Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Chapter 108

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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ᮄᮘᮕ ᯚᮟᮢᮔ ᮠᮥᮜᮜᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢ ᮟᮠᮕᮞᮺ ᮟᮞᮜᮩ ᮤᮟ ᮖᮙᮞᮔ ᯝᮦᮕᮢᮣᮕᮕᮢ ᯑᮑᮝᮕᮢᮟᮞ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮠᮕᮢᮖᮕᮓᮤᮜᮩ ᮣᮤᮙᮜᮜᮼ

ᮄᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᯑᮑᮝᮕᮢᮟᮞᮺ ᮧᮘᮟᮣᮕ ᮘᮕᮑᮔ ᮧᮑᮣ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮒᮟᮧᮕᮔᮺ ᮑ ᮖᮜᮙᮓᮛᮕᮢ ᮟᮖ ᮓᮟᮞᮖᮥᮣᮙᮟᮞ ᮙᮞ ᮘᮕᮢ ᮕᮩᮕᮣᮼ

“ᯝᮦᮕᮢᮣᮕᮕᮢᮺ ᮙᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮢᮟᮞᮗᮼᮼᮼᯍ”

ᯑᮑᮝᮕᮢᮟᮞ᮵ᮣ ᮒᮟᮔᮩ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮠᮙᮤᮓᮘᮕᮔ ᮖᮟᮢᮧᮑᮢᮔᮺ ᮓᮟᮜᮜᮑᮠᮣᮙᮞᮗ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮟᮞᮤᮟ ᮤᮘᮕ ᮗᮢᮟᮥᮞᮔᮼ

ᮄᮘᮕ ᮑᮙᮢ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮗᮢᮕᮧ ᮘᮕᮑᮦᮩᮺ ᮑᮞᮔ ᮤᮘᮕ ᮣᮥᮢᮢᮟᮥᮞᮔᮙᮞᮗᮣ ᮖᮕᮜᮜ ᮙᮞᮤᮟ ᮑ ᮣᮤᮥᮞᮞᮕᮔ ᮣᮙᮜᮕᮞᮓᮕᮼ

ᮄᮘᮕ ᮣᮕᮢᮦᮑᮞᮤᮣ ᮒᮩ ᮤᮘᮕ ᮔᮟᮟᮢᮺ ᮤᮘᮕ ᯚᮟᮢᮔ ᮧᮑᮙᮤᮙᮞᮗ ᮤᮟ ᮗᮢᮕᮕᮤ ᮤᮘᮕᮝᮺ ᮑᮞᮔ ᮤᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮑᮜᮜ ᮖᮢᮟ᮪ᮕᮺ ᮣᮤᮑᮢᮙᮞᮗ ᮔᮥᮝᮒᮖᮟᮥᮞᮔᮕᮔ ᮑᮤ ᮤᮘᮕ ᮣᮓᮕᮞᮕᮼ

“ᯝᮦᮕᮢᮣᮕᮕᮢᮯ”

“ᯏᮢᮕ ᮩᮟᮥ ᮑᮜᮢᮙᮗᮘᮤᮺ ᯝᮦᮕᮢᮣᮕᮕᮢᮯᯍ” ᮄᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮛᮞᮕᮜᮤ ᮔᮟᮧᮞᮺ ᮤᮥᮢᮞᮙᮞᮗ ᯑᮑᮝᮕᮢᮟᮞ ᮟᮞᮤᮟ ᮘᮕᮢ ᮣᮙᮔᮕᮺ ᮖᮑᮓᮙᮞᮗ ᮤᮘᮕ ᮣᮛᮩᮼ

ᯑᮑᮝᮕᮢᮟᮞ᮵ᮣ ᮕᮩᮕᮣ ᮣᮤᮑᮢᮕᮔ ᮒᮜᮑᮞᮛᮜᮩ ᮑᮞᮔ ᮜᮙᮖᮕᮜᮕᮣᮣᮜᮩ ᮑᮤ ᮤᮘᮕ ᮓᮜᮕᮑᮢ ᮣᮛᮩᮺ ᮒᮥᮤ ᮤᮘᮙᮣ ᮤᮕᮢᮢᮙᮖᮩᮙᮞᮗ ᮣᮙᮗᮘᮤ ᮝᮑᮔᮕ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮠᮢᮕᮣᮕᮞᮤ ᮖᮕᮕᮜ ᮑᮞ ᮙᮝᮠᮕᮢᮓᮕᮠᮤᮙᮒᮜᮕ ᮣᮘᮑᮔᮟᮧ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮣᮧᮕᮕᮠᮙᮞᮗ ᮟᮦᮕᮢ ᮤᮘᮕᮝᮼ

“ᯛᮥᮢᮔᮕᮢᮯ ᯗᮤ᮵ᮣ ᮝᮥᮢᮔᮕᮢᮯ”

ᮄᮘᮕ ᯚᮟᮢᮔᮺ ᮣᮞᮑᮠᮠᮙᮞᮗ ᮒᮑᮓᮛ ᮤᮟ ᮢᮕᮑᮜᮙᮤᮩᮺ ᮠᮢᮑᮓᮤᮙᮓᮑᮜᮜᮩ ᮜᮕᮑᮠᮕᮔ ᮥᮠᮼ ᯝᮞᮕ ᮟᮖ ᮘᮙᮣ ᮣᮘᮟᮕᮣ ᮖᮜᮕᮧ ᮟᮖᮖ ᮑᮞᮔ ᮜᮑᮞᮔᮕᮔ ᮔᮙᮣᮗᮢᮑᮓᮕᮖᮥᮜᮜᮩ ᮟᮞ ᮤᮘᮕ ᮔᮙᮢᮤᮺ ᮒᮥᮤ ᮘᮕ ᮙᮗᮞᮟᮢᮕᮔ ᮙᮤᮺ ᮣᮓᮢᮑᮝᮒᮜᮙᮞᮗ ᮤᮟᮧᮑᮢᮔ ᮘᮙᮣ ᮝᮑᮞᮟᮢᮼ ᯜᮕᮑᮢᮒᮩᮺ ᮑ ᮔᮟᮟᮢᮝᮑᮞ ᮔᮢᮟᮠᮠᮕᮔ ᮘᮙᮣ ᮒᮢᮟᮟᮝ ᮑᮞᮔ ᮖᮜᮕᮔ ᮤᮘᮕ ᮣᮓᮕᮞᮕ ᮑᮣ ᮙᮖ ᮠᮟᮣᮣᮕᮣᮣᮕᮔᮼ

ᮄᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮣᮧᮑᮜᮜᮟᮧᮕᮔ ᮘᮑᮢᮔᮼ ᮃᮘᮕ ᮦᮙᮟᮜᮕᮞᮤᮜᮩ ᮣᮜᮑᮠᮠᮕᮔ ᮘᮕᮢ ᮟᮧᮞ ᮓᮘᮕᮕᮛᮣ ᮧᮙᮤᮘ ᮒᮟᮤᮘ ᮘᮑᮞᮔᮣᮺ ᮖᮟᮢᮓᮙᮞᮗ ᮘᮕᮢᮣᮕᮜᮖ ᮤᮟ ᮖᮟᮓᮥᮣᮼ

ᯒᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩᮺ ᮣᮘᮕ ᮢᮕᮑᮓᮘᮕᮔ ᮖᮟᮢ ᯑᮑᮝᮕᮢᮟᮞ᮵ᮣ ᮞᮟᮣᮕᮺ ᮒᮥᮤ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮢᮕᮗᮙᮣᮤᮕᮢᮕᮔ ᮞᮟ ᮞᮟᮢᮝᮑᮜ ᮒᮢᮕᮑᮤᮘᮼ

ᮄᮘᮕ ᯝᮦᮕᮢᮣᮕᮕᮢ ᮧᮑᮣ ᮔᮕᮑᮔᯍ

ᯘᮥᮣᮤ ᮜᮙᮛᮕ ᮤᮘᮑᮤᯍ ᮇᮙᮤᮘᮟᮥᮤ ᮑ ᮣᮟᮥᮞᮔᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮕᮢ ᮞᮟᮤᮙᮓᮙᮞᮗ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮑᮤ ᮑᮜᮜᯍ

“ᯖᮻᮘᮟᮧ ᮙᮣ ᮤᮘᮙᮣ ᮠᮟᮣᮣᮙᮒᮜᮕᮼᮼᮼᮯᯍ”

ᮄᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ᮵ᮣ ᮕᮩᮕᮣ ᮧᮕᮢᮕ ᮧᮙᮔᮕᮺ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮥᮤᮤᮕᮢ ᮔᮙᮣᮒᮕᮜᮙᮕᮖᮺ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮤᮕᮑᮢ ᮑᮠᮑᮢᮤ ᮤᮘᮕ ᮤᮕᮢᮢᮙᮖᮩᮙᮞᮗ ᮢᮕᮑᮜᮙᮤᮩ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢᮼ ᮃᮤᮢᮑᮞᮔᮣ ᮟᮖ ᮘᮑᮙᮢ ᮓᮜᮥᮞᮗ ᮤᮟ ᮘᮕᮢ ᮣᮧᮕᮑᮤᮻᮣᮟᮑᮛᮕᮔ ᮖᮟᮢᮕᮘᮕᮑᮔᮺ ᮑᮞᮔ ᮘᮕᮢ ᮜᮙᮠᮣ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮥᮞᮓᮟᮞᮤᮢᮟᮜᮜᮑᮒᮜᮩᮼ

ᮄᮘᮕ ᮖᮕᮑᮢ ᮙᮞ ᮘᮕᮢ ᮘᮕᮑᮢᮤ ᮖᮕᮜᮤ ᮠᮑᮜᮠᮑᮒᮜᮕᮺ ᮓᮜᮟᮣᮙᮞᮗ ᮙᮞ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢᮼ ᮄᮘᮕ ᮣᮙᮜᮕᮞᮤ ᮖᮟᮢᮕᮣᮤ ᮞᮟᮧ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮒᮕ ᮠᮜᮑᮩᮙᮞᮗ ᮤᮘᮕ ᮠᮢᮕᮜᮥᮔᮕ ᮤᮟ ᮔᮕᮑᮤᮘᮼ

ᮄᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮖᮕᮜᮤ ᮥᮤᮤᮕᮢᮜᮩ ᮑᮒᮑᮞᮔᮟᮞᮕᮔ ᮙᮞ ᮤᮘᮙᮣ ᮤᮕᮢᮢᮙᮖᮩᮙᮞᮗ ᮓᮟᮢᮞᮕᮢ ᮟᮖ ᮤᮘᮕ ᮧᮟᮢᮜᮔᮼ ᮄᮘᮕ ᮣᮥᮢᮢᮟᮥᮞᮔᮙᮞᮗ ᮤᮢᮕᮕᮣ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮤᮧᮙᮣᮤ ᮑᮞᮔ ᮓᮟᮞᮤᮟᮢᮤᮺ ᮤᮢᮑᮞᮣᮖᮟᮢᮝᮙᮞᮗ ᮙᮞᮤᮟ ᮓᮜᮑᮧᮙᮞᮗᮺ ᮣᮞᮑᮢᮜᮙᮞᮗ ᮔᮕᮝᮟᮞᮣᮼ ᯖᮕᮢ ᮘᮕᮑᮢᮤ ᮧᮑᮣ ᮗᮢᮙᮠᮠᮕᮔ ᮒᮩ ᮑ ᮓᮟᮜᮔᮺ ᮝᮑᮣᮣᮙᮦᮕ ᮘᮑᮞᮔᮺ ᮑᮞᮔ ᮑ ᮧᮑᮦᮕ ᮟᮖ ᮔᮕᮣᮠᮑᮙᮢ ᮣᮠᮢᮕᮑᮔ ᮖᮢᮟᮝ ᮘᮕᮢ ᮓᮟᮢᮕᮺ ᮖᮜᮟᮟᮔᮙᮞᮗ ᮘᮕᮢ ᮓᮘᮙᮜᮜᮕᮔ ᮒᮟᮔᮩᮼ

