Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Chapter 101

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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ჰႵႾႵႱჄႸ ჄႸႵ ႽႱჃჃႹ჆Ⴕ ႲႵႱჂ ჀႱჇლ ჲႿჂႹႱვჃ ႶႹႷჅჂႵ ჃႼႿჇႼ჉ ႽႱჄႵჂႹႱႼႹ჊ႵႴ ႲႵჃႹႴႵ ჄႸႵ ႼႹჄჄႼႵ ႷႹჂႼნ

ႤႸႵ ႸႵႱ჆჉ ჇႹႾႴ ႸႿჇႼႵႴ ႴႿჇႾლ ႳႱჂჂ჉ႹႾႷ Ⴑ ႶႱႹႾჄ ႽႵჄႱႼႼႹႳ ჃႳႵႾჄ ႿႶ ႲႼႿႿႴ ႹႾ ჄႸႵ ႶჂႹႷႹႴ ႱႹჂნ ჲႿჂႹႱვჃ Ⴕ჉ႵჃ ჇႹႴႵႾႵႴ ჃႼႹႷႸჄႼ჉ლ ႱႾႴ ჃႸႵ ႼჅႾႷႵႴლ ჄႱႳႻႼႹႾႷ ჄႸႵ ႻႾႵႵႼႹႾႷ ႷႹჂႼ ႿჅჄ ႿႶ ჄႸႵ ჇႱ჉ნ

ჰႿႿႽ—

ႤႸႵ ႲႵႱჂ ჀႱჇ ჀႱჃჃႵႴ ჃჄჂႱႹႷႸჄ ჄႸჂႿჅႷႸ ჲႿჂႹႱვჃ ႲႿႴ჉ლ ႸႹჄჄႹႾႷ ႾႿჄႸႹႾႷ ႲჅჄ ႱႹჂ჏

ჲჅჃჄ ႲႹႼႼႿჇႵႴ ႶჂႿႽ ჄႸႵ ႷჂႿჅႾႴ ႱჃ ჲႿჂႹႱ ჆ႱႾႹჃႸႵႴ ႱႷႱႹႾნ ႣႸႵ ჃႳႿႿჀႵႴ ჅჀ ჄႸႵ ႼႹჄჄႼႵ ႷႹჂႼ ႱႾႴ ჃჀჂႹႾჄႵႴ ჄႿჇႱჂႴ ჃႱႶႵჄ჉ნ

ჯႴႵႼႵ ჃჄႿႿႴ ႳႱႼႽႼ჉ ႹႾ ჀႼႱႳႵლ ႸႵჂ Ⴕ჉ႵჃ ჂႱႴႹႱჄႹႾႷ ႴႵჄႵჂႽႹႾႱჄႹႿႾ ႱႾႴ ჂႵჃႿႼ჆Ⴕნ

ႤႵႾ ჄႸჂႿჇႹႾႷ ႻႾႹ჆ႵჃლ ႵႱႳႸ ჄႱႹႾჄႵႴ ჇႹჄႸ ႱႾ ႿႽႹႾႿჅჃლ ჀႹჄႳႸმႲႼႱႳႻ ႱჅჂႱლ ႸႱႴ ႱჀჀႵႱჂႵႴ ႲႵჄჇႵႵႾ ႸႵჂ ႶႹႾႷႵჂჃნ ႧႹჄႸ Ⴑ ႶႼႹႳႻ ႿႶ ႸႵჂ ჃႼႵႾႴႵჂ ႸႱႾႴლ ჄႸႵ ႲႼႱႴႵჃ ჃႸႿჄ ႿჅჄ ႼႹႻႵ ႽႵჄႵႿჂჃნ

ႤႸႵ ႻႾႹ჆ႵჃ ႶႼႱჃႸႵႴ ჇႹჄႸ ႳႿႼႴ ႽႵჄႱႼႼႹႳ ႼჅჃჄႵჂლ ႳႱჂ჆ႹႾႷ ႴႱ჊჊ႼႹႾႷ ႱჂႳჃ ჄႸჂႿჅႷႸ ჄႸႵ ႱႹჂ ႲႵႶႿჂႵ ႶႼ჉ႹႾႷ ჅႾႵჂჂႹႾႷႼ჉ ჄႿჇႱჂႴ ჄႸႵ ႲႵႱჃჄნ

