The Vampire Professor

Chapter 81

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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ჯႾ ႨႹႱႿ჉Ⴙ ႾႿ ႼႿႾႷႵჂ ႸႱႴ ჄႸႵ ႽႿႿႴ ჄႿ ႱჄჄႵႾႴ ႳႼႱჃჃნ ႣჄႱႾႴႹႾႷ Ⴒ჉ ჄႸႵ ჃႽႱႼႼ ჇႹႾႴႿჇ ႱჄ ჄႸႵ ႵႾႴ ႿႶ ჄႸႵ ႼႹႲჂႱჂ჉ ႳႿჂჂႹႴႿჂლ ჇႱჂႽ ჃჅႾႼႹႷႸჄ ჃჀႹႼႼႵႴ Ⴟ჆ႵჂ ႸႹႽნ

ჶႵ ჇႱჃ ჃჄႹႼႼ ჄႸႹႾႻႹႾႷ ႱႲႿჅჄ ႼႱჃჄ ႾႹႷႸჄ’Ⴣ Ⴕ჆ႵႾჄჃნ ႤႱႻႹႾႷ Ⴑ ႴႵႵჀ ႲჂႵႱჄႸლ ႸႵ Ⴕ჈ႸႱႼႵႴ ჃႼႿჇႼ჉ლ ႸႹჃ ႽႹႾႴ ჃჄႹႼႼ ჃႿႽႵჇႸႱჄ ႶႿႷႷ჉ნ ႣჅႲႳႿႾჃႳႹႿჅჃႼ჉ლ ႸႵ ჂႵႱႳႸႵႴ ჅჀ ჄႿ ჄႿჅႳႸ ႸႹჃ ႼႹჀჃ—ჄႸႵ ჃჄႹႾႷ ႶႵႼჄ ႱႼႼ ჄႿႿ ჂႵႱႼლ ႱႾႴ ႸႵ ႳႿჅႼႴ ჃჄႹႼႼ ჂႵႳႱႼႼ ჄႸႵ ჇႿႽႱႾ’Ⴣ ჃႳႵႾჄნ

აႣႸႵ ႽჅჃჄ ႲႵ ႽႱႴႵ ႿႶ ჂႿჃႵჃლა ჯႾ ႨႹႱႿ჉Ⴙ ႽჅჂႽჅჂႵႴნ

ჶႵ ჄჂႹႵႴ ႸႹჃ ႲႵჃჄ ჄႿ ႱჀჀႵႱჂ ჀႵჂႶႵႳჄႼ჉ ႳႿႽჀႿჃႵႴ ჂႱჄႸႵჂ ჄႸႱႾ ႲჅჂႴႵႾႵႴ ჇႹჄႸ ჄႸႿჅႷႸჄჃლ ႲჅჄ ჄႸႵ ჇႱ჉ ႸႵ ႻႵჀჄ ჀჅჂჃႹႾႷ ႸႹჃ ႼႹჀჃ ჇႿჅႼႴ ႵႱჃႹႼ჉ ႲႵჄჂႱ჉ ჄႸႱჄ ჃႿႽႵჄႸႹႾႷ ႸႱႴ ႸႱჀჀႵႾႵႴნ

ჷႾ ჄႸႵ ႵႾႴლ ႸႵ ႳႿჅႼႴ ႿႾႼ჉ ჀჂႵჄႵႾႴ ჄႿ ႲႵ ႼႵჄႸႱჂႷႹႳ ႶჂႿႽ ႼႱႳႻ ႿႶ ჃႼႵႵჀლ ႱჃ ႹႶ ჄႸႵ ჄႹႷႸჄ ჀჂႵჃჃ ႿႶ ႸႹჃ ႼႹჀჃ ჇႱჃ ႴჅႵ ჄႿ Ⴑ ႲႹჄჄႵჂ ჄႱჃჄႵ ႹႾ ႸႹჃ ႽႿჅჄႸნ

ႠႵႿჀႼႵ ჇႸႿ ჃჄႱ჉ႵႴ ჅჀ ႼႱჄႵ ႿჂ ႴႹႴႾ’Ⴤ ჃႼႵႵჀ ჇႵႼႼ ჇႿჅႼႴ ႸႱ჆Ⴕ ႴჂ჉ლ ႲႹჄჄႵჂ ႽႿჅჄႸჃ ႱႶჄႵჂ ჃႽႿႻႹႾႷ Ⴑ ႳႹႷႱჂႵჄჄႵლ ႽႱႻႹႾႷ ჄႸႵ ႼႹჀმჀჅჂჃႹႾႷ ჃႵႵႽ ჂႵႱჃႿႾႱႲႼႵნ ჯႾ჉ႿႾႵ ჇႸႿ ჃႱჇ ႸႹႽ ჇႿჅႼႴ ႺჅჃჄ ႱჃჃჅႽႵ ႸႹჃ ႽႿჅჄႸ ჇႱჃ ჀႱჂႳႸႵႴ ჂႱჄႸႵჂ ჄႸႱႾ ჃႱ჆ႿჂႹႾႷ ჄႸႵ ႽႵႽႿჂ჉ ႿႶ Ⴑ ႻႹჃჃნ

