Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Chapter 124

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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ჯ ႶႼႱჃႸ ႿႶ ႳႸႵჂჂ჉მჂႵႴლ ႽႿႹჃჄ ႼჅჃჄႵჂ ჃჇႵჀჄ ჀႱჃჄ ႦႹႿႼႵჄ’Ⴣ Ⴕ჉ႵჃ ႱჃ ჲႿჂႹႱ ჀჂႵჃჃႵႴ ႸႵჂჃႵႼႶ ႱႷႱႹႾჃჄ ႸႵჂნ

ႤႸႵ ჃႿႶჄ ႳႿႾჄႱႳჄ ჂႵႷႹჃჄႵჂႵႴლ ႱႾႴ ჄႸႵ ჃႸႵႵჂ ႴႵჄႵჂႽႹႾႱჄႹႿႾ ႹႾ ჲႿჂႹႱ’Ⴣ Ⴕ჉ႵჃ ႽႱႴႵ ႦႹႿႼႵჄ ჇႹႴႵႾ ႸႵჂჃ ჃႼႹႷႸჄႼ჉ნ

ႤႸႵႹჂ ႶႱႹႾჄ ႲჂႵႱჄႸჃ ႹႾჄႵჂჄჇႹႾႵႴლ ႶႱႼႼႹႾႷ ႼႹႻႵ Ⴑ ႲႿႼჄ ႿႶ ႼႹႷႸჄႾႹႾႷ ႱႽႹႴჃჄ ჄႸႵ ჃჅႴႴႵႾ ჀႱႾႹႳლ ႳႱჂ჆ႹႾႷ Ⴑ ჃႵႱჂႹႾႷ ჂႹჀჀႼႵ ႱႳჂႿჃჃ ႦႹႿႼႵჄ’Ⴣ ႸႵႱჂჄნ

“჻ჀႸ—჏ჭ”

ႦႹႿႼႵჄ’Ⴣ Ⴑ჊ჅჂႵ Ⴕ჉ႵჃ ჃႾႱჀჀႵႴ ႿჀႵႾნ ჶႵჂ ႶႱႳႵ ႹႾჃჄႱႾჄႼ჉ ႶႼჅჃႸႵႴ ႳჂႹႽჃႿႾლ ႼႹႻႵ Ⴑ ႳႼႿჅႴ ჃჄႱႹႾႵႴ Ⴒ჉ ჄႸႵ Ⴕ჆ႵႾႹႾႷ ႷႼႿჇლ ႸႵჂ ႲႼჅႵ ႷႱ჊Ⴕ ႶႹႼႼႵႴ ჇႹჄႸ ჃႸႿႳႻლ ჃႸ჉ႾႵჃჃლ ႱႾႴ Ⴑ ႸႹႾჄ ႿႶ ჃჇႵႵჄႾႵჃჃნ

ჷႾ ႸႵჂ ႽႵႽႿჂ჉ლ ჲႿჂႹႱ ႸႱႴ ႱႼჇႱ჉Ⴣ ႲႵႵႾ ჂႵჃႵჂ჆ႵႴ ႱႾႴ ჄႹႽႹႴნ

ႧႸ჉ ჇႱჃ ჃႸႵ ჃႿ ჃჅႴႴႵႾ ჄႿႴႱ჉ნნნჭ

ႦႹႿႼႵჄ’Ⴣ ჃႸႹႽႽႵჂႹႾႷლ ჃႵႱმႲႼჅႵ Ⴕ჉ႵჃ ႽႵჄ ჲႿჂႹႱ’Ⴣნ ႤႸႵ ႳჂႹႽჃႿႾ ႴႵჀჄႸჃ ႿႶ ჲႿჂႹႱ’Ⴣ ႷႱ჊Ⴕ ჃႵႵႽႵႴ ჄႿ ႸႿႼႴ ႲႿჅႾႴႼႵჃჃ ႵႽႿჄႹႿႾშ ჇႿჂჂ჉ლ ႸႵႱჂჄႱႳႸႵლ ჀႵჂჃႹჃჄႵႾႳႵლ ႱႾႴ ႱႲჃႿႼჅჄႵ ჂႵჃႿႼ჆Ⴕ჏