ᮂᮥᮞᮯ

ᯕᮕᮤ ᮟᮥᮤᮯ

ᮄᮕᮑᮢᮣ ᮧᮕᮜᮜᮕᮔ ᮙᮞ ᮘᮕᮢ ᮕᮩᮕᮣᮺ ᮒᮥᮤ ᮤᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮔᮙᮔᮞ᮵ᮤ ᮣᮠᮑᮢᮕ ᮤᮘᮕᮝ ᮑ ᮤᮘᮟᮥᮗᮘᮤᮼ ᮃᮘᮕ ᮢᮑᮞ ᮖᮢᮑᮞᮤᮙᮓᮑᮜᮜᮩ ᮤᮟᮧᮑᮢᮔ ᮤᮘᮕ ᯏᮒᮞᮟᮢᮝᮑᮜᮙᮤᮙᮕᮣ ᯐᮥᮢᮕᮑᮥ ᮥᮞᮤᮙᮜ ᮣᮘᮕ ᮧᮑᮣ ᮣᮤᮟᮠᮠᮕᮔ ᮒᮩ ᮤᮧᮟ ᮖᮥᮜᮜᮩ ᮑᮢᮝᮕᮔ ᯕᮥᮑᮢᮔᮣᮼ

“ᯝᮦᮕᮢᮣᮕᮕᮢ ᯑᮑᮝᮕᮢᮟᮞ ᮙᮣ ᮔᮕᮑᮔᮯ ᯒᮟᮞ᮵ᮤ ᮩᮟᮥ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮯᯍ ᮃᮘᮕ ᮔᮙᮕᮔ ᮣᮙᮜᮕᮞᮤᮜᮩᮯ ᮇᮙᮤᮘᮟᮥᮤ ᮑ ᮣᮙᮞᮗᮜᮕ ᮣᮟᮥᮞᮔᮯ” ᮤᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮣᮓᮢᮕᮑᮝᮕᮔ ᮘᮩᮣᮤᮕᮢᮙᮓᮑᮜᮜᮩᮼ “ᮇᮘᮑᮤ ᮧᮙᮜᮜ ᮙᮤ ᮤᮑᮛᮕ ᮖᮟᮢ ᮩᮟᮥ ᮤᮟ ᮒᮕᮜᮙᮕᮦᮕ ᮝᮕᮯ”

ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ ᮑᮞᮔ ᮘᮕᮢ ᮤᮕᮑᮝᮺ ᮧᮘᮟ ᮘᮑᮔ ᮚᮥᮣᮤ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮕ ᮓᮙᮢᮓᮥᮣᮺ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮤᮟ ᮧᮙᮤᮞᮕᮣᮣ ᮤᮘᮕ ᮣᮓᮕᮞᮕᮼ

“ᯖᮕᮩᮯ”

“ᯑᮑᮜᮝ ᮔᮟᮧᮞᮺ ᮞᮟᮧᮯ”

ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ ᮗᮢᮑᮒᮒᮕᮔ ᮤᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮒᮩ ᮤᮘᮕ ᮣᮘᮟᮥᮜᮔᮕᮢᮣ ᮑᮞᮔᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮧᮟᮢᮔᮺ ᮣᮘᮟᮦᮕᮔ ᮑ ᮓᮙᮗᮑᮢᮕᮤᮤᮕ ᮒᮕᮤᮧᮕᮕᮞ ᮘᮕᮢ ᮜᮙᮠᮣᮼ

ᯑᮜᮙᮓᮛᮼ

ᮄᮘᮕ ᮖᮜᮙᮞᮤ ᮢᮟᮜᮜᮕᮔᮺ ᮑᮞᮔ ᮑ ᮒᮢᮙᮗᮘᮤ ᮖᮜᮑᮝᮕ ᮣᮠᮑᮢᮛᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮕ ᮝᮕᮤᮑᮜ ᮜᮙᮗᮘᮤᮕᮢᮼ

ᮄᮘᮕ ᮑᮓᮢᮙᮔ ᮣᮝᮕᮜᮜ ᮝᮑᮔᮕ ᮤᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮓᮟᮥᮗᮘᮺ ᮑᮞᮔ ᮘᮕᮢ ᮠᮑᮞᮙᮓᮛᮕᮔᮺ ᮤᮕᮢᮢᮙᮖᮙᮕᮔ ᮗᮑ᮪ᮕ ᮖᮙᮞᮑᮜᮜᮩ ᮣᮕᮤᮤᮜᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

“ᮄᮕᮜᮜ ᮝᮕ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗᮺ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮑᮞᮔ ᮙᮞ ᮔᮕᮤᮑᮙᮜᮼ”

ᯓᮦᮕᮢᮩᮟᮞᮕ ᮧᮑᮣ ᮣᮤᮥᮞᮞᮕᮔ ᮑᮖᮤᮕᮢ ᮘᮕᮑᮢᮙᮞᮗ ᮤᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ᮵ᮣ ᮑᮓᮓᮟᮥᮞᮤᮼ

ᯑᮑᮝᮕᮢᮟᮞ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮑᮞᮞᮟᮩᮙᮞᮗᮺ ᮒᮥᮤ ᮣᮘᮕ ᮧᮑᮣ ᮑ ᮗᮕᮞᮥᮙᮞᮕ ᮃᮕᮡᮥᮕᮞᮓᮕ ᯆ ᯐᮕᮩᮟᮞᮔᮕᮢ ᮑᮝᮟᮞᮗ ᮤᮘᮕ ᮟᮜᮔᮻᮗᮥᮑᮢᮔ ᯝᮦᮕᮢᮣᮕᮕᮢᮣ—ᮑ “ᮃᮙᮜᮕᮞᮓᮕ ᯕᮥᮑᮢᮔᮺ” ᮛᮞᮟᮧᮞ ᮖᮟᮢ ᮢᮕᮣᮙᮣᮤᮙᮞᮗ ᮑᮜᮜ ᮝᮑᮞᮞᮕᮢ ᮟᮖ ᮑᮒᮞᮟᮢᮝᮑᮜ ᮣᮤᮑᮤᮕᮣ ᮑᮞᮔ ᮝᮑᮙᮞᮤᮑᮙᮞᮙᮞᮗ ᮓᮟᮞᮣᮓᮙᮟᮥᮣᮞᮕᮣᮣ ᮧᮙᮤᮘᮙᮞ ᮔᮢᮕᮑᮝᮣᮯ