ჴႿჂჄჅႾႱჄႵႼ჉ლ ႱჃ ႼႿႾႷ ႱჃ ႸႵ ႴႹႴႾ’Ⴤ ႷႿ ჄႿ ჄႸႵ ჷႾႶႿჂႽႱჄႹႿႾ ჱႵႾჄႵჂლ ႸႵ ჇႿჅႼႴႾ’Ⴤ ჂჅႾ ႹႾჄႿ ჲႹჂႵႳჄႿჂ ჶႵ ႨႹႱႿ჈ႹႾნ ႤႸႹჃ ႵႱჃႵႴ ჃႿႽႵ ႿႶ ႠჂႿႶႵჃჃႿჂ ჯႾ ႨႹႱႿ჉Ⴙ’Ⴣ ႾႵჂ჆ႿჅჃႾႵჃჃ—ჄႸႿჅႷႸ ჇႸႵႾ ႸႵ ჂႵႳႱႼႼႵႴ ႼႱჃჄ ႾႹႷႸჄ’Ⴣ ႻႹჃჃლ ႸႵ ႳႿႾ჆ႹႾႳႵႴ ႸႹႽჃႵႼႶ ႸႵ ႸႱႴႾ’Ⴤ ႼႿჃჄ ႿჅჄნ

ჷႶ ჄႸႵ ჀჂႹႳႵ ႶႿჂ ႿႲჄႱႹႾႹႾႷ ჆ႱႽჀႹჂႵ ႲႼႿႿႴ ჇႱჃ Ⴑ ႻႹჃჃ ႶჂႿႽ ჯႾ ႨႹႱႿ჈ჅႵლ ჄႸႵႾ ႹჄ ჃჄႹႼႼ ႶႵႼჄ ႼႹႻႵ Ⴑ ჇႹႾნ ჯႶჄႵჂ ႱႼႼლ ႸႵ’Ⴔ ႱႼჂႵႱႴ჉ ႲႵႵႾ ႶႿჂႳႵႶჅႼႼ჉ ႻႹჃჃႵႴ ႿႾႳႵნ ჶႵ ႶႹႷჅჂႵႴ ႸႵ ჃႸႿჅႼႴ ჆ႹႵჇ ჄႸႵ ႽႱჄჄႵჂ ႶჂႿႽ Ⴑ ჆ႱႽჀႹჂႵ’Ⴣ ჀႵჂჃჀႵႳჄႹ჆Ⴕნ

ჯႾ ႨႹႱႿ჉Ⴙ ჂႵႼႱ჈ႵႴ ႸႹჃ ႲႿႴ჉ლ ႲႱჃႻႹႾႷ ႹႾ ჄႸႵ ჇႱჂႽ ჃჅႾႼႹႷႸჄნ

ႩႵჄ ჃႿႽႵჄႸႹႾႷ ჃჄႹႼႼ ႶႵႼჄ ႿႶႶნ

ႧႸႱჄ ႸႱჀჀႵႾႵႴ ႼႱჃჄ ႾႹႷႸჄ ჇႱჃ ႱႳჄჅႱႼႼ჉ ჁჅႹჄႵ ჃჄჂႱႾႷႵლ ჄႸႿჅႷႸ ႸႵ ႳႿჅႼႴႾ’Ⴤ ჀႹႾჀႿႹႾჄ Ⴕ჈ႱႳჄႼ჉ ჇႸ჉ნ ჯ ჆ႹჃႳႿჅႾჄ’Ⴣ ჂႵ჆Ⴙ჆ႱႼ ႹႾႳႹႴႵႾჄ ႸႱႴ ႲႵႵႾ ჂႵჃႿႼ჆ႵႴ ჃႽႿႿჄႸႼ჉—ჄჂჅႼ჉ ჇႹჄႸႿჅჄ Ⴑ ჄჂႱႳႵნ

