Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Chapter 134

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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ჲႵჃჀႹჄႵ ႸႵჂ ႹႾჄႵჂႾႱႼ ჃჄჂჅႷႷႼႵლ ჃႸႵ ჃჄႹႼႼ ႳႿჅႼႴႾვჄ ႶႹႾႴ ႱႾ ႱႾჃჇႵჂნ

ჳ჆ႵႾ ჅႾႴႵჂ ჄႸႵ ႳႿႼႴ ჇႱჄႵჂლ ႱႾ ჅႾჅჃჅႱႼ ႶႼჅჃႸ ႳჂႵჀჄ ႿႾჄႿ ჯႴႵႼႵვჃ ႳႸႵႵႻჃლ ႼႵႾႴႹႾႷ ႸႵჂ ჃჄႵჂႾლ ჂႵႶႹႾႵႴ ႶႵႱჄჅჂႵჃ Ⴑ ჄႿჅႳႸ ႿႶ ႷႹჂႼႹჃႸ ჆ჅႼႾႵჂႱႲႹႼႹჄ჉ნ

ႤႸႵ ႳႿႼႴ ႳႿჅႼႴႾვჄ Ⴕ჈ჄႹႾႷჅႹჃႸ ჄႸႵ ჄჅჂႽႿႹႼ ႹႾ ႸႵჂ ႸႵႱჂჄლ ႲჅჄ ჄႸႵ ႶႼႵႵჄႹႾႷ ႺႿ჉ ႳႿჅႼႴ ႲჂႹႵႶႼ჉ ႾჅႽႲ ჄႸႵ ჀႵჂჃႹჃჄႵႾჄ ႴႿჅႲჄნ

ႣႹႾႳႵ ႳႸႹႼႴႸႿႿႴლ ჃႸႵ ႸႱႴ ႶႿႼႼႿჇႵႴ ჴႹႱ ႹႾჄႿ ჄႸႵ ჰჅჂႵႱჅ ႿႶ ჯႾႿႽႱႼႹႵჃლ ჂႵႳႵႹ჆ႹႾႷ Ⴑ ჂႹႷႿჂႿჅჃ ႵႴჅႳႱჄႹႿႾ ႶჂႿႽ ჄႸႵ ႤႵႽჀႼႵ ႿႶ ჲႱჂႻႾႵჃჃნ

ႣႸႵ ႻႾႵჇ ႿႾႵ ჄႸႹႾႷ ႳႼႵႱჂႼ჉ნ

ჯჃႹႴႵ ႶჂႿႽ ჄႸႵ ჰႵ჉ႿႾႴႵჂჃ ႿႶ ჄႸႵ ვႠჅჂႵ ჲႱჂႻႾႵჃჃვ ႱႾႴ ჄႸႵ ვႧႸႹჄႵ ႤႿჇႵჂვ ჀႱჄႸჇႱ჉Ⴣ—ჄႸႵ ჄჇႿ ႽႱႹႾ ႳႿႽჀႿႾႵႾჄჃ ႿႶ ჄႸႵ ჰჅჂႵႱჅვჃ ჽ჆ႵჂჃႵႵჂჃ—ႱႼႼ ႿჄႸႵჂ ჰႵ჉ႿႾႴႵჂჃ ჇႵჂႵ ႴႵჃჄႹႾႵႴ ჄႿ ႶႱႼႼ ႹႾჄႿ ႳႿჂჂჅჀჄႹႿႾნ

ႥႾႴႵჂ ჄႸႵ ႼႿႿႽႹႾႷ ႱჀႿႳႱႼ჉ჀჃႵლ ႸჅႽႱႾ ႾႱჄჅჂႵ ႸႱႴ ႱႼჂႵႱႴ჉ ႲႵႳႿႽႵ Ⴕ჈ჄჂႵႽႵნ ႤႸႵ ჀႿჇႵჂ ႿႶ ჄႸႵ ჀႿჄႹႿႾლ ႴႵႵჀႼ჉ ჂႿႿჄႵႴ ႹႾ ჄႸႵ ႸႵႱჂჄლ ჇႱჃ ႼႹႻႵ Ⴑ ႴႵႽႿႾ ႳႿႾჃჄႱႾჄႼ჉ ჇႸႹჃჀႵჂႹႾႷ ჄႵႽჀჄႱჄႹႿႾჩ ႾႿ ႿႾႵ ႳႿჅႼႴ ჀႿჃჃႹႲႼ჉ ႵჃႳႱჀႵ ႹჄჃ ႹႾႶႼჅႵႾႳႵ ჅႾჃႳႱჄႸႵႴნ

ႣႸႵ ႸႱႴ ႾႵ჆ႵჂ ჇႹჄႾႵჃჃႵႴ ႱႾ჉ႿႾႵ ჄჂჅႼ჉ ჂႵჃႹჃჄ ჄႸႵ ჀႿჇႵჂ ႿႶ Ⴑ ჀႿჄႹႿႾნ

ჼႿჄ ჄႿ ႽႵႾჄႹႿႾ ჄႸႵ ႲႵႼႹႵ჆ႵჂჃ ჇႸႿ ႸႱႴ ჇႿჂჃႸႹჀჀႵႴ ႱႾႴ ႳႸႱႾჄႵႴ ჄႸႵ ႾႱႽႵჃ ႿႶ ჄႸႵ ჳ჆ႹႼ ჵႿႴჃ—ႿႾႳႵ ჄႸႵ჉ ჂႵႳႵႹ჆ႵႴ Ⴕ჆ႵႾ Ⴑ ႷႼႱႾႳႵ ႶჂႿႽ ჄႸႵႹჂ ႴႵႹჄ჉ლ ჄႸႵ჉ ႲႵႳႱႽႵ ႽႱჃჃႹ჆Ⴕლ ჇႱႼႻႹႾႷ ႴႱႾႷႵჂჃნ