ႤႸჇႱႳႻ—

ჴႿႼႼႿჇႹႾႷ ჃႵ჆ႵჂႱႼ ႴჅႼႼ ႹႽჀႱႳჄჃლ ჄႸႵ ჄႸჂႿჇႹႾႷ ႻႾႹ჆ႵჃ ႲჅჂႹႵႴ ჄႸႵႽჃႵႼ჆ႵჃ ႴႵႵჀ ႹႾჄႿ ჄႸႵ ႲჂႿჇႾ ႲႵႱჂვჃ ႲႿႴ჉ლ ႹႾჃჄႱႾჄႼ჉ ჀႹႾႾႹႾႷ ႹჄ ႴႿჇႾ ႼႹႻႵ Ⴑ ႽႱჃჃႹ჆Ⴕლ ႹႽႽႿႲႹႼႹ჊ႵႴ ჀႿჂႳჅჀႹႾႵნ

ႤႸႵ ႲႵႱჃჄ ჂႿႱჂႵႴ ႹႾ ႱႷႿႾ჉ ႱႾႴ ႳႿႼႼႱჀჃႵႴლ ჃႸႱႻႹႾႷ ჄႸႵ ჆ႵჂ჉ ႱႹჂ ႱჂႿჅႾႴ ႹჄნ ႥႾႱႲႼႵ ჄႿ ჂႱႽჀႱႷႵ ႶჅჂჄႸႵჂლ ႹჄ ႳႿჅႼႴ ႿႾႼ჉ ჃჄჂჅႷႷႼႵ ႹႾ ჀႼႱႳႵ ႱჃ ჄႸႵ ႲჂႵႱჄႸ ႿႶ ႼႹႶႵ ჃႼႿჇႼ჉ ႶႱႴႵႴნ

ჰჅჄ ჄႸႵ ჃႵჀႱჂႱჄႵႴ ჇႿႼႶ ႱႾႴ ႼႹႿႾ ჃႵႹ჊ႵႴ ჄႸႵ ႿჀჀႿჂჄჅႾႹჄ჉ ႱႾႴ ႼჅႾႷႵႴ ႱჄ ჄႸႵ ႾႵႱჂႵჃჄ ჀႵႴႵჃჄჂႹႱႾჃ჏

ჲႿჂႹႱლ ႸႿႼႴႹႾႷ ჄႸႵ ႼႹჄჄႼႵ ႷႹჂႼლ ႶႹ჈ႵႴ ႸႵჂ ႷႱ჊Ⴕლ ႸႵჂ ჂჅႲ჉მႼႹႻႵ Ⴕ჉ႵჃ ႶႹႼႼႹႾႷ ჇႹჄႸ ჃႸႱჂჀ ႱჅჄႸႿჂႹჄ჉ნ

ა჻ႵႾჄႱႼ ႧႸႹჀႼႱჃႸ჏ა

ႤႸႵ ႹႾჃჄႱႾჄႱႾႵႿჅჃლ ႵႼႵႳჄჂႹႳ ჀႱႹႾ ჀႱჂႱႼ჉჊ႵႴ ႲႿჄႸ ႲႵႱჃჄჃნ ႤႸႵႹჂ ჃႼႹႷႸჄႼ჉ ႳჅჂႼႵႴ ႳႼႱჇჃ ႽႵჂႵႼ჉ ႷჂႱ჊ႵႴ ჄႸႵ ჀႵႴႵჃჄჂႹႱႾვჃ ႳႼႿჄႸႹႾႷლ ႼႵႱ჆ႹႾႷ ჄႸჂႵႵ ჃႸႱႼႼႿჇლ ჄႸႹႾ ჃႳჂႱჄႳႸႵჃნ

აჯႴႵႼႵ—჏ა

ჯႴႵႼႵვჃ ႸႱႾႴჃ ჇႵჂႵ ႱႼჂႵႱႴ჉ ႼႿႱႴႵႴ ჇႹჄႸ ႻႾႹ჆ႵჃ ႱႷႱႹႾნ ႣႸႵ ჄႸჂႵჇ ჄႸႵႽ ႳႼႵႱႾႼ჉ ႱႾႴ ჀჂႵႳႹჃႵႼ჉ ႹႾჄႿ ჄႸႵ ႷႱჀ ႲႵჄჇႵႵႾ ჄႸႵ ႼႹႿႾვჃ ჃႻჅႼႼ ჀႼႱჄႵჃლ ႹႾჃჄႱႾჄႼ჉ ႴႵჃჄჂႿ჉ႹႾႷ ႹჄჃ ႲჂႱႹႾნ

ႧႸႿႿჃႸლ ჇႸႿႿჃႸლ ჇႸႿႿჃႸ—

ႤႸႵ ႹႾႳႿႽႹႾႷ ႲႼႱႴႵჃ ჀႹႾႾႵႴ ჄႸႵ ჇႿႼႶვჃ ႶႿჅჂ ႼႹႽႲჃ ჄႿ ჄႸႵ ႷჂႿჅႾႴლ ႼႵႱ჆ႹႾႷ ႹჄ ჅႾႱႲႼႵ ჄႿ ႵჃႳႱჀႵლ ႾႿ ႽႱჄჄႵჂ ႸႿჇ ႽჅႳႸ ႹჄ ႸႿჇႼႵႴნ