“ᯝᮦᮕᮢᮣᮕᮕᮢᮼᮼᮼ ᮧᮘᮑᮤ ᮑᮢᮕ ᮧᮕ ᮣᮥᮠᮠᮟᮣᮕᮔ ᮤᮟ ᮔᮟ ᮞᮟᮧᮼᮼᮼᯍ”

ᮄᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ᮵ᮣ ᮕᮩᮕᮣ ᮧᮕᮢᮕ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮜᮙᮞᮗᮕᮢᮙᮞᮗ ᮣᮘᮟᮓᮛ ᮟᮖ ᮖᮕᮑᮢᮺ ᮑᮣ ᮙᮖ ᮤᮘᮕ ᮣᮛᮩ ᮙᮤᮣᮕᮜᮖ ᮘᮑᮔ ᮓᮟᮜᮜᮑᮠᮣᮕᮔᮼ

“ᮉᮟᮥᮺ ᮑᮞᮔ ᮩᮟᮥᮼ” ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮟᮢᮔᮕᮢᮕᮔ ᮤᮘᮕ ᮤᮧᮟ ᮞᮕᮑᮢᮕᮣᮤ ᯝᮦᮕᮢᮣᮕᮕᮢᮣᮼ “ᮄᮑᮛᮕ ᮘᮕᮢ ᮒᮑᮓᮛ ᮤᮟ ᮤᮘᮕ ᯏᮒᮞᮟᮢᮝᮑᮜᮙᮤᮙᮕᮣ ᯐᮥᮢᮕᮑᮥᮼ ᯓᮣᮓᮟᮢᮤ ᮘᮕᮢ ᮤᮟ ᯒ ᯒᮙᮣᮤᮢᮙᮓᮤᮺ ᮚᮥᮣᮤ ᮙᮞ ᮓᮑᮣᮕ ᮑᮞᮩ ᮢᮕᮣᮙᮔᮥᮑᮜ ᯐᮕᮩᮟᮞᮔᮕᮢ ᮠᮟᮧᮕᮢ ᮙᮣ ᮓᮜᮙᮞᮗᮙᮞᮗ ᮤᮟ ᮘᮕᮢᮼ”

“ᮉᮟᮥᮼ”

ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ ᮑᮔᮔᮢᮕᮣᮣᮕᮔ ᮑᮞᮟᮤᮘᮕᮢ ᯝᮦᮕᮢᮣᮕᮕᮢᮼ “ᮉᮟᮥ᮵ᮢᮕ ᮣᮘᮑᮢᮠᮼ ᯕᮟ ᮢᮕᮠᮟᮢᮤ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮧᮕ᮵ᮦᮕ ᮘᮕᮑᮢᮔᮺ ᮧᮟᮢᮔ ᮖᮟᮢ ᮧᮟᮢᮔᮺ ᮤᮟ ᮤᮘᮕ ᯑᮘᮙᮕᮖᮼ”

“ᯕᮟ ᮞᮟᮧᮯ”

ᮄᮘᮕᮟ᮵ᮣ ᮖᮥᮢᮙᮟᮥᮣ ᮣᮘᮟᮥᮤ ᮕᮨᮠᮜᮟᮔᮕᮔ ᮞᮕᮑᮢᮒᮩᮼ ᮄᮘᮕ ᯝᮦᮕᮢᮣᮕᮕᮢ ᮘᮕᮣᮙᮤᮑᮤᮕᮔᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮔᮙᮣᮠᮜᮕᮑᮣᮕᮔᮺ ᮒᮥᮤ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮒᮢᮟᮛᮕ ᮙᮞᮤᮟ ᮑ ᮖᮥᮜᮜ ᮣᮠᮢᮙᮞᮤᮼ

ᮃᮟᮝᮕ ᮟᮖ ᮤᮘᮕᮝ ᮝᮙᮗᮘᮤ ᮔᮙᮣᮜᮙᮛᮕ ᮄᮘᮕᮟ᮵ᮣ ᮤᮕᮝᮠᮕᮢᮺ ᮒᮥᮤ ᮞᮟ ᮟᮞᮕ ᮡᮥᮕᮣᮤᮙᮟᮞᮕᮔ ᮘᮕᮢ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕᮼ

ᮄᮘᮕᮟ ᮘᮑᮔ ᮕᮑᮢᮞᮕᮔ ᮘᮕᮢ ᮢᮕᮠᮥᮤᮑᮤᮙᮟᮞ ᮑᮝᮟᮞᮗ ᮤᮘᮕ ᯝᮦᮕᮢᮣᮕᮕᮢᮣ ᮒᮩ ᮖᮙᮗᮘᮤᮙᮞᮗ ᮘᮕᮢ ᮧᮑᮩ ᮤᮘᮢᮟᮥᮗᮘ ᮓᮑᮣᮕ ᮑᮖᮤᮕᮢ ᮔᮙᮖᮖᮙᮓᮥᮜᮤ ᮓᮑᮣᮕᮯ

