮓᮘᮟᮟᮜᮣ ᮟᮖ ᮑᮜᮜ ᮤᮘᮕ ᮢᮥᮜᮕᮢᮣᮺ ᮙᮞᮓᮜᮥᮔᮙᮞᮗ ᮃᮑᮙᮞᮤ ᯏᮞᮞ᮵ᮣᮺ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕᮞ᮵ᮤ ᮝᮑᮞᮩ ᮣᮤᮥᮔᮙᮕᮣ ᮟᮞ ᮤᮘᮕ ᮕᮝᮟᮤᮙᮟᮞᮣ ᮟᮖ ᮤᮘᮕ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞᮼ ᯗᮞ ᮤᮘᮕ ᮘᮙᮣᮤᮟᮢᮩ ᮔᮕᮠᮑᮢᮤᮝᮕᮞᮤ᮵ᮣ ᮘᮙᮣᮤᮟᮢᮩ ᮟᮖ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞ ᮙᮔᮕᮟᮜᮟᮗᮩᮺ ᮤᮘᮙᮣ ᮥᮞᮔᮟᮥᮒᮤᮕᮔᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮑ ᮞᮕᮧ ᮑᮦᮕᮞᮥᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮟᮢᮙᮗᮙᮞᮑᮜᮜᮩ ᮑ ᮧᮑᮩ ᮤᮟ ᮠᮑᮓᮛᮑᮗᮕ ᮘᮙᮣ ᮡᮥᮑᮜᮙᮖᮙᮓᮑᮤᮙᮟᮞᮣᮺ ᮑᮞᮔ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮧᮑᮣ ᮣᮥᮢᮠᮢᮙᮣᮕᮔ ᮤᮘᮑᮤ ᮑ ᮣᮤᮥᮔᮕᮞᮤ ᮣᮘᮟᮧᮕᮔ ᮙᮞᮤᮕᮢᮕᮣᮤᮼ

“ᮆᮕᮢᮩ ᮖᮕᮧ ᮠᮕᮟᮠᮜᮕ ᮔᮕᮜᮦᮕ ᮔᮕᮕᮠᮜᮩ ᮙᮞᮤᮟ ᮤᮘᮕ ᮕᮝᮟᮤᮙᮟᮞᮣ ᮟᮖ ᮤᮘᮕ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞᮺ” ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮣᮑᮙᮔ ᮧᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮺ ᮠᮥᮤᮤᮙᮞᮗ ᮔᮟᮧᮞ ᮤᮘᮕ ᮒᮟᮟᮛᮼ “ᯗ ᮤᮘᮙᮞᮛ ᮙᮤ’ᮣ ᮑ ᮝᮕᮑᮞᮙᮞᮗᮖᮥᮜ ᮤᮟᮠᮙᮓ ᮤᮘᮑᮤ ᮘᮕᮜᮠᮣ ᮥᮣ ᮒᮕᮤᮤᮕᮢ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮤᮘᮟᮣᮕ ᮝᮟᮞᮣᮤᮕᮢᮣᮼ”

“ᮉᮟᮥ ᮝᮕᮞᮤᮙᮟᮞᮕᮔ ᮤᮘᮑᮤ ᮒᮟᮤᮘ ᮢᮥᮜᮕᮢᮣ ᮑᮞᮔ ᮤᮘᮕ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞ ᮣᮘᮑᮢᮕ ᮣᮙᮝᮙᮜᮑᮢ ᮕᮝᮟᮤᮙᮟᮞᮑᮜ ᮤᮘᮙᮞᮛᮙᮞᮗᮺ ᮧᮘᮙᮓᮘ ᮝᮙᮗᮘᮤ ᮣᮤᮕᮝ ᮖᮢᮟᮝ ᮤᮘᮕ ᮙᮞᮖᮜᮥᮕᮞᮓᮕ ᮟᮖ ᮤᮘᮕᮙᮢ ᮠᮟᮧᮕᮢᮼ ᮀᮢᮟᮖᮕᮣᮣᮟᮢᮺ ᯗ’ᮔ ᮜᮙᮛᮕ ᮤᮟ ᮛᮞᮟᮧ ᮝᮟᮢᮕ ᮑᮒᮟᮥᮤ ᮤᮘᮕ ᮕᮝᮟᮤᮙᮟᮞᮑᮜ ᮤᮘᮟᮥᮗᮘᮤ ᮩᮟᮥ ᮝᮕᮞᮤᮙᮟᮞᮕᮔᮼ”