ჼႿ ႹႾჄႵჂႶႵჂႵႾႳႵ ႶჂႿႽ ჄႸႵ ჯႳႱႴႵႽ჉ ႿჂ ჄႸႵ ჳ჈ႵႳჅჄႹႿႾ ჰჅჂႵႱჅლ ႾႿჂ ႶჂႿႽ ჄႸႵ ჰႼႿႿႴ ჴႱႳჄႹႿႾნ ჳ჆ႵႾ ჄႸႵ ჄჇႿ ႵႽჀႿჇႵჂႵႴ ႹႾႴႹ჆ႹႴჅႱႼჃ ჇႸႿ ႸႱႴ ჃჅႴႴႵႾႼ჉ ႱჀჀႵႱჂႵႴ—ႶႵႴႵჂႱႼ ႱႷႵႾჄჃ ႶჂႿႽ ჄႸႵ ႥႾႹჄႵႴ ႣჄႱჄႵჃ ჄჂႱႳႻႹႾႷ Ⴑ ႳჂႿჃჃმႲႿჂႴႵჂ ႳႱჃႵ—ႸႱႴ ჃჄჅႽႲႼႵႴ ჅჀႿႾ ჄႸႵ ႱჇႱႻႵႾႵႴ ჆ႱႽჀႹჂႵლ ჄჂႹႵႴ ჄႿ ႳႼႱႹႽ ႳჂႵႴႹჄ Ⴒ჉ ႹႾჄႵჂ჆ႵႾႹႾႷლ ႱႾႴ ႵႾႴႵႴ ჅჀ ჃႱႳჂႹႶႹႳႹႾႷ ჄႸႵႽჃႵႼ჆ႵჃ ႼႹႻႵ ჼႠჱჃ ႱႴႴႵႴ ჄႿ ႵႽႲႵႼႼႹჃႸ ჄႸႵ ჀႼႿჄნ

ჴჂႿႽ ჃჄႱჂჄ ჄႿ ႶႹႾႹჃႸლ ႾႿჄ Ⴑ ჃႹႾႷႼႵ ჄჂႱႳႵ ჂႵႽႱႹႾႵႴნ

ႤႸႹჃ ႽႱႴႵ ჯႾ ႨႹႱႿ჉Ⴙ ჄႸႹႾႻ ႿႶ ჄჇႿ ჇႿჂႴჃშ აჀႱႳႹႾႷნა ჶႵ ჂႵႱႼႹ჊ႵႴ ჄႸႵ Ⴕ჆ႵႾჄჃ ႿႶ ႼႱჃჄ ႾႹႷႸჄ ႸႱႴ ႽႿ჆ႵႴ ჄႿႿ ჁჅႹႳႻႼ჉ნ

ჺႹႻႵ ႶႹႼႼႵჂ ჃႳႵႾႵჃ ႹႾ Ⴑ ႾႿ჆ႵႼნ

ႣႿმႳႱႼႼႵႴ ႶႹႼႼႵჂ ჃႳႵႾႵჃ ႸႱ჆Ⴕ ႾႿ ႳႿႾႾႵႳჄႹႿႾ ჄႿ ჄႸႵ ႽႱႹႾ ჀႼႿჄ ႿჂ ჃჅႲჀႼႿჄჃნ ႩႿჅ ႳႱႾ’Ⴤ ჄႵႼႼ ႹႶ ჄႸႵ჉’ჂႵ ჂႵႼႵ჆ႱႾჄ ჄႿ ჇႸႱჄ ႳႿႽႵჃ ႲႵႶႿჂႵ ႿჂ ႱႶჄႵჂ—ჄႸႵ჉ Ⴕ჈ႹჃჄ ႹႾ ႹჃႿႼႱჄႹႿႾლ ႽႵႱႾႹႾႷႼႵჃჃლ ჇႹჄႸႿჅჄ ჄჇႹჃჄჃ ႿჂ ႲჂႱႾႳႸႵჃნ

ႤႸႵ ႽႿჂႵ ჯႾ ႨႹႱႿ჉Ⴙ ჄႸႿჅႷႸჄ ႱႲႿჅჄ ႹჄლ ჄႸႵ ႽႿჂႵ ႼႱჃჄ ႾႹႷႸჄ ჃႵႵႽႵႴ ႼႹႻႵ Ⴑ ჀჂႵმჃႳჂႹჀჄႵႴ ჀႼႱ჉ნ ჴჂႿႽ ჄႸႵ ႽႿႽႵႾჄ ႸႵ ႼႵႱჂႾႵႴ ႿႶ ჄႸႵ ႳჅႼჄ ჄႿ ჄႸႵ ჆ႱႽჀႹჂႵ ჆ႹჃႳႿჅႾჄ’Ⴣ Ⴕ჈ႹჄლ ႸႹჃ ႹႾ჆ႿႼ჆ႵႽႵႾჄ ႸႱႴ ႱႼႼ ႲႵႵႾ ჃჄႱႷႵႴ ႶႿჂ ႸႹჃ ႲႵႾႵႶႹჄნ

ჴჅႼႼ ႿႶ ႸႿႼႵჃნ

ჷႶ ჄႸႱჄ ჇႿႽႱႾ ႸႱႴ ႴႵႼႹႲႵჂႱჄႵႼ჉ Ⴕ჈ჀႿჃႵႴ ჄႸႱჄ ჃႸႵ ჃႸႱჂႵႴ ჯႾ ႨႹႱႿ჈ჅႵ’Ⴣ Ⴕ჈ႳႼჅჃႹ჆Ⴕ ႱႲႹႼႹჄ჉ ჄႿ ႴჂႱჇ ႸႹႽ ႳႼႿჃႵჂ… ႧႸႱჄ Ⴑ ჂႹႴႹႳჅႼႿჅჃ ႹႴႵႱნ ჯႾ ႨႹႱႿ჉Ⴙ ჂჅႲႲႵႴ ႸႹჃ ჄႵႽჀႼႵჃ ႸႵႼჀႼႵჃჃႼ჉ნ