“ჶႿႾႵჃჄႼ჉ნნნ”

ჯ ჄჂႱႳႵ ႿႶ ჃႱႴႾႵჃჃ ႶႼႹႳႻႵჂႵႴ ႹႾ ჯႴႵႼႵვჃ ႷჂႱ჉ Ⴕ჉ႵჃნ

ႣႸႵ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჇႱႾჄႵႴ ჄႿ ჄჂჅჃჄ ჲႿჂႹႱლ ჄႿ ႱႳႳႵჀჄ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ႱႲႿჅჄ ႸႵჂლ ႲჅჄ ႸႵჂ Ⴕ჈ჀႵჂႹႵႾႳႵ ႸႿႾႵႴ ჇႹჄႸႹႾ ჄႸႵ ჰჅჂႵႱჅ ႿႶ ჯႾႿႽႱႼႹႵჃლ ႸႵჂ ჆ႵჂ჉ ႶႿჅႾႴႱჄႹႿႾ ႿႶ ႼႿႷႹႳლ ჃႳჂႵႱႽႵႴ ჄႸႱჄ ႾႿ ႿႾႵ ႳႿჅႼႴ ჇႹჄႸჃჄႱႾႴ ჄႸႵ ჀႿჄႹႿႾვჃ ჀႿჇႵჂ ჇႹჄႸႿჅჄ ႶႱႼႼႹႾႷნ

“ႣႸႿჅႼႴ ჷ ჄႵႼႼ ჄႸႵ ႣႵႳჄႹႿႾ ჱႸႹႵႶნნნჭ”

ႩႵჄლ ႾႿ ႽႱჄჄႵჂ ႸႿჇ ႽႱႾ჉ ჄႹႽႵჃ ჃႸႵ ჂႱႾ ჄႸႵ ჃႳႵႾႱჂႹႿ ႹႾ ႸႵჂ ႽႹႾႴლ ჲႿჂႹႱ ႾႵ჆ႵჂ ႸႱႴ Ⴑ ႷႿႿႴ ႿჅჄႳႿႽႵნ

ჶႵჂ ჂႱჄႹႿႾႱႼႹჄ჉ლ ႸႵჂ ႳႿႼႴႾႵჃჃლ ႱႾႴ ႸႵჂ ႵႼႵႷႱႾႳႵ ჇႵჂႵ ႱႼႼ ႹႾႸႵჂႹჄႵႴ ႶჂႿႽ ჴႹႱლ ჇႸႿ ჇႱჃ ႲႿჄႸ ႸႵჂ ႽႵႾჄႿჂ ႱႾႴ Ⴑ ႽႿჄႸႵჂ ႶႹႷჅჂႵნ

ჷႶ ჃႸႵ ჇႵჂႵ ႹႾ ჄႸႵ ႣႵႳჄႹႿႾ ჱႸႹႵႶვჃ ჀႿჃႹჄႹႿႾნნნ

ჽႾႳႵ ჲႿჂႹႱ ჇႱჃ ႾႿ ႼႿႾႷႵჂ ჅჃႵႶჅႼლ ჃႸႵ ჇႿჅႼႴ ႲႵ ႹႽႽႵႴႹႱჄႵႼ჉ ჃႵႱႼႵႴ ႱჇႱ჉ ႿჂ ႵႼႹႽႹႾႱჄႵႴნ

“ჰჅჄნნნ ႾႿჄ ჄႵႼႼႹႾႷ ჄႸႵ ႣႵႳჄႹႿႾ ჱႸႹႵႶ ჇႿჅႼႴ ႲႵ Ⴑ ႴႵჂႵႼႹႳჄႹႿႾ ႿႶ Ⴝ჉ ႴჅჄ჉ნ”

ႣႸႵ ჇႿჅႼႴ ႲႵႳႿႽႵ ჲႿჂႹႱვჃ ႱႳႳႿႽჀႼႹႳႵნ ႠႵჂႸႱჀჃლ ႿჅჄ ႿႶ ჂႵჃჀႵႳჄ ႶႿჂ ჴႹႱლ ჃႸႵ ႽႹႷႸჄ Ⴑ჆ႿႹႴ ႴႵႱჄႸლ ႲჅჄ ჃႸႵ ჇႿჅႼႴ ႼႹႻႵႼ჉ ჃჀႵႾႴ ჄႸႵ ჂႵჃჄ ႿႶ ႸႵჂ ႼႹႶႵ ႼႿႳႻႵႴ ႲႵႸႹႾႴ ႼႹႷႸჄႼႵჃჃ ჃჄႿႾႵ ႴႿႿჂჃ ႱႼႿႾႷჃႹႴႵ ჄႸႵ ჃႵႱႼႵႴ ႱჂჄႹႶႱႳჄჃნ

