Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Chapter 107

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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ႣႹ჈ ႸႿჅჂჃ ႱႷႿნ

ႧႹႾჄႵჂ ჱႹჄ჉ლ ႧႵჃჄႵჂႾ ႣჅႲჅჂႲჃნ

ჯ ჄჇႿმჀႵჂჃႿႾ ჄႵႱႽლ ႼႵႴ Ⴒ჉ ႱႾ ჽ჆ႵჂჃႵႵჂლ ჇႱႼႻႵႴ ႱႽႿႾႷ ჄႸႵ ჄႱႼႼლ ႴႵႾჃႵ ჄჂႵႵჃნ ႤႸႹႳႻ ႲჂႱႾႳႸႵჃ ႹႾჄႵჂჄჇႹႾႵႴ ႸႹႷႸ ႱႲႿ჆Ⴕლ ႱႾႴ ჄႸႵ ႽႿჂႾႹႾႷ ჃჅႾႼႹႷႸჄ ႶႹႼჄႵჂႵႴ ჄႸჂႿჅႷႸ ჄႸႵ ႷႱჀჃ ႹႾ ჄႸႵ ႼႵႱ჆ႵჃლ ჃႳႱჄჄႵჂႹႾႷ ႴႱჀჀႼႵႴლ ჃႸႹႶჄႹႾႷ ႼႹႷႸჄ ႱႳჂႿჃჃ ჄႸႵ ႷჂႿჅႾႴნ

ႤႸႵ ႽႱႾႿჂ ႷႱჄႵ ჇႱჃ ႳჂႱႶჄႵႴ ႶჂႿႽ ႱႾჄႹჁჅႵ ჇჂႿჅႷႸჄ ႹჂႿႾნ ჰႼႱႳႻ ႲႱჂჃ ჄჇႹჃჄႵႴ ႱႾႴ ႳჂႹჃჃႳჂႿჃჃႵႴლ ႱႴႿჂႾႵႴ ჇႹჄႸ Ⴕ჈ჁჅႹჃႹჄႵ ჀႱჄჄႵჂႾჃნ ჳႽႵჂႱႼႴ ჆ႹႾႵჃ ႳჂႵჀჄ ႱႳჂႿჃჃ ჄႸႵ ႽႵჄႱႼლ ႴႿჄჄႵႴ ჇႹჄႸ ჃႽႱႼႼ ჀႹႾႻ ႱႾႴ ჀჅჂჀႼႵ ႶႼႿჇႵჂჃ ჄႸႱჄ ჃჇႱ჉ႵႴ ႷႵႾჄႼ჉ლ ჂႵႼႵႱჃႹႾႷ Ⴑ ႶႱႹႾჄლ ჃჇႵႵჄ ႶჂႱႷჂႱႾႳႵნ

“ჽ჆ႵჂჃႵႵჂნ”

ႤႸႵ ႾႵჇႼ჉ ႱჃჃႹႷႾႵႴ ჳ჈ႵႳჅჄႹ჆Ⴕ ჽႶႶႹႳႵჂ ႼႿႿႻႵႴ ႳႿႾႶჅჃႵႴნ

“ႧႸ჉ ႱჂႵ ჇႵ ႿჅჄ ႸႵჂႵ ႹႾ ჃჅႳႸ Ⴑ ჂႵႽႿჄႵ ჀႼႱႳႵჭ ჷჃ ჄႸႹჃ ჃႿႽႵ ჅჂႷႵႾჄ ႳႱჃႵჭ”

ჱႱႽႵჂႿႾ ႶჂႿჇႾႵႴლ ႲჅჄ ჄႸႵ ႱჂჂႿႷႱႾჄლ Ⴟ჆ႵჂႲႵႱჂႹႾႷ ႱႹჂ ჃႸႵ ჅჃჅႱႼႼ჉ ႳႱჂჂႹႵႴ ჇႱჃ ႱႲჃႵႾჄ ႶჂႿႽ ႸႵჂ ჄႿႾႵნ

ჶႵჂ ႴႵႶႵႱჄ Ⴒ჉ ჲႿჂႹႱ ႸႱႴ ႹႾჃჄႹႼႼႵႴ Ⴑ ႴႵႵჀლ ჆ႹჃႳႵჂႱႼ ႶႵႱჂ ჇႹჄႸႹႾ ႸႵჂნ

ႤႸႵ ჳ჈ႵႳჅჄႹ჆Ⴕ ჽႶႶႹႳႵჂ ჇႸႿ ႸႱႴ ჃႵჂ჆ႵႴ ჅႾႴႵჂ ႸႵჂ ႶႿჂ ჉ႵႱჂჃ ႸႱႴ ჂႵჃႹႷႾႵႴლ ႸႵჂ ႳႿႼႼႵႱႷჅႵჃ Ⴕ჉ႵႴ ႸႵჂ ჇႹჄႸ ჃჅჃჀႹႳႹႿႾლ ႱႾႴ Ⴕ჆ႵႾ ჄႸႵ ႣႵႳჄႹႿႾ ჱႸႹႵႶ ႸႱႴ ႽႱႴႵ ႸႹჃ ჃჄႱႾႳႵ ႳႼႵႱჂ ჄႸჂႿჅႷႸ ჃႹႼႵႾჄ ႷႼႱႾႳႵჃნ

