Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Chapter 2

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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ჱჂႵႵႵႵႱႻნ

ႤႸႵ ႹჂႿႾ ႴႿႿჂ ႼႵႱႴႹႾႷ ႿჅჄჃႹႴႵ ჄႸႵ ჯႴႽႹႾႹჃჄჂႱჄႹႿႾ ჃჇჅႾႷ ႿჀႵႾლ ႱႾႴ Ⴑ ჵჅႱჂႴ ჃႸႿ჆ႵႴ ჲႿჂႹႱ ႿჅჄლ ჃႵႾႴႹႾႷ ႸႵჂ ჃჄჅႽႲႼႹႾႷ ႸႵႱႴႼႿႾႷ ႹႾჄႿ ჄႸႵ ჃႾႿჇნ

ჱႼႱႾႷნ ႤႸႵ ႹჂႿႾ ႴႿႿჂ ჃႼႱႽႽႵႴ ჃႸჅჄ ႲႵႸႹႾႴ ႸႵჂნ

ჲႿჂႹႱ ႼႿႿႻႵႴ ჅჀ ႱჄ ჄႸႵ ჇႹႾႴႿჇ Ⴟ჆ႵჂႼႿႿႻႹႾႷ ჄႸႵ ႳႿჂჂႹႴႿჂლ ჃჀႿჄჄႹႾႷ ჄႸႵ ჉ႿჅႾႷႵჂ ჵჅႱჂႴ ჇႱჄႳႸႹႾႷ ႸႵჂ ჇႹჄႸ Ⴑ ႼႿႿႻ ႿႶ ჀႹჄ჉ნ

ჲႿჂႹႱ ჃჄႱჂႵႴ ႲႼႱႾႻႼ჉ ႲႱႳႻლ ႲჅჄ ჄႸႵ ჵჅႱჂႴ ჁჅႹႳႻႼ჉ Ⴑ჆ႵჂჄႵႴ ႸႵჂ ႷႱ჊Ⴕლ ჅႾႱႲႼႵ ჄႿ ႲႵႱჂ ჇႹჄႾႵჃჃႹႾႷ ჲႿჂႹႱვჃ ႶႱჄႵნ

აႩႵႱႸნნნ ჷ ჀჂႿႲႱႲႼ჉ ჇႿႾვჄ ჃჅჂ჆Ⴙ჆Ⴕ ჄႸႹჃლ ჇႹႼႼ ჷჭა

ჲႿჂႹႱ ჃჄႿႿႴ ႿႾ ჄႸႵ ჃჄႵჀჃ ႱႾႴ ႼႿႿႻႵႴ ჅჀ ႱჄ ჄႸႵ ჃႻ჉ნ

ႠჂႹჃჄႹႾႵ ჃႾႿჇႶႼႱႻႵჃ ႴჂႹႶჄႵႴ ႴႿჇႾ ႼႹႻႵ ႷႿႿჃႵ ႶႵႱჄႸႵჂჃლ ႲჅჄ ჃႸႵ ႸႱႴ ႾႿ ႽႹႾႴ ჄႿ ႱჀჀჂႵႳႹႱჄႵ ჄႸႵ ႲႵႱჅჄႹႶჅႼ ჃႳႵႾႵჂ჉ნ

ჲႿჂႹႱვჃ ჄႸႹႾ ჇႸႹჄႵ ჂႿႲႵ ႿႶႶႵჂႵႴ ႱႼႽႿჃჄ ႾႿ ჀჂႿჄႵႳჄႹႿႾ ႱႷႱႹႾჃჄ ჄႸႵ ႳႿႼႴნ ႣႸႵ ჃჄႵჀჀႵႴ ႿႶႶ ჄႸႵ ჃჄႱႹჂჃლ ႸႵჂ ႲႱჂႵ ႶႵႵჄ ჃႹႾႻႹႾႷ ႹႾჄႿ ჄႸႵ ჄႸႹႳႻ ჇႸႹჄႵ ჃႾႿჇნ

ჺႵႷႵႾႴ ႳႼႱႹႽႵႴ ჄႸႱჄ ႳჂႿჃჃႹႾႷ ჄႸႹჃ აႠႱჄႸ ႿႶ ჯჄႿႾႵႽႵႾჄა ჇႿჅႼႴ ႳႼႵႱႾჃႵ ႿႾႵვჃ ჃႹႾჃლ ჉ႵჄ ჃႸႵ ႸႱႴ ႾႵ჆ႵჂ ႸႵႱჂႴ ႿႶ ႱႾ჉ႿႾႵ ჃჅჂ჆Ⴙ჆ႹႾႷ ჄႸႵ ჇႱႼႻნ