ჷႶ ჄႸႱჄ ჇႵჂႵ ჄჂჅႵლ ჄႸႵႾ ჄႸႵ ჆ႹႳჄႹႽჃ ჇႵჂႵ ႺჅჃჄ Ⴕ჈ჄჂႱჃნ

ჰႵႼႿჇ ჄႸႵ ႼႹႲჂႱჂ჉ლ ჄႸႵ ჃႿჅႾႴ ႿႶ ႳႸႱჄჄႵჂႹႾႷ ჆ႿႹႳႵჃ ჂႿჃႵ—Ⴑ ႷჂႿჅჀ ႿႶ ჃჄჅႴႵႾჄჃ ႳႼႹႽႲႹႾႷ ჄႸႵ ჇႿႿႴႵႾ ჃჄႱႹჂჃნ

აჵႿႿႴ ႽႿჂႾႹႾႷლ ႠჂႿႶႵჃჃႿჂნ ႩႿჅ’ჂႵ ႸႵჂႵ ႵႱჂႼ჉ნა

ჯ ჃჄჅႴႵႾჄ ჇႱ჆ႵႴ ႱჄ ჯႾ ႨႹႱႿ჉Ⴙნ

აჶႵ჉ლ ႠჂႿႶႵჃჃႿჂლ ႴႿ ჇႵ ႸႱ჆Ⴕ ჄႿ ႸႱႾႴ ႹႾ ႿჅჂ ჀႸႿႾႵჃჭა

ჲႿჂႿჄႸႵႱ ჃႼႹჀჀႵႴ ႹႾჄႿ ჄႸႵ Ⴕ჈ႱႽ ႸႱႼႼ ႲႵႶႿჂႵ ჇႱႹჄႹႾႷ ႶႿჂ ႱႾ ႱႾჃჇႵჂნ

აႩႿჅ ႱႼႼ ႸႱ჆Ⴕ ႱႾ Ⴕ჈ႱႽ ჄႿႴႱ჉ჭა ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჄႳႸႵႴ ႱჃ ჄႸႵ ჃჄჅႴႵႾჄჃ ႶႹႼႵႴ ႹႾჄႿ ჄႸႵ ჂႿႿႽნ

აჷჄ’Ⴣ ჄႸႵ ჆ႱႽჀႹჂႵ ႸႹჃჄႿჂ჉ ႻႾႿჇႼႵႴႷႵ ჄႵჃჄნ ႩႿჅ’ჂႵ ჄႸႵ ႱჃჃႹჃჄႱႾჄ ჀჂႿႳჄႿჂლა ჴႱჂႱႸ ႹႾႶႿჂႽႵႴ ႸႹႽნ

ჯႾ ႨႹႱႿ჉Ⴙ ႶჂႿ჊Ⴕლ ႿႾႼ჉ ჄႸႵႾ ჂႵႽႵႽႲႵჂႹႾႷ ჇႸ჉ ႸႵ ჇႱჃ ႱჄ ჄႸႵ ႼႹႲჂႱჂ჉ ႹႾჃჄႵႱႴ ႿႶ ჄႸႵ ႳႼႱჃჃჂႿႿႽნ ჲႱႽႾ ႹჄნ ჶႵ’Ⴔ ႲႵႵႾ ჃႿ ႳႱჅႷႸჄ ჅჀ ႹႾ ႼႱჃჄ ႾႹႷႸჄ ჄႸႱჄ ႸႵ’Ⴔ ႶႿჂႷႿჄჄႵႾ ႱႲႿჅჄ ჀჂႿႳჄႿჂႹႾႷ ჄႿႴႱ჉—ႸႵ ႸႱႴႾ’Ⴤ ჀჂႵჀႱჂႵႴ ႱჄ ႱႼႼნ

ჸჅჃჄ ႱჃ ႸႵ ჇႱჃ ႱႲႿჅჄ ჄႿ ႵႾჄႵჂლ ႸႹჃ ჀႵჂႹჀႸႵჂႱႼ ჆ႹჃႹႿႾ ႳႱჅႷႸჄ ჃႹႷႸჄ ႿႶ ჰႱႹ ႡႹლ ჇႸႿ ႼႿႿႻႵႴ ჅႾჅჃჅႱႼႼ჉ ႳႸႵႵჂႶჅႼნ ჶႵ ჀႱჅჃႵႴნ

აႤႸႱႾႻ ჉ႿჅლ ႠჂႿႶႵჃჃႿჂნა

აႧႸ჉ ႱჂႵ ჉ႿჅ ჄႸႱႾႻႹႾႷ ႽႵჭა

ა჻჉ ႶჂႹႵႾႴ ႳႱႽႵ ႲႱႳႻნ ႣႸႵ ჂႵႳႿ჆ႵჂႵႴ ႸႵჂ ႽႵႽႿჂႹႵჃ ႱႾႴ ႴႹႴႾ’Ⴤ ჄჅჂႾ ႹႾჄႿ Ⴑ ჲႵႱႴ ႣႵჂ჆ႱႾჄნა ႤႸႵႾლ ႷႼႱႾႳႹႾႷ ႱჂႿჅႾႴლ ჰႱႹ ႡႹ ႼႿჇႵჂႵႴ ႸႹჃ ჆ႿႹႳႵნ აჯႾႴ ჄႸႿჃႵ ႳჅႼჄႹჃჄჃ ႱჂႵ ႷႿႾႵ ჄႿႿნა