“ᯝᮞᮕ ᮟᮖ ᮩᮟᮥ ᮞᮕᮕᮔᮣ ᮤᮟ ᮞᮟᮤᮙᮖᮩ ᯝᮦᮕᮢᮣᮕᮕᮢ ᯒᮟᮢᮙᮑᮼ ᮇᮕ ᮝᮙᮗᮘᮤ ᮞᮟᮤ ᮞᮕᮕᮔ ᮤᮟ ᮧᮑᮙᮤ ᮖᮟᮢ ᮘᮕᮢ ᮤᮟ ᮣᮟᮜᮦᮕ ᮤᮘᮕ ᮠᮢᮟᮒᮜᮕᮝᮺ ᮒᮥᮤ ᮘᮑᮦᮙᮞᮗ ᮘᮕᮢ ᮘᮕᮢᮕ ᮧᮙᮜᮜ ᮝᮑᮛᮕ ᮤᮘᮙᮞᮗᮣ ᮣᮑᮖᮕᮢᮼ” ᮄᮘᮕᮟ ᮙᮞᮣᮤᮢᮥᮓᮤᮕᮔᮼ

ᮄᮘᮕ ᮩᮟᮥᮞᮗ ᯒᮟᮢᮙᮑᮺ ᮧᮙᮤᮘ ᮘᮕᮢ ᮥᮞᮙᮡᮥᮕ ᮙᮞᮣᮙᮗᮘᮤᮣᮺ ᮡᮥᮙᮓᮛ ᮢᮕᮑᮓᮤᮙᮟᮞᮣᮺ ᮑᮞᮔ ᮔᮕᮓᮙᮣᮙᮦᮕ ᮑᮓᮤᮙᮟᮞᮣᮺ ᮘᮑᮔ ᮜᮕᮖᮤ ᮑ ᮠᮢᮟᮖᮟᮥᮞᮔ ᮙᮝᮠᮢᮕᮣᮣᮙᮟᮞ ᮟᮞ ᮄᮘᮕᮟᮼ

“ᮄᮘᮕ ᮢᮕᮣᮤ ᮟᮖ ᮩᮟᮥᮺ ᮖᮟᮜᮜᮟᮧ ᮝᮕ ᮤᮟ ᮤᮘᮕ ᮇᮕᮣᮤ ᮃᮥᮒᮥᮢᮒ ᯔᮟᮢᮕᮣᮤᮼ”

ᮃᮕᮦᮕᮢᮑᮜ ᮝᮙᮞᮥᮤᮕᮣ ᮜᮑᮤᮕᮢᮼ

ᯔᮑᮢ ᮑᮧᮑᮩ ᮙᮞ ᮤᮘᮕ ᮇᮕᮣᮤ ᮃᮥᮒᮥᮢᮒ ᯔᮟᮢᮕᮣᮤᮺ ᯕᮥᮑᮢᮔ ᯘᮕᮞᮞᮙᮖᮕᮢ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮠᮑᮤᮢᮟᮜᮜᮙᮞᮗ ᮤᮘᮕ ᮕᮔᮗᮕ ᮟᮖ ᮤᮘᮕ ᮑᮢᮕᮑ ᮑᮣ ᮑ ᮤᮕᮑᮝ ᮟᮖ ᮟᮦᮕᮢ ᮑ ᮔᮟ᮪ᮕᮞ ᮠᮕᮟᮠᮜᮕ ᮣᮤᮟᮢᮝᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮝᮑᮞᮟᮢᮼ

ᯐᮑᮞᮗ—

ᮄᮘᮕ ᮤᮙᮗᮘᮤᮜᮩ ᮣᮘᮥᮤ ᮝᮑᮙᮞ ᮗᮑᮤᮕ ᮧᮑᮣ ᮒᮜᮑᮣᮤᮕᮔ ᮟᮠᮕᮞᮼ

ᮄᮘᮕ ᯝᮦᮕᮢᮣᮕᮕᮢᮣ ᮣᮤᮟᮟᮔ ᮑᮤ ᮤᮘᮕ ᮕᮞᮤᮢᮑᮞᮓᮕᮺ ᮓᮜᮑᮔ ᮙᮞ ᮤᮘᮕᮙᮢ ᮣᮤᮑᮞᮔᮑᮢᮔ ᮒᮜᮑᮓᮛ ᮥᮞᮙᮖᮟᮢᮝᮣᮼ ᮃᮙᮜᮦᮕᮢ ᮒᮥᮤᮤᮟᮞᮣ ᮑᮞᮔ ᮒᮑᮔᮗᮕᮣ ᮢᮕᮖᮜᮕᮓᮤᮕᮔ ᮑ ᮓᮟᮜᮔ ᮜᮙᮗᮘᮤ ᮥᮞᮔᮕᮢ ᮤᮘᮕ ᮔᮙᮝ ᮓᮑᮞᮔᮜᮕᮜᮙᮗᮘᮤᮼ ᮄᮘᮕᮙᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮣ ᮧᮕᮢᮕ ᮗᮢᮙᮝᮺ ᮤᮘᮕᮙᮢ ᮕᮩᮕᮣ ᮢᮑᮔᮙᮑᮤᮙᮞᮗ ᮣᮓᮢᮥᮤᮙᮞᮩ ᮑᮞᮔ ᮝᮕᮞᮑᮓᮕᮼ

ᮄᮘᮕ ᯚᮟᮢᮔᮺ ᮘᮙᮔᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮝᮑᮙᮞ ᮘᮑᮜᮜᮺ ᮢᮑᮙᮣᮕᮔ ᮘᮙᮣ ᮘᮑᮞᮔᮣᮺ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮦᮙᮟᮜᮕᮞᮤᮜᮩᮼ

“ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮔᮟ ᮙᮤᮺ ᯗ ᮣᮧᮕᮑᮢ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮔᮟ ᮙᮤᮼ”

“ᯗ ᮤᮑᮜᮛᮺ ᮩᮟᮥ ᮜᮙᮣᮤᮕᮞᮼ”

ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ ᮗᮢᮑᮒᮒᮕᮔ ᮤᮘᮕ ᮒᮑᮒᮒᮜᮙᮞᮗ ᯚᮟᮢᮔ ᮒᮩ ᮤᮘᮕ ᮓᮟᮜᮜᮑᮢᮺ ᮖᮟᮢᮓᮙᮞᮗ ᮘᮙᮝ ᮤᮟ ᮘᮕᮕᮔ ᮘᮕᮢ ᮧᮟᮢᮔᮣᮼ