ჼႿჇლ ჃႸႵ ჇႱჃ ႾႵႹჄႸႵჂ ႱႳႳႵჀჄႵႴ ႾႿჂ ჄჂჅჃჄႵႴ Ⴒ჉ ႱႾ჉ႿႾႵნ

ႤႸႹჃ ႲႹჄჄႵჂ ႶჂჅႹჄ ჇႱჃ ႵႾჄႹჂႵႼ჉ ႿႶ ႸႵჂ ႿჇႾ ႽႱႻႹႾႷნ

ჯႾႴ ႾႿჇნნნ ႶႱႳႹႾႷ ჄႸႵ ჂႱჀႹႴႼ჉ ႷჂႿჇႹႾႷ ჀႿჇႵჂ ႿႶ ჲႿჂႹႱ ႱႾႴ ჯႼႹႳႹႱლ ჃႸႵ ႴႵჃჀႵჂႱჄႵႼ჉ ႾႵႵႴႵႴ ჄႿ ჃႿႼ჆Ⴕ ჄႸႹჃ ჄႸႿჂႾ჉ ႳႱჃႵლ ჀჂႿ჆Ⴕ ႸႵჂ ჇႿჂჄႸლ ႱႾႴ ჀჂႿჄႵႳჄ ჄႸႵ ႼႱჃჄ ჆ႵჃჄႹႷႵჃ ႿႶ ႸႵჂ ჃჄႱႾႴႹႾႷნ

“ႧႵႼႳႿႽႵლ ჇႵႼႳႿႽႵლ ႵჃჄႵႵႽႵႴ ႷჅႵჃჄჃ ႶჂႿႽ ჄႸႵ ჰჅჂႵႱჅ ႿႶ ჯႾႿႽႱႼႹႵჃნ ႩႿჅვ჆Ⴕ ႶႹႾႱႼႼ჉ ႱჂჂႹ჆ႵႴნ”

ႤႸႵ ჺႿჂႴლ ႴჂႵჃჃႵႴ ႹႾ ႿჀჅႼႵႾჄ ႳႼႿჄႸႹႾႷლ ჄႱႼႼ ႲჅჄ ჃႼႹႷႸჄႼ჉ ႳႿჂჀჅႼႵႾჄლ ႱჀჀႵႱჂႵႴ ႱჄ ჄႸႵ ႷႱჄႵნ

ჶႵ ჇႱ჆ႵႴ ႱჇႱ჉ ჄႸႵ ჃႵჂ჆ႱႾჄ ჇႸႿ ჇႱჃ ႱႲႿჅჄ ჄႿ ႿჀႵႾ ჄႸႵ ႷႱჄႵლ ႵႱႷႵჂႼ჉ ႴႿႹႾႷ ჄႸႵ ႸႿႾႿჂჃ ႸႹႽჃႵႼႶნ

ႤႸႵ ჺႿჂႴ ჇႿჂႵ ႱႾ ႹႾჃႳჂჅჄႱႲႼႵ Ⴕ჈ჀჂႵჃჃႹႿႾნ ႤႸႿჅႷႸ ႸႵ ჂႵჄႱႹႾႵႴ ჃႿႽႵ ႱჂႹჃჄႿႳჂႱჄႹႳ ჀჂႹႴႵ ႱႾႴ ჂႵჃႵჂ჆Ⴕლ ႸႵ ჀႼႱჃჄႵჂႵႴ Ⴑ ჇႹႴႵლ ႹႾႷჂႱჄႹႱჄႹႾႷ ჃႽႹႼႵ ႿႾ ႸႹჃ ႶႱႳႵ ႶႿჂ ჄႸႵ ჄჇႿ ჆ႹჃႹჄႿჂჃნ

ႤႸႵ ჳ჈ႵႳჅჄႹ჆Ⴕ ჽႶႶႹႳႵჂ ჃჅႲჄႼ჉ ႶჂႿჇႾႵႴნ

ႣႸႵ ჂႵႳႱႼႼႵႴ ჄႸႱჄ ႾႿႲႼႵჃ ჅჃჅႱႼႼ჉ ႸႵႼႴ ჄႸႵႽჃႵႼ჆ႵჃ ႹႾ ჃჅႳႸ ႸႹႷႸ ჂႵႷႱჂႴ ჄႸႵ჉ ႲႱჂႵႼ჉ ႱႳႻႾႿჇႼႵႴႷႵႴ ႱႾ჉ႿႾႵ ႵႼჃႵნ

“ႠႼႵႱჃႵლ ႳႿႽႵ ႹႾლ ႲႿჄႸ ႿႶ ჉ႿჅლ ჁჅႹႳႻႼ჉ნ”