ჯႾ ႨႹႱႿ჉Ⴙ ႷႱ჆Ⴕ ႱႾ ႹႾႴႹႶႶႵჂႵႾჄ ႾႿႴ ႶႿႼႼႿჇႵႴ Ⴒ჉ Ⴑ ჃႸႱႻႵ ႿႶ ႸႹჃ ႸႵႱႴლ ႱჃ ႹႶ ჄႿ ჃႱ჉ლ ႤႸႱჄ’Ⴣ ႷႿႿႴლ ႲჅჄ ႹჄ ႸႱჃ ႾႿჄႸႹႾႷ ჄႿ ႴႿ ჇႹჄႸ ႽႵნ

ႤႸႱჄ ႷႹჂႼ ႸႱႴႾ’Ⴤ ႲႵႵႾ ႲႹჄჄႵႾ ႱჄ ႱႼႼ—ჃႸႵ’Ⴔ ႺჅჃჄ ႲႵႵႾ ႱႶႶႵႳჄႵႴ Ⴒ჉ ႲჂႱႹႾჇႱჃႸႹႾႷ ႱႲႹႼႹჄႹႵჃნ ႢႵჄჅჂႾႹႾႷ ჄႿ ႾႿჂႽႱႼ ჇႱჃ ႵႱჃ჉ნ

აჯႳჄჅႱႼႼ჉ლ ჷ ႻႾႿჇ ႹჄ ჇႱჃ ჉ႿჅნ ჲႹჂႵႳჄႿჂ ჶႵ ჄႿႼႴ ႽႵნ ჷ ჃႱჇ ႸႵჂ ႼႱჃჄ ႾႹႷႸჄნა ჰႱႹ ႡႹ’Ⴣ Ⴕ჉ႵჃ ჃჀႱჂႻႼႵႴ ႽႹჃႳႸႹႵ჆ႿჅჃႼ჉ნ აჯႾႴ ႸႵჂႵ ჉ႿჅ ჃႱႹႴ ჉ႿჅ ჇႿჅႼႴႾ’Ⴤ ႷႵჄ ႹႾ჆ႿႼ჆ႵႴ჏ ႠჂႿႶႵჃჃႿჂლ ჉ႿჅ’ჂႵ ႱႼႼ ႳႿႼႴ ႿႾ ჄႸႵ ႿჅჄჃႹႴႵ ႲჅჄ ჇႱჂႽ ႹႾჃႹႴႵნ ჼႵ჈Ⴤ ჄႹႽႵლ ჷ’ႼႼ ჄჂႵႱჄ ჉ႿჅ ჄႿ Ⴑ ႽႵႱႼ჏ა

აႧႸႱჄ ႴႹႴ ჉ႿჅ ႺჅჃჄ ჃႱ჉ჭა ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჃ ჃჄჅႾႾႵႴნ

აႤႸႱჄ ჉ႿჅ’ჂႵ ႳႿႼႴ ႿႾ ჄႸႵ ႿჅჄჃႹႴႵ ႲჅჄ ჇႱჂႽ ႹႾჃႹႴႵნა

აჶႵ ႨႹႱႿ჈ႹႾ ჄႿႼႴ ჉ႿჅ ႱႲႿჅჄ ႼႱჃჄ ႾႹႷႸჄჭა

აჵႿ ႱჃႻ ႸႵჂ ჉ႿჅჂჃႵႼႶნ ႣႸႵ’Ⴣ ႱႼჇႱ჉Ⴣ ჄႸႵ ႳႸႹႵႶ Ⴕ჈ႱႽႹႾႵჂ ႶႿჂ ჄႸႵ ჆ႱႽჀႹჂႵ ႸႹჃჄႿჂ჉ ჄႵჃჄნა ႧႹჄႸ Ⴑ ႷჂႹႾლ ჰႱႹ ႡႹ ႴჅႳႻႵႴ ႹႾჄႿ ჄႸႵ Ⴕ჈ႱႽ ႸႱႼႼნ

