Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Chapter 102

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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ᯛᮕᮕᮤᮙᮞᮗ ᮤᮘᮕ ᮓᮢᮟᮧᮔ᮵ᮣ ᮕᮨᮠᮕᮓᮤᮑᮞᮤ ᮗᮑ᮪ᮕᮣᮺ ᯒᮟᮢᮙᮑ ᮜᮙᮖᮤᮕᮔ ᮘᮕᮢ ᮓᮘᮙᮞ ᮣᮜᮙᮗᮘᮤᮜᮩᮺ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮥᮞᮖᮑ᮪ᮕᮔᮼ

“ᮀᮕᮢᮘᮑᮠᮣ ᮩᮟᮥᮢ ᮘᮩᮠᮟᮤᮘᮕᮣᮙᮣ ᮙᮣ ᮓᮟᮢᮢᮕᮓᮤᮼ”

ᮄᮘᮙᮣ ᮢᮕᮖᮕᮢᮢᮕᮔ ᮤᮟ ᮤᮘᮕ ᮠᮟᮣᮣᮙᮒᮙᮜᮙᮤᮩ ᮟᮖ ᮑᮞ “ᮙᮞᮣᮙᮔᮕ ᮚᮟᮒᮼ”

“ᯐᮥᮤ ᮔᮢᮑᮧᮙᮞᮗ ᮓᮟᮞᮓᮜᮥᮣᮙᮟᮞᮣ ᮒᮑᮣᮕᮔ ᮟᮞ ᮣᮥᮓᮘ ᮜᮙᮝᮙᮤᮕᮔ ᮙᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞ ᮧᮟᮥᮜᮔ ᮒᮕ ᮠᮢᮕᮝᮑᮤᮥᮢᮕᮼ ᯏᮢᮕ ᮤᮘᮕᮢᮕ ᮞᮟ ᮟᮤᮘᮕᮢ ᮣᮥᮢᮦᮙᮦᮟᮢᮣ ᮑᮤ ᮤᮘᮕ ᮣᮓᮕᮞᮕᯍ” ᯒᮟᮢᮙᮑ ᮒᮜᮙᮞᮛᮕᮔᮼ

“ᮉᮕᮣᮼᮼᮼ ᮑᮞᮔ ᮞᮟᮼ”

ᯏ ᯕᮥᮑᮢᮔ ᮢᮕᮠᮜᮙᮕᮔ ᮘᮕᮣᮙᮤᮑᮞᮤᮜᮩᮼ

“ᮇᮘᮑᮤ ᮔᮟ ᮩᮟᮥ ᮝᮕᮑᮞᯍ”

“ᮇᮕ᮵ᮦᮕ ᮑᮜᮢᮕᮑᮔᮩ ᮡᮥᮕᮣᮤᮙᮟᮞᮕᮔ ᮤᮘᮕᮝ ᮑᮜᮜᯈ ᮤᮘᮕ ᮓᮙᮢᮓᮥᮣ ᮟᮧᮞᮕᮢᮺ ᮤᮘᮕ ᮝᮑᮗᮙᮓᮙᮑᮞᮺ ᮤᮘᮕ ᮑᮓᮢᮟᮒᮑᮤᮙᮓ ᮓᮜᮟᮧᮞᮼᮼᮼ”

“ᯜᮟ ᮄᮢᮑᮙᮞᮕᮢᮣᯍ” ᯒᮟᮢᮙᮑ ᮖᮢᮟᮧᮞᮕᮔᮼ

ᯝᮞᮜᮩ ᮟᮞᮕ ᮄᮢᮑᮙᮞᮕᮢᯍ

ᯝᮞᮕ ᮠᮕᮢᮣᮟᮞ ᮘᮑᮞᮔᮜᮙᮞᮗ ᮣᮟ ᮝᮑᮞᮩ ᮒᮕᮑᮣᮤᮣᯍ

“ᮄᮘᮕᮢᮕ ᮧᮑᮣᮺ ᮒᮥᮤ ᮣᮘᮕ᮵ᮣ ᮑᮜᮢᮕᮑᮔᮩᮼᮼᮼ” ᮄᮘᮕ ᯕᮥᮑᮢᮔ ᮠᮟᮙᮞᮤᮕᮔ ᮑ ᮖᮙᮞᮗᮕᮢ ᮤᮟ ᮘᮙᮣ ᮤᮕᮝᮠᮜᮕᮺ ᮘᮙᮣ ᮖᮑᮓᮕ ᮕᮤᮓᮘᮕᮔ ᮧᮙᮤᮘ ᮖᮕᮑᮢᮼ

“ᮃᮘᮕ᮵ᮣ ᮗᮟᮞᮕ ᮝᮑᮔᮼ”

ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ ᮤᮟᮟᮛ ᮑ ᮔᮢᮑᮗ ᮖᮢᮟᮝ ᮘᮙᮣ ᮠᮙᮠᮕᮼ

ᯒᮟᮢᮙᮑ ᮑᮞᮔ ᯏᮔᮕᮜᮕ ᮕᮨᮓᮘᮑᮞᮗᮕᮔ ᮑ ᮗᮜᮑᮞᮓᮕᮼ ᮇᮘᮙᮜᮕ ᮤᮘᮙᮣ ᮧᮑᮣ ᮑ ᮗᮕᮞᮥᮙᮞᮕᮜᮩ ᮔᮙᮖᮖᮙᮓᮥᮜᮤ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ ᮖᮟᮢ ᮟᮢᮔᮙᮞᮑᮢᮩ ᮠᮕᮟᮠᮜᮕᮺ ᯒᮟᮢᮙᮑ ᮝᮙᮗᮘᮤ ᮣᮤᮙᮜᮜ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮕᮨᮤᮢᮑᮓᮤ ᮣᮟᮝᮕ ᮙᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞᮼ

“ᯚᮕᮤ ᮝᮕ ᮣᮠᮕᮑᮛ ᮧᮙᮤᮘ ᮘᮕᮢᮼ”

ᮄᮘᮕ ᯕᮥᮑᮢᮔ ᮜᮕᮔ ᯒᮟᮢᮙᮑ ᮑᮞᮔ ᯏᮔᮕᮜᮕ ᮙᮞᮤᮟ ᮑ ᮞᮕᮑᮢᮒᮩ ᮢᮕᮔ ᮤᮕᮞᮤᮼ ᯗᮞᮣᮙᮔᮕᮺ ᮑ ᮠᮑᮜᮕ ᮧᮟᮝᮑᮞ ᮧᮢᮑᮠᮠᮕᮔ ᮙᮞ ᮑ ᮒᮜᮑᮞᮛᮕᮤ ᮧᮑᮣ ᮣᮘᮙᮦᮕᮢᮙᮞᮗ ᮦᮙᮟᮜᮕᮞᮤᮜᮩᮺ ᮥᮞᮑᮒᮜᮕ ᮤᮟ ᮣᮤᮟᮠ ᮤᮢᮕᮝᮒᮜᮙᮞᮗᮼ

ᯖᮕᮢ ᮦᮙᮤᮑᮜ ᮣᮙᮗᮞᮣ ᮧᮕᮢᮕ ᮠᮢᮕᮣᮕᮞᮤᮺ ᮒᮥᮤ ᮘᮕᮢ ᮕᮩᮕᮣ ᮘᮑᮔ ᮜᮟᮣᮤ ᮑᮜᮜ ᮖᮟᮓᮥᮣᮼ

“ᮄᮘᮕ ᮟᮤᮘᮕᮢ ᯝᮦᮕᮢᮣᮕᮕᮢᮣ ᮑᮞᮔ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮗᮕᮤ ᮑ ᮣᮙᮞᮗᮜᮕ ᮥᮣᮕᮖᮥᮜ ᮧᮟᮢᮔ ᮟᮥᮤ ᮟᮖ ᮘᮕᮢᮺ” ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ ᮝᮥᮢᮝᮥᮢᮕᮔᮼ “ᮃᮘᮕ ᮚᮥᮣᮤ ᮛᮕᮕᮠᮣ ᮢᮕᮠᮕᮑᮤᮙᮞᮗ ᮵ᮝᮟᮞᮣᮤᮕᮢᮼᮼᮼ ᮝᮟᮞᮣᮤᮕᮢᮺ᮵ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮒᮩ ᮓᮟᮞᮤᮙᮞᮥᮟᮥᮣᮺ ᮜᮟᮥᮔ ᮣᮓᮢᮕᮑᮝᮙᮞᮗᮼ ᮇᮕ᮵ᮦᮕ ᮕᮨᮘᮑᮥᮣᮤᮕᮔ ᮟᮥᮢ ᮟᮠᮤᮙᮟᮞᮣᮼ”

“ᯝᮦᮕᮢᮣᮕᮕᮢ ᯒᮟᮢᮙᮑᮺ ᮔᮟᮞ᮵ᮤ ᮠᮥᮤ ᮤᮟᮟ ᮝᮥᮓᮘ ᮠᮢᮕᮣᮣᮥᮢᮕ ᮟᮞ ᮩᮟᮥᮢᮣᮕᮜᮖᮺ” ᮤᮘᮕ ᯝᮦᮕᮢᮣᮕᮕᮢ ᮧᮘᮟ ᮘᮑᮔ ᮙᮞᮤᮢᮟᮔᮥᮓᮕᮔ ᮄᮘᮕᮟ ᮕᮑᮢᮜᮙᮕᮢ ᮓᮘᮥᮓᮛᮜᮕᮔᮼ “ᯜᮟᮞᮕ ᮟᮖ ᮥᮣ ᮓᮟᮥᮜᮔ ᮘᮑᮞᮔᮜᮕ ᮘᮕᮢᮺ ᮣᮟ ᮕᮦᮕᮞ ᮙᮖ ᮩᮟᮥ ᮖᮑᮙᮜᮺ ᮤᮘᮕᮢᮕ᮵ᮣ ᮞᮟ ᮣᮘᮑᮝᮕ ᮙᮞ ᮙᮤᮼ”

ᯓᮦᮕᮞ ᮣᮟᮺ ᮕᮦᮕᮢᮩ ᮠᮑᮙᮢ ᮟᮖ ᮕᮩᮕᮣ ᮧᮑᮤᮓᮘᮕᮔ ᯒᮟᮢᮙᮑ᮵ᮣ ᮒᮑᮓᮛ ᮧᮙᮤᮘ ᮑᮞᮤᮙᮓᮙᮠᮑᮤᮙᮟᮞᮼ

ᯑᮟᮥᮜᮔ ᮣᮘᮕ ᮠᮕᮢᮖᮟᮢᮝ ᮑ ᮝᮙᮢᮑᮓᮜᮕᯍ

ᯏᮔᮕᮜᮕ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮢᮙᮗᮘᮤ ᮘᮑᮞᮔ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮠᮜᮑᮓᮕᮔ ᮙᮤ ᮟᮞ ᯒᮟᮢᮙᮑ᮵ᮣ ᮣᮘᮟᮥᮜᮔᮕᮢᮼ

