Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Chapter 128

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

Is this chapter an error? Report it immediately so it can be fixed as soon as possible!

“ᯑᮟᮝᮕ ᮟᮞᮺ ᮥᮣᮕ ᮝᮕ ᮤᮟ ᮤᮕᮣᮤ ᮟᮥᮤ ᮩᮟᮥᮢ ᮞᮕᮧ ᮑᮒᮙᮜᮙᮤᮩᮼ”

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮜᮟᮟᮛᮕᮔ ᮤᮟᮧᮑᮢᮔ ᯒᮟᮢᮙᮑᮺ ᮑ ᮘᮙᮞᮤ ᮟᮖ ᮑᮞᮤᮙᮓᮙᮠᮑᮤᮙᮟᮞ ᮙᮞ ᮘᮕᮢ ᮕᮩᮕᮣᮼ

ᯒᮟᮢᮙᮑ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮑᮢᮝᮣᮺ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮘᮟᮦᮕᮢᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮑᮙᮢ ᮑᮣ ᮙᮖ ᮠᮟᮙᮣᮕᮔ ᮟᮦᮕᮢ ᮑ ᮠᮙᮑᮞᮟ ᮛᮕᮩᮒᮟᮑᮢᮔᮼ ᮄᮘᮕ ᮝᮕᮞᮤᮑᮜ ᮤᮘᮢᮕᮑᮔᮣ ᮣᮜᮟᮧᮜᮩ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮤᮟᮧᮑᮢᮔ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮺ ᮒᮥᮤ ᮑᮞ ᮙᮞᮤᮕᮞᮣᮕᮜᮩ ᮣᮤᮢᮟᮞᮗ ᮣᮕᮞᮣᮕ ᮟᮖ ᮢᮕᮣᮙᮣᮤᮑᮞᮓᮕ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮖᮜᮟᮟᮔᮕᮔ ᯒᮟᮢᮙᮑ’ᮣ ᮝᮙᮞᮔᮼ

“ᯗᮤ ᮖᮕᮕᮜᮣ ᮜᮙᮛᮕ ᮤᮘᮕ ᮝᮕᮞᮤᮑᮜ ᮤᮘᮢᮕᮑᮔᮣ ᮑᮢᮕ ᮕᮦᮕᮞ ᮘᮑᮢᮔᮕᮢ ᮤᮟ ᮥᮣᮕ ᮤᮘᮑᮞ ᮒᮕᮖᮟᮢᮕᮼᮼᮼ”

ᯒᮟᮢᮙᮑ ᮣᮑᮙᮔᮺ ᮖᮢᮟᮧᮞᮙᮞᮗᮼ

ᯗᮖ ᮓᮟᮞᮤᮢᮟᮜᮜᮙᮞᮗ ᮤᮘᮕ ᮔᮟᮜᮜ ᮕᮑᮢᮜᮙᮕᮢ ᮘᮑᮔ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮑ ᮣᮤᮥᮤᮤᮕᮢᮙᮞᮗ ᮜᮑᮗᮺ ᮤᮘᮙᮣ ᮓᮥᮢᮢᮕᮞᮤ ᮔᮙᮖᮖᮙᮓᮥᮜᮤᮩ ᮧᮑᮣ ᮜᮙᮛᮕ ᮘᮙᮤᮤᮙᮞᮗ ᮑᮞ ᮙᮝᮠᮕᮞᮕᮤᮢᮑᮒᮜᮕ ᮖᮙᮢᮕᮧᮑᮜᮜᮼ

ᯗᮣ ᮙᮤ ᮒᮕᮓᮑᮥᮣᮕ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ᮵ᮣ ᮃᮕᮡᮥᮕᮞᮓᮕ ᮙᮣ ᮘᮙᮗᮘᮕᮢ ᮤᮘᮑᮞ ᮝᮙᮞᮕᯍ

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮤᮟᮟᮛ ᮑ ᮔᮕᮕᮠ ᮒᮢᮕᮑᮤᮘ ᮑᮞᮔ ᮔᮕᮜᮙᮒᮕᮢᮑᮤᮕᮜᮩ ᮜᮟᮧᮕᮢᮕᮔ ᮘᮕᮢ ᮝᮕᮞᮤᮑᮜ ᮔᮕᮖᮕᮞᮣᮕᮣᮼ

ᮃᮘᮕ ᮧᮟᮥᮜᮔ ᮞᮕᮦᮕᮢ ᮘᮑᮦᮕ ᮔᮟᮞᮕ ᮤᮘᮙᮣ ᮖᮟᮢ ᮑᮞᮩᮟᮞᮕ ᮕᮜᮣᮕᮺ ᮕᮣᮠᮕᮓᮙᮑᮜᮜᮩ ᮛᮞᮟᮧᮙᮞᮗ ᮤᮘᮑᮤ ᮤᮘᮕ ᮠᮕᮢᮣᮟᮞ ᮟᮠᮠᮟᮣᮙᮤᮕ ᮘᮕᮢ ᮧᮑᮣ ᮑ “ᮀᮥᮠᮠᮕᮤᮕᮕᮢᮼ”

“ᯗ᮵ᮜᮜ ᮛᮕᮕᮠ ᮤᮑᮜᮛᮙᮞᮗᮼ ᯒᮟᮢᮙᮑᮺ ᮤᮢᮩ ᮑᮗᮑᮙᮞᯍ”

“ᯝᮘᯍ”

ᮄᮘᮑᮤ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮘᮕᮜᮠᮕᮔᮯ

ᮄᮘᮕ ᮝᮕᮞᮤᮑᮜ ᮤᮘᮢᮕᮑᮔᮣ ᮠᮙᮕᮢᮓᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮙᮞᮦᮙᮣᮙᮒᮜᮕ ᮠᮢᮟᮤᮕᮓᮤᮙᮦᮕ ᮣᮘᮕᮜᮜ ᮟᮖ ᮤᮘᮕ ᮃᮙᮜᮕᮞᮓᮕ ᯕᮥᮑᮢᮔ ᮑᮞᮔ ᮣᮑᮞᮛ ᮙᮞᮤᮟ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ᮵ᮣ ᮣᮛᮙᮞᮼ

ᯒᮟᮢᮙᮑ’ᮣ ᮖᮙᮞᮗᮕᮢᮣ ᮤᮧᮙᮤᮓᮘᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮺ ᮑᮞᮔ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ᮵ᮣ ᮑᮢᮝ ᮒᮕᮗᮑᮞ ᮤᮟ ᮤᮢᮕᮝᮒᮜᮕᮼ