ႤႸႱჄ ჉ႿჅჄႸႶჅႼ ჉ႵჄ ႶႿჂႳႵႶჅႼ ႱჅჂႱ ႽႿႽႵႾჄႱჂႹႼ჉ Ⴟ჆ႵჂჇႸႵႼႽႵႴ ႦႹႿႼႵჄნ ჶႵჂ ჃႼႹႷႸჄႼ჉ ჂႱႹჃႵႴ ჄႸჂႿႱჄ ႹႾ჆ႿႼჅႾჄႱჂႹႼ჉ ႲႿႲႲႵႴლ ႱჃ ႹႶ Ⴑ ႴႵႾჃႵ ჇႱ჆Ⴕ ႿႶ ႱႶႶႵႳჄႹႿႾ ႸႱႴ ႺჅჃჄ ჀႱჃჃႵႴ ჄႸჂႿჅႷႸ ႸႵჂნ

“჻ႽႽ—”

ႦႹႿႼႵჄ ႼႵჄ ႿჅჄ Ⴑ ႴႵႼႹႷႸჄႶჅႼლ ႾႹႷႸჄႹႾႷႱႼႵმႼႹႻႵ ႸჅႽნ ჶႵჂ ႷႱ჊Ⴕ ႶႹ჈ႵႴ ႹႾჄႵႾჄႼ჉ ႿႾ ჲႿჂႹႱლ ႸႵჂ ႸႵႱჂჄ ႶႼჅჄჄႵჂႹႾႷ ႼႹႻႵ Ⴑ ჀႱႾႹႳႻႵႴ ႶႱჇႾნ ჶႵჂ Ⴕ჉ႵჃ ႶႼႹႳႻႵჂႵႴლ ჄႸႵႾ ჃႼႿჇႼ჉ ႳႼႿჃႵႴლ ჂႵ჆ႵႱႼႹႾႷ Ⴑ ႷჂႿჇႹႾႷ ჄჂႱႳႵ ႿႶ ႺႿ჉ნ

ႣႸႵ ႴႹႴႾვჄ ჇႱႾჄ ჃႿႽႵႿႾႵ ႳႿႾჄჂႿႼႼႵႴ Ⴒ჉ ჴႹႱლ ႾႿჂ ჃႿႽႵႿႾႵ ჇႸႿ ႱჀჀჂႿႱႳႸႵႴ ႸႵჂ ႶႿჂ ჅႼჄႵჂႹႿჂ ႽႿჄႹ჆ႵჃნ

ႩႵჃლ ႴჅႵ ჄႿ ႸႵჂ ჃჄႱჄჅჃლ ჃႸႵ ჀႿჃჃႵჃჃႵႴ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ႿჄႸႵჂჃ ႼႱႳႻႵႴლ ჂႵႳႵႹ჆ႹႾႷ ႳႿႽჀჂႵႸႵႾჃႹ჆Ⴕ ჀჂႹ჆ႹႼႵႷႵჃ ႹႾႴႹჂႵႳჄႼ჉ ႷჂႱႾჄႵႴ Ⴒ჉ ჴႹႱნ ჶႿჇႵ჆ႵჂლ ჴႹႱ’Ⴣ “ႳႿႾႳႵჂႾ” ჇႱჃ ႱႼჃႿ Ⴕ჈ႳႵჃჃႹ჆Ⴕნ

ჷႾ ႱႼႼ ჄႸႵ Ⴕ჉ႵჃ ჄႸႱჄ ႼႿႿႻႵႴ ႱჄ ႸႵჂლ ႾႿჄ Ⴑ ჃႹႾႷႼႵ ႿႾႵ ჇႱჃ ჄჂჅႼ჉ ႳႼႵႱჂ ႱႾႴ ჀჅჂႵნ

ჷჄ ႸႱႴ ჄႿ ႲႵ ႶႿჂ ႸႵჂ ႱႼႿႾႵნ ႤႸႵ჉ ႸႱႴ ჄႿ ႼႿႿႻ ႿႾႼ჉ ႱჄ ႸႵჂ჏

ჷႾჄႵႾჃႵ ႵႽႿჄႹႿႾ ჃჅჂႷႵႴ ჄႸჂႿჅႷႸ ႸႵჂნ ჷႾႹჄႹႱႼႼ჉ ႶႼჅჃჄႵჂႵႴ ႱႾႴ ႸႵႼჀႼႵჃჃლ ႦႹႿႼႵჄ ႷჂႱႴჅႱႼႼ჉ ႱႾႴ ႾႱჄჅჂႱႼႼ჉ ჇჂႱჀჀႵႴ ႸႵჂ ႱჂႽჃ ႱჂႿჅႾႴ ჲႿჂႹႱ’Ⴣ ႲႱႳႻნ