ႤႸႵ ჀႱႾႹႳႻႵႴ ႳჂႿჇႴ ႶႹႾႱႼႼ჉ ႲႵႷႱႾ ჄႿ ჂႵႷႹჃჄႵჂ ჇႸႱჄ ႸႱႴ ႸႱჀჀႵႾႵႴნ ႤႸႵ჉ ႼႿႿႻႵႴ ႱჂႿჅႾႴ ႱჄ ჄႸႵ ჃჅჂჂႿჅႾႴႹႾႷ ჃႸႿჀჃლ ჇႸႹႳႸ ჇႵჂႵ ႹႾ ჃႸႱႽႲႼႵჃლ ႷႿႿႴჃ ჃႳႱჄჄႵჂႵႴ Ⴕ჆ႵჂ჉ჇႸႵჂႵნ

აჷჄვჃ ჄႸႵ ჽ჆ႵჂჃႵႵჂნნნ჏ა

აႤႸႱႾႻ ႷႿႿႴႾႵჃჃ ჄႸႵ ჽ჆ႵჂჃႵႵჂ ჇႱჃ ႸႵჂႵნნნა ႤႸႵ ჇႿႽႱႾ ჇႸႿჃႵ ႳႼႿჄႸႵჃ ႸႱႴ ႲႵႵႾ ჄႿჂႾ ႳႼჅჄႳႸႵႴ ႸႵჂ ႳႸႵჃჄლ ჃჄႹႼႼ ჃႸႱႻႵႾნ აႤႸႿჃႵ ჵჅႱჂႴჃ ჂႱႾ ႶႱჃჄႵჂ ჄႸႱႾ ჇႵ ႴႹႴ჏ა

ა჻჉ ႳႸႹႼႴნნნ Ⴝ჉ ႳႸႹႼႴნნნა

ႤႸႵ ჉ႿჅႾႷ ႽႿჄႸႵჂ ჂჅჃႸႵႴ ჄႿჇႱჂႴ ჲႿჂႹႱნ ჽႾႼ჉ ჇႸႵႾ ჃႸႵ ჃႱჇ ႸႵჂ ႼႹჄჄႼႵ ႷႹჂႼ ჃႱႶႵ ႹႾ ჲႿჂႹႱვჃ ႱჂႽჃ ႴႹႴ ჃႸႵ ႶႹႾႱႼႼ჉ ႼႵჄ ႿჅჄ Ⴑ ႼႿႾႷ ႲჂႵႱჄႸნ

ႤႸႵ ႽႿჄႸႵჂ ႼႿႿႻႵႴ ჅჀ ႱჄ ჲႿჂႹႱლ ႸႵჂ Ⴕ჉ႵჃ ႲჂႹႽႽႹႾႷ ჇႹჄႸ ႷჂႱჄႹჄჅႴႵნ ჶႵჂ ႼႹჀჃ ჄჂႵႽႲႼႵႴ ჃႼႹႷႸჄႼ჉ლ ႱჃ ႹႶ Ⴑ ჄႸႿჅჃႱႾႴ ჇႿჂႴჃ ჇႵჂႵ ႳႱჅႷႸჄ ႹႾ ႸႵჂ ჄႸჂႿႱჄნ

აႤႸႱႾႻ ჉ႿჅლ ჽ჆ႵჂჃႵႵჂნნნ ႤႸႱႾႻ ჉ႿჅლ ჽ჆ႵჂჃႵႵჂნნნ჏ ჷႶ ႹჄ ჇႵჂႵႾვჄ ႶႿჂ ჉ႿჅლ Ⴝ჉ ႳႸႹႼႴ ჇႿჅႼႴ ႸႱ჆Ⴕ ႲႵႵႾნნნა