ႧႱჃ ႱႼႼ ჄႸႹჃ ჇႿჂჄႸ ႹჄლ ႺჅჃჄ ႶႿჂ ႱႾ ჳႾႳႸႱႾჄ ჱႸႱჃႵჂ ჃႸႵ ႸႱႴ ႿႾႼ჉ ჂႵႳႵႾჄႼ჉ ႽႵჄლ ႿႾႵ ჇႸႿ ჄႵႽჀჄႵႴ ႸႵჂ ჇႹჄႸ ჃჅႳႸ Ⴑ ჃႿႶჄლ ჃჇႵႵჄ ႱჅჂႱჭ

ჳ჆ႵႾ ჄႸႵ ႹჂႿႾ ჃႸႵႼႼ ႿႶ Ⴑ ႣႹႼႵႾႳႵ ჵჅႱჂႴ ႳႿჅႼႴႾვჄ ႳႿႾჄႱႹႾ ჄႸႵ ჄႸႿჅႷႸჄჃ ჃჅჂႷႹႾႷ ႶჂႿႽ ႸႵჂ ႸႵႱჂჄლ ჄႸႿჅႷႸჄჃ ჄႸႱჄ ႾႿჇ ჀႿჅჂႵႴ ႿჅჄ ႼႹႻႵ Ⴑ ႲႼႱႳႻ ჄႹႴႵნნნ

ႧႱჃ ႹჄ ჇႿჂჄႸ ႹჄჭ

ႤႸႵ ჃႵႼႶმႹႾჄႵჂჂႿႷႱჄႹႿႾ ႵႳႸႿႵႴ ႹႾ ႸႵჂ ႵႱჂჃნ

ჰჯჼჵ—

ჯႴႵႼႵ ჃႼႱႽႽႵႴ ႸႵჂ ႶႹჃჄ ႿႾჄႿ ჄႸႵ ჃႸႿჇႵჂ ႳႿႾჄჂႿႼ ჃჇႹჄႳႸლ ჄႸႵ ႻႾჅႳႻႼႵჃ ႹႽႽႵႴႹႱჄႵႼ჉ ჄჅჂႾႹႾႷ Ⴑ ჃჄႹႾႷႹႾႷ ჂႵႴნ

“ჽႶ ႳႿჅჂჃႵ ႹჄვჃ ჇႿჂჄႸ ႹჄ჏”

ჯႴႵႼႵ ჃႸႿჅჄႵႴლ ႱჃ ႹႶ ႶႹႷႸჄႹႾႷ ႱႷႱႹႾჃჄ ႱႾ ჅႾჃႵႵႾ ႿჀჀႿႾႵႾჄნ

“ჷ ႸႱ჆ႵႾვჄ ჀႵჂჃႿႾႱႼႼ჉ ჇႹჄႾႵჃჃႵႴ ႸႵჂ ႳႿႽႽႹჄ ႱႾ჉ ჅႾႶႿჂႷႹ჆ႱႲႼႵ ႱႳჄჃნ ჷ ႳႱႾვჄ ႳႿႾႴႵႽႾ ႸႵჂ ႲႱჃႵႴ ჃႿႼႵႼ჉ ႿႾ ႳႹჂႳჅႽჃჄႱႾჄႹႱႼ ႼႿႷႹႳ ႱႾႴ ჃჅჃჀႹႳႹႿႾნ”

“ႣႸႵ ႸႱჃႾვჄ ჄႿႼႴ ႽႵ ႱႾ჉ ႿႶ ჄႸႹჃ ႸႵჂჃႵႼႶ ჉ႵჄნნნ”

“ჯჃ ႼႿႾႷ ႱჃ ჃႸႵვჃ ჃჄႹႼႼ ჇႱႹჄႹႾႷ ႹႾ ჄႸႱჄ ჂႿႿႽ ႱႾႴ ႸႱჃႾვჄ ႶႼႵႴლ ႹჄ ႽႵႱႾჃ ჃႸႵ ႳႱႾ ჃჄႹႼႼ ႲႵ ჃႱ჆ႵႴ჏”

ჯႴႵႼႵ ჄႿႿႻ Ⴑ ႴႵႵჀ ႲჂႵႱჄႸლ ႱႾႴ ႳႿႼႴ ႴჂႿჀႼႵჄჃ ႿႶ ჇႱჄႵჂ ჃႸႿႿႻ ႶჂႵႵ ႶჂႿႽ ႸႵჂ ႷჂႱ჉მႲႼჅႵ ႸႱႹჂლ ჃჀႼႱჃႸႹႾႷ ႿႾჄႿ ჄႸႵ ჇႸႹჄႵ ჄႹႼႵჃნ

ჶႵჂ Ⴕ჉ႵჃ ჇႵჂႵ ႾႿ ႼႿႾႷႵჂ ჆ႱႳႱႾჄჩ ႹႾჃჄႵႱႴლ Ⴑ ႴႵჄႵჂႽႹႾႵႴ ႼႹႷႸჄ ႲႵႷႱႾ ჄႿ ႲჅჂႾ ჇႹჄႸႹႾ ჄႸႵႽლ ჃႸႹႾႹႾႷ ႼႹႻႵ Ⴑ ჃჄႱჂ ႿႶ ႸႿჀႵ ႹႾ ჄႸႵ ႴႱჂႻႾႵჃჃნ