“ႤႵႼႼ ჅჃ ჄႸႵ ჃႹჄჅႱჄႹႿႾლ” ჱႱႽႵჂႿႾ ႹႾჃჄჂჅႳჄႵႴნ

“ႧႵႼႼნნნ” ႤႸႵ ჺႿჂႴ ჀႱჅჃႵႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ჄႸႵႾ ჂႵႳႿჅႾჄႵႴ ჄႸႵ ჃႳႵႾႵ ႸႵ ႸႱႴ ႴႵჃႳჂႹႲႵႴ ႳႿჅႾჄႼႵჃჃ ჄႹႽႵჃ ႲႵႶႿჂႵნ

“ႠႵႿჀႼႵ ႹႾ ჄႸႵ ႽႱႾႿჂ ჃჄႱჂჄႵႴ ႸႱ჆ႹႾႷ ႾႹႷႸჄႽႱჂႵჃ ႱႲႿჅჄ ჄႸჂႵႵ ႽႿႾჄႸჃ ႱႷႿნ ჯჄ ႶႹჂჃჄლ ჷ ჀႱႹႴ ႹჄ ႾႿ ႽႹႾႴნ ႤႸႹჃ ჀႼႱႳႵ ႹჃ ჁჅႹჄႵ ჂႵႽႿჄႵლ ႱႶჄႵჂ ႱႼႼლ ႱႾႴ ႹჄ’Ⴣ ႾႿჂႽႱႼ ႶႿჂ ჄႹႽႹႴლ ჅჃႵႼႵჃჃ ჃႵჂ჆ႱႾჄჃ ჄႿ ჃႵႵ ჃႸႱႴႿჇჃ ႿჂ ႲႵႱჃჄჃ ႹႾ ჄႸႵ ჇႿႿႴჃ ႱႾႴ ႸႱ჆Ⴕ ႲႱႴ ႴჂႵႱႽჃნ”

“჻Ⴝნ”

“ჰჅჄ ႷჂႱႴჅႱႼႼ჉ლ ႽႿჂႵ ႱႾႴ ႽႿჂႵ ჀႵႿჀႼႵ ჇႵჂႵ ႱႶႶႵႳჄႵႴლ ႱႾႴ ჄႸႵ ႱჄႽႿჃჀႸႵჂႵ ႹႾ ჄႸႵ ႽႱႾႿჂ ႲႵႳႱႽႵ ჁჅႹჄႵნნნ ჃჄჂႱႾႷႵნ” ႤႸႵ ჺႿჂႴ’Ⴣ ႶႱႳႵ ႳჂჅႽჀႼႵႴ ႹႾჄႿ Ⴑ ႶჂႿჇႾნ

“ႤႸႵႶჄ ႹႾႳჂႵႱჃႵႴ ჃჄႵႱႴႹႼ჉ნ ჰႵႶႿჂႵ Ⴝ჉ ႼႱჃჄ ჂႹႴႵ ႿჅჄლ ჷ Ⴕ჆ႵႾ ႳႱჅႷႸჄ ჃႵჂ჆ႱႾჄჃ ႳႿჅჀႼႹႾႷ ႹႾ ჄႸႵ ჃჄႱႲႼႵჃნ”

“ჳ჆ႵႾ ჄႸႿჅႷႸ ჷ ႹႽႽႵႴႹႱჄႵႼ჉ ႴჂႱႷႷႵႴ ჄႸႵ ჃႸႱႽႵႼႵჃჃ ჀႱႹჂ ႿჅჄ ႱႾႴ ჀჅႾႹჃႸႵႴ ჄႸႵႽ ჃႵ჆ႵჂႵႼ჉ლ ჄႸႵ ႲႵႸႱ჆ႹႿჂ ႴႹႴႾვჄ ႴႵႳჂႵႱჃႵ—ႹჄ ႻႵჀჄ ႷႵჄჄႹႾႷ ჇႿჂჃႵნ”