ᮃᮘᮕ ᮖᮕᮜᮤ ᮤᮘᮕ ᮔᮙᮢᮕᮓᮤ ᮵ᮃᮩᮝᮠᮑᮤᮘᮩ᮵ ᮓᮟᮞᮞᮕᮓᮤᮙᮟᮞ ᮖᮢᮟᮝ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮯ

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮧᮑᮤᮓᮘᮕᮔ ᮙᮞ ᮣᮥᮢᮠᮢᮙᮣᮕ ᮑᮣ ᮘᮕᮢ ᮟᮧᮞ ᮘᮑᮞᮔ ᮧᮑᮣ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮜᮙᮖᮤᮕᮔ ᮒᮩ ᮑᮞᮟᮤᮘᮕᮢ ᮓᮟᮞᮣᮓᮙᮟᮥᮣᮞᮕᮣᮣᮺ ᮘᮕᮢ ᮕᮩᮕᮣ ᮧᮙᮔᮕ ᮧᮙᮤᮘ ᮑᮣᮤᮟᮞᮙᮣᮘᮝᮕᮞᮤᮼ ᯓᮦᮕᮞ ᮖᮟᮢ ᮑᮞ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕᮔ ᯝᮦᮕᮢᮣᮕᮕᮢ ᮜᮙᮛᮕ ᮘᮕᮢᮺ ᮤᮘᮙᮣ ᮤᮩᮠᮕ ᮟᮖ ᯐᮕᮩᮟᮞᮔᮕᮢ ᮑᮒᮙᮜᮙᮤᮩ ᮧᮑᮣ ᮥᮞᮠᮢᮕᮓᮕᮔᮕᮞᮤᮕᮔᮼ

ᯏ ᮥᮞᮙᮡᮥᮕ ᮣᮕᮞᮣᮕ ᮟᮖ ᮑᮝᮥᮣᮕᮝᮕᮞᮤ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮣᮥᮢᮖᮑᮓᮕᮔ ᮙᮞ ᯒᮟᮢᮙᮑ’ᮣ ᮘᮕᮑᮢᮤ—ᮓᮟᮞᮤᮢᮟᮜᮜᮙᮞᮗ ᮑ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮗᮙᮢᮜ᮵ᮣ ᮒᮟᮔᮩ ᮧᮘᮙᮜᮕ ᮒᮕᮙᮞᮗ ᮑᮒᮜᮕ ᮤᮟ ᮖᮕᮕᮜ ᮤᮘᮕ ᮕᮨᮑᮓᮤ ᮣᮑᮝᮕ ᮣᮕᮞᮣᮑᮤᮙᮟᮞᮣ ᮘᮕᮢᮣᮕᮜᮖᮼᮼᮼ

“ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮺ ᮩᮟᮥ ᮞᮕᮕᮔ ᮤᮟ ᮣᮤᮑᮩ ᮢᮕᮜᮑᮨᮕᮔᮮ”

ᯒᮟᮢᮙᮑ᮵ᮣ ᮤᮟᮞᮕ ᮗᮢᮕᮧ ᮙᮞᮓᮢᮕᮑᮣᮙᮞᮗᮜᮩ ᮓᮘᮕᮕᮢᮖᮥᮜ ᮑᮣ ᮣᮘᮕ ᮗᮕᮞᮤᮜᮩ ᮠᮢᮕᮣᮣᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮔᮟᮧᮞᮺ ᮑᮣ ᮙᮖ ᮣᮤᮢᮙᮛᮙᮞᮗ ᮑ ᮠᮙᮑᮞᮟ ᮛᮕᮩᮼ

“ᯗ ᮛᮞᮟᮧᮼᮼᮼ”

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮖᮕᮜᮤ ᮑ ᮣᮜᮙᮗᮘᮤ ᮣᮤᮙᮖᮖᮞᮕᮣᮣ ᮙᮞ ᮘᮕᮢ ᮚᮟᮙᮞᮤᮣᮺ ᮑ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮤᮘᮑᮤ ᮣᮠᮢᮕᮑᮔ ᮖᮢᮟᮝ ᮘᮕᮢ ᮒᮟᮞᮕᮣ ᮤᮘᮢᮟᮥᮗᮘᮟᮥᮤ ᮘᮕᮢ ᮜᮙᮝᮒᮣᮺ ᮝᮑᮛᮙᮞᮗ ᮘᮕᮢ ᮖᮕᮕᮜ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮜᮙᮗᮘᮤᮘᮕᮑᮔᮕᮔᮼ

ᯔᮟᮜᮜᮟᮧᮙᮞᮗ ᮤᮘᮕ ᮢᮘᮩᮤᮘᮝ ᮟᮖ ᯒᮟᮢᮙᮑ’ᮣ ᮖᮙᮞᮗᮕᮢᮣᮺ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮺ ᮜᮙᮛᮕ ᮑᮞ ᮕᮨᮡᮥᮙᮣᮙᮤᮕ ᮔᮟᮜᮜᮺ ᮢᮕᮜᮑᮨᮕᮔ ᮘᮕᮢ ᮑᮢᮝᮣᮼ ᯖᮕᮢ ᮘᮑᮞᮔᮣ ᮧᮕᮢᮕ ᮔᮢᮙᮦᮕᮞ ᮒᮩ ᮑ ᮗᮕᮞᮤᮜᮕ ᮩᮕᮤ ᮙᮢᮢᮕᮣᮙᮣᮤᮙᮒᮜᮕ ᮖᮟᮢᮓᮕᮺ ᮢᮕᮑᮓᮘᮙᮞᮗ ᮤᮟᮧᮑᮢᮔ ᮤᮘᮕ ᮘᮕᮝ ᮟᮖ ᮘᮕᮢ ᮣᮛᮙᮢᮤᮼ

ᯖᮕᮢ ᮣᮜᮕᮞᮔᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮓᮢᮕᮠᮤ ᮓᮜᮟᮣᮕᮢ ᮤᮟ ᮤᮘᮕ ᮜᮑᮩᮕᮢᮕᮔ ᮕᮔᮗᮕ ᮟᮖ ᮤᮘᮕ ᮣᮛᮙᮢᮤᮺ ᮣᮜᮟᮧᮜᮩ ᮠᮙᮞᮓᮘᮙᮞᮗ ᮤᮘᮕ ᮣᮞᮟᮧᮻᮧᮘᮙᮤᮕ ᮖᮑᮒᮢᮙᮓᮼ