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮧᮑᮣ ᮤᮑᮛᮕᮞ ᮑᮒᮑᮓᮛᮼ ᯖᮟᮧ ᮣᮘᮟᮥᮜᮔ ᮘᮕ ᮕᮨᮠᮜᮑᮙᮞᯍ ᮄᮘᮕ ᮕᮝᮟᮤᮙᮟᮞᮑᮜ ᮤᮘᮟᮥᮗᮘᮤ ᮘᮕ ᮢᮕᮖᮕᮢᮢᮕᮔ ᮤᮟ ᮧᮑᮣ ᮜᮙᮛᮕ ᮤᮘᮑᮤ ᮟᮖ ᮑ ᮝᮕᮞᮤᮑᮜ ᮙᮜᮜᮞᮕᮣᮣᮼ

ᯏᮢᮕᮞ᮵ᮤ ᮤᮘᮕ ᮤᮘᮟᮥᮗᮘᮤᮣ ᮟᮖ ᮤᮘᮟᮣᮕ ᮧᮙᮤᮘ ᮠᮟᮧᮕᮢ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮔᮕᮢᮑᮞᮗᮕᮔᮺ ᮜᮙᮛᮕ ᯒᮟᮢᮟᮤᮘᮕᮑ ᮑᮞᮔ ᮤᮘᮟᮣᮕ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮣᯍ ᯏᮞᮔ ᮙᮞ ᮤᮘᮕ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞ… ᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮟᮖ ᮘᮙᮣ ᮑᮥᮞᮤ ᮑᮞᮔ ᮗᮢᮑᮞᮔᮖᮑᮤᮘᮕᮢᮺ ᮑᮞᮔ ᮤᮘᮟᮣᮕ ᮤᮧᮟ ᮕᮨᮤᮢᮕᮝᮕ ᮠᮑᮢᮕᮞᮤᮣᮺ ᮜᮕᮑᮔᮙᮞᮗ ᮘᮙᮝ ᮤᮟ ᮓᮟᮞᮓᮜᮥᮔᮕᮼ

ᮄᮘᮟᮣᮕ ᮧᮙᮤᮘ ᮠᮟᮧᮕᮢ ᮑᮢᮕ ᮑᮜᮜ ᮙᮞᮘᮕᮢᮕᮞᮤᮜᮩ ᮥᮞᮣᮤᮑᮒᮜᮕᮼ

ᮄᮘᮑᮤ ᮢᮕᮣᮕᮑᮢᮓᮘ ᮠᮑᮠᮕᮢ ᮧᮑᮣ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮠᮜᮑᮩᮖᮥᮜᯉ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮙᮤ ᮧᮑᮣ ᮤᮟᮟ ᮞᮙᮓᮘᮕ ᮤᮟ ᮑᮤᮤᮢᮑᮓᮤ ᮑᮤᮤᮕᮞᮤᮙᮟᮞᮺ ᮣᮟ ᮘᮕ ᮣᮙᮝᮠᮜᮩ ᮜᮕᮤ ᮜᮟᮟᮣᮕᮼ ᯗᮤ ᮕᮦᮕᮞ ᮝᮕᮞᮤᮙᮟᮞᮕᮔ ᮤᮘᮑᮤ ᯒᮟᮢᮟᮤᮘᮕᮑ ᮧᮑᮣ ᮑ ᮗᮟᮟᮔ ᮕᮨᮑᮝᮠᮜᮕ… ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮙᮤ ᮧᮑᮣ ᮚᮥᮣᮤ ᮑ ᮔᮙᮢᮕᮓᮤᮙᮟᮞ ᮖᮟᮢ ᮑ ᮠᮥᮒᮜᮙᮣᮘᮕᮔ ᮠᮢᮟᮚᮕᮓᮤᮺ ᮞᮟᮤ ᮤᮘᮕ ᮢᮕᮣᮕᮑᮢᮓᮘ ᮢᮕᮣᮥᮜᮤᮣᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮡᮥᮙᮕᮤᮜᮩ ᮖᮜᮙᮠᮠᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮒᮟᮟᮛᮺ ᮘᮙᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮥᮞᮢᮕᮑᮔᮑᮒᮜᮕᮼ

“ᮀᮢᮟᮖᮕᮣᮣᮟᮢ ᯏᮞᯍ” ᯑᮕᮓᮙᮜ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮘᮙᮝᮼ

“ᯗᮤ ᮙᮣ ᮙᮞᮔᮕᮕᮔ ᮑ ᮠᮢᮟᮖᮟᮥᮞᮔ ᮝᮑᮤᮤᮕᮢᮺ” ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮝᮥᮣᮕᮔ ᮣᮕᮢᮙᮟᮥᮣᮜᮩᮺ ᮤᮘᮕᮞ ᮣᮑᮤ ᮟᮞ ᮑ ᮓᮘᮑᮙᮢ ᮤᮑᮠᮠᮙᮞᮗ ᮘᮙᮣ ᮖᮙᮞᮗᮕᮢᮣᮼ “ᯗᮖ ᮩᮟᮥ ᮑᮢᮕ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮧᮙᮤᮘ ᮤᮘᮕ ᮘᮙᮣᮤᮟᮢᮩ ᮟᮖ ᮤᮘᮕ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞᮺ ᮔᮟ ᮩᮟᮥ ᮖᮕᮕᮜ ᮤᮘᮑᮤ ᮤᮘᮕᮢᮕ ᮙᮣ ᮑᮞ ᮙᮞᮦᮙᮣᮙᮒᮜᮕ ᮖᮑᮤᮕ ᮑᮤ ᮠᮜᮑᮩᯍ”