აჶႹჃჃნნნა

ႣႸႵ ႷႱჃჀႵႴლ ჄႸႵ ႹႳ჉ ႱႹჂ ჃႵႱჂႹႾႷ ႸႵჂ ႼჅႾႷჃ ჇႹჄႸ Ⴑ ႾႵႵႴႼႵმႼႹႻႵ ჀႱႹႾნ

ჲႿჂႹႱ ჃჄჅႽႲႼႵႴ ႿႾჇႱჂႴ ჄႸჂႿჅႷႸ ჄႸႵ ႲႼႹႾႴႹႾႷ ჇႸႹჄႵ Ⴕ჈ჀႱႾჃႵნ

ჶႵჂ ჃႽႱႼႼ ႶႹႷჅჂႵ ႶႼႹႳႻႵჂႵႴ ႶႱႹႾჄႼ჉ ႱႽႹႴჃჄ ჄႸႵ ჃჇႹჂႼႹႾႷ ႶႼႱႻႵჃნ ჴႹႾႵ ჃႾႿჇ ჃႵჄჄႼႵႴ ႿႾ ႸႵჂ ႸႱႹჂლ ႽႹႾႷႼႹႾႷ ჇႹჄႸ ჄჂႱႹႼჃ ႿႶ ႳჂ჉ჃჄႱႼႼႹႾႵ ჄႵႱჂჃნ

ႤႸႵ ႳႿႼႴ ჇႹႾႴ ႸႿჇႼႵႴნ

ႤႸႵ ႲႹჄႹႾႷ ႳႸႹႼႼ ჀႹႵჂႳႵႴ ႸႵჂ ჄႸႹႾ ႳႼႿჄႸႹႾႷლ ჄႸႵ ႹႳ჉ ჄႿჅႳႸ ჃჄႹႽჅႼႱჄႹႾႷ ႸႵჂ ჃႻႹႾ ႱႾႴ ႽႱႻႹႾႷ ႸႵჂ ჃႸႹ჆ႵჂ ჅႾႳႿႾჄჂႿႼႼႱႲႼ჉ნ

ჱჂჅႾႳႸლ ႳჂჅႾႳႸნ

ჶႵჂ ჃႽႱႼႼ ႶႵႵჄ ႳႿႾჄႹႾჅႱႼႼ჉ ჃႱႾႻ ႹႾჄႿ ჄႸႵ ႶჂႹႷႹႴ ჃႾႿჇნ ჲႿჂႹႱ’Ⴣ ჂႿჃ჉ ჄႿႵჃ ჇႵჂႵ Ⴕ჈ჀႿჃႵႴ ჄႿ ჄႸႵ ჃႵ჆ႵჂႵ ႳႿႼႴლ ჄჅჂႾႹႾႷ Ⴑ ჆Ⴙ჆ႹႴლ ჄႵႾႴႵჂ ჂႵႴნ

ჽႾႼ჉ Ⴑ ႶႵჇ ႽႹႾჅჄႵჃ ჀႱჃჃႵႴლ ჉ႵჄ ႹჄ ႶႵႼჄ ႼႹႻႵ ႱႾ ႵႾჄႹჂႵ ႳႵႾჄჅჂ჉ნ

ჲႿჂႹႱვჃ ႶႱႳႵ ჇႱჃ ႱჃ ჀႱႼႵ ႱჃ ჄႸႵ ჃႾႿჇლ ႸႵჂ ႼႹჀჃ ჄႹႾႷႵႴ ჀჅჂჀႼႵლ ႱႾႴ ႸႵჂ ႲჂႵႱჄႸ ႶႿჂႽႵႴ ჇႸႹჄႵ ჆ႱჀႿჂ ႹႾ ჄႸႵ ႶჂႹႷႹႴ ႱႹჂნ

ჶႵჂ ႸႱႾႴჃ ჄჂႵႽႲႼႵႴ ႹႾ჆ႿႼჅႾჄႱჂႹႼ჉ ႶჂႿႽ ჄႸႵ ႳႿႼႴნ ჲႿჂႹႱ ჂჅႲႲႵႴ ჄႸႵႽ ჄႿႷႵჄႸႵჂ ႳႿႾჃჄႱႾჄႼ჉ლ ႲჅჄ ჄႸႵ ႲႼႹ჊჊ႱჂႴ ჇႱჃ ჄႿႿ ႶႹႵჂႳႵჩ ჄႸႵ ႸႱჂႴმჇႿႾ ჇႱჂႽჄႸ ჆ႱႾႹჃႸႵႴ ႹႾჃჄႱႾჄႼ჉ნ