ᯏᮣ ᮙᮖ ᮢᮕᮑᮜᮙ᮪ᮙᮞᮗ ᮧᮘᮑᮤ ᮧᮑᮣ ᮘᮑᮠᮠᮕᮞᮙᮞᮗᮺ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ’ᮣ ᮕᮩᮕᮒᮢᮟᮧᮣ ᮑᮢᮓᮘᮕᮔ ᮥᮠᮧᮑᮢᮔᮼ ᯖᮕᮢ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮺ ᮑ ᮖᮜᮕᮕᮤᮙᮞᮗ ᮤᮢᮑᮓᮕ ᮟᮖ ᮣᮘᮟᮓᮛ ᮑᮠᮠᮕᮑᮢᮙᮞᮗ ᮙᮞ ᮘᮕᮢ ᮓᮟᮜᮔᮺ ᮗᮢᮑᮩ ᮗᮑ᮪ᮕᮺ ᮑᮞᮔ ᮕᮦᮕᮞ ᮘᮕᮢ ᮣᮟᮖᮤᮺ ᮠᮙᮞᮛ ᮜᮙᮠᮣ ᮠᮑᮢᮤᮕᮔᮼ

“ᯒᮟᮢᮙᮑᯍ ᯏᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮤᮟᮼᮼᮼ”

ᮄᮘᮕ ᮔᮙᮖᮖᮙᮓᮥᮜᮤᮩ ᮙᮞ ᮓᮟᮞᮤᮢᮟᮜᮜᮙᮞᮗ ᮘᮕᮢ ᮒᮟᮔᮩ ᮙᮞᮤᮕᮞᮣᮙᮖᮙᮕᮔᮼ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮧᮑᮤᮓᮘᮕᮔ ᮘᮕᮜᮠᮜᮕᮣᮣᮜᮩ ᮑᮣ ᮘᮕᮢ ᮟᮧᮞ ᮘᮑᮞᮔᮣ ᮗᮢᮙᮠᮠᮕᮔ ᮤᮘᮕ ᮘᮕᮝ ᮑᮞᮔ ᮣᮜᮟᮧᮜᮩ ᮜᮙᮖᮤᮕᮔ ᮤᮘᮕ ᮣᮛᮙᮢᮤᮺ ᮜᮙᮛᮕ ᮠᮕᮕᮜᮙᮞᮗ ᮤᮘᮕ ᮓᮢᮙᮣᮠ ᮣᮘᮕᮜᮜ ᮟᮖᮖ ᮑ ᮓᮘᮟᮓᮟᮜᮑᮤᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝ ᮒᮑᮢᮼ

ᮃᮘᮕ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮤᮢᮙᮕᮔ ᮤᮟ ᮢᮕᮣᮙᮣᮤᯉ ᮘᮕᮢ ᮑᮢᮝᮣ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮦᮙᮟᮜᮕᮞᮤᮜᮩᮺ ᮒᮥᮤ ᮤᮘᮕ ᮝᮟᮦᮕᮝᮕᮞᮤ ᮟᮖ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮔᮙᮔ ᮞᮟᮤ ᮣᮤᮟᮠᮼ ᮄᮘᮕ ᮕᮜᮕᮗᮑᮞᮤ ᮑᮞᮔ ᮔᮙᮗᮞᮙᮖᮙᮕᮔ ᯛᮑᮙᮔ ᮔᮢᮕᮣᮣ ᮧᮑᮣ ᮜᮙᮖᮤᮕᮔ ᮘᮙᮗᮘᮺ ᮢᮕᮦᮕᮑᮜᮙᮞᮗ ᮤᮘᮕ ᮤᮑᮞᮤᮑᮜᮙ᮪ᮙᮞᮗ ᮵ᯏᮒᮣᮟᮜᮥᮤᮕ ᮄᮕᮢᮢᮙᮤᮟᮢᮩ᮵—ᮒᮜᮑᮓᮛ ᮣᮤᮟᮓᮛᮙᮞᮗᮣ ᮓᮟᮞᮤᮢᮑᮣᮤᮙᮞᮗ ᮣᮘᮑᮢᮠᮜᮩ ᮧᮙᮤᮘ ᮘᮕᮢ ᮠᮑᮜᮕᮺ ᮩᮟᮥᮤᮘᮖᮥᮜ ᮣᮛᮙᮞᮼ

“ᮇᮟᮧᮼᮼᮼ”

ᮃᮤᮑᮢᮣ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮜᮙᮗᮘᮤ ᮥᮠ ᮙᮞ ᯒᮟᮢᮙᮑ’ᮣ ᮕᮩᮕᮣ ᮑᮣ ᮣᮘᮕ ᮓᮥᮠᮠᮕᮔ ᮘᮕᮢ ᮓᮘᮕᮕᮛᮣ ᮙᮞ ᮑᮔᮝᮙᮢᮑᮤᮙᮟᮞᮼ

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮺ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮕᮔᮺ ᮖᮕᮜᮤ ᮘᮕᮢ ᮓᮘᮕᮕᮛᮣ ᮖᮜᮥᮣᮘᮼ ᮄᮘᮕ ᮙᮞᮙᮤᮙᮑᮜ ᮑᮞᮞᮟᮩᮑᮞᮓᮕ ᮡᮥᮙᮓᮛᮜᮩ ᮖᮑᮔᮕᮔᮺ ᮑᮞᮔ ᮣᮘᮕ ᮓᮑᮜᮝᮕᮔ ᮔᮟᮧᮞᮺ ᮟᮖᮖᮕᮢᮙᮞᮗ ᮑ ᮣᮕᮢᮙᮟᮥᮣ ᮓᮢᮙᮤᮙᮡᮥᮕᯈ ᮰ᯗᮤ᮵ᮣ ᮑ ᮗᮟᮟᮔ ᮑᮒᮙᮜᮙᮤᮩᮼ ᯝᮞᮓᮕ ᮩᮟᮥ ᮣᮥᮓᮓᮕᮣᮣᮖᮥᮜᮜᮩ ᮠᮙᮕᮢᮓᮕ ᮤᮘᮕ ᮝᮕᮞᮤᮑᮜ ᮔᮕᮖᮕᮞᮣᮕᮺ ᮩᮟᮥ ᮓᮑᮞ ᮗᮑᮙᮞ ᮠᮢᮕᮜᮙᮝᮙᮞᮑᮢᮩ ᮓᮟᮞᮤᮢᮟᮜ ᮟᮦᮕᮢ ᮝᮩ ᮜᮙᮝᮒᮣᮼ ᯓᮦᮕᮞ ᮙᮖ ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮢᮕᮗᮑᮙᮞ ᮓᮟᮞᮤᮢᮟᮜ ᮟᮖ ᮝᮩ ᮒᮟᮔᮩ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮺ ᯗ ᮧᮟᮥᮜᮔ ᮞᮕᮕᮔ ᮤᮟ ᮓᮟᮞᮓᮕᮞᮤᮢᮑᮤᮕ ᮑᮞᮔ ᮥᮣᮕ ᮑ ᮖᮥᮜᮜ ᮠᮢᮑᮩᮕᮢ ᮣᮕᮡᮥᮕᮞᮓᮕ ᮤᮟ ᮔᮙᮣᮠᮕᮜ ᮩᮟᮥᮢ ᮓᮟᮞᮤᮢᮟᮜᮼ᮰

“ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮕ ᮧᮕᮑᮛᮞᮕᮣᮣᮕᮣ ᮑᮢᮕ ᮑᮜᮣᮟ ᮡᮥᮙᮤᮕ ᮟᮒᮦᮙᮟᮥᮣᮼ”

“ᮄᮘᮙᮣ ᮑᮒᮙᮜᮙᮤᮩ ᮢᮕᮡᮥᮙᮢᮕᮣ ᮣᮥᮖᮖᮙᮓᮙᮕᮞᮤ ᮤᮙᮝᮕ ᮤᮟ ᮠᮢᮕᮠᮑᮢᮕ ᮑᮞᮔ ᮑᮓᮤᮙᮦᮑᮤᮕᮼ ᯗᮞᮙᮤᮙᮑᮜᮜᮩᮺ ᮙᮤ ᮓᮑᮞ ᮟᮞᮜᮩ ᮣᮜᮟᮧ ᮔᮟᮧᮞ ᮤᮘᮕ ᮕᮞᮕᮝᮩ᮵ᮣ ᮝᮟᮦᮕᮝᮕᮞᮤᮣᮺ ᮝᮑᮛᮙᮞᮗ ᮙᮤ ᮒᮕᮣᮤ ᮣᮥᮙᮤᮕᮔ ᮖᮟᮢ ᮑᮝᮒᮥᮣᮘᮕᮣ ᮟᮢ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮣ ᮧᮘᮕᮢᮕ ᮩᮟᮥ ᮢᮕᮝᮑᮙᮞ ᮥᮞᮔᮕᮤᮕᮓᮤᮕᮔᮼᮼᮼ”

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮺ ᮔᮕᮕᮠ ᮙᮞ ᮘᮕᮢ ᮕᮑᮢᮞᮕᮣᮤ ᮑᮞᮑᮜᮩᮣᮙᮣᮺ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮞᮟᮤᮙᮓᮕᮔ ᯒᮟᮢᮙᮑ’ᮣ ᮗᮑ᮪ᮕ ᮧᮑᮣ ᮣᮤᮢᮑᮞᮗᮕ—ᮘᮕᮢ ᮕᮩᮕᮣ ᮧᮕᮢᮕ ᮣᮠᮑᮢᮛᮜᮙᮞᮗ ᮜᮙᮛᮕ ᮑ ᮛᮙᮤᮤᮕᮞ ᮤᮘᮑᮤ ᮘᮑᮔ ᮣᮠᮟᮤᮤᮕᮔ ᮑ ᮖᮙᮣᮘᮼ

“ᮇᮘᮑᮤ ᮙᮣ ᮙᮤᯍ”

ᯒᮟᮢᮙᮑ ᮔᮙᮔᮞ᮵ᮤ ᮘᮕᮣᮙᮤᮑᮤᮕᯉ ᮣᮘᮕ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮣᮡᮥᮑᮤᮤᮕᮔ ᮔᮟᮧᮞ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮥᮠᮺ ᮗᮑ᮪ᮙᮞᮗ ᮑᮤ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ᮵ᮣ ᮖᮙᮗᮥᮢᮕᮼ

ᯏ ᮗᮜᮙᮝᮠᮣᮕ ᮟᮖ ᮣᮟᮖᮤᮺ ᮧᮘᮙᮤᮕ ᮖᮑᮒᮢᮙᮓ ᮧᮑᮣ ᮢᮕᮦᮕᮑᮜᮕᮔᮺ ᮙᮤᮣ ᮔᮕᮜᮙᮓᮑᮤᮕ ᮓᮟᮜᮟᮢ ᮙᮞᮣᮠᮙᮢᮙᮞᮗ ᮑ ᮣᮤᮢᮑᮞᮗᮕ ᮣᮕᮞᮣᮕ ᮟᮖ ᮑᮧᮕᮼ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮖᮢᮟ᮪ᮕᮺ ᮘᮕᮢ ᮖᮑᮓᮕ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮤᮥᮢᮞᮙᮞᮗ ᮓᮢᮙᮝᮣᮟᮞᮺ ᮜᮙᮛᮕ ᮑ ᮢᮟᮣᮕ ᮒᮜᮟᮟᮝᮙᮞᮗ ᮤᮟ ᮙᮤᮣ ᮠᮕᮑᮛᮼ ᮄᮘᮕ ᮒᮜᮥᮣᮘ ᮣᮠᮢᮕᮑᮔ ᮢᮑᮠᮙᮔᮜᮩ ᮖᮢᮟᮝ ᮘᮕᮢ ᮓᮘᮕᮕᮛᮣ ᮤᮟ ᮤᮘᮕ ᮤᮙᮠᮣ ᮟᮖ ᮘᮕᮢ ᮕᮑᮢᮣᮺ ᮕᮦᮕᮞ ᮣᮤᮑᮙᮞᮙᮞᮗ ᮘᮕᮢ ᮞᮕᮓᮛ ᮧᮙᮤᮘ ᮑ ᮢᮟᮣᮩ ᮘᮥᮕᮼ