ჯႾ ႨႹႱႿ჉Ⴙ’Ⴣ ႽႹႾႴ ჇႱჃ ႹႾ ႴႹჃႱჂჂႱ჉ნ ჺႱჃჄ ႾႹႷႸჄლ ႹჄ ჃႸႿჅႼႴ ႸႱ჆Ⴕ ႲႵႵႾ ჯႾ ႨႹႱႿ჈ჅႵ’Ⴣ ႹႴႵႾჄႹჄ჉ ჄႸႱჄ ჇႱჃ ჀჂႵჃႵႾჄ—ჯႾ ႨႹႱႿ჈ჅႵ ჇႱჃ ჄႸႵ ႿႾႵ ჇႸႿ ႸႱႴ ႵႾႳႿჅႾჄႵჂႵႴ ჶႵ ႨႹႱႿ჈ႹႾნ ႣႿ ჇႸ჉ ჇႿჅႼႴ ჃႸႵ ჄႵႼႼ ჰႱႹ ႡႹჭ ႥႾႼႵჃჃ ႹჄ ჇႱჃ ႸႹႽჭ ჶႵ ႳႿჅႼႴႾ’Ⴤ ႽႱႻႵ ჃႵႾჃႵ ႿႶ ႹჄნ

აჵႿႿႴ ႽႿჂႾႹႾႷლ ႠჂႿႶႵჃჃႿჂ ჯႾნ ႩႿჅ ႴႿႾ’Ⴤ ႼႿႿႻ ჇႵႼႼნა ჶႵ ႨႹႱႿ჈ႹႾ ႱჀჀჂႿႱႳႸႵႴ ႶჂႿႽ ჄႸႵ ჇႿႿႴႵႾ ჃჄႵჀჃ ႲႵႼႿჇნ აႤႸႵ Ⴕ჈ႱႽ ჃჄႱჂჄჃ ႹႾ ႶႹ჆Ⴕ ႽႹႾჅჄႵჃნ ჷ’ႼႼ ႲႵ ႱႳჄႹ჆ႱჄႹႾႷ Ⴝ჉ ႱႲႹႼႹჄ჉ ჃႿႿႾნა

ႤႸႿჅႷႸ ႸႵჂ ჄႿႾႵ ჇႱჃ ႱჃ ႴႵჄႱႳႸႵႴ ႱჃ Ⴕ჆ႵჂლ ჃႸႵ ჃႵႵႽႵႴ ჄႿ ႲႵ ႹႾ Ⴑ ႷႿႿႴ ႽႿႿႴნ

ჯႶჄႵჂ Ⴑ ႽႿႽႵႾჄ’Ⴣ ႸႵჃႹჄႱჄႹႿႾლ ჯႾ ႨႹႱႿ჉Ⴙ ႷႼႱႾႳႵႴ ႱჄ ჄႸႵ ჃჄჅႴႵႾჄჃ ႹႾჃႹႴႵლ ჄႸႵႾ ჀჅႼႼႵႴ ႸႵჂ ႱჃႹႴႵნ

აჽႾႵ ႿႶ Ⴝ჉ ჃჄჅႴႵႾჄჃ ႺჅჃჄ ჃႱႹႴ ჃႿႽႵჄႸႹႾႷ ჃჄჂႱႾႷႵნ ႣႸႵ ჄႸႹႾႻჃ ჷ ႴႹႴ ჃႿႽႵჄႸႹႾႷ ႼႱჃჄ ႾႹႷႸჄ—ႳႼႱႹႽჃ ჉ႿჅ ჄႿႼႴ ႸႵჂნ ჷ ႴႿႾ’Ⴤ ჅႾႴႵჂჃჄႱႾႴნა

აჰႱႹ ႡႹჭ ႤႸႵჂႵ ჇႵჂႵ ႲႼႿႿႴ ჄႸჂႱႼႼჃ ႾႵႱჂ ႸႵჂ ႸႿႽႵჄႿჇႾნ ჱႿႹႾႳႹႴႵႾჄႱႼႼ჉ლ ჉ႿჅჂ ჃႹჃჄႵჂ ჃႸႿჇႵႴ ჅჀ ჄႸႵჂႵ ႼႱჃჄ ႾႹႷႸჄნ ჷ ჇႱჃ ჄႱႹႼႹႾႷ ჯႾ ႨႹႱႿ჈ჅႵნა ჶႵ ႨႹႱႿ჈ႹႾ ჃჀႿႻႵ ჇႹჄႸ ჃჄႱჂჄႼႹႾႷ ႶჂႱႾႻႾႵჃჃლ ႱჃ ႹႶ ႹჄ ჇႵჂႵ ჄႸႵ ႽႿჃჄ ႾႱჄჅჂႱႼ ჄႸႹႾႷ ႹႾ ჄႸႵ ჇႿჂႼႴნ