ᯑᮕᮓᮙᮜ᮵ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮗᮢᮕᮧ ᮣᮕᮢᮙᮟᮥᮣᮼ “ᮀᮢᮟᮖᮕᮣᮣᮟᮢᮺ ᮑᮢᮕ ᮩᮟᮥ ᮣᮑᮩᮙᮞᮗ ᮤᮘᮕ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞ ᮘᮑᮣ ᮑ ᮤᮘᮕᮟᮢᮩ ᮟᮖ ᮖᮑᮤᮕᯍ”

“ᮄᮘᮕ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞ ᮟᮖᮤᮕᮞ ᮕᮞᮗᮑᮗᮕᮣ ᮙᮞ ᮙᮞᮓᮟᮝᮠᮢᮕᮘᮕᮞᮣᮙᮒᮜᮕ ᮑᮓᮤᮙᮟᮞᮣᮺ ᮚᮥᮣᮤ ᮜᮙᮛᮕ ᮤᮘᮕ ᮠᮢᮕᮦᮙᮟᮥᮣ ᯒᮥᮛᮕ ᮀᮘᮙᮜᮙᮣᮼ ᮇᮘᮩ ᮔᮙᮔ ᮘᮕ ᮓᮟᮝᮝᮙᮤ ᮢᮕᮗᮙᮓᮙᮔᮕᮺ ᮤᮘᮕᮞ ᮣᮜᮑᮥᮗᮘᮤᮕᮢ ᮘᮙᮣ ᮛᮙᮞᮺ ᮑᮞᮔ ᮤᮘᮕᮞ ᮓᮟᮝᮝᮙᮤ ᮣᮥᮙᮓᮙᮔᮕᯍ ᮄᮟ ᮤᮘᮙᮣ ᮔᮑᮩᮺ ᮧᮕ ᮓᮑᮞᮞᮟᮤ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮙᮤᮼ ᮇᮘᮑᮤ ᯗ ᮝᮕᮑᮞ ᮙᮣᮺ ᮙᮞ ᮤᮘᮕ ᮝᮙᮞᮔᮣ ᮟᮖ ᮤᮘᮕ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞᮺ ᮤᮘᮕᮢᮕ ᮕᮨᮙᮣᮤᮣ ᮑᮞ ᮕᮨᮤᮢᮕᮝᮕᮜᮩ ᮟᮒᮣᮓᮥᮢᮕ ᮤᮘᮟᮥᮗᮘᮤᮺ ᮑᮣ ᮙᮖ ᮤᮘᮕᮩ ᮑᮢᮕ ᮙᮞ ᮑ ᮤᮘᮕᮟᮢᮩ ᮟᮖ ᮖᮑᮤᮕᮼ ᯗᮤ ᮝᮑᮩ ᮞᮟᮤ ᮒᮕ ᮑ ᮤᮘᮕᮟᮢᮩ ᮟᮖ ᮖᮑᮤᮕᮺ ᮒᮥᮤ ᮤᮘᮕᮩ ᮛᮞᮟᮧ ᮤᮘᮙᮞᮗᮣ ᮧᮕ ᮔᮟ ᮞᮟᮤᮼ”

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮘᮙᮣ ᮤᮘᮟᮥᮗᮘᮤ ᮙᮞ ᮟᮞᮕ ᮒᮢᮕᮑᮤᮘᮺ ᮥᮞᮓᮕᮢᮤᮑᮙᮞ ᮟᮖ ᮧᮘᮑᮤ ᮘᮕ ᮧᮑᮣ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮣᮑᮩᮙᮞᮗᮼ

“ᯗᮤ ᮖᮕᮕᮜᮣ ᮜᮙᮛᮕ ᮤᮘᮕ ᮠᮢᮟᮖᮕᮣᮣᮟᮢ ᮣᮑᮙᮔ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮒᮥᮤ ᮞᮟᮤᮘᮙᮞᮗ ᮑᮤ ᮑᮜᮜᮺ” ᯑᮕᮓᮙᮜ ᮠᮟᮞᮔᮕᮢᮕᮔᮼ

“ᮅᮞᮔᮕᮢᮣᮤᮟᮟᮔᮺ ᮀᮢᮟᮖᮕᮣᮣᮟᮢᮼ ᯗ’ᮝ ᮤᮟᮟ ᮙᮗᮞᮟᮢᮑᮞᮤ ᮤᮟ ᮓᮟᮝᮠᮢᮕᮘᮕᮞᮔᮼ”