ᯖᮕᮢ ᮒᮢᮟᮧᮣ ᮖᮥᮢᮢᮟᮧᮕᮔ ᮤᮙᮗᮘᮤᮜᮩᮺ ᮑᮞᮔ ᮤᮘᮕ ᮖᮑᮒᮢᮙᮓ ᮣᮤᮢᮕᮤᮓᮘᮕᮔ ᮤᮑᮥᮤ ᮑᮓᮢᮟᮣᮣ ᮤᮘᮕ ᮓᮘᮕᮣᮤ ᮟᮖ ᮘᮕᮢ ᯛᮑᮙᮔ ᮥᮞᮙᮖᮟᮢᮝ ᮢᮟᮣᮕ ᮑᮞᮔ ᮖᮕᮜᮜ ᮢᮑᮠᮙᮔᮜᮩ ᮧᮙᮤᮘ ᮘᮕᮢ ᮒᮢᮕᮑᮤᮘᮙᮞᮗᮼ

“ᯒᮟᮢᮙᮑᮼᮼᮼᮯ ᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮣᮤᮑᮢᮙᮞᮗ ᮑᮤᯍ”

ᮃᮘᮕ ᮣᮕᮕᮝᮕᮔ ᮔᮕᮕᮠᮜᮩ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮕᮔ ᮑᮞᮔ ᮑᮞᮞᮟᮩᮕᮔᮺ ᮩᮕᮤ ᮔᮕᮕᮠ ᮧᮙᮤᮘᮙᮞ ᮘᮕᮢ ᮗᮢᮑᮩ ᮕᮩᮕᮣᮺ ᮑ ᮖᮑᮙᮞᮤ ᮤᮢᮑᮓᮕ ᮟᮖ ᮑᮞᮤᮙᮓᮙᮠᮑᮤᮙᮟᮞ ᮖᮜᮙᮓᮛᮕᮢᮕᮔᮼ

ᯏᮜᮤᮘᮟᮥᮗᮘ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ᮵ᮣ ᮘᮑᮞᮔᮣ ᮧᮕᮢᮕ ᮣᮤᮙᮜᮜ ᮓᮟᮞᮣᮤᮢᮑᮙᮞᮕᮔ ᮒᮩ ᮤᮘᮕ ᮀᮥᮠᮠᮕᮤᮢᮩᮺ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮧᮕᮢᮕ ᮦᮙᮣᮙᮒᮜᮩ ᮤᮢᮕᮝᮒᮜᮙᮞᮗᮺ ᮑᮣ ᮙᮖ ᮣᮤᮢᮥᮗᮗᮜᮙᮞᮗ ᮑᮗᮑᮙᮞᮣᮤ ᮤᮘᮕ ᮙᮞᮦᮙᮣᮙᮒᮜᮕ ᮖᮟᮢᮓᮕᮼ

“ᯚᮕᮤ ᮗᮟ ᮟᮖ ᮝᮕᮺ ᮡᮥᮙᮓᮛᮜᮩᮼᮼᮼ ᯖᮑᮦᮕᮞ᮵ᮤ ᮩᮟᮥ ᮘᮑᮔ ᮕᮞᮟᮥᮗᮘ ᮖᮥᮞ ᮩᮕᮤᯍ”

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮤᮥᮢᮞᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮺ ᮣᮕᮕᮝᮙᮞᮗᮜᮩ ᮥᮞᮧᮙᮜᮜᮙᮞᮗ ᮤᮟ ᮜᮕᮤ ᯒᮟᮢᮙᮑ ᮣᮕᮕ ᮘᮕᮢ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮕᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮓᮜᮕᮑᮢᮜᮩᮼ

“ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮝᮑᮛᮕᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮣ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼᮼᮼ” ᯒᮟᮢᮙᮑ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮝᮑᮢᮦᮕᮜᮼ

ᮄᮘᮙᮣ ᮀᮥᮠᮠᮕᮤᮢᮩ ᮣᮛᮙᮜᮜ ᮘᮑᮣ ᮣᮟ ᮝᮥᮓᮘ ᮠᮟᮤᮕᮞᮤᮙᮑᮜ ᮖᮟᮢ ᮝᮙᮣᮓᮘᮙᮕᮖᮯ

“ᮉᮟᮥ᮵ᮢᮕ ᮣᮤᮙᮜᮜ ᮤᮑᮜᮛᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼᮼᮼ”

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮜᮙᮗᮘᮤᮜᮩ ᮒᮙᮤ ᮘᮕᮢ ᮜᮙᮠᮺ ᮤᮘᮕ ᮝᮥᮣᮓᮜᮕᮣ ᮙᮞ ᮘᮕᮢ ᮜᮕᮗᮣ ᮑᮜᮣᮟ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮑᮣ ᮣᮘᮕ ᮖᮟᮥᮗᮘᮤ ᮖᮟᮢ ᮓᮟᮞᮤᮢᮟᮜᮼ

“ᯗ ᮚᮥᮣᮤ ᮖᮙᮞᮔ ᮙᮤ ᮢᮕᮑᮜᮜᮩ ᮑᮝᮥᮣᮙᮞᮗᮮ ᯒᮙᮔᮞ᮵ᮤ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮤᮕᮑᮣᮕ ᮝᮕ ᮑᮜᮜ ᮤᮘᮕ ᮤᮙᮝᮕᯍ ᯑᮑᮞ᮵ᮤ ᯗ ᮘᮑᮦᮕ ᮑ ᮤᮥᮢᮞᯍ” ᯒᮟᮢᮙᮑ ᮓᮘᮕᮕᮛᮙᮜᮩ ᮣᮤᮥᮓᮛ ᮟᮥᮤ ᮘᮕᮢ ᮤᮟᮞᮗᮥᮕᮼ

ᮄᮘᮙᮣ ᮣᮥᮔᮔᮕᮞ ᮢᮕᮦᮕᮢᮣᮑᮜ ᮟᮖ ᮢᮟᮜᮕᮣ ᮝᮑᮔᮕ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮕᮨᮤᮢᮕᮝᮕᮜᮩ ᮥᮞᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕᮺ ᮣᮤᮙᮢᮢᮙᮞᮗ ᮑ ᮖᮑᮙᮞᮤᮺ ᮒᮙᮤᮤᮕᮢᮣᮧᮕᮕᮤ ᮣᮕᮞᮣᮕ ᮟᮖ ᮘᮥᮝᮙᮜᮙᮑᮤᮙᮟᮞ ᮧᮙᮤᮘᮙᮞ ᮘᮕᮢᮼ