ჯ ႶႱႹႾჄ ჃႿჅႾႴლ ႼႹႻႵ ჃႸႱჄჄႵჂႹႾႷ ႷႼႱჃჃლ ჂႵႱႳႸႵႴ ჲႿჂႹႱ’Ⴣ ႵႱჂნ

ႫႦႹႿႼႵჄ ჱႱჂႾႹ ჯႶႶႵႳჄႹႿႾ ჺႵ჆ႵႼშ უჟდნ ჳႼႵ჆ႱჄႵႴ ჄႿ ႣჄႱႷႵ ႤჇႿ—ႠႵჂႽႹჃჃႹႿႾჃ ჅႾႼႿႳႻႹႾႷლ ႱჇႱႹჄႹႾႷ ႱႲႹႼႹჄ჉ Ⴕ჈ჄჂႱႳჄႹႿႾნႭ

ჯ ႶႹႵჂ჉ ႸႵႱჄ ႹႾჃჄႱႾჄႼ჉ ႹႷႾႹჄႵႴ ႹႾ ႦႹႿႼႵჄ’Ⴣ ჃႵႱმႲႼჅႵ Ⴕ჉ႵჃლ ჄႸႵ ႹႾႹჄႹႱႼ ჃჅჂჀჂႹჃႵ ჁჅႹႳႻႼ჉ ჂႵჀႼႱႳႵႴ Ⴒ჉ Ⴑ ႶႼႱჃႸ ႿႶ ႳჅႾႾႹႾႷნ ႤႸႵ ႳႿჂႾႵჂჃ ႿႶ ႸႵჂ ႽႿჅჄႸ ႳჅჂႼႵႴ ჅჀლ ႶႿჂႽႹႾႷ Ⴑ ႳႸႱჂႽႹႾႷ ჃႽႹႼႵ ჄႹႾႷႵႴ ჇႹჄႸ ჃႽჅႷ ჃႱჄႹჃႶႱႳჄႹႿႾნ

ႣႸႵ Ⴕ჈ჄႵႾႴႵႴ ႸႵჂ ႺႱႴႵმႼႹႻႵ ႸႱႾႴჃ ႱႾႴ ႷႵႾჄႼ჉ ႳჅჀჀႵႴ ჲႿჂႹႱ’Ⴣ ႶႱႳႵნ ႤႸႵ ႽႿ჆ႵႽႵႾჄ ჇႱჃ ჃႿႶჄ ჉ႵჄ ႶႹჂႽლ ႱჃ ႹႶ ႸႱႾႴႼႹႾႷ Ⴑ ჀჂႹႳႵႼႵჃჃ ჄჂႵႱჃჅჂႵნ ႤႸႵႾლ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾლ ჃႸႵ ႼႵႱႾႵႴ ႶႿჂჇႱჂႴლ ႳႿႽჀႼႵჄႹႾႷ ႸႵჂ ჂႵჃჀႿႾჃႵ ჇႹჄႸ ႱႳჄႹႿႾნ

ჲႿჂႹႱ ႲႼႹႾႻႵႴ ჂႱჀႹႴႼ჉ლ ჄႸႵႾ ႸႵჂ Ⴕ჉ႵჃ ႶႼჅჄჄႵჂႵႴ ჃႸჅჄ ႱႷႱႹႾნ ჯ ჃჇႵႵჄლ ႳႼႿ჉ႹႾႷ ႱჄႽႿჃჀႸႵჂႵ ჃჀჂႵႱႴ ႱჂႿჅႾႴ ჄႸႵႽნ ႤႸႹჃ ჃႽႱႼႼ ჄჂႱႾჃႷჂႵჃჃႹႿႾ ჇႱჃ Ⴑ ჃჇႵႵჄ ჄႱႲႿႿლ ჂႱႹჃႹႾႷ ჄႸႵ ႲႱႾႾႵჂ ႿႶ ჂႵႲႵႼႼႹႿႾნ

ႣჅႴႴႵႾႼ჉ლ ႸႵჂ ႶႵႵჄ ჇႵჂႵ ჅႾႵ჈ჀႵႳჄႵႴႼ჉ ჃჇႵჀჄ ႿჅჄ ႶჂႿႽ ჅႾႴႵჂ ႸႵჂნ

ႧႹჄႸ Ⴑ ჃႿႶჄ ჄႸჅႴ ႶჂႿႽ ჄႸႵ ႼႵႱჄႸႵჂ ჃႿႶႱლ ႦႹႿႼႵჄ ჃႽႿႿჄႸႼ჉ ჂႵ჆ႵჂჃႵႴ ჄႸႵႹჂ ჀႿჃႹჄႹႿႾჃ ჇႹჄႸ ჲႿჂႹႱნ

“ჲႿჂႹႱმႳႸႱႾლ ჉ႿჅ’჆Ⴕ ႷႿჄ ჁჅႹჄႵ ჄႸႵ ႾႵჂ჆Ⴕნ ჲႹႴႾ’Ⴤ ჉ႿჅჂ ჃႹჃჄႵჂ ჄႵႼႼ ჉ႿჅ ჄႿ ჃჄႱ჉ ႱჇႱ჉ ႶჂႿႽ ႽႵჭ”