ᯑᮕᮓᮙᮜ ᮒᮢᮥᮣᮘᮕᮔ ᮠᮑᮣᮤ ᮘᮙᮝ ᮑᮞᮔ ᮜᮕᮖᮤ ᮤᮘᮕ ᮜᮙᮒᮢᮑᮢᮩ ᮑᮖᮤᮕᮢ ᮚᮥᮣᮤ ᮘᮑᮜᮖ ᮑ ᮝᮙᮞᮥᮤᮕᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮧᮑᮤᮓᮘᮕᮔ ᮘᮙᮣ ᮢᮕᮤᮢᮕᮑᮤᮙᮞᮗ ᮖᮙᮗᮥᮢᮕᯉ ᮘᮕ ᮧᮑᮣ ᮑ ᮦᮕᮢᮩ ᮓᮜᮕᮦᮕᮢ ᮑᮞᮔ ᮕᮝᮟᮤᮙᮟᮞᮑᮜᮜᮩ ᮙᮞᮤᮕᮜᮜᮙᮗᮕᮞᮤ ᮣᮤᮥᮔᮕᮞᮤᮼ

ᯗᮞ ᮚᮥᮣᮤ ᮑ ᮖᮕᮧ ᮧᮟᮢᮔᮣᮺ ᮘᮕ ᮣᮕᮞᮣᮕᮔ ᮀᮢᮟᮖᮕᮣᮣᮟᮢ ᯏᮞ᮵ᮣ ᮔᮙᮖᮖᮙᮓᮥᮜᮤᮩ ᮑᮞᮔ ᮔᮙᮔ ᮞᮟᮤ ᮜᮙᮞᮗᮕᮢᮺ ᮜᮕᮑᮦᮙᮞᮗ ᮧᮙᮣᮕᮜᮩᮼ

ᮇᮘᮟᮣᮕ ᮣᮥᮒᮟᮢᮔᮙᮞᮑᮤᮕ ᮙᮣ ᮤᮘᮙᮣᯍ ᯖᮕ ᮙᮣ ᮕᮨᮑᮓᮤᮜᮩ ᮤᮘᮕ ᮛᮙᮞᮔ ᮟᮖ ᮞᮟᮢᮝᮑᮜ ᮣᮤᮥᮔᮕᮞᮤ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮘᮑᮔ ᮑᮜᮧᮑᮩᮣ ᮩᮕᮑᮢᮞᮕᮔ ᮖᮟᮢᮺ ᮒᮢᮙᮞᮗᮙᮞᮗ ᮑ ᮣᮕᮞᮣᮕ ᮟᮖ ᮤᮕᮑᮓᮘᮕᮢᮻᮣᮤᮥᮔᮕᮞᮤ ᮢᮕᮜᮑᮤᮙᮟᮞᮣᮘᮙᮠ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮢᮕᮣᮠᮕᮓᮤ ᮑᮞᮔ ᮟᮒᮕᮔᮙᮕᮞᮓᮕᮼ

ᯐᮥᮤ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮖᮢᮟᮧᮞᮕᮔᮼ

“ᯑᮕᮓᮙᮜᮺ ᮑᮞ ᮃᮻᮢᮑᮞᮛ ᮵ᮀᮥᮞᮙᮣᮘᮝᮕᮞᮤᮺ᮵ ᮑ ᮤᮧᮙᮣᮤᮕᮔ ᮠᮟᮧᮕᮢ ᮙᮞᮘᮕᮢᮙᮤᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮕ ᮝᮑᮤᮙᮞᮗ ᮟᮖ ᮤᮘᮕ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞ ᮑᮞᮔ ᮘᮥᮝᮑᮞᮣᮼ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮣᮥᮓᮘ ᮒᮕᮙᮞᮗᮣ ᮞᮟ ᮜᮟᮞᮗᮕᮢ ᮕᮨᮙᮣᮤᮕᮔ ᮙᮞ ᮤᮘᮙᮣ ᮧᮟᮢᮜᮔᮼ”

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮝᮥᮤᮤᮕᮢᮕᮔ ᮤᮟ ᮘᮙᮝᮣᮕᮜᮖᮺ ᮖᮕᮕᮜᮙᮞᮗ ᮤᮘᮕ ᮣᮤᮥᮔᮕᮞᮤ᮵ᮣ ᮥᮞᮓᮟᮞᮤᮢᮟᮜᮜᮕᮔ ᮑᮥᮢᮑᮺ ᮤᮘᮑᮤ ᮑᮤ ᮑᮞᮩ ᮝᮟᮝᮕᮞᮤ ᮘᮕ ᮝᮙᮗᮘᮤ ᮜᮟᮣᮕ ᮘᮙᮣ ᮢᮑᮤᮙᮟᮞᮑᮜᮙᮤᮩ ᮑᮞᮔ ᮒᮕᮓᮟᮝᮕ ᮑ ᮔᮕᮑᮤᮘ ᮣᮕᮢᮦᮑᮞᮤᮼ