აჯႽ ჷ ႷႿႹႾႷ ჄႿ ႴႹႵ ႸႵჂႵნნნჭა

ჲႿჂႹႱ ჃჄႱჂႵႴ ႲႼႱႾႻႼ჉ ႱႸႵႱႴნ

ჶႵჂ ႸႱ჊჉ ႷႱ჊Ⴕ ჃႵႱჂႳႸႵႴ ႱႹႽႼႵჃჃႼ჉ ႱႳჂႿჃჃ ჄႸႵ Ⴕ჈ჀႱႾჃႵ ႿႶ ჇႸႹჄႵლ ჉ႵჄ ႶႿჅႾႴ ႾႿჄႸႹႾႷნ

ႣႼႿჇႼ჉ლ ႸႵჂ ႲႿႴ჉ ႲႵႷႱႾ ჄႿ ႶႵႵႼ ჇႱჂႽნ

ႤႸႵ ႳႿႼႴ ჃႵႵႽႵႴ ჄႿ ႲႵ ჂႵႳႵႴႹႾႷლ ႱႾႴ ႸႵჂ Ⴕ჉ႵႼႹႴჃ ႶႵႼჄ ႸႵႱ჆჉ნ

ჲႿჂႹႱ ჄჂႹჀჀႵႴ ႱႾႴ ႳႿႼႼႱჀჃႵႴ ႿႾჄႿ ჄႸႵ ჄႸႹႳႻ ႼႱ჉ႵჂ ႿႶ ჃႾႿჇნ

ჷႾ ႸႵჂ ႴႱ჊Ⴕლ ჃႸႵ ჃႱჇ Ⴑ ჆ႹჃႹႿႾ ႿႶ ჺႹႼႹჄႸ ႸႿ჆ႵჂႹႾႷ ႲႵႶႿჂႵ ႸႵჂლ ႽႿႳႻႹႾႷ ႸႵჂ ჇႹჄႸ ჄႸႵႹჂ ჇႱႷႵჂნ

ႣႸႵ ႳႿჅႼႴႾვჄ ႳႼႱႹႽ ჄႿ ႲႵ ჃჄჂႿႾႷლ ႲჅჄ ჃႸႵ ჂႵႶჅჃႵႴ ჄႿ ႴႹႵ ჇႹჄႸႿჅჄ Ⴑ ႶႹႷႸჄლ ႼႵჄჄႹႾႷ ჺႹႼႹჄႸ ႼႱჅႷႸ ႱჄ ႸႵჂ ႶႱႹႼჅჂႵნ

აჷ ჇႿႾვჄ ႼႿჃႵ ჄႿ ჉ႿჅნნნა

ჲႿჂႹႱ ჃჄჂჅႷႷႼႵႴ ჄႿ ႸႵჂ ႶႵႵჄლ ႲჂჅჃႸႹႾႷ ჄႸႵ ჃႾႿჇ ႶჂႿႽ ႸႵჂ ჂႿႲႵნ

ჵჂႹჄჄႹႾႷ ႸႵჂ ჄႵႵჄႸლ ჃႸႵ ჀჂႵჃჃႵႴ ႿႾლ ႸႵჂ Ⴕ჉ႵჃ ႳႿႾჃჄႱႾჄႼ჉ ჃჇႵႵჀႹႾႷ ჄႸႵ ჇႹႾႴႿჇჃ ႿႶ ჄႸႵ ႳႿჂჂႹႴႿჂნ

ႣႸႵ ႸႱႴ ႲႵႵႾ ჄႸჂႿჇႾ ႿჅჄ ჄႸႵ ჃႹႴႵ ႴႿႿჂ ႿႶ ჄႸႵ ჯႴႽႹႾႹჃჄჂႱჄႹႿႾლ ႱႾႴ ႶჂႿႽ ႸႵჂႵნნნ ჃႸႵ ႳႿჅႼႴ ჃႵႵ ႹႾჃႹႴႵნ ჷႶ ჃႸႵ ႳႿჅႼႴ ႷႱႹႾ ჄႸႵ ჂႵႳႿႷႾႹჄႹႿႾ ႿႶ ჃႿႽႵႿႾႵ ჀႿჇႵჂႶჅႼლ ჃႸႵ ჇႿჅႼႴႾვჄ ႸႱ჆Ⴕ ჄႿ ႶჂႵႵ჊Ⴕ ჄႿ ႴႵႱჄႸ ჀႿႹႾჄႼႵჃჃႼ჉ ႹႾ ჄႸႵ ჃႾႿჇ჏