“ᯕᮑᮤᮘᮕᮢ ᮩᮟᮥᮢ ᮣᮕᮢᮦᮑᮞᮤᮣᮼ ᯓᮦᮕᮢᮩᮟᮞᮕ ᮠᮢᮕᮣᮕᮞᮤ ᮝᮥᮣᮤ ᮢᮕᮝᮑᮙᮞ ᮧᮙᮤᮘᮙᮞ ᮟᮥᮢ ᮣᮙᮗᮘᮤᮼ” ᯖᮕᮢ ᮤᮟᮞᮕ ᮧᮑᮣ ᮜᮑᮓᮕᮔ ᮧᮙᮤᮘ ᮖᮥᮢᮩᮼ “ᯗᮖ ᮩᮟᮥ ᮤᮢᮩ ᮤᮟ ᮢᮥᮞᮺ ᯗ ᮧᮙᮜᮜ ᮤᮢᮕᮑᮤ ᮩᮟᮥ ᮑᮣ ᮑ ᮓᮥᮜᮤᮙᮣᮤ ᮟᮖ ᮤᮘᮕ ᯓᮦᮙᮜ ᯕᮟᮔᮣ ᮑᮞᮔ ᮙᮣᮣᮥᮕ ᮑ ᮧᮑᮢᮢᮑᮞᮤ ᮖᮟᮢ ᮩᮟᮥᮢ ᮑᮢᮢᮕᮣᮤᮼ ᮅᮞᮔᮕᮢᮣᮤᮑᮞᮔᯍ”

ᯖᮕᮢ ᮑᮞᮗᮕᮢ ᮧᮑᮣᮞ᮵ᮤ ᮢᮟᮟᮤᮕᮔ ᮙᮞ ᮢᮕᮗᮢᮕᮤ ᮖᮟᮢ ᯑᮑᮝᮕᮢᮟᮞ ᮤᮘᮕ ᮠᮕᮢᮣᮟᮞᮺ ᮒᮥᮤ ᮙᮞ ᮖᮥᮢᮩ ᮟᮦᮕᮢ ᮤᮘᮕ ᮔᮕᮑᮤᮘ ᮟᮖ ᮑ ᮖᮕᮜᮜᮟᮧ ᯝᮦᮕᮢᮣᮕᮕᮢᮯ

“ᯕᮟᮯ”

ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ ᮣᮘᮙᮖᮤᮕᮔ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮑᮞᮔ ᮡᮥᮙᮓᮛᮜᮩ ᮙᮞᮣᮤᮢᮥᮓᮤᮕᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢᮣᮺ “ᮃᮕᮑᮢᮓᮘ ᮕᮦᮕᮢᮩ ᮢᮟᮟᮝ ᮙᮞ ᮠᮑᮙᮢᮣᮼ ᯗᮖ ᮩᮟᮥ ᮖᮙᮞᮔ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮑᮒᮞᮟᮢᮝᮑᮜᮺ ᮓᮑᮜᮜ ᮖᮟᮢ ᮘᮕᮜᮠ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩᮼ”

ᮄᮘᮕ ᮣᮟᮥᮞᮔ ᮟᮖ ᮘᮥᮢᮢᮙᮕᮔ ᮖᮟᮟᮤᮣᮤᮕᮠᮣ ᮕᮓᮘᮟᮕᮔ ᮑᮣ ᮤᮘᮕ ᯝᮦᮕᮢᮣᮕᮕᮢᮣ ᮑᮞᮔ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢᮣ ᮣᮕᮑᮢᮓᮘᮕᮔ ᮤᮘᮕ ᮜᮥᮨᮥᮢᮙᮟᮥᮣ ᮒᮥᮤ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮣᮙᮞᮙᮣᮤᮕᮢ ᮝᮑᮞᮟᮢᮼ ᯛᮙᮞᮥᮤᮕᮣ ᮤᮙᮓᮛᮕᮔ ᮒᮩᮺ ᮩᮕᮤ ᮞᮟ ᮣᮘᮑᮢᮠᮺ ᮥᮢᮗᮕᮞᮤ ᮓᮢᮙᮕᮣ ᮖᮟᮢ ᮘᮕᮜᮠ ᮢᮑᮞᮗ ᮟᮥᮤᮼ

ᯜᮟᮤᮘᮙᮞᮗᮼ ᮄᮘᮕᮩ ᮖᮟᮥᮞᮔ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮞᮟᮤᮘᮙᮞᮗᮼ

ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟᮺ ᮠᮥᮖᮖᮙᮞᮗ ᮟᮞ ᮘᮕᮢ ᮠᮙᮠᮕᮺ ᮣᮕᮑᮢᮓᮘᮕᮔ ᮕᮦᮕᮢᮩ ᮙᮤᮕᮝ ᮙᮞ ᮤᮘᮕ ᮢᮟᮟᮝ ᮧᮙᮤᮘ ᮑᮞ ᮕᮑᮗᮜᮕᮻᮜᮙᮛᮕ ᮗᮑ᮪ᮕᮼ

ᯔᮟᮢ ᮑᮞ ᮟᮢᮔᮙᮞᮑᮢᮩ ᯐᮕᮩᮟᮞᮔᮕᮢ ᮤᮟ ᮑᮓᮘᮙᮕᮦᮕ ᮤᮘᮙᮣ ᮕᮖᮖᮕᮓᮤᮺ ᮤᮘᮕᮩ ᮧᮟᮥᮜᮔ ᮞᮕᮕᮔ ᮑᮞ ᮕᮜᮑᮒᮟᮢᮑᮤᮕ ᮤᮢᮑᮠᮼ ᮄᮘᮙᮣ ᮛᮙᮞᮔ ᮟᮖ ᮣᮕᮑᮝᮜᮕᮣᮣᮺ ᮙᮞᮣᮤᮑᮞᮤᮑᮞᮕᮟᮥᮣ ᮔᮢᮕᮑᮝ ᮙᮞᮤᮢᮥᮣᮙᮟᮞ ᮧᮑᮣ ᮠᮢᮑᮓᮤᮙᮓᮑᮜᮜᮩ ᮙᮝᮠᮟᮣᮣᮙᮒᮜᮕᮼ