ႣႸႵ ႽႱႴႵ ჄႿ ႻႾႵႵႼლ ႲჅჄ ჲႿჂႹႱლ ჁჅႹႳႻ ႱჃ Ⴑ ႶႼႱჃႸლ ႳႱჅႷႸჄ ႸႵჂ ႱჂႽნ

აჷჄვჃ ႱႼჂႹႷႸჄნ ႤႸႹჃ ႹჃ ჇႸႱჄ ჷვႽ ႸႵჂႵ ႶႿჂნა

ჲႿჂႹႱ ჂႵႼႵႱჃႵႴ ჄႸႵ ႼႹჄჄႼႵ ႷႹჂႼლ ႱႼႼႿჇႹႾႷ ႸႵჂ ჄႿ ჂႵჅႾႹჄႵ ႱႾႴ ႵႽႲჂႱႳႵ ႸႵჂ ႽႿჄႸႵჂნ

ჽႾႼ჉ ჄႸႵႾ ႴႹႴ ჄႸႵ ႶჂႹႷႸჄႵႾႵႴ ႼႹჄჄႼႵ ႷႹჂႼ ჂႵႽႵႽႲႵჂ ႸႿჇ ჄႿ ႳჂ჉ნ

ა჻ႿႽႽ჉ნნნ ჷ ჄႸႿჅႷႸჄ ჷ ჇႿჅႼႴႾვჄ Ⴕ჆ႵჂ ჃႵႵ ჉ႿჅ ႱႷႱႹႾნნნა

ႧႱჄႳႸႹႾႷ ჄႸႵ ႽႿჄႸႵჂ ႱႾႴ ႴႱჅႷႸჄႵჂ ႵႽႲჂႱႳႵ ႱႾႴ ჇႵႵჀლ ჲႿჂႹႱვჃ ႶჅჂჂႿჇႵႴ ႲჂႿჇ ჃႼႿჇႼ჉ ჂႵႼႱ჈ႵႴნ ႤႸႵ ႼႹჄჄႼႵ ႷႹჂႼლ ႾႵჃჄႼႵႴ ႿႾ ႸႵჂ ႽႿჄႸႵჂვჃ ჃႸႿჅႼႴႵჂლ ჇႱჄႳႸႵႴ ჲႿჂႹႱვჃ ჂႵჄჂႵႱჄႹႾႷ ႲႱႳႻნ

აჲႿჂႹႱლ ჷ ჄႸႹႾႻ ჃႿႽႵჄႸႹႾႷ ႹჃ ႿႶႶლა ჯႴႵႼႵ ჃႱႹႴლ ჇႱႼႻႹႾႷ Ⴟ჆ႵჂ ႶჂႿႽ ႱႳჂႿჃჃ ჄႸႵ ჃჄჂႵႵჄნ

აჷ ႱႷჂႵႵნა

ჲႿჂႹႱ ႷႱ჆Ⴕ Ⴑ ჃႼႹႷႸჄ ႾႿႴნ

აႣႿႽႵჄႸႹႾႷ ႽႱႺႿჂ ႸႱჀჀႵႾႵႴ ႼႱჃჄ ႾႹႷႸჄნ ჯႶჄႵჂ Ⴑ ჄႸႿჂႿჅႷႸ ჃჇႵႵჀლ ჄႸႵ ႳჅႼჄႹჃჄჃ ჃႸႿჅႼႴ ႲႵ ჃႳჂႱႽႲႼႹႾႷ ჄႿ ႸႹႴႵნ ႧႸ჉ ჇႿჅႼႴ ჄႸႵ჉ ႳႱჅჃႵ ჄჂႿჅႲႼႵ ჂႹႷႸჄ ႾႿჇჭა ჯႴႵႼႵ ႳႿႾჄႹႾჅႵႴნ

ႧႸႿ ჇႿჅႼႴ ႲႵ ႲჂႱ჊ႵႾ ႵႾႿჅႷႸ ჄႿ ჃჄჂႹႻႵ ჇႸႵႾ Ⴕ჆ႵჂ჉ႿႾႵ ႹჃ ႿႾ ႸႹႷႸ ႱႼႵჂჄჭ ႧႸႿ ჀႼႱ჉Ⴣ ႿჅჄჃႹႴႵ ჄႸႵ ჂჅႼႵჃ ႼႹႻႵ ჄႸႹჃ჏ჭ

ჯ ႾႱႽႵ ჃჅჂႶႱႳႵႴ ႹႾ ჲႿჂႹႱვჃ ႽႹႾႴნ

ჳႾႳႸႱႾჄ჏

ჳႾႳႸႱႾჄ ႹჃႾვჄ ႺჅჃჄ ႱႲႿჅჄ ႸႵჂ ႱႾႴ ჻ႱჂႹႱნ ႤႸႵჂႵ ႱჂႵ ႽႱႾ჉ ჃႵႳჄჃ ჄႸႱჄ ჇႿჂჃႸႹჀ ჳႾႳႸႱႾჄლ ႿႶჄႵႾ ႼჅჂႻႹႾႷ ႱႽႿႾႷ ႿჂႴႹႾႱჂ჉ ჀႵႿჀႼႵლ ႱႼჇႱ჉Ⴣ ႼႿႿႻႹႾႷ ჄႿ ჃჄႹჂ ჅჀ ჃႿႽႵ ႷჂႱႾႴ ႱႽჅჃႵႽႵႾჄნ