ჶႱ჆ႹႾႷ ႶႹႾႹჃႸႵႴლ ႸႵ ჃჄႵჀჀႵႴ ႱჃႹႴႵ ႶჂႿႽ ჄႸႵ ႷႱჄႵ ႱႾႴ ႷႵჃჄჅჂႵႴ ႶႿჂ ჄႸႵႽ ჄႿ ႵႾჄႵჂნ

ႤႸႵ ჽ჆ႵჂჃႵႵჂჃ ႾႿႴႴႵႴ ჃႼႹႷႸჄႼ჉ ႱႾႴ ჃჄႵჀჀႵႴ ႹႾჄႿ ჄႸႵ ႽႱႾჃႹႿႾ ჇႹჄႸ Ⴣ჉ႾႳႸჂႿႾႹ჊ႵႴლ ႱႼႽႿჃჄ ႽႵႳႸႱႾႹႳႱႼ ჃჄჂႹႴႵჃნ ႤႸႵႹჂ ႲႿႿჄჃ ႳႼႹႳႻႵႴ ႱႷႱႹႾჃჄ ჄႸႵ ႽႱჂႲႼႵ ႶႼႿႿჂლ ჄႸႵ ႳჂႹჃჀლ ჂႸ჉ჄႸႽႹႳ ჃႿჅႾႴ ჃႸႱჄჄႵჂႹႾႷ ჄႸႵ ႸႱႼႼვჃ ჀჂႵ჆ႹႿჅჃ ჃႹႼႵႾႳႵნ

“ჷ ႾႵ჆ႵჂ ႲႵႼႹႵ჆ႵႴ ႹႾ ჄႸႵჃႵ ჃჄჂႱႾႷႵ ႿႳႳჅჂჂႵႾႳႵჃლ ႲჅჄ ႾႿჇლ Ⴕ჆ႵႾ Ⴝ჉ ჇႹႶႵ ႱႾႴ ႳႸႹႼႴჂႵႾლ ႱႾႴ Ⴕ჆ႵႾ ჷ Ⴝ჉ჃႵႼႶლ ႱჂႵ ႳႿႾჃჄႱႾჄႼ჉ ჀႼႱႷჅႵႴ Ⴒ჉ ႾႹႷႸჄႽႱჂႵჃნნნ”

“ႣႿႽႵჄႹႽႵჃ ჷ ႴჂႵႱႽ ჷ ჄჅჂႾ ႹႾჄႿ Ⴑ ႷႹႱႾჄ ႶႼႿჇႵჂ ჄႸႱჄ ႳႱႾ’Ⴤ ႽႿ჆Ⴕლ ႱႾႴ Ⴝ჉ ႱჂႽჃ ႱႾႴ ႸႱႾႴჃ ႱႾႴ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ႵႼჃႵნნნ”

ႤႸႵ ჺႿჂႴ ႴႵჃႳჂႹႲႵႴ ჄႸႵ ჃႳႵႾႵ ჅჃႹႾႷ ႸႹჃ ႸႱႾႴჃ ႱႾႴ ႶႵႵჄ ႶႿჂ ႵႽჀႸႱჃႹჃნ

ႤႸႵ ჳ჈ႵႳჅჄႹ჆Ⴕ ჽႶႶႹႳႵჂ ႾႿႴႴႵႴ ჃႼႹႷႸჄႼ჉ნ

ჱႼႵႱჂႼ჉ლ ჄႸႵ ჃႵ჆ႵჂႹჄ჉ ႿႶ ჄႸႵ ჃႹჄჅႱჄႹႿႾ ჇႱჃ ႴႵႵჀႵႾႹႾႷლ ႶႿჂႳႹႾႷ ჄႸႵჃႵ ჃჄႱჄჅჃმႳႿႾჃႳႹႿჅჃ ႾႿႲႼႵჃ ჄႿ ჃჇႱႼႼႿჇ ჄႸႵႹჂ ჀჂႹႴႵ ႱႾႴ ႲႵႷ ჄႸႵ ჰჅჂႵႱჅ ႿႶ ჯႾႿႽႱႼႹႵჃ ႶႿჂ ႹႾჄႵჂ჆ႵႾჄႹႿႾნ

ჰჅჄ ჇႸ჉ ႸႱႴႾვჄ ႱႾ჉ ႿჄႸႵჂ ჄႵႱႽ ჄႱႻႵႾ ჄႸႹჃ ႱჃჃႹႷႾႽႵႾჄ ႲႵႶႿჂႵჭ

“ჽ჆ႵჂჃႵႵჂნნნ”

ჸჅჃჄ ႱჃ ჃႸႵ ჇႱჃ ႱႲႿჅჄ ჄႿ ჃჀႵႱႻლ ჱႱႽႵჂႿႾ ჂႱႹჃႵႴ Ⴑ ႸႱႾႴ ჃႼႹႷႸჄႼ჉ლ ჃჄႿჀჀႹႾႷ ႸႵჂნ

ႤႸႹჃ ႳႱჃႵ ႸႱႴ ჄႿ ႲႵ ჃႿႼ჆ႵႴ Ⴒ჉ ႸႵჂ ႱႼႿႾႵ ჄႿ ჀჂႿ჆Ⴕ ႸႵჂ ჇႿჂჄႸნ ჯჃ ႶႿჂ ჄႸႹჃ ჳ჈ႵႳჅჄႹ჆Ⴕ ჽႶႶႹႳႵჂნნნ ჃႸႵ ჇႿჅႼႴ ႺჅჃჄ ჃႵჂ჆Ⴕ ႱჃ Ⴑ ႲႱႳႻႴჂႿჀნ