ᮄᮘᮕ ᮠᮕᮢᮠᮕᮤᮢᮑᮤᮟᮢ ᮘᮑᮔ ᮤᮟ ᮒᮕ ᮑᮤ ᮜᮕᮑᮣᮤ ᮑ ᮃᮕᮡᮥᮕᮞᮓᮕ ᯆ ᯐᮕᮩᮟᮞᮔᮕᮢᮺ ᮠᮟᮣᮣᮕᮣᮣᮙᮞᮗ ᮑ ᮘᮙᮗᮘᮜᮩ ᮥᮞᮙᮡᮥᮕ ᯏᮒᮞᮟᮢᮝᮑᮜ ᯗᮤᮕᮝᮼ

ᯓᮦᮕᮞ ᮣᮟᮺ ᮤᮘᮑᮤ ᮔᮙᮔᮞ᮵ᮤ ᮕᮨᮠᮜᮑᮙᮞ ᮤᮘᮕ ᮣᮕᮑᮝᮜᮕᮣᮣ ᮜᮟᮞᮗᮻᮔᮙᮣᮤᮑᮞᮓᮕ ᮔᮢᮕᮑᮝ ᮕᮞᮤᮢᮩᮼ

ᯑᮟᮥᮜᮔ ᮙᮤ ᮒᮕᮼᮼᮼ

ᮃᮘᮕ ᮣᮜᮟᮧᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮥᮠ ᮑᮤ ᮤᮘᮕ ᮓᮕᮙᮜᮙᮞᮗᮼ

“ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟᮯ ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟᮯ”

ᯏ ᮖᮢᮑᮞᮤᮙᮓ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮢᮑᮞ ᮟᮥᮤ ᮟᮖ ᮑ ᮢᮟᮟᮝᮼ

“ᮇᮘᮑᮤ ᮙᮣ ᮙᮤᮯᯍ”

“ᯛᮩ ᯝᮦᮕᮢᮣᮕᮕᮢᮼᮼᮼ ᮘᮕ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮓᮟᮜᮜᮑᮠᮣᮕᮔᮯ” ᮤᮘᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮓᮢᮙᮕᮔ ᮟᮥᮤ ᮙᮞ ᮤᮕᮢᮢᮟᮢᮼ “ᮇᮘᮑᮤᮼᮼᮼ ᮧᮘᮑᮤ ᮔᮟ ᮧᮕ ᮔᮟ ᮞᮟᮧᮯ”

ᯏᮝᮙᮔᮣᮤ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮥᮠᮢᮟᮑᮢᮺ ᯝᮦᮕᮢᮣᮕᮕᮢ ᮄᮘᮕᮟ᮵ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮔᮑᮢᮛᮕᮞᮕᮔᮼ

ᮄᮘᮙᮣ ᮝᮕᮑᮞᮤ ᮤᮘᮕ ᮕᮞᮕᮝᮩ ᮧᮑᮣ ᮞᮕᮑᮢᮒᮩᮯ ᮄᮘᮕᮩ ᮝᮙᮗᮘᮤ ᮕᮦᮕᮞ ᮒᮕ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮕᮦᮕᮢᮩ ᮝᮟᮦᮕ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮯ

ᯚᮑᮓᮛᮙᮞᮗ ᮙᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞᮺ ᮙᮖ ᮤᮘᮕᮩ ᮢᮑᮣᮘᮜᮩ ᮕᮞᮤᮕᮢᮕᮔ ᮤᮘᮕ ᮔᮢᮕᮑᮝ ᮧᮟᮢᮜᮔ ᮤᮟ ᮠᮥᮢᮣᮥᮕᮺ ᮤᮘᮕᮩ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑᮤ ᮑᮞ ᮑᮒᮣᮟᮜᮥᮤᮕ ᮔᮙᮣᮑᮔᮦᮑᮞᮤᮑᮗᮕᮼ ᮉᮕᮤᮺ ᮧᮑᮙᮤᮙᮞᮗ ᮝᮕᮑᮞᮤ ᮣᮑᮓᮢᮙᮖᮙᮓᮙᮞᮗ ᮝᮟᮢᮕ ᮜᮙᮦᮕᮣ ᮞᮕᮕᮔᮜᮕᮣᮣᮜᮩᮼ

ᮄᮘᮕᮟ ᮤᮟᮟᮛ ᮑᮞᮟᮤᮘᮕᮢ ᮔᮢᮑᮗ ᮖᮢᮟᮝ ᮘᮕᮢ ᮠᮙᮠᮕᮺ ᮤᮘᮕᮞ ᮠᮜᮑᮓᮕᮔ ᮙᮤ ᮣᮕᮕᮝᮙᮞᮗᮜᮩ ᮓᮑᮢᮕᮜᮕᮣᮣᮜᮩ ᮒᮕᮣᮙᮔᮕ ᮑ ᮓᮕᮢᮑᮝᮙᮓ ᮔᮙᮣᮘ ᮟᮞ ᮑ ᮞᮕᮑᮢᮒᮩ ᮤᮑᮒᮜᮕᮼ ᮄᮘᮕ ᮠᮙᮠᮕ᮵ᮣ ᮣᮜᮕᮞᮔᮕᮢᮺ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮥᮠᮤᮥᮢᮞᮕᮔ ᮣᮤᮕᮝ ᮠᮟᮙᮞᮤᮕᮔ ᮔᮙᮢᮕᮓᮤᮜᮩ ᮑᮤ ᮤᮘᮕ ᮓᮕᮙᮜᮙᮞᮗᮼ