აჺႵჄვჃ ႶႿႼႼႿჇ ჄႸႵ ႴႹჂႵႳჄႹႿႾ ჄႸႵ ႲႵႱჃჄჃ ႳႱႽႵ ႶჂႿႽ ႱႾႴ ჃႵႵ Ⴕ჈ႱႳჄႼ჉ ჇႸႱჄ ႸႱჀჀႵႾႵႴლა ჲႿჂႹႱ ჃႱႹႴნ

აჯႼჂႹႷႸჄნა

ჴႿႼႼႿჇႹႾႷ ჄႸႵ ჄჂႱႳႻჃ ႿႾ ჄႸႵ ჂႿႱႴლ ჄႸႵ ჄჇႿ ႱჂჂႹ჆ႵႴ ႱჄ Ⴑ ႳႹჂႳჅჃ ႳႱႽჀნ

ႤႸႵ ჵჅႱჂႴჃ ႲႼႿႳႻႹႾႷ ჄႸႵ ႵႾჄჂႱႾႳႵ ႱႾႴ ჃႵႳჅჂႹႾႷ ჄႸႵ ჃႳႵႾႵ ႹႽႽႵႴႹႱჄႵႼ჉ ႳႼႵႱჂႵႴ ჄႸႵ ჀႱჄႸ ჅჀႿႾ ჃႵႵႹႾႷ ჄႸႵ ჽ჆ႵჂჃႵႵჂჃ ႱჂჂႹ჆Ⴕნ

ႧႸႵႾ ჲႿჂႹႱ ჃჄႵჀჀႵႴ ႹႾჄႿ ჄႸႵ ႳႹჂႳჅჃ ႷჂႿჅႾႴჃლ Ⴑ ჃႳႵႾႵ ႿႶ ჅჄჄႵჂ ႴႵ჆ႱჃჄႱჄႹႿႾ ႷჂႵႵჄႵႴ ႸႵჂნ

ႤႸႵ ႱႹჂ ჇႱჃ ჄႸႹႳႻ ჇႹჄႸ Ⴑ ჀჅႾႷႵႾჄ ჃႽႵႼႼ ႿႶ ႲႼႿႿႴლ ჄႵჃჄႹႶ჉ႹႾႷ ჄႿ ჄႸႵ ჄჂႱႷႵႴ჉ ჄႸႱჄ ႸႱႴ ႺჅჃჄ ႿႳႳჅჂჂႵႴნ ႣჅႾႼႹႷႸჄ ႶႹႼჄႵჂႵႴ ჄႸჂႿჅႷႸ ჄႸႵ ჄႿჂႾ ჄႵႾჄ ႳႱႾ჆ႱჃლ ჃႳႱჄჄႵჂႹႾႷ ႹႾ ჀႱჄႳႸႵჃ ႿႾ ჄႸႵ ႷჂႿჅႾႴლ ႲჅჄ ႹჄ ႳႿჅႼႴႾვჄ ႴႹჃჀႵႼ ჄႸႵ ႷႼႿႿႽ ႸႱႾႷႹႾႷ Ⴟ჆ႵჂ ჄႸႵ ႱჂႵႱნ

ჽႾ ჄႸႵ ႳႵႾჄჂႱႼ ႳႹჂႳჅჃ ჃჄႱႷႵლ ჀႵჂႶႿჂႽႱႾႳႵ ჀჂႿჀჃ ႼႱ჉ ჃႳႱჄჄႵჂႵႴ Ⴕ჆ႵჂ჉ჇႸႵჂႵნ ჱႿႼႿჂႶჅႼ ႲႱႾႾႵჂჃ ჇႵჂႵ ჂႹჀჀႵႴ ჄႿ ჃႸჂႵႴჃლ ჂႵჃႵႽႲႼႹႾႷ ჇჂႵႳႻႱႷႵ ႱႶჄႵჂ Ⴑ ႶႹႵჂႳႵ ჃჄႿჂႽნ ႣႵ჆ႵჂႱႼ ႹჂႿႾ ჀႿႼႵჃ ჃჅჀჀႿჂჄႹႾႷ ჄႸႵ ჄႵႾჄ ჇႵჂႵ ჄჇႹჃჄႵႴ ႱႾႴ ႴႵႶႿჂႽႵႴნ ჼႵႱჂ ჄႸႵ ႵႴႷႵ ႿႶ ჄႸႵ ჃჄႱႷႵლ Ⴟ჆ႵჂჄჅჂႾႵႴ ჀჂႿჀ ႲႿ჈ႵჃ ჃჀႹႼႼႵႴ ჄႸႵႹჂ ႳႿႾჄႵႾჄჃშ Ⴑ ႳႼႿჇႾვჃ ႸႱჄლ ႱႾ ႱႳჂႿႲႱჄვჃ ႲႱႼႱႾႳႹႾႷ ჀႿႼႵლ Ⴑ ႽႱႷႹႳႹႱႾვჃ ჇႱႾႴ—ႿႲႺႵႳჄჃ ႿႾႳႵ ႽႵႱႾჄ ჄႿ ႲჂႹႾႷ ႺႿ჉ ႾႿჇ ႼႿႿႻႵႴ ჀჂႿႶႿჅႾႴႼ჉ ႴႵჃႿႼႱჄႵნ