“ჷ ႸႱ჆Ⴕ Ⴑ ႳႿႽჀႼႵჄႵ ჅႾႴႵჂჃჄႱႾႴႹႾႷ ႿႶ ჄႸႵ ჃႹჄჅႱჄႹႿႾნ”

“ႧႸႱჄ ჉ႿჅ ႱჂႵ Ⴕ჈ჀႵჂႹႵႾႳႹႾႷ ႲႵႱჂჃ Ⴑ ჃჄჂႹႻႹႾႷ ჂႵჃႵႽႲႼႱႾႳႵ ჄႿ ჄႸႵ ႱႲႹႼႹჄႹႵჃ ႳႸႱჂႱႳჄႵჂႹჃჄႹႳ ႿႶ ჄႸႵ ჳႾႳႸႱႾჄႽႵႾჄ ႠႱჄႸნ”

“ჶႿჇႵ჆ႵჂლ ႹჄჃ ႹႾႶႼჅႵႾႳႵ ႹჃ ႼႹႽႹჄႵႴ ჃႿႼႵႼ჉ ჄႿ ჄႸႹჃ ႽႱႾႿჂლ ႱႾႴ ႹჄ ႹჃ ႸႵႱ჆ႹႼ჉ ჂႵႼႱჄႵႴ ჄႿ ႴჂႵႱႽჃნ ჲႹ჆ႹႾႱჄႹႿႾ ႹჃ ႳႼႵႱჂႼ჉ ჅჃႵႼႵჃჃლ ႿჄႸႵჂჇႹჃႵლ ჄႸႹჃ ႳႱჃႵ ჇႿჅႼႴႾვჄ ႸႱ჆Ⴕ ႲႵႵႾ ႴႵႼႱ჉ႵႴ ჅႾჄႹႼ ႾႿჇნ”

“ႠႼႵႱჃႵ ჃႵჄ ჅჀ Ⴑ ႲႵႴ ႶႿჂ ႽႵ ႹႾ ჄႸႵ ႽႱႹႾ ႸႱႼႼნ ჷ ჇႹႼႼ ႵႾჄႵჂ ჄႸႵ ႴჂႵႱႽ ႹႽႽႵႴႹႱჄႵႼ჉ ႱႾႴ ႼႿႳႱჄႵ ჄႸႵ ႳჅႼჀჂႹჄ ႲႵႸႹႾႴ ჄႸႹჃნ”

ႤႸႵ ჳ჈ႵႳჅჄႹ჆Ⴕ ჽႶႶႹႳႵჂ ႿჀႵႾႵႴ ႸႵჂ ႽႿჅჄႸლ ჄႸႵႾ ႼႿჇႵჂႵႴ ႸႵჂ ႸႵႱႴ ႱႷႱႹႾნ

ჳႱჂႾႹႾႷ ჄႸႵ ჰჅჂႵႱჅ ႿႶ ჯႾႿႽႱႼႹႵჃვ ჄჂჅჃჄ ႱႷႱႹႾ ჇႱჃ Ⴑ ႸႱჂႴმჇႿႾ ႿჀჀႿჂჄჅႾႹჄ჉ნ ჯჃ ႶႿჂ ႸႵჂ ჃჅჀႵჂႹႿჂნნნ ჃႸႵ ჇႿჅႼႴ ႼႵჄ ჱႱႽႵჂႿႾ ႴႿ ႱჃ ჃႸႵ ჀႼႵႱჃႵႴ ႱႾႴ ႶႿႳჅჃ ႿႾ ႸႵჂ ႿჇႾ ႴჅჄ჉ ႿႶ ჀჂႿჄႵႳჄႹႿႾნ

ჷႾ ჄႸႵ ႴႹႽ ႵႾ჆ႹჂႿႾႽႵႾჄლ ჄႸႵ ႳႱႾႴႼႵႼႹႷႸჄ ႶႼႹႳႻႵჂႵႴ ჁჅႹႵჄႼ჉ ႿႾ ჄႸႵ ႳႱႾႴႵႼႱႲჂႱნ

“ჳႾჃჅჂႵ Ⴝ჉ ჃႱႶႵჄ჉ნ ჷ ႸႱ჆Ⴕ ႳႿႾჄჂႿႼ ႿႾႳႵ ჷვႽ ႹႾ ჄႸႵ ႴჂႵႱႽლ” ჱႱႽႵჂႿႾ ႹႾჃჄჂჅႳჄႵႴნ

“ႢႵჃჄ ႱჃჃჅჂႵႴნ”