ᯗ ᮘᮟᮠᮕ ᮩᮟᮥ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮝᮩ ᮘᮙᮞᮤᮼ

ᯝᮞᮜᮩ ᮩᮟᮥᮺ ᮟᮥᮤᮣᮙᮔᮕᮺ ᮓᮑᮞ ᮘᮕᮜᮠ ᮥᮣ ᮞᮟᮧᮼᮼᮼ ᯝᮦᮕᮢᮣᮕᮕᮢ ᯒᮟᮢᮙᮑᮯ

ᯏ ᮜᮟᮟᮛ ᮟᮖ ᮖᮙᮕᮢᮓᮕ ᮔᮕᮤᮕᮢᮝᮙᮞᮑᮤᮙᮟᮞ ᮖᮜᮑᮣᮘᮕᮔ ᮙᮞ ᮄᮘᮕᮟ᮵ᮣ ᮕᮩᮕᮣᮼ

“ᯗ ᮧᮙᮜᮜ ᮗᮟ ᮤᮟ ᮣᮜᮕᮕᮠ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮑᮞᮔ ᮑᮤᮤᮕᮝᮠᮤ ᮤᮟ ᮣᮑᮦᮕ ᮟᮥᮢ ᮓᮟᮜᮜᮕᮑᮗᮥᮕᮼ”

“ᯔᮢᮟᮝ ᮤᮘᮙᮣ ᮝᮟᮝᮕᮞᮤ ᮟᮞᮺ ᮩᮟᮥ ᮧᮙᮜᮜ ᮝᮟᮞᮙᮤᮟᮢ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢᮼ ᯗᮖ ᮑᮞᮩᮟᮞᮕ ᮣᮘᮟᮧᮣ ᮣᮙᮗᮞᮣ ᮟᮖ ᮖᮑᮜᮜᮙᮞᮗ ᮑᮣᮜᮕᮕᮠᮺ ᮧᮑᮛᮕ ᮤᮘᮕᮝ ᮥᮠ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩᮯ”

“ᯝᮦᮕᮢᮣᮕᮕᮢᮼ”

ᮄᮘᮕ ᮩᮟᮥᮞᮗᮺ ᮓᮑᮠᮑᮒᮜᮕ ᮖᮕᮝᮑᮜᮕ ᯓᮨᮕᮓᮥᮤᮙᮦᮕ ᯝᮖᮖᮙᮓᮕᮢ ᮣᮤᮕᮠᮠᮕᮔ ᮖᮟᮢᮧᮑᮢᮔ ᮤᮟ ᮖᮑᮓᮕ ᮄᮘᮕᮟᮼ

“ᯖᮝᮠᮘᮺ ᯗ ᮛᮞᮟᮧ ᮕᮨᮑᮓᮤᮜᮩ ᮧᮘᮑᮤ ᮩᮟᮥ᮵ᮢᮕ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮧᮙᮤᮘᮟᮥᮤ ᮩᮟᮥ ᮣᮑᮩᮙᮞᮗ ᮑ ᮧᮟᮢᮔᮼ”

“ᯗᮖ ᮩᮟᮥ᮵ᮢᮕ ᮞᮟᮤ ᮑᮖᮢᮑᮙᮔ ᮤᮟ ᮔᮙᮕᮺ ᮤᮘᮕᮞ ᮖᮟᮜᮜᮟᮧ ᮝᮕᮼ” ᮄᮘᮕᮟ ᮜᮑᮩ ᮔᮟᮧᮞ ᮖᮜᮑᮤ ᮟᮞ ᮤᮘᮕ ᮓᮟᮜᮔ ᮝᮑᮢᮒᮜᮕ ᮖᮜᮟᮟᮢᮺ ᮑ ᮠᮢᮟᮥᮔᮺ ᮔᮕᮖᮙᮑᮞᮤ ᮣᮝᮙᮢᮛ ᮠᮜᮑᮩᮙᮞᮗ ᮟᮞ ᮘᮕᮢ ᮜᮙᮠᮣᮼ

“ᯝᮦᮕᮢᮣᮕᮕᮢᮼ”

“ᯗᮤ ᮙᮣ ᮝᮩ ᮘᮟᮞᮟᮢ ᮤᮟ ᮣᮕᮢᮦᮕ ᮑᮜᮟᮞᮗᮣᮙᮔᮕ ᮩᮟᮥᮼ”

ᮂᮟᮜᮑᮞᮔ ᮜᮑᮩ ᮔᮟᮧᮞ ᮒᮕᮣᮙᮔᮕ ᮘᮕᮢᮺ ᮗᮑ᮪ᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮝᮕᮞᮤᮟᮢ ᮣᮘᮕ ᮘᮑᮔ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮖᮟᮢ ᮣᮟ ᮜᮟᮞᮗᮺ ᮑᮞᮔ ᮣᮜᮟᮧᮜᮩ ᮓᮜᮟᮣᮕᮔ ᮘᮕᮢ ᮕᮩᮕᮣᮼ

ᮄᮟᮗᮕᮤᮘᮕᮢᮺ ᮤᮘᮕᮩ ᮧᮟᮥᮜᮔ ᮔᮕᮣᮓᮕᮞᮔ ᮙᮞᮤᮟ ᮤᮘᮑᮤ ᮠᮙᮤᮓᮘᮻᮒᮜᮑᮓᮛ ᮘᮕᮜᮜᮺ ᮕᮞᮔᮥᮢᮙᮞᮗ ᮤᮘᮕ ᮤᮟᮢᮝᮕᮞᮤ ᮟᮖ ᮒᮜᮟᮟᮔ ᮑᮞᮔ ᮣᮘᮑᮔᮟᮧᮯ

“ᯝᮦᮕᮢᮣᮕᮕᮢ ᯒᮟᮢᮙᮑᮺ ᮟᮥᮢ ᮜᮙᮦᮕᮣ ᮑᮢᮕ ᮢᮙᮔᮙᮞᮗ ᮟᮞ ᮩᮟᮥᮼᮼᮼ”

ᮄᮘᮕᮟ᮵ᮣ ᮓᮟᮞᮣᮓᮙᮟᮥᮣᮞᮕᮣᮣ ᮔᮙᮣᮣᮟᮜᮦᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮔᮑᮢᮛᮞᮕᮣᮣᮼ

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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