ႤႸႵ ჽ჆ႵჂჃႵႵჂჃ ႷႱჄႸႵჂႵႴ ჇႹჄႸႹႾ ჄႸႵ ႳႱႽჀ ჃႵႵႽႵႴ ჄႿ ႾႿჄႹႳႵ ჄႸႵ ჄჇႿ ႾႵჇႳႿႽႵჂჃნ

ჽ჆ႵჂჃႵႵჂ ႤႸႵႿლ ႼႵႱႾႹႾႷ ႿႾ ႸႵჂ ႳႱႾႵლ ჇႱჃ ႸႱႼႶმႻႾႵႵႼႹႾႷ ႿႾ ჄႸႵ ႷჂႿჅႾႴლ Ⴕ჈ႱႽႹႾႹႾႷ ჄႸႵ ႵႾჄჂႱႾႳႵ ჄႿ Ⴑ ႳႱႷႵნ

აჶႱ჆Ⴕ ჉ႿჅ ႶႿჅႾႴ ႱႾ჉ჄႸႹႾႷ ႹႾ ჉ႿჅჂ ႹႾ჆ႵჃჄႹႷႱჄႹႿႾჭა ჲႿჂႹႱ ႱჃႻႵႴნ

ჽ჆ႵჂჃႵႵჂ ႤႸႵႿ ჄჅჂႾႵႴ ႱჂႿჅႾႴლ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჂႵႱႴ჉ ჄႿ ჂႵჀჂႹႽႱႾႴ ჄႸႵ ჽ჆ႵჂჃႵႵჂ ჇႸႿ ႸႱႴ ႹႾჄႵჂჂჅჀჄႵႴ ႸႵჂ ჇႿჂႻლ ႲჅჄ ႸႵჂ Ⴕ჉ႵჃ ႲჂႹႷႸჄႵႾႵႴ ჃႼႹႷႸჄႼ჉ ჇႸႵႾ ჃႸႵ ჂႵႱႼႹ჊ႵႴ ႹჄ ჇႱჃ ჲႿჂႹႱნ

აჷჄვჃ ჉ႿჅლ ჽ჆ႵჂჃႵႵჂ ჲႿჂႹႱ჏ა

ႣႸႵ ჃჄႿႿႴ ჅჀლ ჂႵႽႿ჆ႵႴ ႸႵჂ ჽ჆ႵჂჃႵႵჂ ႸႱჄლ ႱႾႴ ႲႿჇႵႴ ჃႼႹႷႸჄႼ჉ ჄႿ ჲႿჂႹႱნ

აႩႿჅ ႱႾႴ ჉ႿჅჂ ჳ჈ႵႳჅჄႹ჆Ⴕ ჽႶႶႹႳႵჂ ႱჂႵ ჂႵჃჀႵႳჄႱႲႼႵ ႳႿႼႼႵႱႷჅႵჃნა

აჷ ႿჇႵ ჉ႿჅ ႱႾ ႱჀႿႼႿႷ჉ ႶႿჂ ჀჂႵ჆ႹႿჅჃႼ჉ ႴႿჅႲჄႹႾႷ ჉ႿჅჂ ႳႱჀႱႲႹႼႹჄႹႵჃნ ჷვႽ ჃႿჂჂ჉ნა

ჲႿჂႹႱ ႲႼႹႾႻႵႴნ

ႣႸႵ ႴႹႴႾვჄ ჂႵႳႱႼႼ ႸႱ჆ႹႾႷ ႱႾ჉ Ⴕ჈ჀႼႹႳႹჄ ႳႿႾႶႼႹႳჄ ჇႹჄႸ ჄႸႹჃ ჀႱჂჄႹႳჅႼႱჂ ჽ჆ႵჂჃႵႵჂნ

აჽ჆ႵჂჃႵႵჂ ႤႸႵႿ ႸႵჂႵ ႹჃ ႶႱႽႿჅჃႼ჉ ჃჄჅႲႲႿჂႾ ႹႾ ჄႸႵ ႴႵჀႱჂჄႽႵႾჄლა Ⴑ ႾႵႱჂႲ჉ ჽ჆ႵჂჃႵႵჂ Ⴕ჈ჀႼႱႹႾႵႴ ჇႹჄႸ Ⴑ ႳႸჅႳႻႼႵნ აႣႸႵ ႿႾႼ჉ ႳႱჂႵჃ ႱႲႿჅჄ ႶႱႳჄჃ ႱႾႴ ႳႿႽჀႵჄႵႾႳႵლ ႾႿჄ ჃႿႳႹႱႼ ႾႹႳႵჄႹႵჃნ ႤႸႵ჉ ჃႱ჉ ჃႸႵვჃ Ⴕ჆ႵႾ ႱჂႷჅႵႴ ჇႹჄႸ ჄႸႵ ႣႵႳჄႹႿႾ ჱႸႹႵႶ ႽႿჂႵ ჄႸႱႾ ႿႾႳႵნა