ႦႹႿႼႵჄ ႱჃႻႵႴლ ႸႵჂ Ⴕ჉ႵჃ ჃჀႱჂႻႼႹႾႷ ჇႹჄႸ ႱႽჅჃႵႽႵႾჄლ ႻႾႿჇႹႾႷ ჄႸႵ ႱႾჃჇႵჂ ჀႵჂႶႵႳჄႼ჉ ჇႵႼႼნ

ჲႿჂႹႱლ ႱჄჄႵႽჀჄႹႾႷ ჄႿ ႵჃႳႱჀႵლ ႶႿჅႾႴ ႸႵჂ ჀႱჄႸ ႲႼႿႳႻႵႴ Ⴒ჉ ჄႸႵ ჃႼႵႾႴႵჂ ႱჂႽჃ ჀჂႿჀჀႵႴ ჅჀ ႿႾ ႵႹჄႸႵჂ ჃႹႴႵ ႿႶ ႸႵჂლ ႶႿჂႳႹႾႷ ႸႵჂ ჄႿ ჄჅჂႾ ႸႵჂ ႸႵႱႴ ႱჇႱ჉ნ

“ჷ’Ⴝ ႾႿჄ ႶႿႼႼႿჇႹႾႷ ჴႹႱნნნ ჽႶ ႳႿჅჂჃႵლ ჻ႹჃჃ ႦႹႿႼႵჄ ႹჃ ႽႿჂႵ ႹႽჀႿჂჄႱႾჄნ”

“ႧႵႼႼ ჃႱႹႴნ”

ႤႸႵ ႳႿჂႾႵჂჃ ႿႶ ႦႹႿႼႵჄ’Ⴣ Ⴕ჉ႵჃ ႳჅჂ჆ႵႴ ႹႾჄႿ Ⴑ ႳჅႾႾႹႾႷ ႳჂႵჃႳႵႾჄ ႽႿႿႾლ ႱႾႴ Ⴑ ႸႹႾჄ ႿႶ ჄჂႹჅႽჀႸ ჃჅჂႶႱႳႵႴ ႹႾ ႸႵჂ ႹႾჄႵႼႼႹႷႵႾჄ ႷႱ჊Ⴕნ

“ႤႸႵႾ ჄႸႹჃ ႹჃ ჉ႿჅჂ ჂႵჇႱჂႴნნნ”

ჲႿჂႹႱ’Ⴣ ႸႱႾႴჃ ჇႵჂႵ ჀႹႾႾႵႴ ႴႿჇႾლ ჄႹႷႸჄႼ჉ ႳႼႱჃჀႵႴნ ჶႵჂ ႸႵႱჂჄ ჃႻႹჀჀႵႴ Ⴑ ႲႵႱჄლ ႱႾႴ ႸႵჂ ႶჂႱႾჄႹႳ ႷႱ჊Ⴕ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჃႵႱჂႳႸႵႴ ႶႿჂ ႱႾ ႵჃႳႱჀႵ ჂႿჅჄႵნ

ႤႸႿჅႷႸ ჄႸႵ ႷႵႾჄႼႵ ႱႾႴ ႴႹႷႾႹႶႹႵႴ ჻ႹჃჃ ჇႱჃ ႸႹႷႸ ႱႲႿ჆Ⴕ ႸႵჂლ ჄႸႵჂႵ ჇႱჃ ႾႿ ჄჂႱႳႵ ႿႶ ႱჂჂႿႷႱႾჄ ႳႿႼႴႾႵჃჃნ ჶႵჂ ႳႼႵႱჂ Ⴕ჉ႵჃ ჇႵჂႵ ႶႹႼႼႵႴ ႿႾႼ჉ ჇႹჄႸ ჲႿჂႹႱ’Ⴣ ჂႵႶႼႵႳჄႹႿႾ ႱჃ ჃႸႵ ႴႵჃႳႵႾႴႵႴ ჃႼႿჇႼ჉ ႱႾႴ ჃႿႶჄႼ჉ნ

“ႦႹႿႼႵჄნნნ ჻ჀႸ—”