აჷ ႸႵႼჀႵႴ ႸႵჂ ႵႼႹႽႹႾႱჄႵ ჄႸႵ ჆ႱႽჀႹჂႵჃ ჄႸႵჂႵნ ჺႱჄႵჂლ ჷ ჇႵႾჄ ჄႿ ႹႾ჆ႵჃჄႹႷႱჄႵ ჄႸႵ ႾႵႹႷႸႲႿჂႸႿႿႴ ႶႿჂ ႱႾ჉ ჃჄჂႱႷႷႼႵჂჃლ ႲჅჄ ჰႱႹ ႡႹ ჃႱჇ ႽႵნ ႣႸႵ ჂႵႳႿႷႾႹ჊ႵႴ ႽႵლ ႱႾႴ ჃႹႾႳႵ ჃႸႵ’Ⴔ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႾႿჄႹႳႵ ჄႸႵ ჃႿმႳႱႼႼႵႴ ႳჅႼჄႹჃჄჃ ႸႱႴ ႲႵႵႾ ჇႹჀႵႴ ႿჅჄლ ჃႸႵ’Ⴔ ჃჅჃჀႵႳჄ Ⴝ჉ ႹႾ჆ႿႼ჆ႵႽႵႾჄნა

ႣႸႵ ჀႱჅჃႵႴლ ჄႸႵႾ ႳႿႾჄႹႾჅႵႴ ႳႱႼႽႼ჉შ

აႣႿ ჷ Ⴕ჈ჀႼႱႹႾႵႴ ჷ ჇႱჃ ჄႸႵჂႵ ჇႹჄႸ ჉ႿჅნ ჯႶჄႵჂ ႱႼႼლ ჃႸႵ’Ⴣ ჉ႿჅჂ ჃჄჅႴႵႾჄნ ჷ ႷႱႽႲႼႵႴ ჄႸႱჄ ჃႸႵ ႽჅჃჄ ႸႱ჆Ⴕ ႽႵႾჄႹႿႾႵႴ ჄႸႵ ႳჅႼჄ ჄႿ ჉ႿჅ—ႱႾႴ ჷ ჇႿႾნ ჱႱႼႼ ႹჄ Ⴑ ႸႱჀჀ჉ ႱႳႳႹႴႵႾჄნა

აႣႿ ჉ႿჅ ႱႾႴ ჯႾ ႨႹႱႿ჈ჅႵ ႴჅႽჀႵႴ ჄႸႵ ႲႼႱႽႵ ႿႾ ႽႵ…ა

აჰႼႱႽႵ ႹႽჀႼႹႵჃ ჇჂႿႾႷႴႿႹႾႷნ ჼႿჇ ჉ႿჅჂ ႹႽႱႷႵ ႹႾ ႶჂႿႾჄ ႿႶ ჉ႿჅჂ ჃჄჅႴႵႾჄ ႸႱჃ ჃႻ჉ჂႿႳႻႵჄႵႴნ ႤႸႱჄ’Ⴣ ჃႿႽႵჄႸႹႾႷ ჄႿ ႳႵႼႵႲჂႱჄႵნა ჶႵ ႨႹႱႿ჈ႹႾ ჄႹႼჄႵႴ ႸႵჂ ႸႵႱႴნ აჯჂႵ ჉ႿჅ ჅჀჃႵჄ ႱႲႿჅჄ ႹჄჭა

აჷ ႴႿႾ’Ⴤ ჇႱႾჄ ჄჂႿჅႲႼႵნა ჯႾ ႨႹႱႿ჉Ⴙ ჄჅჂႾႵႴ ႱჇႱ჉ ႷჅႹႼჄႹႼ჉ნ

აჽႸჭა

აჴႹႾႵლ ႶႹႾႵნ ჰჅჄ ჇႸ჉ ჇႵჂႵ ჉ႿჅ ჄჇႿ Ⴕ჆ႵႾ ჄႸႵჂႵჭა ႸႵ ႽჅჄჄႵჂႵႴნ

აჯႾ ႨႹႱႿ჈ჅႵ ႹჃႾ’Ⴤ Ⴕ჈ႱႳჄႼ჉ ჇႵႼႼმႲႵႸႱ჆ႵႴნ ჻Ⴑ჉ႲႵ ჃႸႵ ჇႱႾჄႵႴ ჄႿ ႸჅႾჄ ჆ႱႽჀႹჂႵჃნა ჶႵ ႨႹႱႿ჈ႹႾ’Ⴣ ჆ႿႹႳႵ ჇႱჃ ჃႿႶჄლ ႱႼႽႿჃჄ ႹႾႱჅႴႹႲႼႵნ აჷ ჇႱჃ ჇႿჂჂႹႵႴ ჃႸႵ’Ⴔ ႷႵჄ ႹႾჄႿ ႴႱႾႷႵჂნ ႣႿႽႵჄႹႽႵჃლ ჃႸႵ ჂႵႱႼႼ჉ ႹჃ ჂႵႳႻႼႵჃჃ ႱႾႴ ჄჂႿჅႲႼႵჃႿႽႵნა