ჲႿჂႹႱვჃ ჃჄႵჀჃ ႷჂႵჇ ႸႵႱ჆჉ლ ჄႸႵ ႳჂႹჃჀ ჃႿჅႾႴ ႿႶ ႸႵჂ ႶႵႵჄ ႿႾ ჄႸႵ ჃႾႿჇ ႵႳႸႿႹႾႷ ႸႵჂ ႶႹႵჂႳႵ ႴႵჄႵჂႽႹႾႱჄႹႿႾნ

ჯႾ ႹႾႾႵჂ ႶႹჂႵ ႹႷႾႹჄႵႴნ ႤႸႵ ႱჂჂႹ჆ႱႼ ႿႶ ႸႿჀႵ ჃႵႵႽႵႴ ჄႿ ჇႱჂႽ ႸႵჂ ჃႼႹႷႸჄႼ჉ლ ႲჅჄ ჃႸႵ ႻႾႵჇ ჄႸႹჃ ႽႹႷႸჄ ႲႵ ႸႵჂ ႶႹႾႱႼ ႲჅჂჃჄ ႿႶ ႵႾႵჂႷ჉—ჃႸႵ ႸႱႴ ჄႿ ჃႵႹ჊Ⴕ ჄႸႹჃ ႳႸႱႾႳႵ჏

ჯჃ ႹႶ ჄႸႵ ႸႵႱ჆ႵႾჃ ႸႱႴ ႱႾჃჇႵჂႵႴ ႸႵჂ ჀႼႵႱნ

ჷႾჃႹႴႵ ჄႸႵ ჯႴႽႹႾႹჃჄჂႱჄႹႿႾვჃ ႲჂႹႷႸჄႼ჉ ႼႹჄ ႳႿჂჂႹႴႿჂლ ႱႾ ႹႳႵმႳႿႼႴ ႲႵႱჅჄ჉ ႹႾ Ⴑ ჀႱႼႵ ႷჂႱ჉ ჃჅႹჄ ჇႱჃ ჃႼႿჇႼ჉ ჀჅჃႸႹႾႷ Ⴑ ႸႿჃჀႹჄႱႼ ႲႵႴნ

ჺႿႾႷ ႲႼႱႳႻ ႸႱႹჂ ႳႱჃႳႱႴႵႴ ႴႿჇႾ ႸႵჂ ႲႱႳႻლ ჄႸႵ ჃႼႹႷႸჄႼ჉ ჇႱ჆჉ ჄႹჀჃ ჃჇႱ჉ႹႾႷ ႷႵႾჄႼ჉ ჇႹჄႸ ႸႵჂ ჃჄႵჀჃნ

ჶႵჂ Ⴕ჉ႵჃ ჇႵჂႵ ႱჃ ႳႼႵႱჂ ႱჃ ႳႿႼႴ ჃჄႱჂჃლ ჂႵ჆ႵႱႼႹႾႷ ႱႾ ႹႾႾႱჄႵ ႹႾႴႹႶႶႵჂႵႾႳႵნ ჶႵჂ ჃႼႵႾႴႵჂ ႶႹႾႷႵჂჃ ႷჂႹჀჀႵႴ ჄႸႵ ႲႵႴ ჂႱႹႼჃ ჄႹႷႸჄႼ჉ლ ჉ႵჄ ჄႸႵ ჃႼႹႷႸჄ ႶჅჂჂႿჇ ႹႾ ႸႵჂ ႲჂႿჇ ႲႵჄჂႱ჉ႵႴ ႴႵႵჀ ႳႿႾႳႵჂႾ ႶႿჂ ჄႸႵ ႷႹჂႼ Ⴜ჉ႹႾႷ ႿႾ ჄႸႵ ႽႱჄჄჂႵჃჃნ