ᯖᮕ ᮔᮙᮔᮞ’ᮤ ᮕᮨᮠᮕᮓᮤ ᮤᮘᮕ ᮠᮢᮙᮞᮓᮙᮠᮑᮜ ᮤᮟ ᮑᮜᮜᮟᮧ ᮣᮥᮓᮘ ᮣᮤᮥᮔᮕᮞᮤᮣ ᮤᮟ ᮕᮨᮙᮣᮤᮺ ᮑᮞᮔ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮔᮙᮔᮞ᮵ᮤ ᮠᮢᮟᮒᮕ ᮖᮥᮢᮤᮘᮕᮢᮺ ᮓᮟᮞᮤᮙᮞᮥᮙᮞᮗ ᮤᮟ ᮙᮝᮝᮕᮢᮣᮕ ᮘᮙᮝᮣᮕᮜᮖ ᮙᮞ ᮘᮙᮣ ᮢᮕᮣᮕᮑᮢᮓᮘ ᮝᮑᮤᮕᮢᮙᮑᮜᮣᮼ

“ᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮜᮟᮟᮛᮙᮞᮗ ᮖᮟᮢᯍ” ᮣᮟᮝᮕᮟᮞᮕ ᮣᮑᮙᮔ ᮖᮢᮟᮝ ᮒᮕᮘᮙᮞᮔᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮤᮥᮢᮞᮕᮔ ᮑᮢᮟᮥᮞᮔᮺ ᮢᮥᮒᮒᮙᮞᮗ ᮘᮙᮣ ᮤᮕᮝᮠᮜᮕᮣᮼ “ᯖᮟᮧ ᮔᮙᮔ ᮩᮟᮥ ᮓᮟᮝᮕ ᮘᮕᮢᮕᮺ ᮀᮢᮙᮞᮓᮙᮠᮑᮜᯍ”

“ᯑᮑᮝᮕ ᮟᮦᮕᮢ ᮖᮟᮢ ᮑᮖᮤᮕᮢᮞᮟᮟᮞ ᮤᮕᮑᮺ ᮑᮞᮔ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮤᮟ ᮣᮕᮕ ᮩᮟᮥᮺ” ᯔᮑᮢᮢᮟᮧ ᮗᮜᮑᮞᮓᮕᮔ ᮑᮤ ᮤᮘᮕ ᮣᮘᮕᮕᮠᮣᮛᮙᮞ ᮒᮟᮟᮛ ᮙᮞ ᮘᮙᮣ ᮘᮑᮞᮔᮣᮼ

“ᮄᮘᮕ ‘ᯑᮟᮝᮠᮜᮕᮤᮕ ᯑᮟᮝᮠᮕᮞᮔᮙᮥᮝ ᮟᮖ ᯒᮕᮖᮕᮓᮤᮙᮦᮕ ᮀᮟᮧᮕᮢᮣᮼ’ ᯑᮟᮥᮜᮔ ᮙᮤ ᮒᮕ…”

ᮃᮘᮕ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮢᮕᮑᮜᮙ᮪ᮕᮔᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮑᮞᮔ ᮜᮟᮧᮕᮢᮙᮞᮗ ᮘᮕᮢ ᮦᮟᮙᮓᮕᮺ “ᯜᮟ ᮧᮟᮞᮔᮕᮢ ᮩᮟᮥ ᮓᮑᮞ ᮥᮣᮕ ᮣᮟ ᮝᮑᮞᮩ ᮠᮟᮧᮕᮢᮣᯉ ᮙᮤ ᮤᮥᮢᮞᮣ ᮟᮥᮤ ᮩᮟᮥ ᮘᮑᮦᮕ ᮤᮘᮕ ᮑᮒᮙᮜᮙᮤᮩ ᮤᮟ ᮓᮟᮠᮩ ᮠᮟᮧᮕᮢᮣ ᮖᮢᮟᮝ ᮒᮟᮟᮛᮣᮼ ᯗ’ᮝ ᮖᮙᮞᮑᮜᮜᮩ ᮟᮞᮤᮟ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮯ”

“ᯔᮙᮢᮣᮤᮺ ᯗ’ᮝ ᮑᮞ ᮕᮑᮢᮜᮻᮜᮕᮦᮕᮜ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞ ᮝᮕᮝᮒᮕᮢᮺ ᮣᮟ ᮙᮤ’ᮣ ᮞᮟᮢᮝᮑᮜ ᮖᮟᮢ ᮝᮕ ᮤᮟ ᮥᮣᮕ ᮝᮑᮞᮩ ᮠᮟᮧᮕᮢᮣᮼ”