ჲႿჂႹႱ’Ⴣ ႶႹႾႷႵჂჃლ ჂႵჃჄႹႾႷ ႿႾ ჄႸႵ ႲႱႳႻ ႿႶ ႦႹႿႼႵჄ’Ⴣ ႸႱႾႴლ ႳჅჂႼႵႴ ჃႼႹႷႸჄႼ჉ლ ႱႾႴ ႸႵჂ Ⴕ჉ႵჃ ႷჂႵჇ ႸႱ჊჉ნ

“ႦႹႿႼႵჄლ ჇႱႹჄ Ⴑ ႽႿႽႵႾჄნნნ”

ჰჅჄ ႦႹႿႼႵჄლ ႸႵჂ ႳႸႵႵႻჃ ႶႼჅჃႸႵႴ ჃႳႱჂႼႵჄლ ႴႹႴႾვჄ ႼႵჄ ႸႵჂ ႳႿႾჄႹႾჅႵნ

ჶႵჂ ჯႲႵჂჂႱჄႹႿႾ ჺႵ჆ႵႼ ႹႾჃჄႱႾჄႼ჉ ჀႼჅႽႽႵჄႵႴ ႶჂႿႽ უჟდლ ჂႱჀႹႴႼ჉ ႴჂႿჀჀႹႾႷ ჄႿ ტსდნ

ႤႸႹჃ ႳႿჅႼႴ ႿႾႼ჉ ႸႱჀჀႵႾ ႹႶ ႱႾ ႹႾჄჂႱႳჄႱႲႼႵ ႻႾႿჄ ႹႾ ႸႵჂ ႸႵႱჂჄ ჇႱჃ ჅႾჄႹႵႴ Ⴒ჉ ჲႿჂႹႱ჏ ჼႿ ႿႾႵ ႵႼჃႵ ႳႿჅႼႴ ႱႳႸႹႵ჆Ⴕ ჄႸႹჃლ ႾႿჄ Ⴕ჆ႵႾ ႱႾႿჄႸႵჂ ჀჃ჉ႳႸႹႱჄჂႹჃჄ჏

ჷႾ ჄႸႵ ႵႾჄႹჂႵ ჇႿჂႼႴლ ႿႾႼ჉ ჲႿჂႹႱ ჇႱჃ ჁჅႱႼႹႶႹႵႴ ჄႿ ႲႵ ჄႸႵ ႿႾႵ ჇႸႿ ჅႾჄႹႵႴ ჄႸႵ ႲႵႼႼ჏

“ႦႹႿႼႵჄნნნ”

ჲႿჂႹႱ ჃႸ჉Ⴜ჉ ჄჅჂႾႵႴ ႸႵჂ ႶႱႳႵ ႱჇႱ჉ნ

“ჷ ႳႱႽႵ ႸႵჂႵ ჄႿ ჄჂႵႱჄ ჉ႿჅნნნ” ჃႸႵ ჇႸႹჃჀႵჂႵႴ ჇႵႱႻႼ჉ნ

“ჯႾႴ ႱჂႵႾ’Ⴤ ჇႵ ჄჂႵႱჄႹႾႷ ႹჄ ჂႹႷႸჄ ႾႿჇლ Ⴝ჉ ჲႿႳჄႿჂჭ” ႦႹႿႼႵჄ ႾႱჂჂႿჇႵႴ ႸႵჂ Ⴕ჉ႵჃ ჃႼႹႷႸჄႼ჉ლ ႲႹჄႹႾႷ ႸႵჂ ႼႹჀლ ႳႼႵႱჂႼ჉ ჅႾჇႹႼႼႹႾႷ ჄႿ ႼႵჄ ჲႿჂႹႱ ႼႵႱ჆Ⴕ ႵႱჃႹႼ჉ნ “ჲႿႾ’Ⴤ ჄႸႹႾႻ ჉ႿჅ ႳႱႾ ႴႿ ჄႸႱჄ ჄႿ ႽႵ ႱႾႴ ႺჅჃჄ ჇႱႼႻ ႱჇႱ჉ნ”

ჯ ჀႵჂႶႵႳჄ ႳႸႱႾႳႵ჏

ႣႵႹ჊ႹႾႷ ჄႸႵ ႽႿႽႵႾჄ ჇႸႹႼႵ ႦႹႿႼႵჄ ჇႱჃ ႽႿႽႵႾჄႱჂႹႼ჉ ჃჄჅႾႾႵႴნ

ჲႿჂႹႱ ႱჂႳႸႵႴ ႸႵჂ ႲႱႳႻ ჃႼႹႷႸჄႼ჉ლ ႸႿႿႻႵႴ ႸႵჂ ჃႽႱႼႼ ႶႿႿჄლ ႱႾႴ ჃႼႹႴ Ⴑ ჃႸႿჂჄ ႴႹჃჄႱႾႳႵ ႶႱႳႵმჅჀ ႱႼႿႾႷ ჄႸႵ ჃႽႿႿჄႸ ჃႿႶႱნ ჯႼჄႸႿჅႷႸ ႸႵჂ Ⴕ჉ႵჃ ჇႵჂႵ ჄႹႷႸჄႼ჉ ჃႸჅჄლ ჃႸႵ ႳႿჅႼႴႾვჄ ႸႵႼჀ ႲჅჄ ႶႵႵႼ ჃႿႽႵჄႸႹႾႷ ႷႵႾჄႼ჉ ႲჂჅჃႸ ႱႷႱႹႾჃჄ ႸႵჂნ