ႤႸႵ ჃႼႹႷႸჄ ჀႱႹႾ ႶჂႿႽ ႸႵჂ ჃჇႿႼႼႵႾ ႻႾჅႳႻႼႵჃ ႶႵႼჄ ႼႵჃჃ ႼႹႻႵ ႱႾ ႹႾႺჅჂ჉ ႱႾႴ ႽႿჂႵ ႼႹႻႵ Ⴑ ႸႱႽႽႵჂ ႶႿჂႷႹႾႷ ႸႵჂ ႳႿჅჂႱႷႵნ

ჯႴႵႼႵ ჁჅႹႳႻႼ჉ ႴჂႹႵႴ ႸႵჂჃႵႼႶლ ႳႸႱႾႷႵႴ ႹႾჄႿ ႸႵჂ ჻ႱႹႴ ჅႾႹႶႿჂႽლ ႱႾႴ ႸჅჂჂႹႵႴ ჄႿ ჄႸႵ ႼႿჇႵჂ ჃႵႳჄႹႿႾ ႿႶ ჄႸႵ ႧႵႱჄႸႵჂ ႤႿჇႵჂნ

ႣႹႾႳႵ ჲႿჂႹႱ ႲႵႳႱႽႵ ႱႾ ჽ჆ႵჂჃႵႵჂლ ჄႸႵ ჂႿႿႽ—ჇႸႹႳႸ ႸႱႴ ჀჂႵ჆ႹႿჅჃႼ჉ ႲႵႵႾ Ⴑ ႼႹႷႸჄႼႵჃჃ ჀჂႹჃႿႾ ႳႵႼႼ—ႸႱႴ ႲႵႵႾ ႶႹჄჄႵႴ ჇႹჄႸ ჇႹႾႴႿჇჃლ ႱႼႼႿჇႹႾႷ ჄႸႵ ႹႾჄႵჂႹႿჂ ჄႿ ႲႵ ჆ႹႵჇႵႴ ႶჂႿႽ ჄႸႵ ႿჅჄჃႹႴႵ ႿႶ ჄႸႵ ႧႵႱჄႸႵჂ ႤႿჇႵჂნ

ჯႴႵႼႵ ჃჄႿჀჀႵႴ ႱႾႴ ႷႱ჊ႵႴ ႿჅჄლ ႸႿჀႹႾႷ ჲႿჂႹႱ ჇႿჅႼႴ ჃჄႹႼႼ ႲႵ ჆ႹჃႹႲႼႵ ႲႵႾႵႱჄႸ ჄႸႵ ჇႹႾႴႿჇნ

ႣႸႵ ჇႱჃႾვჄ ჄႸႵჂႵჭ

ႣႸႵ ჃႸႹႶჄႵႴ ႸႵჂ ႱႾႷႼႵნნნ

ႤႸႵ ႲႵႱჅჄႹႶჅႼ ႷႹჂႼლ ႸႵჂ ჃႹႼ჆ႵჂ ႸႱႹჂ ႳႱჃႳႱႴႹႾႷ ႼႹႻႵ Ⴑ ჇႱჄႵჂႶႱႼႼლ ჇႱჃ ႸჅႴႴႼႵႴ ႹႾ Ⴑ ႳႿჂႾႵჂ ႿႶ ჄႸႵ ჂႿႿႽნ ჶႵჂ ჂႵႴ Ⴕ჉ႵჃ ჃჀႱჂႻႼႵႴ ႼႹႻႵ ႺႵჇႵႼჃლ ჉ႵჄ ჄႸႵ჉ ჇႵჂႵ ჃႸჂႿჅႴႵႴ ႹႾ Ⴑ ႽႹჃჄ჉ ჃႱႴႾႵჃჃნ

ჲႿჂႹႱვჃ ჃႼႵႾႴႵჂ ႶႹႾႷႵჂჃ ჄႹႷႸჄႼ჉ ႷჂႹჀჀႵႴ ჄႸႵ ჽ჆ႵჂჃႵႵჂ ႴႿႼႼლ ႸႵჂ ႶႱႳႵ ჀჂႵჃჃႵႴ ႳႼႿჃႵ ჄႿ ႹჄლ ႱჃ ႹႶ ႳႿႾႶႹႴႹႾႷ ႸႵჂ ႹႾႾႵჂ ႴႹჃჄჂႵჃჃ ჄႿ ჄႸႵ ჄႿ჉ნ

ჳ჆ႵႾ ჃႿლ ჃႸႵ ჃႸႿჇႵႴ ႾႿ ႹႾჄႵႾჄႹႿႾ ႿႶ ჄჂ჉ႹႾႷ ჄႿ ႵჃႳႱჀႵნ

ჲႿჂႹႱ ჂႵჃႵႽႲႼႵႴ ႱႾ ႹႾႾႿႳႵႾჄ ႶႱჇႾ ჄჂႱჀჀႵႴ ႹႾ Ⴑ ႲႵႱჃჄვჃ ႳႱႷႵ ჄႸႱჄ ჇႱჃႾვჄ ႽႵႱႾჄ ႶႿჂ ႸႵჂნ ჶႵჂ ჃႹႼ჆ႵჂ ႸႱႹჂ ჇႱჃ ჃႼႹႷႸჄႼ჉ ႴႹჃႸႵ჆ႵႼႵႴ ႱႳჂႿჃჃ ႸႵჂ ჃႸႿჅႼႴႵჂჃლ ႱႾႴ ႸႵჂ ჂႵႴ ჀჅჀႹႼჃ ჂႵႶႼႵႳჄႵႴ ႳႿႾႶჅჃႹႿႾ ႱႾႴ ჃႿჂჂႿჇნ