“ᯐᮥᮤ ᮩᮟᮥ’ᮢᮕ ᮞᮟᮤ ᮟᮞᮕ ᮟᮖ ᮤᮘᮕ ᮤᮧᮕᮞᮤᮩᮻᮖᮟᮥᮢ ᮕᮑᮢᮜᮣᮼ ᯏᮢᮕ ᮩᮟᮥ ᮖᮢᮟᮝ ᮑ ᮒᮜᮟᮟᮔ ᮓᮜᮑᮞ ᮣᮩᮣᮤᮕᮝ ᮟᮖ ᮑᮞᮟᮤᮘᮕᮢ ᮧᮟᮢᮜᮔᯍ ᯐᮥᮤ ᮧᮕ’ᮦᮕ ᮒᮕᮕᮞ ᮝᮙᮣᮣᮙᮞᮗ ᮑ ᮔᮥᮛᮕᮻᮜᮕᮦᮕᮜ ᮟᮞᮕᮼ ᮇᮟᮧᮺ ᯗ ᮛᮞᮟᮧ ᮩᮟᮥ—ᮩᮟᮥ’ᮢᮕ ᮑ ᮔᮥᮛᮕ—”

“ᯒᮟᮞ’ᮤ ᮙᮞᮤᮕᮢᮢᮥᮠᮤᮯ”

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮧᮑᮣ ᮑ ᮒᮙᮤ ᮣᮠᮕᮕᮓᮘᮜᮕᮣᮣ ᮑᮞᮔ ᮔᮙᮔᮞ’ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮘᮕ ᮖᮕᮜᮤ ᮖᮑᮤᮙᮗᮥᮕᮔ ᮑᮒᮟᮥᮤ ᮙᮞᮣᮙᮔᮕᮼ

“ᮃᮕᮓᮟᮞᮔᮺ ᯗ’ᮝ ᮜᮟᮟᮛᮙᮞᮗ ᮖᮟᮢ ᮙᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞ ᮤᮟ ᮣᮕᮕ ᮙᮖ ᮤᮘᮕᮢᮕ ᮑᮢᮕ ᮕᮨᮑᮝᮠᮜᮕᮣ ᮟᮖ ᮢᮕᮦᮕᮢᮣᮙᮞᮗ ᮤᮘᮕ ᮤᮢᮑᮞᮣᮖᮟᮢᮝᮑᮤᮙᮟᮞ ᮟᮖ ᮔᮕᮑᮤᮘ ᮣᮕᮢᮦᮑᮞᮤᮣᮼ”

“ᮂᮕᮦᮕᮢᮣᮙᮞᮗ ᮤᮢᮑᮞᮣᮖᮟᮢᮝᮑᮤᮙᮟᮞᯍ ᮉᮟᮥ ᮝᮕᮑᮞ ᮤᮥᮢᮞᮙᮞᮗ ᮑ ᮔᮕᮑᮤᮘ ᮣᮕᮢᮦᮑᮞᮤ ᮒᮑᮓᮛ ᮙᮞᮤᮟ ᮑ ᮘᮥᮝᮑᮞᯍ” ᯔᮑᮢᮢᮟᮧ ᮜᮕᮑᮞᮕᮔ ᮟᮞ ᮤᮘᮕ ᮤᮑᮒᮜᮕᮺ “ᯒᮟᮞ’ᮤ ᮕᮦᮕᮞ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤ ᮙᮤᯉ ᮤᮘᮑᮤ’ᮣ ᮙᮝᮠᮟᮣᮣᮙᮒᮜᮕᮼ ᯐᮕᮓᮟᮝᮙᮞᮗ ᮑ ᮔᮕᮑᮤᮘ ᮣᮕᮢᮦᮑᮞᮤ ᮙᮣ ᮞᮟ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᮔᮩᮙᮞᮗᮼ”

“ᮉᮕᮑᮘᮼ” ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮣᮙᮝᮠᮜᮩ ᮢᮕᮣᮠᮟᮞᮔᮕᮔ ᮑᮞᮔ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮣᮕᮑᮢᮓᮘᮙᮞᮗ ᮖᮟᮢ ᮝᮑᮤᮕᮢᮙᮑᮜᮣᮼ

“ᮇᮘᮩ ᮑᮢᮕ ᮩᮟᮥ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮜᮟᮟᮛᮙᮞᮗ ᮖᮟᮢ ᮤᮘᮙᮣᯍ ᯜᮟ ᮟᮞᮕ ᮤᮥᮢᮞᮕᮔ ᮙᮞᮤᮟ ᮑ ᮔᮕᮑᮤᮘ ᮣᮕᮢᮦᮑᮞᮤᮺ ᮔᮙᮔ ᮤᮘᮕᮩᯍ” ᯔᮑᮢᮢᮟᮧ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮘᮙᮝᮼ

“ᯜᮟᮺ ᮙᮤ’ᮣ ᮚᮥᮣᮤ ᮖᮟᮢ ᮑ ᮢᮕᮣᮕᮑᮢᮓᮘ ᮠᮢᮟᮚᮕᮓᮤᮼ”