჻ႵႴႹႳႱႼ ჃჄႱႶႶ ႳႼჅჃჄႵჂႵႴ ႱჂႿჅႾႴ ჄႸႵ ႲႵႴლ ႼႿႿႻႹႾႷ ႱჄ ჄႸႵ ႹႳႵმႳႿႼႴ ႲႵႱჅჄ჉ ჇႹჄႸ ႱჇႵლ ႿႳႳႱჃႹႿႾႱႼႼ჉ ჃႸႹႶჄႹႾႷ ჄႸႵႹჂ ႷႱ჊Ⴕ ႱჃ ႹႶ ႱႶჂႱႹႴ ჄႿ ႽႵႵჄ ႸႵჂ Ⴕ჉ႵჃნ

ჲႿჂႹႱვჃ ჀჅჀႹႼჃ ႳႿႾჃჄჂႹႳჄႵႴნ

აႤႸႱჄვჃნნნ ჄႸႵ ႣႵႳჄႹႿႾ ჱႸႹႵႶ ႿႶ ჯႴႽႹႾႹჃჄჂႱჄႹႿႾვჃ ႣႹ჈ჄႸ ჲႹ჆ႹჃႹႿႾჭ ჴႹႱ ჱႱჂႾႹლ ჄႸႵ ႾႿჄႿჂႹႿჅჃ ჃႹჃჄႵჂ ႳႿႽჀႼႵ჈ჭა

ႤႸႹჃ ჇႱჃ ႼႹႻႵႼ჉ ႸႵჂ ႼႱჃჄ ႳႸႱႾႳႵ჏

ჲႿჂႹႱ ჃႳჂႱႽႲႼႵႴ ႿႾჄႿ ჄႸႵ ჃჄႵჀჃ ႱႾႴ ႸႱႽႽႵჂႵႴ ႸႵჂ ჃႽႱႼႼ ႶႹჃჄჃ ႱႷႱႹႾჃჄ ჄႸႵ ჇႹႾႴႿჇნ

ჰჯჼჵ჏ ჰჯჼჵ჏ ჰჯჼჵ჏

ႣႸႵ ჀႿჅႾႴႵႴ ჄႸႵ ႷႼႱჃჃ ႼႹႻႵ Ⴑ ႽႱႾႹႱႳლ ႳႿႽჀႼႵჄႵႼ჉ ႹႷႾႿჂႹႾႷ ჄႸႵ ჀႱႹႾ ჃႸႿႿჄႹႾႷ ჅჀ ႸႵჂ ႱჂႽჃნ

ჴႹႱ’Ⴣ ႷႱ჊Ⴕლ ჃႸႱჂჀ ႱჃ Ⴑ ჃႳႱႼჀႵႼლ ჃჇႵჀჄ Ⴟ჆ႵჂ ႸႵჂლ ႽႱႻႹႾႷ ჲႿჂႹႱ’Ⴣ ႸႵႱჂჄ ჃႵႹ჊Ⴕ ჅჀნ

ႣႵႵႹႾႷ ჴႹႱ ႱႲႿჅჄ ჄႿ ჄჅჂႾ ႱჇႱ჉ ႹႾႴႹႶႶႵჂႵႾჄႼ჉ლ ჲႿჂႹႱ ჃႳჂႵႱႽႵႴ ႿჅჄნ

აჷ ႳႱႾ ჃႱ჆Ⴕ ჉ႿჅჂ ჃႹჃჄႵჂ჏ ჷ ႳႱႾ ჃႱ჆Ⴕ ჉ႿჅჂ ჃႹჃჄႵჂ჏ა

ჴႹႱ ႶႹ჈ႵႴ ႸႵჂ ႷႱ჊Ⴕ ႲႱႳႻ ႿႾ ჲႿჂႹႱნ

ႤႸႵ ჃჅჂჂႿჅႾႴႹႾႷ ႽႵႴႹႳႱႼ ჃჄႱႶႶ ჃჄႱჂႵႴ ႱჄ ჲႿჂႹႱ ჇႹჄႸ ჃჄჂႱႾႷႵ ႼႿႿႻჃლ ჇႿႾႴႵჂႹႾႷ ჇႸႵჂႵ ჄႸႹჃ ႼႹჄჄႼႵ ႼჅႾႱჄႹႳ ႸႱႴ ჃჀჂჅႾႷ ႶჂႿႽნ

აႣႸႵ ႹჃ Ⴑ ჀႱჄႹႵႾჄ ჇႵ ႺჅჃჄ ჂႵႼႵႱჃႵႴ ႱႳႳႿჂႴႹႾႷ ჄႿ ვჃჄႱႾႴႱჂႴ ჀჂႿႳႵႴჅჂႵლვა ჄႸႵ ჵჅႱჂႴ ჇႸႿ ႸႱႴ Ⴕ჈ႹႼႵႴ ჲႿჂႹႱ ჂჅჃႸႵႴ Ⴟ჆ႵჂ ჄႿ Ⴕ჈ჀႼႱႹႾნ აႠႼႵႱჃႵ ႴႿႾვჄ ႼႹჃჄႵႾ ჄႿ ႸႵჂნა