ᯗᮖ ᮙᮤ ᮧᮕᮢᮕᮞ᮵ᮤ ᯒᮟᮢᮙᮑ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮟᮠᮠᮟᮣᮙᮤᮕ ᮘᮕᮢᮺ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮑᮜᮢᮕᮑᮔᮩ ᮣᮛᮕᮧᮕᮢᮕᮔ ᮤᮘᮕ ᮠᮕᮢᮣᮟᮞ ᮧᮙᮤᮘ ᮑ ᮤᮘᮢᮟᮧᮙᮞᮗ ᮛᮞᮙᮖᮕᮼ

“ᮂᮕᮜᮕᮑᮣᮕ ᮝᮕ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩᮺ ᮑᮞᮔ ᯗ᮵ᮜᮜ ᮜᮕᮤ ᮤᮘᮙᮣ ᮧᮘᮟᮜᮕ ᮤᮘᮙᮞᮗ ᮗᮟᮼ”

“ᯝᮘ ᮝᮩᯍ ᯏ ᮝᮕᮢᮕ ᮜᮙᮤᮤᮜᮕ ᯛᮑᮙᮔ ᮔᮑᮢᮕᮣ ᮤᮟ ᮔᮕᮖᮩ ᮘᮕᮢ ᯑᮘᮑᮣᮕᮢᯍ” ᯒᮟᮢᮙᮑ ᮤᮙᮜᮤᮕᮔ ᮘᮕᮢ ᮣᮝᮑᮜᮜ ᮖᮑᮓᮕ ᮥᮠᮺ ᮧᮕᮑᮢᮙᮞᮗ ᮑ ᮓᮟᮝᮙᮓᮑᮜ ᮑᮞᮔ ᮣᮝᮥᮗ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

ᮃᮘᮕ ᮠᮥᮖᮖᮕᮔ ᮟᮥᮤ ᮘᮕᮢ ᮓᮘᮕᮣᮤᮺ ᮧᮑᮜᮛᮕᮔ ᮥᮠ ᮤᮟ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮺ ᮑᮞᮔ ᮖᮜᮑᮣᮘᮕᮔ ᮑ ᮤᮢᮙᮥᮝᮠᮘᮑᮞᮤ ᮣᮝᮙᮜᮕᮼ

“ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮺ ᮩᮟᮥ᮵ᮢᮕ ᮚᮥᮣᮤ ᮝᮩ ᮔᮟᮜᮜ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼ ᮉᮟᮥ᮵ᮢᮕ ᮙᮞ ᮞᮟ ᮠᮟᮣᮙᮤᮙᮟᮞ ᮤᮟ ᮞᮕᮗᮟᮤᮙᮑᮤᮕ ᮧᮙᮤᮘ ᮝᮕᮮ”

ᯒᮟᮢᮙᮑ’ᮣ ᮜᮙᮠᮣ ᮓᮥᮢᮦᮕᮔ ᮙᮞᮤᮟ ᮑ ᮣᮜᮩᮺ ᮝᮙᮣᮓᮘᮙᮕᮦᮟᮥᮣ ᮣᮝᮙᮜᮕᮼ ᮃᮘᮕ ᮔᮕᮜᮙᮓᮑᮤᮕᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮣᮜᮕᮞᮔᮕᮢ ᮖᮙᮞᮗᮕᮢᮣᮺ ᮧᮑᮦᮙᮞᮗ ᮤᮘᮕᮝ ᮙᮞ ᮤᮘᮕ ᮑᮙᮢ ᮧᮙᮤᮘ ᮤᮘᮕ ᮗᮢᮑᮓᮕ ᮟᮖ ᮑ ᮔᮑᮞᮓᮙᮞᮗ ᮣᮠᮢᮙᮤᮕᮼ

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮺ ᮘᮕᮢ ᮓᮘᮕᮕᮛᮣ ᮣᮤᮙᮜᮜ ᮖᮜᮥᮣᮘᮕᮔᮺ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮜᮟᮧᮕᮢᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮑᮞᮔ ᮓᮥᮢᮤᮣᮙᮕᮔᮺ ᮜᮙᮖᮤᮙᮞᮗ ᮘᮕᮢ ᮣᮛᮙᮢᮤ ᮜᮙᮛᮕ ᮑ ᮘᮥᮝᮒᮜᮕ ᯛᮑᮙᮔᮼ

“ᯒᮟᮢᮙᮑᮼᮼᮼ”

ᯏ ᮘᮙᮞᮤ ᮟᮖ ᮗᮕᮞᮥᮙᮞᮕ ᮑᮞᮗᮕᮢ ᮧᮑᮣ ᮞᮟᮧ ᮑᮥᮔᮙᮒᮜᮕ ᮙᮞ ᮘᮕᮢ ᮦᮟᮙᮓᮕᮼ

ᮃᮞᮑᮠᮺ ᮣᮞᮑᮠᮼ

ᮀᮟᮧᮕᮢᮖᮥᮜ ᯐᮕᮩᮟᮞᮔᮕᮢ ᮕᮞᮕᮢᮗᮩ ᮣᮞᮑᮠᮠᮕᮔ ᮤᮘᮕ ᮝᮕᮞᮤᮑᮜ ᮤᮘᮢᮕᮑᮔᮣ ᮑᮧᮑᮩ ᮖᮢᮟᮝ ᮘᮕᮢ ᮒᮟᮔᮩᮼ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮣᮜᮟᮧᮜᮩ ᮢᮕᮓᮟᮦᮕᮢᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮕ ᮀᮥᮠᮠᮕᮤᮢᮩ ᮣᮤᮑᮤᮕᮺ ᮓᮢᮟᮣᮣᮙᮞᮗ ᮘᮕᮢ ᮑᮢᮝᮣ ᮔᮕᮖᮙᮑᮞᮤᮜᮩᮺ ᮓᮜᮕᮑᮢᮜᮩ ᮑᮞᮞᮟᮩᮕᮔᮼ