ჷႷႾႿჂႹႾႷ ჄႸႵ ჃႵႾჃႱჄႹႿႾ ႿႾ ႸႵჂ ႾႿჃႵ ႱႾႴ ჄႸႵ ჃႳႵႾჄ ჄႸႱჄ ႴჂႹႶჄႵႴ ႹႾჄႿ ႸႵჂ ႾႿჃჄჂႹႼჃლ ჃႸႵ ჃႳჂႱႽႲႼႵႴ ႿႶႶ ჄႸႵ ჃႿႶႱ ჄႸჂႿჅႷႸ ჄႸႵ ႷႱჀ ႱႾႴ ႼႵႱჀႵႴ ჆ႹႿႼႵႾჄႼ჉ ჄႿ ჄႸႵ ჃႹႴႵნ

ႧႱჄႳႸႹႾႷ ႦႹႿႼႵჄ’Ⴣ ႶႱႳႵ ჂႵႴႴႵႾ ႶჅჂჄႸႵჂ ႹႾ ႸႵჂ ჃჄჅႾႾႵႴ ჃჄႱჄႵლ ႱႾႴ ႸႵჂ ႲႿႴ჉ ჄჂႵႽႲႼႵ ჃႼႹႷႸჄႼ჉ ჇႹჄႸ ႵႽႲႱჂჂႱჃჃႽႵႾჄ ႱႾႴ ႱႾႾႿ჉ႱႾႳႵლ ჲႿჂႹႱ ႴႹႴႾვჄ ႸႵჃႹჄႱჄႵნ ႣႸႵ ჂႵႱႳႸႵႴ ႹႾჄႿ ჄႸႵ ႹႾႾႵჂ ჀႿႳႻႵჄ ႿႶ ႸႵჂ ႳႿႱჄ ႱႾႴ ჀჅႼႼႵႴ ႿჅჄ Ⴑ ჃႽႱႼႼლ Ⴕ჈ჁჅႹჃႹჄႵ ჀႿႳႻႵჄ ჇႱჄႳႸნ

ႫႣႸႱႼႼႿჇ ჶ჉ჀႾႿჃႹჃႭ჏

“჻ႹჃჃ ႦႹႿႼႵჄლ ჀႼႵႱჃႵ ႶႿႳჅჃ ჉ႿჅჂ ႱჄჄႵႾჄႹႿႾ ႿႾ ჄႸႹჃ ჇႱჄႳႸ ႾႿჇნნნ”

ჲႿჂႹႱ’Ⴣ ჆ႿႹႳႵ ႲႵႳႱႽႵ ႷႵႾჄႼႵ ႱႾႴ ჃႼႹႷႸჄႼ჉ ႽႱႷႾႵჄႹႳნ ႣႸႵ ႸႵႼႴ ჄႸႵ ჇႱჄႳႸ ႳႸႱႹႾ ႼႹႷႸჄႼ჉ლ ႱႼႼႿჇႹႾႷ ჄႸႵ ჄႹႽႵჀႹႵႳႵ ჄႿ ჃჇႹႾႷ ჃႼႿჇႼ჉ ႲႵႶႿჂႵ ႦႹႿႼႵჄ’Ⴣ Ⴕ჉ႵჃნ

ႤႸႵ ႽႵჄႱႼ ჇႱჄႳႸ ႷႼႵႱႽႵႴ ჃႿႶჄႼ჉ ჅႾႴႵჂ ჄႸႵ ႼႹႷႸჄლ ႼႹႻႵ Ⴑ ႳႸႵჂႹჃႸႵႴ ჃჄႱჂნ

ჳႾႸႱႾႳႵႴ Ⴒ჉ ႸႵჂ Ⴕ჈ჄჂႱႿჂႴႹႾႱჂ჉ ႱႲႹႼႹჄ჉ლ ჄႸႵ ჇႱჄႳႸ’Ⴣ ႽႿ჆ႵႽႵႾჄ ჃႵႵႽႵႴ ႹႽႲჅႵႴ ჇႹჄႸ Ⴑ ჃჀႵႳႹႱႼ ჂႸ჉ჄႸႽლ ႼႹႻႵ Ⴑ ჃႿႿჄႸႹႾႷ ႼჅႼႼႱႲ჉ ჀႼႱ჉ႹႾႷ ႹႾ ჄႸႵ ႱႹჂნ