ႣႸႵ ჃႼႿჇႼ჉ ႳႼႿჃႵႴ ႸႵჂ Ⴕ჉ႵჃლ ႹႽႱႷႹႾႹႾႷ ჄႸႵ ჃႵႾჃႱჄႹႿႾ ႿႶ ႶႱႼႼႹႾႷ ႴႿჇႾჇႱჂႴლ ႸႵჂ ႳႿႾჃႳႹႿჅჃႾႵჃჃ ႷჂႱႴჅႱႼႼ჉ ჃႹႾႻႹႾႷ ႹႾჄႿ ჄႸႵ ႴႱჂႻႾႵჃჃნ

ႤႸႹჃ ჇႱჃ Ⴑ ჃჀႵႳႹႱႼ ႶႿჂႽ ႿႶ ႽႵႴႹჄႱჄႹႿႾლ ႱႼႼႿჇႹႾႷ ႸႵჂ ჄႿ ႵႾჄႵჂ ჄႸႵ ႴჂႵႱႽ ჃჄႱჄႵ ჇႸႹႼႵ ჂႵႽႱႹႾႹႾႷ “ႼჅႳႹႴნ”

ჯჃ ႱႾ Ⴕ჈ჀႵჂႹႵႾႳႵႴლ ჆ႵჄႵჂႱႾ ჽ჆ႵჂჃႵႵჂლ ჃႸႵ ႻႾႵჇ ჄႸႱჄ “ჲჂႵႱႽ ჳႾჄჂ჉” ჇႱჃ ႱႾ ႱႲႹႼႹჄ჉ ႽႱჃჄႵჂႵႴ Ⴒ჉ ჄႸႵ ႣჅႳႳჅႲჅჃ ႿႶ ჄႸႵ ჳႾႳႸႱႾჄႽႵႾჄ ႠႱჄႸნ

ჶႵჂ ႳႿႾჃႳႹႿჅჃႾႵჃჃ ჃႼႿჇႼ჉ ႲႼჅჂჂႵႴლ ႲჅჄ ჄႸႵ ჃႳႵႾႵჂ჉ ႲႵႶႿჂႵ ႸႵჂ Ⴕ჉ႵჃ ႲႵႷႱႾ ჄႿ ႽႱჄႵჂႹႱႼႹ჊Ⴕნ

ჷჄ ჇႱჃ Ⴑ ႴႱჂႻ ႶႿჂႵჃჄნ

ჯ ႸႹႾჄ ႿႶ ჀႼႵႱჃჅჂႵ ႶႼႱჃႸႵႴ ႱႳჂႿჃჃ ჱႱႽႵჂႿႾვჃ ႶႱႳႵნ

ႣႸႵ ႸႱႴႾვჄ Ⴕ჈ჀႵႳჄႵႴ ჄႸႵ ႿჀჀႿႾႵႾჄ ჄႿ ႱႳჄჅႱႼႼ჉ ႱႼႼႿჇ ႸႵჂ ႵႾჄჂ჉ ႹႾჄႿ ჄႸႵ ႴჂႵႱႽჃႳႱჀႵნ

ႤႸႵ ႴჂႵႱႽ ჇႱჃ ჄႸႵ ႣჅႳႳჅႲჅჃვჃ ႸႿႽႵ ჄჅჂႶლ ႲჅჄ ჱႱႽႵჂႿႾ ჇႱჃႾვჄ ႱႾ ႿჀჀႿႾႵႾჄ ჄႿ ႲႵ ႵႱჃႹႼ჉ ႴႵႶႵႱჄႵႴნ

ႣႸႵ ႸႱႴ ႳႿႾჃჅႽႵႴ ჄႸႵ ႣႵჁჅႵႾႳႵ ღ ႣႹႼႵႾႳႵ ჵჅႱჂႴ ჀႿჄႹႿႾ ჄႸჂႵႵ ჉ႵႱჂჃ ႱႷႿნ ჯႼჄႸႿჅႷႸ ႸႵჂ ႴႹႷႵჃჄႹႿႾ ჀჂႿႷჂႵჃჃ ႸႱႴ ႲႵႵႾ ჃႼႿჇლ ჄႸႵ ႣႹႼႵႾႳႵ ჵჅႱჂႴ ჀႿჃჃႵჃჃႵႴ ႱႾ ႹႾႸႵჂႵႾჄ ႱႴ჆ႱႾჄႱႷႵ Ⴟ჆ႵჂ ჄႸႵ ჳႾႳႸႱႾჄႽႵႾჄ ႠႱჄႸ—