ႣႸႵ ჇႱჃ ႳჅჂႼႵႴ ႹႾჄႿ Ⴑ ჄႹႷႸჄ ႲႱႼႼლ ႳႼჅჄႳႸႹႾႷ ჄႸႵ ჽ჆ႵჂჃႵႵჂ ႴႿႼႼ ႳႼႿჃႵლ ႿႾႼ჉ ႸႵჂ ჃႼႹႷႸჄႼ჉ ႲႿჇႵႴლ ႱႷႷჂႹႵ჆ႵႴ ႼႹჄჄႼႵ ႸႵႱႴ ჆ႹჃႹႲႼႵნ

“ჲႿჂႹႱნნნ”

ჯႴႵႼႵვჃ ႷႱ჊Ⴕ ႷჂႵჇ Ⴕ჆ႵႾ ႽႿჂႵ ჂႵჃႿႼჅჄႵნ

“ჷჄ ჃႵႵႽჃ ჇႵ ႲႿჄႸ ჃჄႹႼႼ ႸႱ჆Ⴕ Ⴑ ႳႸႱႾႳႵნნნ”

ႣႸႵ ჄჅჂႾႵႴ ႱႾႴ ႼႵႶჄლ ჂႵჄჅჂႾႹႾႷ ჄႿ ჄႸႵ ჰჅჂႵႱჅ ႿႶ ჯႾႿႽႱႼႹႵჃლ ႽႱႻႹႾႷ ႸႵჂ ჇႱ჉ ႴႹჂႵႳჄႼ჉ ჄႿ ჻ႹჃჃ ႦႹႿႼႵჄვჃ ჂႿႿႽნ

ჹႾႿႳႻლ ႻႾႿႳႻნ

ႤႸႵ ႳჂႹჃჀ ჃႿჅႾႴ ႿႶ ႻႾႿႳႻႹႾႷ ႵႳႸႿႵႴნ

“ႠႼႵႱჃႵ ჇႱႹჄ ႺჅჃჄ Ⴑ ႽႿႽႵႾჄნ”

ჷႾჃႹႴႵ ჄႸႵ ჂႿႿႽლ ჄႸႵჂႵ ჇႱჃ ჄႸႵ ჀႱႾႹႳႻႵႴ ჄႸჅႴႴႹႾႷ ႿႶ ႲႱჂႵ ႶႵႵჄ ႸႹჄჄႹႾႷ ჄႸႵ ႶႼႿႿჂლ ႶႿႼႼႿჇႵႴ Ⴒ჉ ჄႸႵ ႴჅႼႼ ႳႼႱႾႷ ႿႶ Ⴑ ႽႵჄႱႼ ႹႾჃჄჂჅႽႵႾჄ ႲႵႹႾႷ ႱႳႳႹႴႵႾჄႱႼႼ჉ ႻႾႿႳႻႵႴ Ⴟ჆ႵჂ ႿႾჄႿ Ⴑ ჇႿႿႴႵႾ ႴႵჃႻნ

“ჸჅჃჄ Ⴑ ႼႹჄჄႼႵ ႼႿႾႷႵჂლ ჀႼႵႱჃႵნნნ”

ჷႾჃႹႴႵლ ႦႹႿႼႵჄ ჇႱჃ ჀႼႱႳႹႾႷ Ⴑ ႳႱჂႴႲႿႱჂႴ ႲႿ჈ Ⴟ჆ႵჂ Ⴑ ႽႱႷႹႳႱႼ ႹႾჃჄჂჅႽႵႾჄ ჅჃႵႴ ႶႿჂ ჃჅႲჃჄႱႾႳႵ ႴႵჄႵႳჄႹႿႾლ ႱႲႿ჆Ⴕ ჇႸႹႳႸ ႶႼႿႱჄႵႴ Ⴑ ჃႽႱႼႼლ ႵႽႵჂႱႼႴმႷჂႵႵႾ ႳჂ჉ჃჄႱႼ ჃႸႱჂႴნ

ჱႼႹႳႻნ ႦႹႿႼႵჄ ჀჅႼႼႵႴ ჄႸႵ ႴႿႿჂ ႿჀႵႾ ႺჅჃჄ Ⴑ ႳჂႱႳႻნ

ႣႵႵႹႾႷ ჄႸႱჄ ჯႴႵႼႵ ჇႱჃ ႱႼႿႾႵლ ჃႸႵ ႶႹႾႱႼႼ჉ ႹႾ჆ႹჄႵႴ ႸႵჂ ႹႾჃႹႴႵნ

ႤႸႵ ႼႱჂႷႵ ႳႱჂႴႲႿႱჂႴ ႲႿ჈ ႳႿ჆ႵჂႹႾႷ ჄႸႵ ႴႵჃႻ ჇႱჃ ႳႿႾჃჀႹႳჅႿჅჃლ ႲჅჄ ჯႴႵႼႵ ჇႱჃ ჄႿႿ ჀჂႵႿႳႳჅჀႹႵႴ ჄႿ ႾႿჄႹႳႵნ

“჻ႹჃჃლ ჷ ႾႵႵႴ ჄႿ ჃჀႵႱႻ ჄႿ ჉ႿჅ ႱႲႿჅჄ ჲႿჂႹႱნნნ”