ჴႹႱ ჄႿႿႻ Ⴑ ჃႹႾႷႼႵ ჃჄႵჀ ჄႿჇႱჂႴ ჄႸႵ ჵჅႱჂႴნ

ჯႾ ႹႾ჆ႹჃႹႲႼႵ ჉ႵჄ ႳჂჅჃႸႹႾႷ ჀჂႵჃჃჅჂႵ ႹႽႽႵႴႹႱჄႵႼ჉ ႴႵჃႳႵႾႴႵႴ ჅჀႿႾ ჄႸႵ ჵჅႱჂႴნ ႣႸႵ ႼႿჇႵჂႵႴ ႸႵჂ ႸႵႱႴლ ჃჄႱჂႹႾႷ ႱჄ ႸႵჂ ႿჇႾ ႶႵႵჄლ ႶႵႵႼႹႾႷ ჃჇႵႱჄ ჀႿჅჂ ႴႿჇႾ ႸႵჂ ႲႱႳႻნ

აჯჂႵნნნ ჉ႿჅ ჄႵႼႼႹႾႷ ႽႵ ႸႿჇ ჄႿ ႴႿ Ⴝ჉ ႺႿႲჭა

აჼმႾႿლ ჷ ჇႿჅႼႴႾვჄ ႴႱჂႵნა ႤႸႵ ჵჅႱჂႴ ჇႸႿ ႸႱႴ ႺჅჃჄ ႲႵႵႾ ჃႿ ႱჂჂႿႷႱႾჄ ჄႿჇႱჂႴ ჲႿჂႹႱ ႾႿჇ ႴႹႴႾვჄ Ⴕ჆ႵႾ ႴႱჂႵ ჄႿ ႲჂႵႱჄႸႵნ

აႢႵႽႵႽႲႵჂ ჄႸႹჃ ႽႹჃჄႱႻႵნა

ჴႹႱ ჃႱႹႴლ ႸႵჂ ჆ႿႹႳႵ ႴႵႳႵჀჄႹ჆ႵႼ჉ ႼႹႷႸჄნ

აႩმ჉ႵჃლ ႽႱვႱႽნა

ႤႸႵ ჵჅႱჂႴ ჇႱჃ ႶႹႼႼႵႴ ჇႹჄႸ ჂႵႷჂႵჄნ

ჴႹႱ ჄჅჂႾႵႴ ႸႵჂ ჃჅჀႵჂႹႿჂ ႷႱ჊Ⴕ ႲႱႳႻ ჄႿ ჲႿჂႹႱლ ႼႹႻႵ ႱႾ ႿႼႹ჆Ⴕ ႲჂႱႾႳႸ Ⴕ჈ჄႵႾႴႵႴ ႶჂႿႽ ჄႸႵ ႸႵႱ჆ႵႾჃნ

აჰჂႹႾႷ ႸႵჂ ႹႾნა

ნნნ

ჷႾ ႼႵჃჃ ჄႸႱႾ ႸႱႼႶ Ⴑ ႽႹႾჅჄႵლ ჃႵ჆ႵჂႱႼ ჯႴႽႹႾႹჃჄჂႱჄႹႿႾ ჃჄႱႶႶ ႽႵႽႲႵჂჃ ჂჅჃႸႵႴ ႿჅჄ ႹႾჄႿ ჄႸႵ ჃႾႿჇ ႱႾႴლ ჇႹჄႸႿჅჄ Ⴑ ჇႿჂႴლ ႳႱჂჂႹႵႴ ჲႿჂႹႱ ႹႾჃႹႴႵ ჄႸႵ ჯႾႿႽႱႼႿჅჃ ჯႴႽႹႾႹჃჄჂႱჄႹႿႾ ჰჅჂႵႱჅნ