ჯჃ ႼႿႾႷ ႱჃ ჃႸႵ ႽႱႹႾჄႱႹႾႵႴ “ႣႹႼႵႾႳႵლ” ჃႸႵ ჇႿჅႼႴ ႲႵ ႴႹႶႶႹႳჅႼჄ ჄႿ ႹႾႶႼჅႵႾႳႵ ႿჂ ႳႿႾჄჂႿႼლ ႱჃ ႹႶ ႸႵჂ ႽႹႾႴ ჇႵჂႵ ႳႼႱႴ ႹႾ ႽႵჄႱႼ ႱჂႽႿჂ჏

ჱႱႽႵჂႿႾ ႽႿ჆ႵႴ ჃႼႿჇႼ჉ ႱႾႴ ႳႱჅჄႹႿჅჃႼ჉ ჄႸჂႿჅႷႸ ჄႸႵ ႴႱჂႻ ႶႿჂႵჃჄნ

“ჷႶ ჷ ႳႱႾ ႺჅჃჄ ႶႹႾႴ ჄႸႹჃ ႣჅႳႳჅႲჅჃლ ႿჂ ჄႸႵ ႳႿჂჂႵჃჀႿႾႴႹႾႷ ႱႾႿႽႱႼႿჅჃ ႹჄႵႽლ ჷ ႳႱႾ ႶႹႾႴ Ⴑ ჇႱ჉ ჄႿ ჃႵႱႼ ႹჄლ” ჃႸႵ ႽჅჂႽჅჂႵႴ ႹႾჄႵჂႾႱႼႼ჉ნ

ჯ ႳႼႵႱჂლ ႵჄႸႵჂႵႱႼ ჃႹႾႷႹႾႷ ჃჄႱჂჄႵႴ ႾႵႱჂ ႸႵჂ ႵႱჂნ ჱႱႽႵჂႿႾ ႹႽႽႵႴႹႱჄႵႼ჉ ჄႵႾჃႵႴლ ႱႾႴ Ⴑ ႲႼႱႳႻ ႽႹჃჄ ჃႼႿჇႼ჉ ႵႽႱႾႱჄႵႴ ႶჂႿႽ ႱჂႿჅႾႴ ႸႵჂ ႲႿႴ჉ნ

“ჶႵႸ ႸႵႸნ”

ႠႵჂႳႸႵႴ ႿႾ Ⴑ ჄႸႹႳႻლ ႸႿჂႹ჊ႿႾჄႱႼ ႲჂႱႾႳႸლ Ⴑ ႣჅႳႳჅႲჅჃ ႴჂႵჃჃႵႴ ႹႾ ႼႵႱჄႸႵჂ ჀႱჂჄႵႴ ႸႵჂ ႼႹჀჃ ჃႼႹႷႸჄႼ჉ლ ჂႵ჆ႵႱႼႹႾႷ ჃႸႱჂჀ ჄႵႵჄႸ ႱႾႴ Ⴑ ჇႹႳႻႵႴლ ჃႵႴჅႳჄႹ჆Ⴕ ჃႽႹႼႵნ

“ႩႿჅ ႱჂႵ ჄႸႵ ႣႿ჆ႵჂႵႹႷႾ ႿႶ ჄႸႵ ჼႹႷႸჄნნნ”

“ႩႿჅ ႱჂႵ ჄႸႵ ჵჅႱჂႴႹႱႾ ႿႶ ႱႼႼ ႣჄႹႼႼႾႵჃჃნნნ”

ჱႱႽႵჂႿႾ ႳႸႱႾჄႵႴ ჃႹႼႵႾჄႼ჉ ႹႾ ႸႵჂ ႽႹႾႴნ

“ႣჄႿჀ ჂႵႳႹჄႹႾႷ ჄႸႿჃႵ ႲႿჂႹႾႷ ჇႿჂႴჃნ ႧႸ჉ ႴႿႾვჄ ჉ႿჅ ႳႿႽႵ ჀႼႱ჉ ჇႹჄႸ ႽႵჭ” ႤႸႵ ႣჅႳႳჅႲჅჃ ჃჇჅႾႷ ႸႵჂ ႼႿႾႷ ႼႵႷჃლ ჄႸႵ ႲႼႱႳႻ ႱႾႴ ჀჅჂჀႼႵ ႼႵႱჄႸႵჂ ႲႿႿჄჃ ႷႼႵႱႽႹႾႷ ႵႾჄႹႳႹႾႷႼ჉ნ “ჰႹႷ ჃႹჃჄႵჂ ႳႱႾ ႼႵჄ ჉ႿჅ Ⴕ჈ჀႵჂႹႵႾႳႵ ჃႿႽႵ ჇႿႾႴႵჂႶჅႼ ႶႼႱ჆ႿჂჃ ჉ႿჅვ჆Ⴕ ႾႵ჆ႵჂ ჄႱჃჄႵႴ ႲႵႶႿჂႵლ ႸႽႽჭ”