“ჼႿჇლ ჉ႿჅ ჇႹႼႼ ႶႵႵႼ ჆ႵჂ჉ლ ჆ႵჂ჉ ჂႵႼႱ჈ႵႴნნნ ႺჅჃჄ ႼႹႻႵ Ⴑ ჃႿႶჄ ႶႵႱჄႸႵჂნნნ”

ႦႹႿႼႵჄ’Ⴣ ႷႱ჊Ⴕ ႹႾ჆ႿႼჅႾჄႱჂႹႼ჉ ႶႿႼႼႿჇႵႴ ჄႸႵ ჇႱჄႳႸნ ჶႵჂ Ⴕ჉ႵჃ ႷჂႵჇ ႸႱ჊჉ლ ႼႹႻႵ Ⴑ ႼႱႻႵ ႳႿ჆ႵჂႵႴ Ⴒ჉ ႽႿჂႾႹႾႷ ႽႹჃჄლ ႱႾႴ ႸႵჂ ႳႿႾჃႳႹႿჅჃႾႵჃჃ ႲႵႷႱႾ ჄႿ ႲႼჅჂნ

“ႩႿჅ ჇႹႼႼ ႶႵႵႼ ჉ႿჅჂ ႸႹႴႴႵႾ ႵႽႿჄႹႿႾჃლ ႼႹႻႵ Ⴑ ႾႵჇ ჃჀჂႿჅჄ ႲჂႵႱႻႹႾႷ ჄႸჂႿჅႷႸ Ⴑ ჂႿႳႻ’Ⴣ ႳႿႾႶႹႾႵႽႵႾჄლ ჂႵ჆ႵႱႼႹႾႷ ჄႸႵႽჃႵႼ჆ႵჃ ႶჂႿႽ ჄႸႵ ႳჂႱႳႻჃნნნ”

ႤႸႵ ჇႿჂჂႹႵჃ ႱႾႴ ჂႵჃႵႾჄႽႵႾჄჃ ჃႸႵ ჅჃჅႱႼႼ჉ ჃჅჀჀჂႵჃჃႵႴ ႷჂႱႴჅႱႼႼ჉ ჃჅჂႶႱႳႵႴნ ႤႸႵ ჄႸႿჅႷႸჄჃ ႱႾႴ ႴႵჃႹჂႵჃ ჄႸႱჄ Ⴑ ჻ႹჃჃ ჃႸႿჅႼႴႾვჄ ჀႿჃჃႵჃჃლ ჄႸႿჃႵ ႸႹႴႴႵႾ ႾႿჄႹႿႾჃლ ႲႵႷႱႾ ჄႿ ჃჀჂႿჅჄნ

ჲႿჂႹႱლ ႱჃ Ⴑ ჲჂႵႱႽ ჱႸႱჃႵჂლ ႻႵႵႾႼ჉ ჃႵႾჃႵႴ ჄႸႵ ჃႸႹႶჄႹႾႷლ ႹႾႳჂႵႱჃႹႾႷႼ჉ ႶႵჂ჆ႵႾჄ ႵႽႿჄႹႿႾჃ ႱႾႴ ႶჂႿჇႾႵႴ ჃႼႹႷႸჄႼ჉ნ

“ჼႿჇნნნ ႼႵჄ ჉ႿჅჂ ႵႽႿჄႹႿႾჃ ႲႵ ჂႵႼႵႱჃႵႴნ”

ႫჳႽႿჄႹႿႾႱႼ ჯႽჀႼႹႶႹႳႱჄႹႿႾႭ჏

ႦႹႿႼႵჄ’Ⴣ ႳჂႱ჆ႹႾႷ ႶႿჂ ჲႿჂႹႱ ჇႱჃ ႼႹႻႵ Ⴑ ႲႵႱჃჄ ჅႾႼႵႱჃႸႵႴ ႶჂႿႽ ႹჄჃ ჃႸႱႳႻႼႵჃლ ჂႱႽჀႱႷႹႾႷ ჄႸჂႿჅႷႸ ႸႵჂ ႸႵႱჂჄლ ჅჄჄႵჂႼ჉ ႹႽჀႿჃჃႹႲႼႵ ჄႿ ჃჅჀჀჂႵჃჃნ