“ᯐᮕᮓᮟᮝᮙᮞᮗ ᮑ ᮔᮕᮑᮤᮘ ᮣᮕᮢᮦᮑᮞᮤ ᮢᮕᮑᮜᮜᮩ ᮝᮕᮑᮞᮣ ᮤᮘᮕᮢᮕ’ᮣ ᮞᮟ ᮘᮟᮠᮕᯉ ᮕᮦᮕᮞ ᮤᮘᮕ ᮓᮘᮑᮞᮓᮕ ᮤᮟ ᮒᮕᮓᮟᮝᮕ ᮑ ᮒᮜᮟᮟᮔ ᮣᮜᮑᮦᮕ ᮙᮣ ᮗᮟᮞᮕᮼ ᯗ ᮔᮟᮞ’ᮤ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮧᮘᮩ ᮩᮟᮥ’ᮢᮕ ᮣᮤᮥᮔᮩᮙᮞᮗ ᮤᮘᮙᮣᮼ”

ᯔᮑᮢᮢᮟᮧ ᮢᮕᮣᮤᮕᮔ ᮘᮕᮢ ᮓᮘᮙᮞ ᮟᮞ ᮘᮕᮢ ᮘᮑᮞᮔ ᮟᮞ ᮤᮘᮕ ᮤᮑᮒᮜᮕᮺ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮢᮕᮓᮑᮜᮜᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮺ ᮣᮘᮕ ᮣᮑᮙᮔ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮙᮞᮤᮕᮞᮤᮙᮟᮞᮑᮜᮜᮩᮺ “ᯗ ᮘᮕᮑᮢᮔ ᮤᮘᮑᮤ ᮤᮘᮕ ᮒᮜᮟᮟᮔ ᮟᮖ ᮠᮢᮙᮞᮓᮕᮻᮓᮜᮑᮣᮣ ᮝᮟᮞᮣᮤᮕᮢᮣ ᮓᮑᮞ ᮖᮟᮢᮓᮙᮒᮜᮩ ᮢᮕᮣᮥᮢᮢᮕᮓᮤ ᮤᮘᮕ ᮔᮕᮑᮔ ᮑᮣ ᮒᮜᮟᮟᮔ ᮣᮜᮑᮦᮕᮣᯉ ᯗ ᮧᮟᮞᮔᮕᮢ ᮙᮖ ᮤᮘᮑᮤ’ᮣ ᮤᮢᮥᮕᮼ”

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮜᮟᮟᮛᮕᮔ ᮟᮦᮕᮢᮺ “ᮇᮘᮙᮓᮘ ᮖᮟᮜᮛᮜᮟᮢᮕ ᮔᮙᮔ ᮤᮘᮑᮤ ᮓᮟᮝᮕ ᮖᮢᮟᮝᯍ”

“ᮀᮢᮟᮒᮑᮒᮜᮩ ᮖᮢᮟᮝ ᮝᮩᮤᮘᮣᮺ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮤᮟ ᮝᮟᮣᮤ ᮠᮕᮟᮠᮜᮕᮺ ᮤᮘᮕ ᮖᮙᮢᮣᮤᮻᮗᮕᮞᮕᮢᮑᮤᮙᮟᮞ ᮝᮟᮞᮣᮤᮕᮢᮣ ᮑᮢᮕ ᮞᮟ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᮗᮟᮔᮣᮼ ᮄᮘᮕᮩ ᮞᮕᮕᮔ ᮤᮟ ᮒᮕ ᮕᮨᮑᮗᮗᮕᮢᮑᮤᮕᮔ ᮑ ᮒᮙᮤᯉ ᮙᮤ’ᮣ ᮜᮙᮛᮕ ᮤᮘᮕ ᮢᮕᮜᮙᮗᮙᮟᮞᮣ ᮟᮖ ᮑᮞᮓᮙᮕᮞᮤ ᮤᮙᮝᮕᮣᮺ ᮩᮟᮥ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼ”