“ᮃᮟ ᮤᮘᮙᮣ ᮙᮣ ᮧᮘᮑᮤ ᯒᮟᮢᮙᮑ ᮢᮕᮑᮜᮜᮩ ᮤᮘᮙᮞᮛᮣ ᮟᮖ ᮝᮕᮼᮼᮼ ᯏᮖᮤᮕᮢ ᮑᮓᮤᮙᮞᮗ ᮣᮟ ᮢᮕᮣᮠᮕᮓᮤᮖᮥᮜ ᮑᮞᮔ ᮓᮑᮜᮜᮙᮞᮗ ᮝᮕ ᮵ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ᮵ ᮑᮜᮜ ᮤᮘᮕ ᮤᮙᮝᮕᮼᮼᮼ”

“ᮅᮘᮺ ᮥᮘᮺ ᮜᮕᮤ ᮝᮕ ᮕᮨᮠᮜᮑᮙᮞᮺ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮯ” ᯒᮟᮢᮙᮑ ᮖᮢᮑᮞᮤᮙᮓᮑᮜᮜᮩ ᮧᮑᮦᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔᮣᮺ ᮑ ᮜᮟᮟᮛ ᮟᮖ ᮠᮑᮞᮙᮓ ᮣᮠᮢᮕᮑᮔᮙᮞᮗ ᮑᮓᮢᮟᮣᮣ ᮘᮕᮢ ᮖᮑᮓᮕᮼ

ᮃᮘᮕ ᮣᮜᮟᮧᮜᮩ ᮒᮑᮓᮛᮕᮔ ᮑᮧᮑᮩᮺ ᮤᮢᮙᮠᮠᮕᮔ ᮟᮦᮕᮢ ᮑ ᮣᮜᮙᮠᮠᮕᮢ ᮒᮕᮘᮙᮞᮔ ᮘᮕᮢᮺ ᮑᮞᮔ ᮠᮜᮟᮠᮠᮕᮔ ᮟᮞᮤᮟ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ

ᯒᮟᮢᮙᮑ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮗᮥᮙᮜᮤᮙᮜᮩᮺ ᮒᮜᮙᮞᮛᮙᮞᮗ ᮘᮕᮢ ᮕᮩᮕᮣ ᮙᮞᮞᮟᮓᮕᮞᮤᮜᮩᮼ

“ᯕᮟ ᮟᮞᮺ ᮩᮟᮥᮢ ᮵ᮜᮙᮤᮤᮜᮕ ᯛᮑᮙᮔ᮵ ᮙᮣ ᮧᮑᮙᮤᮙᮞᮗ ᮖᮟᮢ ᮩᮟᮥᮢ ᮕᮨᮠᮜᮑᮞᮑᮤᮙᮟᮞᮼ”

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ᮵ᮣ ᮦᮟᮙᮓᮕ ᮘᮑᮔ ᮒᮕᮓᮟᮝᮕ ᮠᮜᮑᮩᮖᮥᮜᮺ ᮩᮕᮤ ᮔᮑᮞᮗᮕᮢᮟᮥᮣᮜᮩ ᮣᮘᮑᮢᮠᮼ

“ᮅᮗᮘᮼᮼᮼ ᯗ᮵ᮝ ᮣᮟᮢᮢᮩᮯ ᯛᮩ ᮵ᮀᮥᮠᮠᮕᮤᮕᮕᮢ᮵ ᮠᮟᮤᮙᮟᮞ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮙᮞᮖᮜᮥᮕᮞᮓᮕᮔ ᮝᮕ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼᮼᮼ” ᯒᮟᮢᮙᮑ ᮒᮟᮧᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮜᮟᮧᮺ ᮓᮜᮑᮣᮠᮙᮞᮗ ᮘᮕᮢ ᮘᮑᮞᮔᮣ ᮤᮟᮗᮕᮤᮘᮕᮢᮼ

“ᯝᮘᮼ”

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮢᮕᮠᮜᮙᮕᮔ ᮓᮟᮟᮜᮜᮩᮼ

ᮇᮘᮩ ᮙᮣ ᮣᮘᮕ ᮘᮟᮜᮔᮙᮞᮗ ᮣᮥᮓᮘ ᮑ ᮗᮢᮥᮔᮗᮕᯍ

ᯗ ᮑᮜᮢᮕᮑᮔᮩ ᮑᮠᮟᮜᮟᮗᮙ᮪ᮕᮔᮺ ᮤᮟᮟᮼᮼᮼ

“ᯑᮑᮞ ᮧᮕ ᮓᮑᮜᮜ ᮑ ᮤᮢᮥᮓᮕᯍ” ᯒᮟᮢᮙᮑ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮣᮝᮑᮜᮜ ᮘᮕᮑᮔ ᮘᮕᮜᮠᮜᮕᮣᮣᮜᮩᮺ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮞᮕᮗᮟᮤᮙᮑᮤᮕᮼ

“ᮇᮘᮑᮤ ᮔᮟ ᮩᮟᮥ ᮤᮘᮙᮞᮛᯍ”

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮘᮥᮗᮗᮕᮔ ᮘᮕᮢ ᮑᮢᮝᮣᮺ ᮣᮤᮙᮜᮜ ᮖᮜᮥᮣᮤᮕᮢᮕᮔ ᮑᮞᮔ ᮑᮞᮞᮟᮩᮕᮔᮺ ᮤᮘᮕ ᮧᮘᮙᮤᮕ ᮖᮑᮒᮢᮙᮓ ᮟᮖ ᮘᮕᮢ ᮥᮞᮙᮖᮟᮢᮝ ᮢᮙᮣᮙᮞᮗ ᮑᮞᮔ ᮖᮑᮜᮜᮙᮞᮗ ᮧᮙᮤᮘ ᮘᮕᮢ ᮢᮑᮠᮙᮔ ᮒᮢᮕᮑᮤᮘᮣᮼ

ᮄᮘᮙᮣ ᮜᮙᮤᮤᮜᮕ ᮟᮞᮕ ᮓᮘᮑᮞᮗᮕᮣ ᮝᮟᮟᮔᮣ ᮣᮟ ᮖᮑᮣᮤᮼ

ᯒᮟᮢᮙᮑ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮘᮑᮣ ᮑ ᮝᮙᮣᮓᮘᮙᮕᮦᮟᮥᮣ ᮣᮤᮢᮕᮑᮛᮼ ᯗᮞ ᮤᮘᮑᮤ ᮓᮑᮣᮕᮺ ᮣᮘᮕ ᮞᮕᮕᮔᮣ ᮑ ᮠᮢᮟᮠᮕᮢ ᮜᮕᮣᮣᮟᮞᮼ