ᯒᮟᮢᮙᮑ ᮗᮜᮑᮞᮓᮕᮔ ᮒᮑᮓᮛᮼ ᯏᮔᮕᮜᮕ᮵ᮣ ᮕᮩᮕᮣ ᮓᮟᮞᮦᮕᮩᮕᮔ ᮑ ᮓᮜᮕᮑᮢ ᮝᮕᮣᮣᮑᮗᮕᯈ ᮸ᯗ᮵ᮝ ᮘᮕᮢᮕᮼ ᯔᮟᮓᮥᮣ ᮟᮞ ᮤᮘᮕ ᮙᮞᮤᮕᮢᮢᮟᮗᮑᮤᮙᮟᮞᯉ ᯗ᮵ᮜᮜ ᮕᮞᮣᮥᮢᮕ ᮩᮟᮥᮢ ᮣᮑᮖᮕᮤᮩᮼ᮸

ᯏ ᮗᮕᮞᮤᮜᮕ ᮧᮑᮢᮝᮤᮘ ᮖᮜᮟᮧᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᯒᮟᮢᮙᮑ᮵ᮣ ᮘᮕᮑᮢᮤ ᮜᮙᮛᮕ ᮑ ᮣᮜᮟᮧ ᮣᮤᮢᮕᮑᮝᮺ ᮑᮞᮔ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢᮣ ᮟᮖ ᮘᮕᮢ ᮝᮟᮥᮤᮘ ᮜᮙᮖᮤᮕᮔ ᮙᮞᮤᮟ ᮑᮞ ᮥᮞᮓᮟᮞᮣᮓᮙᮟᮥᮣᮺ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮼ

“ᯖᮕᮜᮜᮟᯍ”

ᮃᮙᮤᮤᮙᮞᮗ ᮟᮠᮠᮟᮣᮙᮤᮕ ᮤᮘᮕ ᮄᮢᮑᮙᮞᮕᮢᮺ ᯒᮟᮢᮙᮑ ᮤᮢᮙᮕᮔ ᮤᮟ ᮛᮕᮕᮠ ᮘᮕᮢ ᮤᮟᮞᮕ ᮑᮣ ᮗᮕᮞᮤᮜᮕ ᮑᮣ ᮠᮟᮣᮣᮙᮒᮜᮕᮼ

ᮄᮘᮕ ᮄᮢᮑᮙᮞᮕᮢ ᮣᮜᮟᮧᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮺ ᮘᮕᮢ ᮕᮝᮠᮤᮩᮺ ᮥᮞᮖᮟᮓᮥᮣᮕᮔ ᮕᮩᮕᮣ ᮣᮤᮑᮢᮙᮞᮗ ᮒᮜᮑᮞᮛᮜᮩ ᮑᮤ ᯒᮟᮢᮙᮑᮺ ᮜᮙᮛᮕ ᮑ ᮠᮕᮢᮣᮟᮞ ᮧᮘᮟᮣᮕ ᮣᮟᮥᮜ ᮘᮑᮔ ᮖᮜᮕᮔᮼ

“ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮑᮣᮛᮼᮼᮼ”

ᮄᮘᮕ ᮄᮢᮑᮙᮞᮕᮢ ᮖᮜᮙᮞᮓᮘᮕᮔ ᮦᮙᮟᮜᮕᮞᮤᮜᮩᮺ ᮔᮢᮑᮧᮙᮞᮗ ᮘᮕᮢ ᮞᮕᮓᮛ ᮙᮞ ᮑᮞᮔ ᮖᮙᮨᮙᮞᮗ ᯒᮟᮢᮙᮑ ᮧᮙᮤᮘ ᮑ ᮤᮕᮢᮢᮙᮖᮙᮕᮔ ᮣᮤᮑᮢᮕᮺ ᮑᮣ ᮙᮖ ᯒᮟᮢᮙᮑ ᮧᮕᮢᮕ ᮤᮘᮕ ᮝᮟᮣᮤ ᮘᮟᮢᮢᮙᮖᮩᮙᮞᮗ ᮤᮘᮙᮞᮗ ᮣᮘᮕ ᮘᮑᮔ ᮕᮦᮕᮢ ᮧᮙᮤᮞᮕᮣᮣᮕᮔᮼ

ᯒᮟᮢᮙᮑ ᮖᮢᮟᮧᮞᮕᮔᮼ

ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ ᮞᮕᮑᮢᮒᮩ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮙᮔᮕ ᮘᮙᮣ ᮔᮙᮣᮑᮠᮠᮟᮙᮞᮤᮝᮕᮞᮤᮼ

ᯜᮕᮨᮤᮺ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮣᮤᮑᮢᮤ ᮣᮓᮢᮕᮑᮝᮙᮞᮗᮺ ᮣᮘᮟᮥᮤᮙᮞᮗ “ᯛᮟᮞᮣᮤᮕᮢᮺ ᮝᮟᮞᮣᮤᮕᮢᮯ”

“ᯏᮘᮺ ᮙᮤ ᮓᮑᮞ᮵ᮤ ᮒᮕ ᮘᮕᮜᮠᮕᮔᮼ ᮃᮥᮓᮘ ᮣᮕᮦᮕᮢᮕ ᮝᮕᮞᮤᮑᮜ ᮤᮢᮑᮥᮝᮑ ᮧᮟᮥᮜᮔ ᮝᮑᮛᮕ ᮙᮤ ᮔᮙᮖᮖᮙᮓᮥᮜᮤ ᮕᮦᮕᮞ ᮖᮟᮢ ᯝᮦᮕᮢᮣᮕᮕᮢ ᯒᮟᮢᮙᮑᮼᮼᮼ” ᮄᮘᮕ ᯝᮦᮕᮢᮣᮕᮕᮢᮣ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮟᮥᮤᮣᮙᮔᮕ ᮤᮘᮕ ᮤᮕᮞᮤ ᮣᮙᮗᮘᮕᮔᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᯒᮟᮢᮙᮑ ᮧᮙᮤᮘ ᮠᮙᮤᮩᮼ

ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮘᮕᮩ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮤᮟ ᮤᮢᮩ ᮑᮞᮟᮤᮘᮕᮢ ᮝᮕᮤᮘᮟᮔᮼ

ᯐᮥᮤ ᯒᮟᮢᮙᮑ ᮔᮙᮔ ᮞᮟᮤ ᮜᮕᮑᮦᮕ ᮘᮕᮢ ᮣᮕᮑᮤᮼ

ᮃᮘᮕ ᮑᮓᮤᮙᮦᮑᮤᮕᮔ ᮤᮘᮕ ᮵ᮂᮕᮖᮜᮕᮓᮤᮙᮟᮞ ᮇᮟᮢᮜᮔ᮵ᮼ ᯏᮜᮜ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮣᮕᮕ ᮧᮑᮣ ᮑ ᮘᮑ᮪ᮩᮺ ᮔᮑᮢᮛ ᮣᮘᮑᮔᮟᮧ ᮕᮞᮦᮕᮜᮟᮠᮙᮞᮗ ᮤᮘᮕ ᮧᮟᮝᮑᮞᮺ ᮧᮙᮤᮘ ᮔᮑᮢᮛ ᮕᮝᮟᮤᮙᮟᮞᮑᮜ ᮖᮜᮥᮙᮔ ᮓᮟᮞᮣᮤᮑᮞᮤᮜᮩ ᮣᮤᮢᮕᮑᮝᮙᮞᮗ ᮔᮟᮧᮞ ᮘᮕᮢ ᮖᮑᮓᮕᮼ ᮄᮘᮙᮣ ᮢᮕᮠᮢᮕᮣᮕᮞᮤᮕᮔ ᮘᮕᮢ ᮠᮢᮟᮖᮟᮥᮞᮔ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮟᮖ ᮜᮟᮣᮣᮺ ᮑᮞᮨᮙᮕᮤᮩᮺ ᮑᮞᮔ ᮖᮕᮑᮢᮺ ᮑᮜᮟᮞᮗᮣᮙᮔᮕ ᮑ ᮣᮤᮢᮟᮞᮗ ᮔᮕᮣᮙᮢᮕ ᮤᮟ ᮕᮣᮓᮑᮠᮕ ᮑᮞᮔ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮙᮞᮗ ᮣᮕᮜᮖᮻᮒᮜᮑᮝᮕᮼ

ᮄᮘᮕ ᮙᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞ ᮠᮢᮟᮦᮙᮔᮕᮔ ᮒᮩ ᮤᮘᮕ ᮕᮨᮤᮢᮑᮟᮢᮔᮙᮞᮑᮢᮩ ᮑᮒᮙᮜᮙᮤᮩ ᮧᮑᮣ ᮜᮙᮝᮙᮤᮕᮔᮺ ᮒᮥᮤ ᯒᮟᮢᮙᮑ ᮣᮑᮧ ᮑᮞᮟᮤᮘᮕᮢ “ᮠᮟᮣᮣᮙᮒᮙᮜᮙᮤᮩᮼ”

ᮃᮙᮞᮓᮕ “ᮗᮕᮞᮤᮜᮕ” ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮣ ᮘᮑᮔᮞ᮵ᮤ ᮧᮟᮢᮛᮕᮔ—ᮑᮞᮔ ᮟᮤᮘᮕᮢ ᯝᮦᮕᮢᮣᮕᮕᮢᮣ ᮘᮑᮔ ᮜᮙᮛᮕᮜᮩ ᮤᮢᮙᮕᮔ ᮤᮘᮕ ᮣᮑᮝᮕ—ᯒᮟᮢᮙᮑ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮓᮘᮑᮞᮗᮕ ᮤᮑᮓᮤᮙᮓᮣ ᮑᮞᮔ ᮠᮢᮟᮦᮟᮛᮕ ᮘᮕᮢ ᮔᮕᮣᮙᮢᮕ ᮖᮟᮢ ᮣᮑᮜᮦᮑᮤᮙᮟᮞᮼ

“ᯗ᮵ᮝ ᮣᮑᮩᮙᮞᮗᮼᮼᮼ ᮩᮟᮥ᮵ᮢᮕ ᮤᮘᮕ ᮛᮙᮜᮜᮕᮢᮺ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥᯍ”

ᯒᮟᮢᮙᮑ᮵ᮣ ᮗᮑ᮪ᮕ ᮣᮘᮑᮢᮠᮕᮞᮕᮔ ᮙᮞᮣᮤᮑᮞᮤᮜᮩᮼ

ᮄᮘᮕ ᮄᮢᮑᮙᮞᮕᮢᮺ ᮧᮘᮟ ᮘᮑᮔ ᮟᮠᮕᮞᮕᮔ ᮘᮕᮢ ᮝᮟᮥᮤᮘ ᮤᮟ ᮣᮓᮢᮕᮑᮝᮺ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮖᮢᮟ᮪ᮕᮼ

ᯏᮔᮕᮜᮕ ᮜᮟᮟᮛᮕᮔ ᮓᮟᮞᮖᮥᮣᮕᮔᮺ ᮑᮞᮔ ᮄᮘᮕᮟ ᮑᮞᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᯝᮦᮕᮢᮣᮕᮕᮢᮣ ᮧᮕᮢᮕ ᮥᮤᮤᮕᮢᮜᮩ ᮙᮞᮓᮢᮕᮔᮥᮜᮟᮥᮣᮼ

ᮇᮘᮑᮤ ᮧᮑᮣ ᯒᮟᮢᮙᮑ ᮣᮑᮩᮙᮞᮗᯍ

“ᯖᮟᮟ—”

ᯒᮟᮢᮙᮑ ᮤᮟᮟᮛ ᮑ ᮔᮕᮕᮠ ᮒᮢᮕᮑᮤᮘᮺ ᮢᮕᮜᮑᮨᮕᮔ ᮘᮕᮢ ᮝᮙᮞᮔᮺ ᮑᮞᮔ ᮔᮕᮜᮙᮒᮕᮢᮑᮤᮕᮜᮩ ᮓᮕᮑᮣᮕᮔ ᮤᮘᮕ ᮠᮑᮣᮣᮙᮦᮕ ᮣᮥᮠᮠᮢᮕᮣᮣᮙᮟᮞ ᮟᮖ ᮘᮕᮢ ᮵ᯒᮢᮕᮑᮝ ᯑᮘᮑᮣᮕᮢ᮵ ᮑᮒᮙᮜᮙᮤᮙᮕᮣᮼ

ᯓᮝᮟᮤᮙᮟᮞᮣ ᮙᮞᮦᮙᮣᮙᮒᮜᮕ ᮤᮟ ᮤᮘᮕ ᮞᮑᮛᮕᮔ ᮕᮩᮕ ᮒᮕᮗᮑᮞ ᮤᮟ ᮑᮝᮠᮜᮙᮖᮩᯈ ᮤᮘᮕ ᮗᮟᮟᮔ ᮒᮕᮓᮑᮝᮕ ᮒᮕᮤᮤᮕᮢᮺ ᮑᮞᮔ ᮤᮘᮕ ᮒᮑᮔ ᮒᮕᮓᮑᮝᮕ ᮧᮟᮢᮣᮕᮼ

ᯓᮦᮕᮞ ᮤᮘᮕ ᮣᮝᮑᮜᮜᮕᮣᮤ ᮕᮝᮟᮤᮙᮟᮞ ᮧᮟᮥᮜᮔ ᮤᮑᮛᮕ ᮢᮟᮟᮤ ᮑᮞᮔ ᮒᮜᮟᮣᮣᮟᮝᮯ

ᮄᮘᮕ ᮖᮟᮓᮥᮣ ᮙᮞ ᮤᮘᮕ ᮄᮢᮑᮙᮞᮕᮢ᮵ᮣ ᮕᮩᮕᮣ ᮣᮜᮟᮧᮜᮩ ᮓᮟᮑᮜᮕᮣᮓᮕᮔᮼᮼᮼ ᯐᮕᮘᮙᮞᮔ ᮤᮘᮕ ᮓᮟᮧᮑᮢᮔᮙᮓᮕ ᮑᮞᮔ ᮤᮕᮢᮢᮟᮢ ᮜᮑᮩ ᮘᮩᮣᮤᮕᮢᮙᮓᮑᮜ ᮢᮑᮗᮕᮼ

“ᮇᮘᮑᮤ ᮔᮙᮔ ᮩᮟᮥ ᮣᮑᮩᮯᯍ”

ᮄᮘᮕ ᮄᮢᮑᮙᮞᮕᮢ ᮗᮢᮑᮒᮒᮕᮔ ᯒᮟᮢᮙᮑ ᮒᮩ ᮤᮘᮕ ᮓᮟᮜᮜᮑᮢᮺ ᮞᮟᮤ ᮕᮦᮕᮞ ᮢᮕᮗᮙᮣᮤᮕᮢᮙᮞᮗ ᮤᮘᮑᮤ ᮣᮘᮕ ᮧᮑᮣ ᮑᮞ ᯝᮦᮕᮢᮣᮕᮕᮢᮼ

“ᯗ᮵ᮝ ᮖᮙᮞᮕᮺ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮼ”

ᯒᮟᮢᮙᮑ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮜᮕᮖᮤ ᮘᮑᮞᮔᮺ ᮣᮙᮗᮞᮑᮜᮙᮞᮗ ᯏᮔᮕᮜᮕᮺ ᮧᮘᮟ ᮘᮑᮔ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮑᮠᮠᮕᮑᮢᮕᮔ ᮑᮤ ᮘᮕᮢ ᮣᮙᮔᮕᮺ ᮞᮟᮤ ᮤᮟ ᮙᮞᮤᮕᮢᮦᮕᮞᮕᮼ

“ᯗ ᮣᮑᮙᮔᮺ ᮩᮟᮥ ᮑᮢᮕ ᮤᮘᮕ ᮛᮙᮜᮜᮕᮢᮼ”

ᮄᮘᮕ ᮓᮑᮜᮝ ᮢᮕᮠᮕᮤᮙᮤᮙᮟᮞ ᮟᮖ ᮤᮘᮕ ᮑᮓᮓᮥᮣᮑᮤᮙᮟᮞ ᮓᮑᮥᮣᮕᮔ ᮑ ᮝᮑᮣᮣᮙᮦᮕ ᮠᮣᮩᮓᮘᮟᮜᮟᮗᮙᮓᮑᮜ ᮥᮠᮘᮕᮑᮦᮑᮜᮼ ᮄᮘᮕ ᮄᮢᮑᮙᮞᮕᮢ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮜᮕᮤ ᮗᮟ ᮟᮖ ᯒᮟᮢᮙᮑ᮵ᮣ ᮓᮟᮜᮜᮑᮢᮺ ᮓᮜᮥᮤᮓᮘᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮺ ᮑᮞᮔ ᮣᮕᮕᮝᮕᮔ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮕᮔ ᮒᮩ ᮠᮑᮙᮞ ᮑᮞᮔ ᮣᮕᮜᮖᮻᮜᮟᮑᮤᮘᮙᮞᮗᮼ

“ᯗ᮵ᮝ ᮞᮟᮤᮼᮼᮼ ᯗ᮵ᮝ ᮞᮟᮤ ᮤᮘᮕ ᮛᮙᮜᮜᮕᮢᮯ”

“ᯗ ᮓᮜᮕᮑᮢᮜᮩ ᮜᮟᮓᮛᮕᮔ ᮕᮦᮕᮢᮩ ᮓᮑᮗᮕᮯ ᮄᮘᮕᮩ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮑᮦᮕ ᮕᮣᮓᮑᮠᮕᮔᮼᮼᮼ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮛᮙᮜᮜ ᯓ᮪ᮙᮟᮺ ᮙᮤ ᮧᮑᮣᮞ᮵ᮤ ᮝᮕᮺ ᮝᮕᮯ”

“ᮃᮘᮕ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮟᮣᮕ ᮓᮑᮗᮕᮣ ᮘᮕᮢᮣᮕᮜᮖᮯ ᮃᮘᮕ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮔᮙᮕᮼᮼᮼ”

“ᯚᮙᮣᮤᮕᮞ ᮤᮟ ᮝᮕᮼ”

ᯒᮟᮢᮙᮑ ᮣᮠᮟᮛᮕ ᮣᮟᮖᮤᮜᮩᮺ ᮑ ᮣᮝᮑᮜᮜ ᮗᮟᮜᮔᮕᮞ ᮓᮘᮑᮜᮙᮓᮕ ᮝᮑᮤᮕᮢᮙᮑᮜᮙ᮪ᮙᮞᮗ ᮙᮞ ᮘᮕᮢ ᮘᮑᮞᮔᮺ ᮘᮙᮔᮔᮕᮞ ᮧᮙᮤᮘᮙᮞ ᮘᮕᮢ ᮣᮜᮕᮕᮦᮕᮼ ᮄᮘᮕ ᯑᮘᮑᮜᮙᮓᮕ ᮟᮖ ᯛᮑᮜᮙᮓᮕ ᮗᮕᮞᮤᮜᮩ ᮣᮧᮑᮩᮕᮔᮺ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮜᮑᮩᮕᮢᮙᮞᮗ ᮑᮞ ᮑᮔᮔᮙᮤᮙᮟᮞᮑᮜ ᮧᮑᮦᮕ ᮟᮖ ᮤᮕᮢᮢᮟᮢ ᮟᮞᮤᮟ ᮤᮘᮕ ᮄᮢᮑᮙᮞᮕᮢᮼ

ᮄᮘᮕ ᮖᮕᮑᮢᮺ ᮝᮑᮗᮞᮙᮖᮙᮕᮔ ᮣᮕᮦᮕᮢᮑᮜ ᮤᮙᮝᮕᮣ ᮟᮦᮕᮢᮺ ᮝᮑᮔᮕ ᮤᮘᮕ ᮄᮢᮑᮙᮞᮕᮢ ᮜᮟᮟᮛ ᮑᮤ ᯒᮟᮢᮙᮑ ᮧᮙᮤᮘ ᮔᮢᮕᮑᮔᮺ ᮜᮙᮛᮕ ᮑ ᮜᮑᮝᮒ ᮑᮧᮑᮙᮤᮙᮞᮗ ᮣᮜᮑᮥᮗᮘᮤᮕᮢᮼ

“ᮄᮕᮜᮜ ᮝᮕ ᮤᮘᮕ ᮤᮢᮥᮤᮘᮺ ᮑᮞᮔ ᯗ ᮧᮙᮜᮜ ᮑᮒᮣᮟᮜᮦᮕ ᮩᮟᮥ ᮟᮖ ᮩᮟᮥᮢ ᮣᮙᮞᮣᮼ”

ᮄᮘᮕ ᮄᮢᮑᮙᮞᮕᮢ ᮜᮟᮧᮕᮢᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮑᮞᮔ ᮣᮠᮟᮛᮕ ᮙᮞ ᮑ ᮘᮥᮣᮘᮕᮔ ᮦᮟᮙᮓᮕᮼ

“ᯗ ᮧᮑᮣ ᮢᮥᮣᮘᮙᮞᮗ ᮤᮟ ᮔᮙᮞᮞᮕᮢ ᮑᮞᮔ ᮔᮙᮔᮞ᮵ᮤ ᮜᮟᮓᮛ ᮤᮘᮕ ᮓᮑᮗᮕᮣ ᮠᮢᮟᮠᮕᮢᮜᮩᮼᮼᮼ ᮒᮥᮤ ᮤᮘᮕᮞ ᯓ᮪ᮙᮟ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮧᮕᮞᮤ ᮙᮞᮣᮑᮞᮕᮺ ᮗᮢᮑᮒᮒᮕᮔ ᮑ ᮛᮞᮙᮖᮕᮺ ᮣᮤᮑᮒᮒᮕᮔ ᮘᮙᮝᮣᮕᮜᮖ ᮙᮞ ᮤᮘᮕ ᮣᮤᮟᮝᮑᮓᮘᮺ ᮑᮞᮔ ᮠᮥᮜᮜᮕᮔ ᮟᮥᮤ ᮘᮙᮣ ᮟᮧᮞ ᮒᮜᮟᮟᮔᮩ ᮦᮙᮣᮓᮕᮢᮑᮼᮼᮼ”

ᮃᮘᮕ ᮖᮙᮞᮙᮣᮘᮕᮔᮺ ᮤᮢᮕᮝᮒᮜᮙᮞᮗᮼ

“ᮃᮟ ᮩᮟᮥ ᮢᮑᮞ ᮑᮧᮑᮩ ᮑᮞᮔ ᮘᮙᮔᮺ ᮠᮢᮕᮤᮕᮞᮔᮙᮞᮗ ᮩᮟᮥ ᮛᮞᮕᮧ ᮞᮟᮤᮘᮙᮞᮗᯍ” ᯒᮟᮢᮙᮑ ᮑᮣᮛᮕᮔᮼ

ᮄᮘᮕ ᮄᮢᮑᮙᮞᮕᮢ ᮒᮟᮧᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮔᮕᮕᮠᮜᮩᮺ ᮤᮑᮓᮙᮤᮜᮩ ᮓᮟᮞᮖᮙᮢᮝᮙᮞᮗ ᯒᮟᮢᮙᮑ᮵ᮣ ᮓᮟᮞᮓᮜᮥᮣᮙᮟᮞᮼ

“ᯗ᮵ᮝ ᮔᮟᮞᮕ ᮧᮙᮤᮘ ᮤᮘᮕ ᮡᮥᮕᮣᮤᮙᮟᮞᮙᮞᮗᮼ”

ᯒᮟᮢᮙᮑ ᮠᮙᮓᮛᮕᮔ ᮥᮠ ᮘᮕᮢ ᮒᮜᮑᮓᮛ ᮗᮜᮟᮦᮕᮣ ᮑᮞᮔ ᮣᮤᮟᮟᮔ ᮥᮠᮼ

“ᯝᮦᮕᮢᮣᮕᮕᮢ ᯒᮟᮢᮙᮑᮺ ᮔᮟ ᮩᮟᮥ ᮛᮞᮟᮧ ᮧᮘᮟ ᮤᮘᮕ ᮛᮙᮜᮜᮕᮢ ᮙᮣᯍ”

ᯓᮦᮕᮢᮩ ᮠᮑᮙᮢ ᮟᮖ ᮕᮩᮕᮣ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᯒᮟᮢᮙᮑ ᮕᮨᮠᮕᮓᮤᮑᮞᮤᮜᮩᮼ

“ᯗᮤ᮵ᮣ ᮤᮘᮕ ᮄᮢᮑᮙᮞᮕᮢ᮵ᮣ ᮓᮟᮢᮠᮣᮕ ᮜᮩᮙᮞᮗ ᮟᮞ ᮤᮘᮕ ᮗᮢᮟᮥᮞᮔᮼ” ᯒᮟᮢᮙᮑ ᮣᮤᮑᮤᮕᮔᮼ

“ᯖᮥᮘᯍ”

ᯏᮞ ᯝᮦᮕᮢᮣᮕᮕᮢ᮵ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔᮼ

“ᯖᮟᮧ ᮙᮣ ᮤᮘᮑᮤ ᮠᮟᮣᮣᮙᮒᮜᮕᮼᮼᮼᯍ”

ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ ᮝᮥᮤᮤᮕᮢᮕᮔ ᮤᮟ ᮘᮙᮝᮣᮕᮜᮖᮼ

“ᯗᮣᮞ᮵ᮤ ᮤᮘᮑᮤ ᮓᮟᮞᮓᮜᮥᮣᮙᮟᮞᮼᮼᮼ ᮑ ᮒᮙᮤ ᮤᮟᮟ ᮑᮢᮒᮙᮤᮢᮑᮢᮩᮺ ᯝᮦᮕᮢᮣᮕᮕᮢ ᯒᮟᮢᮙᮑᯍ” ᮣᮘᮕ ᮑᮣᮛᮕᮔᮺ ᮒᮕᮧᮙᮜᮔᮕᮢᮕᮔᮼ

“ᮄᮘᮑᮤ ᮝᮑᮔᮧᮟᮝᮑᮞ ᮝᮙᮗᮘᮤ ᮚᮥᮣᮤ ᮒᮕ ᮗᮙᮦᮙᮞᮗ ᮥᮣ ᮘᮕᮑᮢᮣᮑᮩᮼ ᮇᮕ ᮣᮤᮙᮜᮜ ᮜᮑᮓᮛ ᮓᮟᮞᮓᮢᮕᮤᮕ ᮕᮦᮙᮔᮕᮞᮓᮕᮼᮼᮼ”

“ᯗᮤ ᮙᮣ ᮤᮘᮕ ᮄᮢᮑᮙᮞᮕᮢ᮵ᮣ ᮓᮟᮢᮠᮣᮕᮼ”

ᯒᮟᮢᮙᮑ ᮣᮠᮟᮛᮕ ᮧᮙᮤᮘ ᮑᮒᮣᮟᮜᮥᮤᮕ ᮓᮕᮢᮤᮑᮙᮞᮤᮩᮼ

ᯐᮕᮓᮑᮥᮣᮕ ᮕᮦᮕᮞ ᮒᮕᮖᮟᮢᮕ ᮣᮤᮑᮢᮤᮙᮞᮗ ᮤᮘᮕ ᮙᮞᮤᮕᮢᮢᮟᮗᮑᮤᮙᮟᮞᮺ ᮣᮘᮕ ᮘᮑᮔ ᮥᮣᮕᮔ ᮤᮘᮕ ᮵ᮂᮕᮖᮜᮕᮓᮤᮙᮟᮞ ᮇᮟᮢᮜᮔ᮵ ᮤᮟ ᮕᮨᮑᮝᮙᮞᮕ ᮤᮘᮕ ᮣᮥᮢᮢᮟᮥᮞᮔᮙᮞᮗᮣᮼ ᯏᮜᮜ ᮤᮘᮕ ᮙᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞ ᮑᮜᮙᮗᮞᮕᮔ ᮧᮙᮤᮘ ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ᮵ᮣ ᮣᮥᮝᮝᮑᮢᮩᮺ ᮑᮞᮔ ᮤᮘᮕ ᮓᮟᮢᮠᮣᮕ ᮓᮕᮢᮤᮑᮙᮞᮜᮩ ᮣᮘᮟᮧᮕᮔ ᮞᮟ ᮦᮙᮤᮑᮜ ᮣᮙᮗᮞᮣᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮘᮕᮢ ᮣᮠᮕᮓᮙᮑᮜᮤᮩ ᮧᮑᮣ ᮓᮟᮞᮡᮥᮕᮢᮙᮞᮗ ᮤᮘᮕ ᮝᮙᮞᮔᮣ ᮟᮖ ᮟᮤᮘᮕᮢᮣᮯ

“ᯐᮥᮤᮼᮼᮼ ᮒᮥᮤ ᮣᮤᮙᮜᮜᮼ”

ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᯒᮟᮢᮙᮑ ᮒᮜᮑᮞᮛᮜᮩᮺ ᮝᮟᮝᮕᮞᮤᮑᮢᮙᮜᮩ ᮧᮟᮞᮔᮕᮢᮙᮞᮗ ᮙᮖ ᮘᮕ ᮘᮑᮔ ᮔᮢᮑᮣᮤᮙᮓᮑᮜᮜᮩ ᮟᮦᮕᮢᮕᮣᮤᮙᮝᮑᮤᮕᮔ ᮘᮕᮢ ᮑᮒᮙᮜᮙᮤᮙᮕᮣᮼ

ᮄᮘᮕ ᯝᮦᮕᮢᮣᮕᮕᮢᮣ ᮒᮕᮗᮑᮞ ᮧᮘᮙᮣᮠᮕᮢᮙᮞᮗ ᮑᮝᮟᮞᮗ ᮤᮘᮕᮝᮣᮕᮜᮦᮕᮣᮺ ᮑᮞᮔ ᮕᮦᮕᮞ ᯏᮔᮕᮜᮕᮺ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮞᮕᮑᮢᮒᮩᮺ ᮖᮢᮟᮧᮞᮕᮔᮼ

ᯑᮜᮕᮑᮢᮜᮩᮺ ᮣᮥᮓᮘ ᮑ ᮣᮤᮢᮑᮞᮗᮕ ᮑᮞᮔ ᮣᮥᮔᮔᮕᮞ ᮑᮞᮣᮧᮕᮢ ᮧᮑᮣ ᮞᮟᮤ ᮕᮞᮟᮥᮗᮘ ᮤᮟ ᮓᮟᮞᮦᮙᮞᮓᮕ ᮑᮞᮩᮟᮞᮕᮼ

᮸ᯑᮜᮑᮓᮛᮺ ᮓᮜᮑᮓᮛᮺ ᮓᮜᮑᮓᮛᮼ᮸

ᯒᮟᮢᮙᮑ᮵ᮣ ᮣᮘᮟᮢᮤ ᮒᮟᮟᮤᮣ ᮓᮜᮙᮓᮛᮕᮔ ᮓᮟᮞᮖᮙᮔᮕᮞᮤᮜᮩ ᮑᮞᮔ ᮜᮙᮗᮘᮤᮜᮩ ᮟᮞ ᮤᮘᮕ ᮗᮢᮟᮥᮞᮔᮼ ᮃᮘᮕ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮤᮘᮕ ᮄᮢᮑᮙᮞᮕᮢ᮵ᮣ ᮓᮟᮢᮠᮣᮕ—ᮧᮘᮙᮓᮘ ᮧᮑᮣ ᮣᮜᮥᮝᮠᮕᮔ ᮑᮗᮑᮙᮞᮣᮤ ᮤᮘᮕ ᮣᮤᮕᮠᮣᮺ ᮙᮤᮣ ᮑᮒᮔᮟᮝᮕᮞ ᮔᮑᮢᮛ ᮧᮙᮤᮘ ᮒᮜᮟᮟᮔᮺ ᮙᮞᮤᮕᮣᮤᮙᮞᮕᮣ ᮣᮠᮙᮜᮜᮙᮞᮗ ᮟᮥᮤ—ᮑᮞᮔ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔᮼ

‘ᯘᮟᮩ ᯗᮞᮖᮥᮣᮙᮟᮞ’ᮯ

ᮄᮘᮕ ᮓᮟᮢᮠᮣᮕ᮵ᮣ ᮦᮑᮓᮑᮞᮤᮺ ᮔᮙᮜᮑᮤᮕᮔ ᮕᮩᮕᮣ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮤᮧᮙᮤᮓᮘᮕᮔ ᮙᮞ ᮑ ᮔᮙᮣᮤᮥᮢᮒᮙᮞᮗᮜᮩ ᮘᮥᮝᮑᮞ ᮧᮑᮩᮼ ᮃᮘᮕ ᮤᮙᮜᮤᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮑᮞᮔ ᮗᮢᮙᮞᮞᮕᮔ ᮧᮙᮔᮕᮜᮩ ᮑᮤ ᯒᮟᮢᮙᮑᮼ

“ᯖᮕᮜᮜᮟ ᮤᮘᮕᮢᮕᮺ ᯑᮘᮑᮣᮕᮢᯍ”

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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