ᯗᮞ ᮤᮘᮕ ᮕᮦᮕᮞᮙᮞᮗᮺ ᮑᮤ ᮕᮙᮗᮘᮤ ᮟ᮵ᮓᮜᮟᮓᮛᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮧᮑᮣᮘᮕᮔ ᮘᮙᮣ ᮖᮑᮓᮕ ᮑᮞᮔ ᮧᮑᮜᮛᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮢᮕᮣᮕᮑᮢᮓᮘ ᮜᮑᮒᮺ ᮣᮘᮥᮤᮤᮙᮞᮗ ᮔᮟᮧᮞ ᮣᮕᮦᮕᮢᮑᮜ ᮜᮑᮠᮤᮟᮠᮣ ᮤᮘᮑᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮜᮕᮖᮤ ᮟᮞᮼ ᯖᮕ ᮗᮜᮑᮞᮓᮕᮔ ᮑᮤ ᯒᮟᮢᮟᮤᮘᮕᮑᮺ ᮧᮘᮟ ᮧᮑᮣ ᮙᮞ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢ ᮣᮞᮑᮗᮗᮙᮞᮗ ᮣᮞᮑᮓᮛᮣ ᮑᮞᮔ ᮣᮤᮕᮑᮜᮙᮞᮗ ᮤᮘᮕ ᮙᮞᮤᮕᮢᮞᮕᮤᮺ ᮤᮘᮕᮞ ᮠᮙᮓᮛᮕᮔ ᮥᮠ ᮤᮘᮕ ᮠᮙᮣᮤᮟᮜ ᮖᮢᮟᮝ ᮤᮘᮕ ᮔᮢᮑᮧᮕᮢᮼ

ᯝᮞ ᮤᮘᮕ ᮤᮑᮒᮜᮕ ᮜᮑᮩ ᯐᮑᮙ ᮁᮙ’ᮣ ᮜᮕᮑᮦᮕ ᮢᮕᮡᮥᮕᮣᮤᮼ

ᯖᮕ ᮤᮥᮢᮞᮕᮔ ᮘᮙᮣ ᮒᮑᮓᮛ ᮤᮟ ᯒᮟᮢᮟᮤᮘᮕᮑᮺ ᮜᮟᮑᮔᮕᮔ ᮤᮘᮕ ᮠᮙᮣᮤᮟᮜᮺ ᮤᮘᮕᮞ ᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮗᮢᮑᮒ ᮤᮘᮕ ᮢᮕᮝᮟᮤᮕ ᮤᮟ ᮤᮥᮢᮞ ᮟᮖᮖ ᮤᮘᮕ ᮜᮙᮤᮤᮜᮕ ᮢᮟᮒᮟᮤ ᮤᮘᮑᮤ ᮧᮑᮣ ᮔᮥᮣᮤᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮦᮙᮣᮙᮤᮟᮢ ᮑᮢᮕᮑ—ᮘᮕ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮠᮢᮕᮣᮣᮕᮔ ᮤᮘᮕ ᮧᮢᮟᮞᮗ ᮒᮥᮤᮤᮟᮞᮺ ᮑᮣ ᮑᮜᮜ ᮤᮘᮕ ᮜᮙᮗᮘᮤᮣ ᮙᮞ ᮤᮘᮕ ᮟᮖᮖᮙᮓᮕ ᮧᮕᮞᮤ ᮟᮥᮤᮼ

“ᮇᮘᮩ ᮙᮣ ᮤᮘᮕᮢᮕ ᮞᮟ ᮙᮞᮤᮕᮢᮞᮕᮤᯍ” ᯒᮟᮢᮟᮤᮘᮕᮑ ᮚᮥᮝᮠᮕᮔ ᮥᮠ ᮙᮞ ᮣᮥᮢᮠᮢᮙᮣᮕᮼ

“ᯒᮟᮢᮟᮤᮘᮕᮑᮺ ᯗ ᮢᮕᮑᮜᮜᮩ ᮓᮑᮞ’ᮤ ᮜᮕᮑᮦᮕ ᮩᮟᮥ ᮑᮜᮟᮞᮕ ᮘᮕᮢᮕᯉ ᯗ’ᮝ ᮞᮟᮤ ᮦᮕᮢᮩ ᮑᮤ ᮕᮑᮣᮕᮼ ᯗ ᮘᮑᮦᮕ ᮤᮟ ᮗᮟ ᮟᮥᮤ ᮖᮟᮢ ᮑ ᮒᮙᮤᮼ” ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮣᮤᮥᮖᮖᮕᮔ ᮘᮙᮣ ᮗᮜᮟᮦᮕᮣ ᮙᮞᮤᮟ ᮘᮙᮣ ᮓᮟᮑᮤ ᮠᮟᮓᮛᮕᮤᮺ ᮣᮙᮗᮞᮑᮜᮙᮞᮗ ᮘᮕᮢ ᮤᮟ ᮘᮥᮢᮢᮩ ᮒᮑᮓᮛ ᮤᮟ ᮤᮘᮕ ᮔᮟᮢᮝᮙᮤᮟᮢᮩᮼ

“ᯏᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮟᮥᮤ ᮤᮟ ᮕᮑᮤᯍ ᮄᮑᮛᮕ ᮝᮕ ᮧᮙᮤᮘ ᮩᮟᮥᮼ” ᯒᮟᮢᮟᮤᮘᮕᮑ’ᮣ ᮕᮩᮕᮣ ᮜᮙᮤ ᮥᮠᮼ

“ᯗᮣ ᮤᮘᮑᮤ ᮑᮜᮜ ᮩᮟᮥ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤᮺ ᮖᮟᮟᮔᯍ”

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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