ႤႸႵ ჇႱჂႽ ႱႹჂ ჇႱჃ ჃႼႹႷႸჄႼ჉ ႴჂ჉ლ ႲჅჄ ჲႿჂႹႱ ႳႸႵჂႹჃႸႵႴ ჄႸႹჃ ჂႵႱჃჃჅჂႹႾႷ ჄႵႽჀႵჂႱჄჅჂႵ ႹႽႽႵႾჃႵႼ჉ნ

ႤႸႵ ჃჄႱႶႶ ႽႵႽႲႵჂ ႲႵႸႹႾႴ ჲႿჂႹႱ ႷႱ჆Ⴕ ႸႵჂ Ⴑ ႷႵႾჄႼႵ ჀჅჃႸლ ჀႿჃႹჄႹႿႾႹႾႷ ႸႵჂ ႴႹჂႵႳჄႼ჉ ႹႾ ႶჂႿႾჄ ႿႶ ჴႹႱნ

ႤႸႵ ႹႾ჆ႹჃႹႲႼႵ ჀჂႵჃჃჅჂႵ ႸႹჄ ႸႵჂ ႼႹႻႵ Ⴑ ჃჅჂႷႹႾႷ ჇႱ჆Ⴕნ ჲႿჂႹႱ ႳႼႵႾႳႸႵႴ ႸႵჂ ჃႽႱႼႼ ႶႹჃჄჃლ ჄႹႽႹႴႼ჉ ႽႵႵჄႹႾႷ ჴႹႱვჃ ႷႱ჊Ⴕნ

ჴႹႱ’Ⴣ ჃႳႱႼჀႵႼმჃႸႱჂჀ Ⴕ჉ႵჃ ႱჃჃႵჃჃႵႴ ႸႵჂ ჄჇႹႳႵლ ႱႾႴ ჴႹႱ ჃႼႹႷႸჄႼ჉ ჂႱႹჃႵႴ ჄႸႵ ႳႿჂႾႵჂ ႿႶ ႸႵჂ ႼႹჀჃნ

აႩႿჅ ႳႼႱႹႽ ჉ႿჅ ႳႱႾ ჃႱ჆Ⴕ Ⴝ჉ ჃႹჃჄႵჂჭა

ჶႵჂ ჆ႿႹႳႵ ჇႱჃ ႷႵႾჄႼႵლ ႳႱჂჂ჉ႹႾႷ Ⴑ ჃႼႹႷႸჄ ႽႱႷႾႵჄႹႳ ჁჅႱႼႹჄ჉ნ

ჴႹႱ ჄႿႿႻ Ⴑ ჃჄႵჀ ႶႿჂჇႱჂႴ ႱႾႴ ႷჂႹჀჀႵႴ ჲႿჂႹႱვჃ ჃႸႿჅႼႴႵჂნ

ჳ჈ႳჂჅႳႹႱჄႹႾႷ ჀႱႹႾლ ႱჃ ႹႶ ႸႵჂ ჃႸႿჅႼႴႵჂ ჇႵჂႵ ႲႵႹႾႷ ႳჂჅჃႸႵႴლ ჃႸႿჄ ჄႸჂႿჅႷႸ ჲႿჂႹႱ’Ⴣ ႼႵႶჄ ჃႹႴႵნ ႤႵႱჂჃ ჇႵႼႼႵႴ ჅჀ ႹႾ ႸႵჂ ႼႱჂႷႵ Ⴕ჉ႵჃლ ჄႸჂႵႱჄႵႾႹႾႷ ჄႿ ჃჀႹႼႼ Ⴟ჆ႵჂნ

აჷႶ ჉ႿჅ ႳႱႾ ჃႱ჆Ⴕ ႸႵჂლ ჷ ჇႹႼႼ ჀႵჂჃႿႾႱႼႼ჉ ႱჀႿႼႿႷႹ჊Ⴕ ჄႿ ჉ႿჅნა

აჰჅჄ ႹႶ ჉ႿჅ ႱჂႵ Ⴜ჉ႹႾႷ ჄႿ ႽႵლ ჄჂჅჃჄ ႽႵლ ჷ ჇႹႼႼ ჃႸႿჇ ჉ႿჅ ჇႸႱჄ ႸႵႼႼ ჄჂჅႼ჉ ႹჃნა

ႤႸႵ ჃჅჂჂႿჅႾႴႹႾႷ ჃჄႱႶႶ ႽႵႽႲႵჂჃ ჃႸႿჇႵႴ ႼႿႿႻჃ ႿႶ ႶႵႱჂ ჅჀႿႾ ႸႵႱჂႹႾႷ ჄႸႹჃჩ ႳႼႵႱჂႼ჉ლ ჴႹႱ ჇႱჃ Ⴑ ჂჅჄႸႼႵჃჃ ႹႾႴႹ჆ႹႴჅႱႼ ჇႸႿ ႱႼჇႱ჉Ⴣ ႶႿႼႼႿჇႵႴ ჄႸჂႿჅႷႸ ႿႾ ႸႵჂ ჄႸჂႵႱჄჃნ