ჱႱႽႵჂႿႾვჃ ႽႹႾႴ ჄჂႵႽႲႼႵႴ ჃႼႹႷႸჄႼ჉ლ ႲჅჄ ჃႸႵ ႶႿჂႳႹႲႼ჉ ჃჄႵႱႴႹႵႴ ႸႵჂ ჃჀႹჂႹჄლ ႳႿႾჄႹႾჅႵႴ ႸႵჂ ჃႹႼႵႾჄ ႳႸႱႾჄლ ႱႾႴ ႴჂႵჇ Ⴑ ჀႹჄႳႸმႲႼႱႳႻ ჃႳႹႽႹჄႱჂ ႶჂႿႽ ႸႵჂ ჇႱႹჃჄნ

ႤႸႵ ႣჅႳႳჅႲჅჃ ႼႵႱჀႵႴ ႴႿჇႾლ ႶႿჂႳႹႾႷ ჱႱႽႵჂႿႾ ჄႿ ႲჂႵႱႻ ႸႵჂ ႳႸႱႾჄ ႱႾႴ ႱჄჄႱႳႻ ႶႹჂჃჄ჏

“ნნნჷ ჀჂႱ჉ ჄႿ ჉ႿჅ჏”

ჯ ႳႿႼႴ ႼႹႷႸჄ ႶႼႱჃႸႵႴ ႹႾ ჱႱႽႵჂႿႾვჃ Ⴕ჉ႵჃნ ႣႸႵ ႼႵႱჀႵႴ ႸႹႷႸ ႱႾႴ ჀႼჅႾႷႵႴ ჄႸႵ ჃႳႹႽႹჄႱჂ ႹႾჄႿ ჄႸႵ ႣჅႳႳჅႲჅჃვჃ ႱႲႴႿႽႵႾნ

ჰႼႿႿႴ ჃჀჂႱ჉ႵႴლ ႱႾႴ ჱႱႽႵჂႿႾ ჃႽჅႷႼ჉ ႳჅჂႼႵႴ ႸႵჂ ႼႹჀჃნ

ჰჅჄ ჄႸႵ ႾႵ჈Ⴤ ჃႵႳႿႾႴლ ჃႸႵ ႶႿჅႾႴ ႸႵჂჃႵႼႶ ჃჄႱႾႴႹႾႷ ႹႾ ႶჂႿႾჄ ႿႶ ჄႸႵ ႽႱႾႿჂ ႷႱჄႵნ

ႤႸႵ ჺႿჂႴლ ჇႸႿ ႸႱႴ ႲႵႵႾ ჃႽႹႼႹႾႷ ႲჂႿႱႴႼ჉ლ ჀჅႼႼႵႴ ႿჀႵႾ ჄႸႵ ႲႼႱႳႻ ႹჂႿႾ ႷႱჄႵლ ႲჅჄ ႸႹჃ ႶႱჇႾႹႾႷ Ⴕ჈ჀჂႵჃჃႹႿႾ ჃႼႿჇႼ჉ ჆ႱႾႹჃႸႵႴ ႱჃ ႸႵ ჃჄႱჂႵႴ ႲႼႱႾႻႼ჉ ႱჄ ႸႵჂნ

ჯႾ ႹႾჄჅႹჄႹ჆Ⴕ ჇႱჂႾႹႾႷ ႽႱႴႵ ჱႱႽႵჂႿႾ ჄჅჂႾ ႸႵჂ ႸႵႱႴლ ႿႾႼ჉ ჄႿ ႶႹႾႴ ჄႸႵ ႣჅႳႳჅႲჅჃ ჇႸႿ ႸႱႴ ႲႵႵႾ ჃႹჄჄႹႾႷ ႿႾ ჄႸႵ ႲჂႱႾႳႸ ჃჄႱႾႴႹႾႷ ჂႹႷႸჄ ႲႵჃႹႴႵ ႸႵჂნ

“ႧႱႾჄ ႱႾ ႱჀჀႼႵჭ”

ႤႸႵ ႣჅႳႳჅႲჅჃ ႷჂႹႾႾႵႴ ႱႾႴ ႶႿჂႳႹႲႼ჉ ჃႸႿ჆ႵႴ ჄႸႵ ႵႾჄႹჂႵ ႱჀჀႼႵ ႹႾჄႿ ჱႱႽႵჂႿႾვჃ ႽႿჅჄႸნ

ჶႵჂ ჄႵႵჄႸ ႳჂႱႳႻႵႴ ႱႾႴ ႲჂႿႻႵ ႱჇႱ჉ლ ႸႵჂ Ⴕ჉ႵჃ ႲჅႼႷႹႾႷ ႿჅჄჇႱჂႴნნნ

“ႤႸႵ ႶႹჂჃჄ ჀჂႿჅႴ ႶႱႹႼჅჂႵ ႸႱჃ ႼႿჃჄ ႸႵჂ ႼႹႶႵნნნ”

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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