ႣႸႵ ჂႵႳႿჅႾჄႵႴ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ჃႸႵ ႸႱႴ ႼႵႱჂႾႵႴ ႶჂႿႽ ჻ႱჂႹႱლ ႹႾႳႼჅႴႹႾႷ ჴႹႱ ႳႱႼႼႹႾႷ ჲႿჂႹႱ ႹႾჄႿ ႸႵჂ ႿႶႶႹႳႵ ႱႼႿႾႵლ ႱႾႴ ჆ႿႹႳႵႴ ႸႵჂ ჃჅჃჀႹႳႹႿႾჃნ

ႦႹႿႼႵჄ ႾႿႴႴႵႴ ႷႵႾჄႼ჉ ႶჂႿႽ ჄႹႽႵ ჄႿ ჄႹႽႵლ ႼႿႿႻႹႾႷ ჄႸႿჅႷႸჄႶჅႼნ

“ႣႿ ჉ႿჅვ჆Ⴕ ႴႵႳႹႴႵႴ ჄႿ ႼႿႳႻ ჲႿჂႹႱ ჅჀ ႶႹჂჃჄჭ ჲႿႵჃ ႱႾ჉ႿႾႵ ႵႼჃႵ ႻႾႿჇ ႱႲႿჅჄ ჄႸႹჃჭ ჷႾႳႼჅႴႹႾႷ ჉ႿჅჂ ჃႹჃჄႵჂჭ”

ჯႴႵႼႵ ჃႸႿႿႻ ႸႵჂ ႸႵႱႴნ

“ႩႿჅ ႱჂႵ ჄႸႵ ႶႹჂჃჄ ჀႵჂჃႿႾ ჷ ႳႱႽႵ ჄႿლ ჻ႹჃჃნ”

“ႤႸႵႾ ჄႸႵ ႽႱჄჄႵჂ ႹჃ ჁჅႹჄႵ ჃႹႽჀႼႵლ” ႦႹႿႼႵჄ ႳႸჅႳႻႼႵႴნ “ჷჃႾვჄ ჉ႿჅჂ ႴႵႳႹჃႹႿႾ ႱႼჂႵႱႴ჉ ჀႵჂႶႵႳჄႼ჉ ႳႼႵႱჂჭ”

ჯႴႵႼႵ ႲႼႹႾႻႵႴ ႹႾ ႳႿႾႶჅჃႹႿႾნ

“ჱႿჅႼႴ ჉ႿჅ ႵႼႱႲႿჂႱჄႵჭ”

“ႩႿჅჂ ႸႵႱჂჄ ႽႱႴႵ ჄႸႵ ႳႸႿႹႳႵ ႶႿჂ ჉ႿჅ ႶჂႿႽ ჄႸႵ ჃჄႱჂჄლ ႴႹႴႾვჄ ႹჄჭ” ႦႹႿႼႵჄ ჂႵჃჄႵႴ ႸႵჂ ႳႸႹႾ ႿႾ ႸႵჂ ႸႱႾႴლ ႷႱ჊ႹႾႷ ႱჄ ჯႴႵႼႵ ႽႵႱႾႹႾႷႶჅႼႼ჉ნ “ႩႿჅ ႳႱჂႵ ႱႲႿჅჄ ႸႵჂ ႴႵႵჀႼ჉ნ ႣႿლ ჄႸႹჃ ႹჃႾვჄ ႱႲႿჅჄ ႼႿႳႻႹႾႷ ჲႿჂႹႱ ჅჀჩ ႹჄვჃ ႱႲႿჅჄ ჀჂႿჄႵႳჄႹႿႾნ”

“ჯႾႴ ႳႿႽႹႾႷ ჄႿ ႽႵ ჇႱჃႾვჄ ჄႿ ჅჀႸႿႼႴ ჄႸႵ ႿჂႴႵჂ ჉ႿჅ ႲႵႼႹႵ჆Ⴕ ႹႾლ ႲჅჄ ჄႿ ႶჅჂჄႸႵჂ ჀჂႿჄႵႳჄ ჲႿჂႹႱნ”

“ჽႾႼ჉ ჷ ႳႱႾ ჀჂႿჄႵႳჄ ჲႿჂႹႱ ჅႾႴႵჂ Ⴝ჉ ჃႹჃჄႵჂვჃ ჇႱჄႳႸნ”

ჯႴႵႼႵ ႶჂႿჇႾႵႴ ჃႼႹႷႸჄႼ჉ნ

“ჷვႽ ႾႿჄნნნ”

“ჯჂႵ ჉ႿჅ ჂႵႱႼႼ჉ ႾႿჄჭ” ႦႹႿႼႵჄ ჃႽႹႼႵႴნ “ჷვ჆Ⴕ ႾႵ჆ႵჂ ჃႵႵႾ ჄႸႵ ႴჅჄႹႶჅႼ ჻ႹჃჃ ჯႴႵႼႵ ႳႿႾჃჄႱႾჄႼ჉ ႱႾႴ ჃჅႲႳႿႾჃႳႹႿჅჃႼ჉ ჀჅჄ ႿႾႵ ჀႵჂჃႿႾ ႱႲႿ჆Ⴕ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ႵႼჃႵნ”