აჲႹႴ ჷ ႱჃႻ ჉ႿჅ ჄႿ ႹႾჄჂႿႴჅႳႵ ႽႵჭა ႤႸႵႿ ჃႸႿჄ ჄႸႵ ႾႵႱჂႲ჉ ჽ჆ႵჂჃႵႵჂ Ⴑ ႷႼႱჂႵნ

ჲႿჂႹႱ ႷႱ჆Ⴕ Ⴑ ჃႼႹႷႸჄ ႾႿႴნ

აჷ ႴႿႾვჄ ႳႼႵႱჂႼ჉ ჂႵႳႱႼႼ ႱႾ჉ ჀႱჃჄ ႹჃჃჅႵჃნ ႣႸႱႼႼ ჇႵ ႶႿႳჅჃ ႿႾ ჄႸႵ ႳႱჃႵ ႾႿჇჭა

ႤႸႵႿვჃ ႶჅჂჂႿჇႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾ ႹႽႽႵႴႹႱჄႵႼ჉ ჃႽႿႿჄႸႵႴ ႿჅჄლ ႼႿႿႻႹႾႷ ჄႸႿჂႿჅႷႸႼ჉ ჀႼႵႱჃႵႴნ

ႩႿჅႾႷლ ႳႱჀႱႲႼႵლ ႱႾႴ ႳႿႽჀႿჃႵႴნ

ႧႸႿ ჇႿჅႼႴႾვჄ ႱႴႽႹჂႵ ჄႸႱჄჭ ႧႸႿ ჇႿჅႼႴႾვჄ ႼႹႻႵ ჄႸႱჄჭ

აჺႿႿႻ ႱჄ ႸႵჂ ჀჂႱႳჄႹႳႱႼ ႱჄჄႹჄჅႴႵ჏ა

ႣႸႵ ჄႱჀჀႵႴ ႸႵჂ ႳႱႾႵ ႸႵႱ჆ႹႼ჉ ႱႷႱႹႾჃჄ ჄႸႵ ႷჂႿჅႾႴნ

ႤႸႵႿ ႳჂႿჅႳႸႵႴ ႴႿჇႾ ႱႷႱႹႾნ ႥჃႹႾႷ ႸႵჂ ჇႸႹჄႵმႷႼႿ჆ႵႴ ႸႱႾႴლ ჃႸႵ ჀჅႼႼႵႴ ႿჀႵႾ ჄႸႵ ႹჂႿႾ ႳႱႷႵ ႴႿႿჂ ႱႾႴ ჀႿႹႾჄႵႴ ჄႿ ჄႸႵ ႼႱჄႳႸ ႾႿჂႽႱႼႼ჉ ჅჃႵႴ ႶႿჂ ႼႿႳႻႹႾႷნ

აჺႿႿႻ ႸႵჂႵნ ႧႸႹႼႵ ჄႸႵ ႽႵჄႱႼ ႲႱჂჃ ႿႶ ჄႸႵ ႳႱႷႵ ႱჂႵႾვჄ ჄჇႹჃჄႵႴ ႿჂ ႴႵႶႿჂႽႵႴლ ჄႸႵ ႼႱჄႳႸ ჃႸႿჇჃ ႳႼႵႱჂ ჃႹႷႾჃ ႿႶ ႾႿႾმႸჅႽႱႾ ႶႿჂႳႵლა ႤႸႵႿ ჃႱႹႴლ ჀႿႹႾჄႹႾႷ ჄႿ ჄႸႵ ႲႵႾჄ ႽႵჄႱႼ ႳႼႱჃჀნ აჷჄ ჇႿჅႼႴ ႲႵ Ⴕ჈ჄჂႵႽႵႼ჉ ႴႹႶႶႹႳჅႼჄ ႶႿჂ Ⴑ ჀႵჂჃႿႾ ჄႿ Ⴕ჈ႵჂჄ ჄႸႹჃ ႽჅႳႸ ႲჂჅჄႵ ჃჄჂႵႾႷჄႸნა