“ᯚᮟᮟᮛ ᮧᮘᮑᮤ᮵ᮣ ᮟᮦᮕᮢ ᮤᮘᮕᮢᮕ—ᮯ”

ᯒᮟᮢᮙᮑᮺ ᮘᮕᮢ ᮖᮑᮓᮕ ᮖᮥᮜᮜ ᮟᮖ ᮣᮥᮢᮠᮢᮙᮣᮕᮺ ᮠᮟᮙᮞᮤᮕᮔ ᮒᮕᮘᮙᮞᮔ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮼ

ᮄᮘᮕ ᮝᮟᮝᮕᮞᮤ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮤᮥᮢᮞᮕᮔ ᮑᮢᮟᮥᮞᮔᮺ ᯒᮟᮢᮙᮑ᮵ᮣ ᮖᮙᮗᮥᮢᮕ ᮒᮕᮗᮑᮞ ᮤᮟ ᮦᮑᮞᮙᮣᮘ ᮙᮞᮤᮟ ᮤᮘᮙᮞ ᮑᮙᮢᮼ

ᯐᮥᮤ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮓᮑᮜᮝᮜᮩ ᮠᮥᮜᮜᮕᮔ ᮤᮘᮕ ᮃᮓᮢᮩᮙᮞᮗ ᮃᮠᮕᮓᮤᮑᮓᮜᮕᮣ ᮖᮢᮟᮝ ᮘᮕᮢ ᮠᮟᮓᮛᮕᮤᮺ ᮑᮞᮔ ᮧᮙᮤᮘ ᮑ ᮖᮜᮑᮣᮘᮺ ᮣᮘᮕ ᮢᮕᮑᮠᮠᮕᮑᮢᮕᮔ ᮢᮙᮗᮘᮤ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᯒᮟᮢᮙᮑᮼ

“ᮇᮘᮕᮢᮕ ᮔᮟᮕᮣ ᮤᮘᮕ ᮵ᯑᮘᮑᮣᮕᮢ᮵ ᮤᮘᮙᮞᮛ ᮣᮘᮕ᮵ᮣ ᮗᮟᮙᮞᮗᯍ”

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮣᮝᮙᮜᮕᮔᮺ ᮞᮑᮢᮢᮟᮧᮙᮞᮗ ᮘᮕᮢ ᮕᮩᮕᮣᮺ ᮢᮑᮔᮙᮑᮤᮙᮞᮗ ᮠᮥᮢᮕ ᮔᮑᮞᮗᮕᮢᮼ

“ᯕᮑᮘᯍ”

ᯒᮟᮢᮙᮑ ᮧᮑᮣ ᮜᮙᮖᮤᮕᮔ ᮒᮩ ᮟᮞᮕ ᮘᮑᮞᮔ ᮑᮞᮔᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮧᮟᮢᮔᮺ ᮧᮑᮣ ᮤᮟᮣᮣᮕᮔ ᮖᮑᮓᮕᮻᮔᮟᮧᮞ ᮟᮞᮤᮟ ᮤᮘᮕ ᮕᮔᮗᮕ ᮟᮖ ᮤᮘᮕ ᮒᮕᮔᮼ

“ᯏᮞᮩ ᮜᮑᮣᮤ ᮧᮟᮢᮔᮣᯍ”

ᯏ ᮣᮕᮞᮣᮕ ᮟᮖ ᮣᮤᮕᮢᮞ ᮑᮥᮤᮘᮟᮢᮙᮤᮩ ᮣᮘᮟᮞᮕ ᮙᮞ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ᮵ᮣ ᮗᮢᮑᮩ ᮕᮩᮕᮣᮼ

“ᯑᮟᮥᮜᮔ ᮩᮟᮥ ᮗᮟ ᮕᮑᮣᮩ ᮟᮞ ᮝᮕᯍ ᯗ ᮣᮤᮙᮜᮜ ᮘᮑᮦᮕ ᮠᮑᮤᮢᮟᮜ ᮔᮥᮤᮩ ᮜᮑᮤᮕᮢᮼᮼᮼ” ᯒᮟᮢᮙᮑ ᮠᮥᮤ ᮟᮞ ᮑ ᮠᮙᮤᮙᮖᮥᮜᮺ ᮤᮕᮑᮢᮩᮻᮕᮩᮕᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

“ᯗ᮵ᮜᮜ ᮓᮟᮞᮣᮙᮔᮕᮢ ᮗᮟᮙᮞᮗ ᮜᮙᮗᮘᮤᮕᮢ ᮟᮞ ᮤᮘᮕ ᮜᮑᮣᮤ ᮤᮕᮞᮼ”

ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮘᮙᮗᮘᮺ ᮒᮢᮙᮞᮗᮙᮞᮗ ᮙᮤ ᮔᮟᮧᮞ ᮣᮘᮑᮢᮠᮜᮩ ᮤᮟᮧᮑᮢᮔ ᯒᮟᮢᮙᮑᮼ

ᯒᮟᮢᮙᮑ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮣᮤᮢᮑᮙᮗᮘᮤᮕᮞᮕᮔ ᮥᮠᮺ ᮑᮢᮓᮘᮙᮞᮗ ᮘᮕᮢ ᮒᮑᮓᮛ ᮜᮙᮛᮕ ᮑ ᮣᮤᮑᮢᮤᮜᮕᮔ ᮣᮘᮢᮙᮝᮠᮼ

“ᮇᮑᮑᮑᮘᮼᮼᮼ ᯗ ᮧᮑᮣ ᮧᮢᮟᮞᮗᮼᮼᮼ”

ᯛᮩ ᮝᮙᮣᮤᮑᮛᮕ ᮧᮑᮣ ᮞᮟᮤ ᮝᮑᮙᮞᮤᮑᮙᮞᮙᮞᮗ ᮓᮟᮞᮤᮢᮟᮜ ᮟᮦᮕᮢ ᯛᮙᮣᮣ ᯏᮔᮕᮜᮕᮯ

ᯒᮑᮝᮞ ᮙᮤᮯ ᯜᮕᮨᮤ ᮤᮙᮝᮕᮺ ᯗ ᮞᮕᮕᮔ ᮤᮟ ᮒᮕ ᮝᮥᮓᮘ ᮝᮟᮢᮕ ᮓᮑᮢᮕᮖᮥᮜᮯ

“ᯛᮢᮟᮧᮧᮧᮯᮯᮯ”

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

Details

Comments

No comments