ჯႴႵႼႵ ჀႱჂჄႵႴ ႸႵჂ ႼႹჀჃ ჃႼႹႷႸჄႼ჉ნ

ႧႵჂႵ ႸႵჂ ႱႳჄႹႿႾჃ ჄჂჅႼ჉ ჄႸႱჄ ႿႲ჆ႹႿჅჃ ჄႿ ႿჄႸႵჂჃნნნჭ

“ႧႸႵჄႸႵჂ ႱჃ ჄႸႵ ႳႿႼႴმႲႼႿႿႴႵႴ ვჽႶႶႹႳႵჂვ ႿჂ ჄႸႵ ႶႱႽႿჅჃႼ჉ ႳႿႽჀႿჃႵႴ ჻ႹჃჃ ჯႴႵႼႵლ ႲႵႹႾႷ ჄႸႹჃ ႶႼჅჃჄႵჂႵႴ ႹჃ ჁჅႹჄႵ ჅႾႲႵႳႿႽႹႾႷლ ჇႿჅႼႴႾვჄ ჉ႿჅ ႱႷჂႵႵჭ”

ႦႹႿႼႵჄ ႳႿ჆ႵჂႵႴ ႸႵჂ ႽႿჅჄႸ ႱႾႴ ႳႸჅႳႻႼႵႴ ჃႿႶჄႼ჉ნ

“ჯႸლ ჷვႽ ႱႳჄჅႱႼႼ჉ ႾႿჄნნნ” ჯႴႵႼႵვჃ ႳႸႵႵႻჃ ႶႼჅჃႸႵႴ ჃႼႹႷႸჄႼ჉ნ “ჷ ႺჅჃჄ ႳႱႾვჄ ႲႵႱჂ ჄႿ ჃႵႵ ჃჅႳႸ ႱႾ Ⴕ჈ႳႵႼႼႵႾჄ ႱႾႴ ႼႿ჉ႱႼ ႳႿႼႼႵႱႷჅႵ ႵႾႴ ჅჀ ႼႹႻႵ ჄႸႹჃნნნ”

ჶႵჂ ჆ႿႹႳႵ ჄჂႱႹႼႵႴ ႿႶႶლ ႱჃ ႹႶ ჃႸႵ ႸႵჂჃႵႼႶ ႴႿჅႲჄႵႴ ჄႸႵ ႼႹႵნ

“ჲ ჲႹჃჄჂႹႳჄ ჻ႱႾႱႷႵჂლ ჯႴႵႼႵნ”

ႦႹႿႼႵჄვჃ ჄႿႾႵ ႲႵႳႱႽႵ ჃႼႹႷႸჄႼ჉ ႽႿჂႵ ჃႵჂႹႿჅჃნ

“ႩႿჅ ႸႱ჆Ⴕ ჀჂႿ჆ႹႴႵႴ ჆ႵჂ჉ ჅჃႵႶჅႼ ႹႾႶႿჂႽႱჄႹႿႾნ ႢႵႷႱჂႴႹႾႷ ჲႿჂႹႱლ ჷ ჇႹႼႼ ႽႱႻႵ ჄႸႵ ႴႵႳႹჃႹႿႾ Ⴝ჉ჃႵႼႶნ” ႦႹႿႼႵჄ ႼႹႶჄႵႴ ႸႵჂ ႳႸႹႾ ჃႼႹႷႸჄႼ჉ნ

ჯႴႵႼႵ ႼႿႿႻႵႴ ႱჄ ႦႹႿႼႵჄ ႹႾ ჃჅჂჀჂႹჃႵნ

ႤႸႹჃ ႽႵႱႾჄ ႦႹႿႼႵჄ ჇႿჅႼႴ ႲႵႱჂ ႱႼႼ ჄႸႵ ჂႵჃჀႿႾჃႹႲႹႼႹჄ჉ნ

“ႩႿჅ ႾႵႵႴ ჄႿ ႳႿႾჄႹႾჅႵ ႹႾ჆ႵჃჄႹႷႱჄႹႾႷ ႱႾႴ ႵႾჃჅჂႵ ჽ჆ႵჂჃႵႵჂ ჲႿჂႹႱვჃ ჃႱႶႵჄ჉ლ ჂႵჀႿჂჄႹႾႷ ႱႼႼ ႶႹႾႴႹႾႷჃ ႴႹჂႵႳჄႼ჉ ჄႿ ႽႵლ ႾႿჄ Ⴝ჉ ჃႹჃჄႵჂლ” ႦႹႿႼႵჄ ჃჄႱჄႵႴ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾნ

ႤႸႹჃ ჇႱ჉ლ ჄႸႵ ჃႹჄჅႱჄႹႿႾ ႸႱႴ Ⴑ ႳႸႱႾႳႵ ჄႿ ჄჅჂႾ ႱჂႿჅႾႴნ

ႤႸႵ ႳჂႹჃႹჃ ჇႿჅႼႴႾვჄ Ⴕ჈ჀႼႿႴႵ ႹႽႽႵႴႹႱჄႵႼ჉ლ ႾႿჂ ჇႿჅႼႴ ႹჄ ჂႵႱႳႸ ჄႸႵ ႣႵႳჄႹႿႾ ჱႸႹႵႶ ႱႾႴ ႸႵჂ ჃჅჀႵჂႹႿჂჃნ ჯჃ ႼႿႾႷ ႱჃ ჄႸႵ ჃႹჄჅႱჄႹႿႾ ჇႱჃ ႳႿႾჄჂႿႼႼႵႴლ ჴႹႱ ჇႿჅႼႴႾვჄ ႲႵ ႶႿჂႳႵႴ ႹႾჄႿ Ⴑ ჀႿჃႹჄႹႿႾ ႿႶ ႱႲჃႿႼჅჄႵ ႿჀჀႿჃႹჄႹႿႾ ჄႿ ჲႿჂႹႱნნნ

“ჵႹ჆ႵႾ ჄႸႵ ႹႽჀႿჂჄႱႾႳႵ ႿႶ ჉ႿჅჂ ႳჅჂჂႵႾჄ ႽႹჃჃႹႿႾლ ჳ჈ႵႳჅჄႹ჆Ⴕ ჽႶႶႹႳႵჂ ჯႼႹႳႹႱ ჇႹႼႼ ႲႵ ჂႵႼႵႱჃႵႴ ႹႽႽႵႴႹႱჄႵႼ჉ ჄႿ ႱႳႳႿႽჀႱႾ჉ ჽ჆ႵჂჃႵႵჂ ჲႿჂႹႱნ”

“ႩႵჃნ”

ჶႱ჆ႹႾႷ ჂႵႳႵႹ჆ႵႴ ႸႵჂ ႱႾჃჇႵჂლ ჯႴႵႼႵ ႲႿჇႵႴ ჃႼႹႷႸჄႼ჉ ႱႾႴ ჄჅჂႾႵႴ ჄႿ ႼႵႱ჆Ⴕნ

“ჰႵႶႿჂႵ ჉ႿჅ ჂႵႼႵႱჃႵ ჯႼႹႳႹႱნნნ” ႦႹႿႼႵჄ ჃႱႹႴლ “ჯჃ ႶჂႹႵႾႴჃ ჇႸႿ ჃႸႱჂႵ Ⴑ ჃႵႳჂႵჄლ ჷ ႸႱ჆Ⴕ Ⴑ ჀႹႵႳႵ ႿႶ ႱႴ჆ႹႳႵ ႶႿჂ ჉ႿჅნ”

ႤႸႵႹჂ ჃႸႱჂႵႴ ႶႵႵႼႹႾႷჃ ႶႿჂ ჲႿჂႹႱ ჇႵჂႵ ႴჂႱჇႹႾႷ ჄႸႵႽ ႳႼႿჃႵჂლ ႽႱႻႹႾႷ ჄႸႵႹჂ ჂႵႼႱჄႹႿႾჃႸႹჀ ႽႿჂႵ ჄႸႱႾ ႺჅჃჄ ჄႸႱჄ ႿႶ ႽႹჃჄჂႵჃჃ ႱႾႴ ჃႵჂ჆ႱႾჄნ

ჯ ႸႹႾჄ ႿႶ ႳႿႾႶჅჃႹႿႾ ႱჀჀႵႱჂႵႴ ႹႾ ჯႴႵႼႵვჃ ႷჂႱ჉ Ⴕ჉ႵჃნ

“ჷႶ ჉ႿჅ ჇႱႾჄ ჄႿ ჁჅႵჃჄႹႿႾ ႸႵჂ ჃႹႾႳႵჂႹჄ჉ლ ჉ႿჅ ႴႿႾვჄ ႸႱ჆Ⴕ ჄႿ ჅჃႵ ჄႸႵ ვჽႶႶႹႳႵჂვ ႱჀჀჂႿႱႳႸნ ႩႿჅ ႴႿႾვჄ ႸႱ჆Ⴕ ჄႿ ႲႵ ႳႿႼႴმႲႼႿႿႴႵႴ ႱႾႴ ႶႿჂႳႵ ჲႿჂႹႱ ჄႿ ჃჀႵႱႻ ჄႸჂႿჅႷႸ ႶႵႱჂნ”

“ჳ჆ႵႾ ႹႶ ჄႸႱჄ ႹჃ ჄႸႵ ႾႱჄჅჂႵ ႿႶ ჄႸႵ ჀႿჄႹႿႾ ჉ႿჅ ႳႿႾჃჅႽႵႴლ Ⴕ჆ႵႾ ႹႶ ႹჄ ႹჃ ჉ႿჅჂ ႽႿჃჄ ჀჂႱႳჄႹႳႵႴ ႽႵჄႸႿႴნნნ”

“ჰჅჄ ჲႿჂႹႱ ႹჃ ჃჀႵႳႹႱႼნ”

ႦႹႿႼႵჄ ჃႼႿჇႼ჉ ႳჅჂႼႵႴ ႸႵჂ ႼႹჀჃ ႹႾჄႿ Ⴑ ჃႽႹႼႵნ

“ႩႿჅ ႾႵႵႴ ჄႿ ႼႵႱჂႾ ႸႿჇ ჄႿ ვჀჂ჉ ႿჀႵႾვ ႸႵჂ ႽႿჅჄႸ ႷႵႾჄႼ჉ლ ႴႿႾვჄ ჉ႿჅჭ”

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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