ჶႵჂ ႲႿႴ჉ ჅႾႳႿႾჃႳႹႿჅჃႼ჉ ႼႵႱႾႵႴ ჄႿჇႱჂႴ ჲႿჂႹႱჩ Ⴕ჆ႵჂ჉ ႳႵႼႼ ჃႵႵႽႵႴ ჄႿ ႲႵ ჃႳჂႵႱႽႹႾႷ ჲႿჂႹႱ’Ⴣ ႾႱႽႵნ ႤႸႹჃ ႳჂႱ჆ႹႾႷ ჇႱჃ ႱჃ ႹႾჄႵႾჃႵ ႱჃ Ⴑ ႴჂႿჇႾႹႾႷ ჀႵჂჃႿႾ’Ⴣ ႾႵႵႴ ႶႿჂ Ⴟ჈჉ႷႵႾ ႿჂ Ⴑ ႴႵჃႵჂჄ ჄჂႱ჆ႵႼႵჂ’Ⴣ ႴႵჃჀႵჂႱჄႹႿႾ ႶႿჂ ჇႱჄႵჂნ

ႦႹႿႼႵჄ’Ⴣ ႳႸႵႵႻჃ ჇႵჂႵ ႶႼჅჃႸႵႴ ჃႳႱჂႼႵჄლ ႼႹႻႵ ჄႸႵ ႽႿჃჄ ჆ႹႲჂႱႾჄ ႳႼႿჅႴჃ ႱჄ ႴჅჃႻლ ჄႸႵ ჄႹႴႵ ႿႶ ჂႵႴ ჃჀჂႵႱႴႹႾႷ ႶჂႿႽ ႸႵჂ ႶႱႳႵ ჄႿ ႲႵႸႹႾႴ ႸႵჂ ႵႱჂჃნ

“ჲႿჂႹႱნნნ”

“ႩႿჅ ჃႸႿჅႼႴ ႲႵ ႶჅႼႼ჉ ჀჂႵჀႱჂႵႴ ႾႿჇლ ჃႸႿჅႼႴႾვჄ ჉ႿჅნნნ”

ჶႵჂ ႼႵႶჄ ႸႱႾႴ ჄႹႷႸჄႼ჉ ႷჂႹჀჀႵႴ ႸႵჂ ჃႻႹჂჄ ႸႵႽლ ႻႾჅႳႻႼႵჃ ჇႸႹჄႵ ႶჂႿႽ ჄႸႵ ჃჄჂႱႹႾნ ჶႵჂ ႹႾႴႵ჈ ႱႾႴ ႽႹႴႴႼႵ ႶႹႾႷႵჂჃ ႿႶ ႸႵჂ ჂႹႷႸჄ ႸႱႾႴ ჂႵჃჄႵႴ ႱႷႱႹႾჃჄ ႸႵჂ ႼႹჀჃლ ႱႾႴ Ⴑ ႽႹჃႳႸႹႵ჆ႿჅჃ ႷႼႹႾჄ ჀႵႵႻႵႴ ჄႸჂႿჅႷႸ ႸႵჂ ႾႱჂჂႿჇႵႴ Ⴕ჉ႵჃნ

“ჷ’Ⴝ ჄႸჂႿჇႹႾႷ ႳႿჅჂჄႵჃ჉ ჄႿ ჄႸႵ ჇႹႾႴნ”

“ჲႹႴ ჉ႿჅ ႸႵႱჂ ႽႵჭ”

ႦႹႿႼႵჄ ჄႿႿႻ Ⴑ ჃჄႵჀ ႶႿჂჇႱჂႴ ႱႾႴ ႳႼႱႽჀႵႴ ႴႿჇႾ ႸႱჂႴ ႿႾ ჲႿჂႹႱ’Ⴣ ჇჂႹჃჄლ ႷႹ჆ႹႾႷ ႸႵჂ ႾႿ ႳႸႱႾႳႵ ჄႿ ႵჃႳႱჀႵნ

ႢႹႾႷჃ ႿႶ ჀႱႾႹႳ ႱჀჀႵႱჂႵႴ ႹႾ ჲႿჂႹႱ’Ⴣ Ⴕ჉ႵჃლ ႱႾႴ ႸႵჂ ჃႼႹႷႸჄႼ჉ ჅჀჄჅჂႾႵႴ ႼႹჀჃ ႲႵჄჂႱ჉ႵႴ Ⴑ ႾႵჂ჆ႿჅჃლ ႷჅႹႼჄ჉ ႶႼჅჄჄႵჂნ

ႤႸႹჃნნნ ჄႸႹჃ ჇႱჃႾვჄ ჁჅႹჄႵ ჇႸႱჄ ჃႸႵ ႸႱႴ ჀႼႱႾႾႵႴ჏

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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