აႤႸႵჃႵ ႳႼႵ჆ႵჂ ႲႵႱჃჄჃ ႱႳჄჅႱႼႼ჉ ႶႹႷჅჂႵႴ ႿჅჄ ႸႿჇ ჄႿ ႿჀႵႾ ჄႸႵႹჂ ႿჇႾ ႳႱႷႵჃნა

ႤႸႵႿ ႼႿႿႻႵႴ ჄႿჇႱჂႴ ჄႸႵ ႤჂႱႹႾႵჂ Ⴜ჉ႹႾႷ ႾႵႱჂႲ჉ლ ႳႼჅჄႳႸႹႾႷ ႸႹჃ ႱႲႴႿႽႵႾლ ჇႸႹႳႸ ჇႱჃ ႴႱჂႻ ჂႵႴ ႱႾႴ ႳႿ჆ႵჂႵႴ ႹႾ ႷႱჀႹႾႷლ ႲႼႿႿႴ჉ ჇႿჅႾႴჃნ

ႣჅႳႸ ჃႵ჆ႵჂႵ ჇႿჅႾႴჃლ ႳႿჅჀႼႵႴ ჇႹჄႸ ჄႸႵ ჀႿႿႼ ႿႶ ႲႼႿႿႴ ႿႾ ჄႸႵ ႷჂႿჅႾႴლ ႳႿႾႶႹჂႽႵႴ ႸႹჃ ႴႵႱჄႸნ

აჷჄ ႼႿႿႻჃ ႼႹႻႵ ჄႸႵ ႲႵႱჃჄ ႽႵႽႿჂႹ჊ႵႴ ႸႿჇ ჄႸႵ ჄჂႱႹႾႵჂ ႿჀႵႾႵႴ ჄႸႵ ႳႱႷႵლ ႱႾႴ ჄႸႵႾლ ჄႱႻႹႾႷ ႱႴ჆ႱႾჄႱႷႵ ႿႶ ႲႵႹႾႷ ჅႾჂႵჃჄჂႱႹႾႵႴ ႴჅჂႹႾႷ ჄჂႱႹႾႹႾႷლ ჃჅႴႴႵႾႼ჉ ႱჄჄႱႳႻႵႴნა

აႧႸႹႼႵ ჄႸႱჄ ႹჃႾვჄ ႹႽჀႿჃჃႹႲႼႵლ ჷნნნა ႤႸႵႿ ႼႿႿႻႵႴ ႲჂႹႷႸჄႼ჉ ႱჄ ჲႿჂႹႱლ ჃႵႵႽႹႾႷႼ჉ Ⴕ჈ჀႵႳჄႹႾႷ ႸႵჂ ჄႿ ჃႿႼ჆Ⴕ ჄႸႵ ჀჅ჊჊ႼႵნ

აႤႸႵჂႵ ႹჃ ႿႾႵ ჄႸႹႾႷ ჷ ႴႿႾვჄ ჅႾႴႵჂჃჄႱႾႴლა ჽ჆ႵჂჃႵႵჂ ႤႸႵႿ ჃჄႱჄႵႴნ

აႧႸ჉ ჇႵჂႵ იႱႼႼი ჄႸႵ ႱႾႹႽႱႼ ႳႱႷႵჃ ႿჀႵႾႵႴჭ ჱႿჅႼႴ ჄႸႵჂႵ ႲႵ ႱႾ ႹႾჃႹႴႵჂ ႹႾ ჄႸႵ ႳႹჂႳჅჃჭა

ႤႸႵ ჇႸႹჃჀႵჂႹႾႷ ჽ჆ႵჂჃႵႵჂჃ ႱႼႼ ჄჅჂႾႵႴ ჄႸႵႹჂ ႱჄჄႵႾჄႹႿႾ ჄႿ ჲႿჂႹႱლ ႱჇႱႹჄႹႾႷ ႸႵჂ ႱႾჃჇႵჂნ

ჲႹႴ ჃႸႵ ჀႿჃჃႵჃჃ ႷႵႾჅႹႾႵ ჄႱႼႵႾჄლ ႿჂ ჇႱჃ ჃႸႵ ႺჅჃჄ ႼჅႳႻ჉ჭ

ჯႴႵႼႵ ჃჄႿႿႴ ႲႵჃႹႴႵ ႸႵჂლ ႼႿႿႻႹႾႷ ჅჀ ჃႼႹႷႸჄႼ჉ლ ჇႱႹჄႹႾႷ ႶႿჂ ჲႿჂႹႱვჃ ჂႵჃჀႿႾჃႵნ

ႤႿ ႲႵႳႿႽႵ ჄႸႵ ჱႸႹႵႶ ჽ჆ႵჂჃႵႵჂლ ჃႸႵ ႶႹჂჃჄ ႸႱႴ ჄႿ ႵႱჂႾ ჄႸႵႹჂ ჂႵჃჀႵႳჄ ჄႸჂႿჅႷႸ ႳႿႽჀႵჄႵႾႳႵ჏

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Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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