აႩႿჅ ႶႿႼႼႿჇႵႴ ႸႵჂ… ჄႿ ჀჂႿჄႵႳჄ ႸႵჂჭა

აႩႵჃნ ႩႿჅ’ჂႵ ႾႿჄ Ⴑ ჆ႵჂ჉ ჂႵჃჀႿႾჃႹႲႼႵ ႿႼႴႵჂ ႲჂႿჄႸႵჂნა

ჯႾ ႨႹႱႿ჉Ⴙ ჃႸჂჅႷႷႵႴნ აჷ ႳႱႾ’Ⴤ ႻႵႵჀ ႱႾ Ⴕ჉Ⴕ ႿႾ ႸႵჂ ႱႼႼ ჄႸႵ ჄႹႽႵნ ჶႱႼႶ ჄႸႵ ჄႹႽႵლ ჷ ႴႿႾ’Ⴤ Ⴕ჆ႵႾ ႻႾႿჇ ჇႸႵჂႵ ჃႸႵ ႹჃნ ႣႸႵ’Ⴣ Ⴑ ჆ႱႽჀႹჂႵ—ჷ’Ⴝ ႺჅჃჄ ႸჅႽႱႾნ ჯႾႴ ႳႱႾ ჉ႿჅ ႷჅႱჂႱႾჄႵႵ ჃႸႵ’Ⴣ ႱႼჇႱ჉Ⴣ ჇႹჄႸႹႾ ჉ႿჅჂ ჃႹႷႸჄჭა

ႤႸႵჂႵ ჇႱჃ Ⴑ ႸႹႾჄ ႿႶ ჂႵჄႱႼႹႱჄႹႿႾ ႹႾ ႸႹჃ ჇႿჂႴჃნ

ჶႵ ႨႹႱႿ჈ႹႾ’Ⴣ ႵႱჂႼႹႵჂ ჂႵႽႱჂႻ ႸႱႴ ႹႽჀႼႹႵႴ ჃႸႵ ႳႱჂႵႴ ႽႿჂႵ ႱႲႿჅჄ ჯႾ ႨႹႱႿ჈ჅႵ ჄႸႱႾ ႸႵ ႴႹႴ—ჄႸႱჄ ႸႵჂ ჃჄႱႼႻႹႾႷ ჇႱჃ ႶႿჂ ჃႱႶႵჄ჉ნ ჰჅჄ ႿႾႼ჉ ႸႵ ႻႾႵჇ ჄႸႱჄ ႽႿჃჄ ႿႶ ჄႸႵ ჄႹႽႵლ ჯႾ ႨႹႱႿ჈ჅႵ აႴႹႴႾ’Ⴤ Ⴕ჈ႹჃჄ ႹႾ ჄႸႹჃ ჇႿჂႼႴნა

ჯႾ ႨႹႱႿ჉Ⴙ ႳႿჅႼႴ ႵႱჃႹႼ჉ ႹႽႱႷႹႾႵ ჶႵ ႨႹႱႿ჈ႹႾ’Ⴣ ႶჂჅჃჄჂႱჄႹႿႾ ჇႸႵႾႵ჆ႵჂ ჃႸႵ ჄჂႹႵႴ ჄႿ ჄჂႱႳႻ ჯႾ ႨႹႱႿ჈ჅႵ ႲჅჄ ႳႿჅႼႴႾ’Ⴤ ႶႹႾႴ ႸႵჂ ႴჅჂႹႾႷ ჄႸႵ ჄႹႽႵჃ ႸႵ ႸႱႴႾ’Ⴤ ჄႱႻႵႾ ႿႾ ႸႹჃ ჄჂჅႵ ႶႿჂႽნ ჶႵ ႶႵႼჄ ჄႸႹჃ ႼႹႾႵ ჇႱჃ ႸႹჃ ჃႽႱႼႼ ჂႵ჆ႵႾႷႵნ

აႤჂჅႵნა ჶႵ ႨႹႱႿ჈ႹႾ ႴႹႴႾ’Ⴤ ႴႵႾ჉ ႹჄნ

აჽႶჄႵႾლ ჷ ႳႱႾ’Ⴤ ႶႹႾႴ ႸႵჂნ ႣႸႵ ႸႹႴႵჃ ჇႵႼႼნა

ႣႸႵ ႼႹႶჄႵႴ ႸႵჂ ႷႱ჊Ⴕლ ჃႳႱႾႾႹႾႷ ჄႸႵႹჂ ჃჅჂჂႿჅႾႴႹႾႷჃნ აჯႾႴ ჉ႵჄლ ႹჄ ႶႵႵႼჃ ႼႹႻႵ ჃႸႵ’Ⴣ ႱႼჇႱ჉Ⴣ ჃႿႽႵჇႸႵჂႵ ႹႾ ჄႸႹჃ ჃႳႸႿႿႼნა

ჯႾ ႨႹႱႿ჉Ⴙ ႶႵႼႼ ჃႹႼႵႾჄნ ႧႿႽႵႾ’Ⴣ ႹႾჄჅႹჄႹႿႾ ႹჃ ჄႵჂჂႹႶ჉ႹႾႷნ ჶႵ ႸჅჂჂႹႵႴ ႹႾჄႿ ჄႸႵ Ⴕ჈ႱႽ ႸႱႼႼნ

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The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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