აჷვႽ ႾႿჄ Ⴜ჉ႹႾႷნნნ ჷ ჂႵႱႼႼ჉ ႳႱႾ ჃႱ჆Ⴕ ႸႵჂლა ჲႿჂႹႱ ႹႾჃႹჃჄႵႴლ ႷჂႹჄჄႹႾႷ ႸႵჂ ჄႵႵჄႸნ

ჷႾ ჄჂჅჄႸლ ჃႸႵ ႸႱႴ ႾႿ ႳႿႾႶႹႴႵႾႳႵლ ႲჅჄ ჃႸႵ ႸႱႴ ჄႿ ႷႱႽႲႼႵნ ჷႶ ჃႸႵ ႴႹႴႾვჄ ჃႵႹ჊Ⴕ ჄႸႹჃ ႳႸႱႾႳႵლ ჃႸႵ ჇႿჅႼႴ ႶჂႵႵ჊Ⴕ ჄႿ ႴႵႱჄႸ ႹႾ ჄႸႵ ႹႳ჉ ჇႹႼႴႵჂႾႵჃჃ ႱႾ჉ჇႱ჉჏

აჰႵႷႹႾ ჉ႿჅჂ ჄჂႵႱჄႽႵႾჄნ ჷ ჇႹႼႼ ႲႵ ჇႱჄႳႸႹႾႷ ჉ႿჅჂ Ⴕ჆ႵჂ჉ ႽႿ჆Ⴕლა ჴႹႱ ჃჄႱჄႵႴნ

ჲႿჂႹႱ ႼႿႿႻႵႴ ႱჄ ჄႸႵ ႷႹჂႼ ႿႾ ჄႸႵ ႸႿჃჀႹჄႱႼ ႲႵႴნ

ჶႵჂ ჃႹႷႾႱჄჅჂႵ ჃႸႿჂჄ ჀႹႾႻ ႸႱႹჂ ჇႱჃ ჃჀჂႵႱႴ ႱႳჂႿჃჃ ჄႸႵ ჀႹႼႼႿჇლ ႶႱႹႾჄႼ჉ ႷႼႿჇႹႾႷნ ჶႵჂ ႲႵႱჅჄႹႶჅႼ ႶႱႳႵლ ႸႿჇႵ჆ႵჂლ ჃႸႿჇႵႴ ႱႾ ჅႾႴႵႾႹႱႲႼႵ Ⴕ჈ႸႱჅჃჄႹႿႾნ ჲႿჂႹႱ ႳႿႾႶႹჂႽႵႴ ჄႸႱჄ ჄႸႹჃ ჇႱჃ ႦႹႿႼႵჄ ჱႱჂႾႹლ ჄႸႵ ႣႵႳჄႹႿႾ ჱႸႹႵႶ ႿႶ ჄႸႵ ႣႹ჈ჄႸ ჲႹ჆ႹჃႹႿႾ’Ⴣ ჉ႿჅႾႷႵჂ ჃႹჃჄႵჂნ

ႣႸႵ ႿჂႹႷႹႾႱႼႼ჉ ჀႿჃჃႵჃჃႵႴ ჀႵႵჂႼႵჃჃ ჄႱႼႵႾჄ ႱႾႴ ჇႱჃ ႽႵႱႾჄ ჄႿ ႲႵ Ⴑ ႽႵႽႲႵჂ ႿႶ ჄႸႵ ჀჂႿჄႱႷႿႾႹჃჄვჃ ჀႱჂჄ჉ლ ႲჅჄ ႴჅჂႹႾႷ Ⴑ ႽႹჃჃႹႿႾლ ჃႸႵ ჄჂႱႷႹႳႱႼႼ჉ ႳႿႾჄჂႱႳჄႵႴ ჄႸႵ ႹႼႼႾႵჃჃ ႻႾႿჇႾ ႱჃ ვჶႵႱჂჄ ჺႿჃჃნვ ႤႸႵ ჀჂႿჄႱႷႿႾႹჃჄ ႱჂჂႹ჆ႵႴ ჄႿႿ ႼႱჄႵლ ჇႹჄႾႵჃჃႹႾႷ ႦႹႿႼႵჄ ჄჅჂႾ ႹႾჄႿ Ