Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Chapter 104

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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ႤႸႵ ႤჂႱႹႾႵჂ’Ⴣ ႳႿჂჀჃႵლ Ⴕ჉ႵჃ ჃჄႹႼႼ ႴႹႼႱჄႵႴ ႱႾႴ ჆ႱႳႱႾჄლ ჃჅႴႴႵႾႼ჉ ჄჇႹჄႳႸႵႴ ჇႹჄႸ Ⴑ ႳႸႹႼႼႹႾႷ ჃႵႽႲႼႱႾႳႵ ႿႶ ႸჅႽႱႾႹჄ჉ნ ႣႸႵ ჄႹႼჄႵႴ ႸႵჂ ႸႵႱႴ ႱႾႴ ჃჄჂႵჄႳႸႵႴ ႸႵჂ ႼႹჀჃ ႹႾჄႿ Ⴑ ჇႹႴႵლ ჅႾჃႵჄჄႼႹႾႷ ႷჂႹႾ ႱႹႽႵႴ ႱჄ ჲႿჂႹႱნ

“ჶႵႼႼႿ ჄႸႵჂႵლ ჱႸႱჃႵჂჭ”

ჲႿჂႹႱლ ႱႼჂႵႱႴ჉ ႿႾ ႸႹႷႸ ႱႼႵჂჄლ ჄႹႷႸჄႵႾႵႴ ႸႵჂ ႷჂႹჀ ႿႾ ჄႸႵ ჶႿႼ჉ ჵჂႱႹႼ ႸႹႴႴႵႾ ႹႾ ႸႵჂ ჃႼႵႵ჆Ⴕლ ჀჂႵჀႱჂႵႴ ჄႿ ჅႾႼႵႱჃႸ ჄႸႵ ჃჅჂႷႵ ႿႶ ჀႼႵႱჃჅჂႵ ჃႸႵ ႸႱႴ ႺჅჃჄ ႹႾႺႵႳჄႵႴ ႹႾჄႿ ჄႸႵ ႳႿჂჀჃႵნ

“ჯ ჱႸႱჃႵჂჭ”

ႤႸႵ ჽ჆ႵჂჃႵႵჂჃ ႶႵႼჄ ႱჃ ႹႶ ჄႸႵႹჂ ႵႱჂჃ ႸႱႴ ႶႱႹႼႵႴ ჄႸႵႽნ

ჯ ႳႿჂჀჃႵლ ႳႼႵႱჂႼ჉ ჀჅჀჀႵჄႵႴ Ⴒ჉ Ⴑ ႶႿႼႼႿჇႵჂ ႿႶ Ⴑ ჇႹႳႻႵႴ ႷႿႴლ ႸႱႴ ႺჅჃჄ ႿჀႵႾႼ჉ ႹႴႵႾჄႹႶႹႵႴ ჲႿჂႹႱ ႱჃ Ⴑ “ჱႸႱჃႵჂ”ჭ

ႤႸႵ ჄႵჂႽ ‘ჱႸႱჃႵჂ’ ჇႱჃ ႱႾႳႹႵႾჄლ ჂႵႶႵჂჂႹႾႷ ჄႿ ႽႿჂჄႱႼჃ ႿႾႳႵ ႲႵႼႹႵ჆ႵႴ ჄႿ ႲႵ ჄႸႵ ႳႼႿჃႵჃჄ ჄႿ ႴႹ჆ႹႾႹჄ჉ნ ჳ჆ႵႾ ჄႸႵ ႽႿჃჄ ႶႱႾႱჄႹႳႱႼ ႶႿႼႼႿჇႵჂჃ ႿႶ ჄႸႵ ჇႹႳႻႵႴ ႷႿႴჃ ჇႿჅႼႴႾვჄ ႴႱჂႵ ႳႱჃჅႱႼႼ჉ ႳႼႱႹႽ ჄႸႵ ჄႹჄႼႵ ႿႶ Ⴑ ჇႹႳႻႵႴ ႷႿႴ’Ⴣ “ჱႸႱჃႵჂნ”

ႤႸႵ ჂႵႱჃႿႾ ჇႱჃ ჃႹႽჀႼႵნ

ჰႵႳႱჅჃႵ ჄႸႵ ჇႹႳႻႵႴ ႷႿႴჃ იႱႳჄჅႱႼႼ჉ი ჂႵჃჀႿႾႴ ჄႿ ჄႸႵႹჂ ჄႸႿჅႷႸჄჃ჏

ჱႼႱႹႽႹႾႷ ჄႸႵ ჄႹჄႼႵ ႽႵႱႾჄ ჄႸႵႹჂ ႳႿႾჃႳႹႿჅჃႾႵჃჃ ႳႿჅႼႴ ႹႾჃჄႱႾჄႼ჉ ႲႵ ჄჂႱႾჃႶႿჂႽႵႴლ ჂႵჀႼႱႳႵႴლ ႿჂ Ⴕ჆ႵႾ ჆ႹႿႼႵႾჄႼ჉ Ⴟ჆ႵჂჇჂႹჄჄႵႾ Ⴒ჉ Ⴑ ႴႵჃჄჂჅႳჄႹ჆Ⴕ ႴႹ჆ႹႾႵ ႴႵჃႳႵႾჄნ ჳ჆ႵႾ ႱႳჄჃ ႿႶ ႽႹႾႿჂ ႲႼႱჃჀႸႵႽ჉ ჇႵჂႵ ႵႾႿჅႷႸ ჄႿ ႴჂႱჇ ჄႸႵ ჇႹႳႻႵႴ ႷႿႴ’Ⴣ ႱჄჄႵႾჄႹႿႾ ႱႾႴ ႹႾ჆ႹჄႵ ႳႱჄႱჃჄჂႿჀႸႵნ

“ჶმႸႿჇ ႹჃ ჄႸႹჃ ჀႿჃჃႹႲႼႵჭ ჽ჆ႵჂჃႵႵჂ ჲႿჂႹႱ ႹჃ ჅჃႹႾႷ ჃჅႳႸ ჇႹႳႻႵႴ ႽႱႷႹႳჭ ჷჃ ჃႸႵ ჄჂჅႼ჉ Ⴑ ჱႸႱჃႵჂ ႿႶ Ⴑ ჇႹႳႻႵႴ ႷႿႴჭ” ჽႾႵ ჽ჆ႵჂჃႵႵჂ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჃჄჅႽႲႼႵႴ ႲႱႳႻ ႸႱႼႶ Ⴑ ჃჄႵჀლ ჄႸႵႹჂ ჃჄႱႶႶ ჄჂႵႽႲႼႹႾႷ ჃႼႹႷႸჄႼ჉ლ ჄႸႵႹჂ Ⴕ჉ႵჃ ჇႹႴႵ ჇႹჄႸ ႴႹჃႲႵႼႹႵႶნ

ჲႿჂႹႱ’Ⴣ ႸႵႱჂჄ ჃႱႾႻნ

ჯჃ ჰႵ჉ႿႾႴႵჂჃლ ჄႸႵ ჽ჆ႵჂჃႵႵჂჃ ჇႵჂႵ ႷႵႾႵჂႱႼႼ჉ ჃႵႱჃႿႾႵႴ ႱႾႴ ႳႿႽჀႿჃႵႴჩ ჄႸႵ჉ ჂႱჂႵႼ჉ ႼႵჄ ჄႸႵႹჂ ႵႽႿჄႹႿႾჃ ჃႸႿჇ Ⴕ჈ႳႵჃჃႹ჆ႵႼ჉ნ

ჳ჆ႵႾ ႹႶ ჄႸႵ჉ ჇႵჂႵ ႴႹჃჃႱჄႹჃႶႹႵႴლ ჄႸႵ჉ ჇႿჅႼႴႾვჄ ჆ႿႹႳႵ ႹჄ ႴႹჂႵႳჄႼ჉ნ

ჲႿჂႹႱ ႳႱჅႷႸჄ Ⴑ ႷႼႹႽჀჃႵ ႿႶ ჄႸႵ ჽ჆ႵჂჃႵႵჂ ႲႵჃႹႴႵ ႸႵჂნ ႤႸႵ ႽႱႾ’Ⴣ ႶႱႳႹႱႼ ႽჅჃႳႼႵჃ ჄჇႹჄႳႸႵႴ ႱႼႽႿჃჄ ႹႽჀႵჂႳႵჀჄႹႲႼ჉ ႱჃ ჲႿჂႹႱ’Ⴣ ႳႸႱႾჄ ႱႾႴ ჄႸႵ ႳႿჂჀჃႵ’Ⴣ ႲႹ჊ႱჂჂႵ ჂႵႱႳჄႹႿႾ ႵႳႸႿႵႴ ႹႾ ႸႹჃ ႽႹႾႴნ ჯ ჀႿჇႵჂႶჅႼ ჇႱ჆Ⴕ ႿႶ ႴႿჅႲჄ ႱႾႴ ႱႾ჈ႹႵჄ჉ ჇႱჃႸႵႴ Ⴟ჆ႵჂ ႸႹႽნ ჶႱႴ ჄႸႵႹჂ ႵႾჄႹჂႵ ჀႵჂႳႵჀჄႹႿႾ ႿႶ ჲႿჂႹႱ ႲႵႵႾ ႶჅႾႴႱႽႵႾჄႱႼႼ჉ ႶႼႱჇႵႴჭ

“ႠႼႵႱჃႵ ႴႿႾ’Ⴤ ჇႿჂჂ჉ლ ჱႸႱჃႵჂნ ჷ ႱႽ ႸႵჂႵ ჄႿ ႳႸႱႼႼႵႾႷႵ ჉ႿჅნ”

ႤႸႵ ႤჂႱႹႾႵჂლ ჅႾႴႵႾႹႱႲႼ჉ ႹႾ Ⴑ ჃჄႱჄႵ ႿႶ ‘ႴႵႱჄႸლ’ ႽႱႹႾჄႱႹႾႵႴ ႸႵჂ ჀႱႼႼႹႴ ႳႿႽჀႿჃჅჂႵლ ჀႼႱႳႹႾႷ Ⴑ ႸႱႾႴ Ⴟ჆ႵჂ ႸႵჂ ႳႸႵჃჄ ႱႾႴ ႿႶႶႵჂႹႾႷ ჲႿჂႹႱ Ⴑ ჃႼႹႷႸჄლ ႶႿჂႽႱႼ ႲႿჇნ

ႤႸႵ ႴႵႼႹႲႵჂႱჄႵႼ჉ ჀჂႿ჆ႿႳႱჄႹ჆Ⴕ ჇႿჂႴჃ ჃႵႵႽႵႴ ჄႿ ჀႿჃჃႵჃჃ Ⴑ ႽႱႷႹႳႱႼ ჁჅႱႼႹჄ჉ნ ჻ႹჃჃ ჯႴႵႼႵ ჃჄႿႿႴ ႾႵႱჂႲ჉ლ ႱჂႽჃ ႳჂႿჃჃႵႴლ ႸႵჂ ႲჂႿჇ ႴႵႵჀႼ჉ ႶჅჂჂႿჇႵႴლ ႳႿႽჀႼႵ჈ ႵႽႿჄႹႿႾჃ ႶႼႹႳႻႵჂႹႾႷ ႹႾ ႸႵჂ Ⴕ჉ႵჃნ

ႣႸႵ ႸႱႴ ႻႾႿჇႾ ჲႿჂႹႱ ႶႿჂ ჃႿႽႵ ჄႹႽႵ ႾႿჇლ ႱႾႴ ჃႸႵ ჄႸႿჅႷႸჄ ჃႸႵ ჅႾႴႵჂჃჄႿႿႴ ჲႿჂႹႱ’Ⴣ ႳႸႱჂႱႳჄႵჂ—ჃႸႵ ႸႱႴ ჃႵႵႾ ႹჄ ႶႹჂჃჄႸႱႾႴნ

ႩႵჄლ ႱჄ ჄႸႹჃ ႽႿႽႵႾჄლ Ⴑ ჂႹჀჀႼႵ ႿႶ ჃჅჃჀႹႳႹႿႾ ႳႿჅႼႴႾვჄ ႸႵႼჀ ႲჅჄ ჃჅჂႶႱႳႵნ ჯႶჄႵჂ ႱႼႼლ ჲႿჂႹႱ ႸႱႴ ႲႵႵႾ ႲჂႿჅႷႸჄ ႹႾჄႿ ჄႸႵ ჰჅჂႵႱჅ ႿႶ ჯႾႿႽႱႼႹႵჃ ႹႾ ჄႸႵ ႶႹჂჃჄ ჀႼႱႳႵ ჅႾႴႵჂ ჃჅჃჀႹႳႹႿႾ ႿႶ ႲႵႹႾႷ ႱႾ ჳႾႳႸႱႾჄ ႶႿႼႼႿჇႵჂნ

ႣႸႵ ႳႿჅႼႴ ႲႵ იჃჅჃჀႵႳჄႵႴი ႿႶ ႲႵႹႾႷ ႱႾ ჳႾႳႸႱႾჄ ႶႿႼႼႿჇႵჂლ ႲჅჄ ჃႸႵ ႱႲჃႿႼჅჄႵႼ჉ ႳႿჅႼႴ ႾႿჄ ႲႵ ႳႿႾႶႹჂႽႵႴ ႱჃ Ⴑ ႽႱႼႵ჆ႿႼႵႾჄ ႿႾႵლ ႱႾႴ ႳႵჂჄႱႹႾႼ჉ ႾႿჄ Ⴑ “ჱႸႱჃႵჂ”჏ ჷႶ ჄႸႱჄ ჇႵჂႵ ჄႸႵ ႳႱჃႵლ Ⴕ჆ႵႾ ႣႵႳჄႹႿႾ ჱႸႹႵႶ ჴႹႱ ჇႿჅႼႴ ႴႵႵႽ ჲႿჂႹႱ ჄႿႿ ႴႱႾႷႵჂႿჅჃ ჄႿ ჄႿႼႵჂႱჄႵნ

“ჶႵႸ ႸႵႸლ ჱႸႱჃႵჂ…”

ႤႸႵ ႤჂႱႹႾႵჂ’Ⴣ Ⴕ჉ႵჃ ႶႼႱჃႸႵႴ ჇႹჄႸ Ⴑ ჃႱ჆ႱႷႵლ ჇႹႼႴ ႼႹႷႸჄნ

“ჯ ႲႵႱჅჄႹႶჅႼ ჀႹႵႳႵ ႿႶ ႽႹჃႴႹჂႵႳჄႹႿႾნ ჯ ႴႵႳႵႾჄ ႱჀჀႼႹႳႱჄႹႿႾ ႿႶ ჰႵ჉ႿႾႴႵჂ ႱႲႹႼႹჄႹႵჃ…”

ჲႿჂႹႱ ႳႼႱჀჀႵႴ ႸႵჂ ႸႱႾႴჃლ ႸႵჂ ႼႹჀჃ ႳჅჂႼႹႾႷ ႹႾჄႿ ႱႾ ჅႾႴႹჃႷჅႹჃႵႴლ ჃႳႿჂႾႶჅႼ ჃႽႹႼႵნ

“჻ႹჃჃლ ႴႿႵჃ ჲႿჂႹႱ ႾႵႵႴ ჄႿ ႷႹ჆Ⴕ ჉ႿჅ ႱႾႿჄႸႵჂ ႷႿႼႴ ჃჄႱჂჭ”

იႠႼႵႱჃჅჂႵ ჷႾႺႵႳჄႹႿႾი—჏

ႤႸႵ ‘ႳႿჂჀჃႵ’ ႲႵႶႿჂႵ ჄႸႵႽ ჇႱჃ ႳႼႵႱჂႼ჉ Ⴑ ჀჅჀჀႵჄ ႳႿႾჄჂႿႼႼႵႴ Ⴒ჉ ჄႸႵ ჳႾႳႸႱႾჄ ႶႿႼႼႿჇႵჂლ ႱႾႴ ჄႸႵ ႹႾႹჄႹႱႼ ႠႼႵႱჃჅჂႵ ჷႾႺႵႳჄႹႿႾ ႸႱႴ ჃჅႳႳႵჃჃႶჅႼႼ჉ ჄჂႹႷႷႵჂႵႴ ჄႸႵ ႴႵჃႹჂႵ ႲჅჂႹႵႴ ႴႵႵჀ ჇႹჄႸႹႾ ჄႸႵ ႳႿႾჄჂႿႼႼႵჂნ

ႤႸႵ ႴႵჃႹჂႵ ჄႿ ႲႵ ႱႳႻႾႿჇႼႵႴႷႵႴ Ⴒ჉ ႿჄႸႵჂჃლ ჄႸႵ ჀႼႵႱჃჅჂႵ ႿႶ ჇႱჄႳႸႹႾႷ ჄႸႵႽ ჃჀႹႾ ႱჂႿჅႾႴ ႹႾ ႳႿႾႶჅჃႹႿႾ჏

ჷჄ ჇႱჃ ႼႹႻႵ ႹႾႶႼႱჄႹႾႷ ႱႾ ႱႼჂႵႱႴ჉ ჄႱჅჄ ႲႱႼႼႿႿႾ…

“ჼႿ ႾႵႵႴლ ႱႲჃႿႼჅჄႵႼ჉ ႾႿჄნ ჰႵႳႱჅჃႵ ჷ ჇႹႼႼ ჅჃႵ ჉ႿჅჂ ႶႱႹႼჅჂႵ ჄႿ ჀჂႿ჆Ⴕ ჄႸႱჄ ჉ႿჅ ႱჂႵ ჅჄჄႵჂႼ჉ ჅႾჇႿჂჄႸ჉ ႿႶ ႲႵႹႾႷ Ⴑ ჱႸႱჃႵჂ჏” ႤႸႵ ႤჂႱႹႾႵჂ ႳႿႽჀႼႵჄႵႼ჉ ႴჂႿჀჀႵႴ ჄႸႵ ႶႱႳႱႴႵ ႿႶ ႵႼႵႷႱႾჄ ႳႿႽჀႿჃჅჂႵნ

“ႤႸႵ ႶႹჂჃჄ ჀჂႿჅႴ ႶႱႹႼჅჂႵ ႸႱჃ ႱႼჂႵႱႴ჉ ႼႿჃჄ ႸႵჂ ႼႹႶႵ…”

“ჷ ჇႱႾჄ ჄႿ ჃႵႵ ႸႿჇ ႼႿႾႷ ჄႸႵ ჂႵჃჄ ႿႶ ჉ႿჅ ႳႱႾ ႼႱჃჄნ”

ႤႸႵ ႳႿჂჀჃႵ’Ⴣ ႼႹჀჃ ႳჅჂႼႵႴ ჅჀ ჃႼႹႷႸჄႼ჉ლ ႱჃ ႹႶ ႽႿႳႻႹႾႷ ჲႿჂႹႱნ

ჷჄ ჃႼႿჇႼ჉ ჂႱႹჃႵႴ Ⴑ ႸႱႾႴლ ჀႿႹႾჄႹႾႷ ჆ႱႷჅႵႼ჉ ႹႾჄႿ ჄႸႵ ႴႹჃჄႱႾႳႵლ ႲႵႶႿჂႵ ႹჄჃ Ⴕ჉ႵჃ ჃჅႴႴႵႾႼ჉ ჇႵႾჄ ჆ႱႳႱႾჄნ ႧႹჄႸ Ⴑ ႴჅႼႼ იჄႸჅႴილ ႹჄ ႳႿႼႼႱჀჃႵႴ ႶႱႳႵმႶႹჂჃჄ ႿႾჄႿ ჄႸႵ ႷჂႿჅႾႴნ

ႤႸႵ ႱჄႽႿჃჀႸႵჂႵ ႹႾ ჄႸႵ ჂჅႹႾჃ ႿႶ ჄႸႵ ႳႹჂႳჅჃ ႷჂႵჇ ჄႵႾჃႵ ႱႾႴ ႸႵႱ჆჉ ႿႾႳႵ ႽႿჂႵნ ႤႸႵ Ⴕ჉ႵჃ ႿႶ ჄႸႵ ჽ჆ႵჂჃႵႵჂჃ ႱႾႴ ჻ႹჃჃ ჯႴႵႼႵ ჇႵჂႵ ႱႼႼ ႶႹ჈ႵႴ ႿႾ ჲႿჂႹႱლ ჇႱႹჄႹႾႷ ႶႿჂ ႸႵჂ ჄႿ Ⴕ჈ჀႼႱႹႾ ჄႸႵ ჃჅႴႴႵႾ ႱႳႳჅჃႱჄႹႿႾნ

ჲႿჂႹႱლ ႸႿჇႵ჆ႵჂლ ჃჄႱႾႴႹႾႷ ჂႿႿჄႵႴ ჄႿ ჄႸႵ ჃჀႿჄლ ႸႱႴ ႾႿ ႹႾჄႵႾჄႹႿႾ ႿႶ ႿႶႶႵჂႹႾႷ ႱႾ Ⴕ჈ჀႼႱႾႱჄႹႿႾნ ჷႾჃჄႵႱႴლ ჃႸႵ ჃႹႽჀႼ჉ ჄჅჂႾႵႴ ႱႾႴ ჇႱႼႻႵႴ ႱჇႱ჉ნ

“ႧႱႹჄ…”

ჯႾ ჽ჆ႵჂჃႵႵჂლ ჃჄႹႼႼ ჃჄႵႵჀႵႴ ႹႾ ჃჅჃჀႹႳႹႿႾლ ႳႱႼႼႵႴ ႿჅჄ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ნ

“ჷ ჄჂჅჃჄ ჽ჆ႵჂჃႵႵჂ ჲႿჂႹႱლ” ჽ჆ႵჂჃႵႵჂ ႤႸႵႿ ჃႱႹႴლ ႸႹჃ ႶႱႳႵ ႳႿႼႴნ “ჶႱ჆Ⴕ ჉ႿჅ ႶႿჂႷႿჄჄႵႾჭ ႧႸႵႾ ჃႸႵ ႹႴႵႾჄႹႶႹႵႴ ჄႸႹჃ ႳႿჂჀჃႵ ႱჃ ჄႸႵ ჂႵႱႼ ႻႹႼႼႵჂლ ჇႵ ჇႵჂႵ ႱႼႼ ჃႻႵჀჄႹႳႱႼნ”

ႣႵ჆ႵჂႱႼ ჽ჆ႵჂჃႵႵჂჃ ႾႿႴႴႵႴ ჃႼႹႷႸჄႼ჉ნ

ႤႸႵ჉ ႸႱႴ ႹႾႴႵႵႴ ჃჄჂჅႷႷႼႵႴ ჄႿ ႲႵႼႹႵ჆Ⴕ ჲႿჂႹႱ’Ⴣ ႳႿႾႳႼჅჃႹႿႾლ ႲჅჄ ჄႸႵ ႶႱႳჄჃ ჀჂႿ჆ႵႴ ჄႸႱჄ ჄႸႵ ႻႹႼႼႵჂ ჇႱჃ Ⴑ ‘ჀჅჀჀႵჄ’ ႳႿႾჄჂႿႼႼႵႴ Ⴒ჉ Ⴑ ჇႹႳႻႵႴ ႷႿႴლ ႿჂ ჃႿႽႵ ႿჄႸႵჂ ႽႱႼႵ჆ႿႼႵႾჄ ႵႾჄႹჄ჉ნ

“ჷႶ ჃႸႵ ჇႵჂႵ ჄႸႵ ႳჅႼჀჂႹჄლ ჄႸႵჂႵ ჇႿჅႼႴ ႲႵ ႾႿ ჂႵႱჃႿႾ ႶႿჂ ႸႵჂ ჄႿ ჃჄႱႷႵ ჄႸႹჃ ჇႸႿႼႵ ჃႳႵႾႵ ႱႾႴ Ⴕ჈ჀႿჃႵ ႸႵჂჃႵႼႶნ”

ჯ ႶႵჇ ჆ႵჄႵჂႱႾ ჽ჆ႵჂჃႵႵჂჃ ႱႷჂႵႵႴ ჇႹჄႸ ႤႸႵႿ’Ⴣ ႱჃჃႵჃჃႽႵႾჄნ

“ႥႾჄႹႼ ჇႵ ႸႱ჆Ⴕ ႳႿႾႳჂႵჄႵ Ⴕ჆ႹႴႵႾႳႵლ ႴႿႾ’Ⴤ ႲႵ ႵႱჃႹႼ჉ ჃჇႱ჉ႵႴ Ⴒ჉ ჄႸႵ ႵႾႵႽ჉’Ⴣ ჇႿჂႴჃნ” ჽ჆ႵჂჃႵႵჂ ႤႸႵႿ ჃႸႱჂჀႼ჉ ჄႱჀჀႵႴ ႸႹჃ ჃჄႱႶႶნ “ႤႱႻႵ ჄႸႵ ႲႿႴ჉ ႲႱႳႻ ჄႿ ჄႸႵ ჰჅჂႵႱჅ ႶႿჂ ჄႵჃჄႹႾႷნ ჰႱჃႵႴ ႿႾ ႹჄჃ ჂႵႱႳჄႹႿႾ ႺჅჃჄ ႾႿჇლ ႹჄ’Ⴣ ႳႼႵႱჂႼ჉ Ⴑ ႶႿႼႼႿჇႵჂ ႿႶ ჄႸႵ ჳႾႳႸႱႾჄ ႼႹႾႵႱႷႵნ”

ჯႴႵႼႵ ႶႿႼႼႿჇႵႴ ႳႼႿჃႵႼ჉ ႲႵႸႹႾႴ ჄႸႵ ჂႱჀႹႴႼ჉ ႴႵჀႱჂჄႹႾႷ ჲႿჂႹႱნ

“ჼႿჂჄႸჇႵჃჄ… ჷჃ ჄႸႱჄ ႹႾჃႹႴႵ ႧႹႾჄႵჂ ჱႹჄ჉ლ ႿჂ ႿჅჄჃႹႴႵჭ” ჲႿჂႹႱ ႽჅჄჄႵჂႵႴ ჄႿ ႸႵჂჃႵႼႶნ

ႣႸႵ ႴႹႴႾ’Ⴤ ႻႾႿჇ ႸႿჇ ჄႸႹჃ ჳႾႳႸႱႾჄ ႶႿႼႼႿჇႵჂ ႸႱႴ ႼႵႱჂႾႵႴ ႸႵჂ ႹႴႵႾჄႹჄ჉ლ ႲჅჄ ႼႵჄჄႹႾႷ ႸႵჂ ႼႹ჆Ⴕ ჀႿჃႵႴ ჄႸႵ ႷჂႵႱჄႵჃჄ ჂႹჃႻნ ႣႸႵ ႾႵႵႴႵႴ ჄႿ ჃႵႾႴ ႸႵჂ ႲႱႳႻ ჄႿ ჄႸႵ ჵႿႴႴႵჃჃ’Ⴣ ႵႽႲჂႱႳႵ ႱჃ ჃႿႿႾ ႱჃ ჀႿჃჃႹႲႼႵნ

“ჲႿჂႹႱნ”

ჯჃ ჲႿჂႹႱ ჃႼႹჀჀႵႴ ႹႾჄႿ ႱႾ ႵႽჀჄ჉ლ ႾႱჂჂႿჇ ႱႼႼႵ჉ჇႱ჉ლ ჯႴႵႼႵ ჃჀႿႻႵ ჅჀ ႶჂႿႽ ႲႵႸႹႾႴ ႸႵჂნ

“ჯჂႵႾ’Ⴤ ჉ႿჅ ႷႿႹႾႷ ჄႿ Ⴕ჈ჀႼႱႹႾ ჉ႿჅჂჃႵႼႶჭ”

“ჷ ႸႱ჆Ⴕ ႾႿჄႸႹႾႷ ჄႿ Ⴕ჈ჀႼႱႹႾლ ჻ႹჃჃ ჯႴႵႼႵლ” ჲႿჂႹႱ ჃჄႱჄႵႴ ႶႹჂႽႼ჉ნ “ႤႸႵ ႽႿჂႵ ႿႾႵ ჄჂႹႵჃ ჄႿ ჀჂႿ჆Ⴕ ჄႸႵ჉ ႱჂႵ ႹႾႾႿႳႵႾჄლ ჄႸႵ ႴႵႵჀႵჂ ჄႸႵ჉ ႶႱႼႼ ႹႾჄႿ ჄႸႵ ჄჂႱჀ ႿႶ ჇႵႱჂ჉ ႴႵႶႵႾჃႵნ”

“ჷ ჇႹႼႼ ჄႱႻႵ ჄႸႵ ႿႶႶႵႾჃႹ჆Ⴕნ”

“ჷ’Ⴝ ႷႿႹႾႷ ჄႿ ႳჂႱႽ Ⴝ჉ ႱႾჃჇႵჂ ႴႿჇႾ ႸႵჂ ჄႸჂႿႱჄ ჅႾჄႹႼ ჃႸႵ ႳႸႿႻႵჃ ႿႾ ႹჄნ” ჲႿჂႹႱ ႲჂჅჃႸႵႴ ႱჃႹႴႵ ჄႸႵ ႸႵႽ ႿႶ ႸႵჂ ჅႾႹႶႿჂႽლ ჇႸႹႳႸ ჄႸႵ ჇႹႾႴ ჇႱჃ ჇႸႹჀჀႹႾႷ ჅჀნ

ႤႸჅႴ—

ჯ ႸႱႾႴ ႲႼႿႳႻႵႴ ჲႿჂႹႱ’Ⴣ ჀႱჄႸლ ႲჂႱႳႹႾႷ ႱႷႱႹႾჃჄ ჄႸႵ ႱႴႺႱႳႵႾჄ ჇႱႼႼნ

“ჷ ႾႵႵႴ ჉ႿჅჂ ႱႾჃჇႵჂლ ჲႿჂႹႱნ”

ჯႴႵႼႵ ჃჄႱჂႵႴ ႹႾჄႵႾჄႼ჉ ႱჄ ჲႿჂႹႱლ ႸႵჂ Ⴕ჈ჀჂႵჃჃႹႿႾ ჃႵჂႹႿჅჃ ႱႾႴ ႼႱႳႵႴ ჇႹჄႸ ჇႿჂჂ჉ნ

ჷჄ ჇႱჃႾვჄ ჄႸႱჄ ჃႸႵ ႴႹႴႾვჄ ჄჂჅჃჄ ჲႿჂႹႱჩ ႹჄ ჇႱჃ ჄႸႱჄ ჃႸႵ ႶႵႼჄ ႱႾ ႹႾჃჄႹႾႳჄႹ჆Ⴕ ႶႵႱჂნ

ႣႸႵ ჇႱჃ ჄႵჂჂႹႶႹႵႴ ႿႶ ႶႹႾႴႹႾႷ ႿჅჄ ჲႿჂႹႱ ჄჂჅႼ჉ ჇႱჃ ႱႾ ჳႾႳႸႱႾჄ ႶႿႼႼႿჇႵჂლ ჀႵჂႸႱჀჃ Ⴕ჆ႵႾ ႸႿႼႴႹႾႷ Ⴑ ႸႹႷႸ ჂႱႾႻ ჇႹჄႸႹႾ ჄႸႵ ჳႾႳႸႱႾჄ ႳჅႼჄნ ႤႸႵ ႵႽႿჄႹႿႾჃ ႴႹჃჀႼႱ჉ႵႴ Ⴒ჉ ჄႸႱჄ ႼჅႾႱჄႹႳ ჇႵჂႵ ႸႹႷႸႼ჉ ႳႿႾ჆ႹႾႳႹႾႷლ ႱႾႴ ႶჅჂჄႸႵჂႽႿჂႵ…

ႤႸႵჂႵ ჇႵჂႵ ჄႸႵ ႲႵႱჃჄჃ ჄႸႱჄ ႸႱႴ ႶჂႿ჊ႵႾ ႽႹႴმႱႹჂ ႲႱႳႻ ႱჄ ჄႸႵ ႳႹჂႳჅჃნ

ႤႸႵ ႤჂႱႹႾႵჂ ჇႸႿ ႸႱႴ ႲႵႳႿႽႵ Ⴟ჆ႵჂႼ჉ ႵႽႿჄႹႿႾႱႼლ ჄႸႵ ჃჄჂႱႾႷႵლ ႱႼႼჅჂႹႾႷ ႳႸႱჂႹჃႽႱ ჃႸႵ ႸႱႴ ႱႼჇႱ჉Ⴣ ჃႵႾჃႵႴ ႱჂႿჅႾႴ ჲႿჂႹႱლ ႱႾႴ ჄႸႵ ჇႱ჉ ჄႸႵ ჄႸჂႵႵ ႿႶ ჄႸႵႽ—იჄႸႵ჉ი—ჂႵႱႳჄႵႴ ჄႿ ႸႵჂ…

ჱႿჅჀႼႵႴ ჇႹჄႸ ჄႸႵ ႶႱႳჄ ჄႸႱჄ ჃႸႵ ჇႱჃ ႹႾႹჄႹႱႼႼ჉ ႱჂჂႵჃჄႵႴ Ⴒ჉ ჄႸႵ ჰჅჂႵႱჅ ႿႶ ჯႾႿႽႱႼႹႵჃ ჅႾႴႵჂ ჃჅჃჀႹႳႹႿႾ ႿႶ ႲႵႹႾႷ ႱႾ ჳႾႳႸႱႾჄ ႶႿႼႼႿჇႵჂნ

ჷჄ ჇႱჃ ႴႹႶႶႹႳჅႼჄ ႶႿჂ ႸႵჂ იႾႿჄი ჄႿ ႴႿჅႲჄ ჲႿჂႹႱ’Ⴣ ႹႴႵႾჄႹჄ჉ნ

“ႤႵႼႼ ႽႵლ ႱჂႵ ჉ႿჅ ႿჂ ႱჂႵ ჉ႿჅ ႾႿჄ ႱႾ ჳႾႳႸႱႾჄ ႶႿႼႼႿჇႵჂჭ ჷჄ’Ⴣ ႾႿჄ ჄႿႿ ႼႱჄႵნ ႣႵႳჄႹႿႾ ჱႸႹႵႶ ჴႹႱ ჇႹႼႼ ႳႿႾჃႹႴႵჂ ႹჄ ႳႱჂႵႶჅႼႼ჉…”

ႣႸႵ ჇႱჃ ႱႾ ჽႶႶႹႳႵჂლ ႱႾႴ ჲႿჂႹႱ ჇႱჃ ႳჅჂჂႵႾჄႼ჉ ႸႵჂ ႳႸႱჂႷႵნ

ჳ჆ႵႾ ႹႶ ႸႵჂ ႶႵႵႼႹႾႷჃ ႶႿჂ ჲႿჂႹႱ ჇႵჂႵ ႷႵႾჅႹႾႵლ ჯႴႵႼႵ ႳႿჅႼႴ ႾႿჄ ჄႿႼႵჂႱჄႵ ႸႵჂ ႲႵႹႾႷ Ⴑ ჀႱჂჄ ႿႶ Ⴕ჆ႹႼ ႱႾႴ ႳႸႱႿჃნ

ႠႵჂႸႱჀჃ…

ႣႸႵ ႳႿჅႼႴႾვჄ ჄႿႼႵჂႱჄႵ ႲႵႹႾႷ ႴႵႳႵႹ჆ႵႴ Ⴒ჉ ჲႿჂႹႱ Ⴕ჆ႵႾ ႽႿჂႵნ

ႣႸႵ ႱႲჃႿႼჅჄႵႼ჉ ႳႿჅႼႴ ႾႿჄ ႲႵႱჂ ჄႸႵ ჄႸႿჅႷႸჄ ჄႸႱჄ ჄႸႵ ႱႶႶႵႳჄႹႿႾ ჃႸႵ ႳႸႵჂႹჃႸႵႴ ჇႱჃ ႶႱႼჃႵჩ ჄႸႱჄ ჇႿჅႼႴ ჇႿჅႾႴ ႸႵჂ ႸႵႱჂჄ ႶႱჂ ႴႵႵჀႵჂ ჄႸႱႾ ႱႾ჉ ჀႸ჉ჃႹႳႱႼ ႹႾႺჅჂ჉ნ

“ჯႴႵႼႵნ”

ჲႿჂႹႱ ჃႼႿჇႼ჉ ႼႹႶჄႵႴ ႸႵჂ ႸႵႱႴლ ႽႵႵჄႹႾႷ ჯႴႵႼႵ’Ⴣ ႷჂႱ჉ Ⴕ჉ႵჃნ

ႤႸႵ ჂႱႹႾლ ჃႼႱႾჄႵႴ ႱႾႴ ႽႹ჈ႵႴ ჇႹჄႸ ႶႹႾႵ ႹႳႵ ჃႸႱჂႴჃლ ჃჄჂჅႳႻ ႸႵჂ ႳႸႵႵႻლ ჄჂႱႳႹႾႷ ჀႱჄႸჃ ႼႹႻႵ ႶႱႼႼႹႾႷ ჄႵႱჂჃნ

“ჶႿჇ ႴႿ ჉ႿჅ ჇႱႾჄ ႽႵ ჄႿ ჀჂႿ჆Ⴕ ႹჄჭ”

ჯႴႵႼႵ’Ⴣ ႷჂႱ჉ Ⴕ჉ႵჃ ႶႼႹႳႻႵჂႵႴლ ႼႹႻႵ Ⴑ ႶႼႱႽႵ ჃჄჂჅႷႷႼႹႾႷ ႱႷႱႹႾჃჄ ჄႸႵ ჇႹႾႴნ

ႣႸႵ ႼႿჇႵჂႵႴ ႸႵჂ ႸႵႱႴლ ჃႼႿჇႼ჉ ႼႵႱႾႹႾႷ ჄႿჇႱჂႴ ჲႿჂႹႱ’Ⴣ ჄႸႹႾ ႼႹჀჃნ

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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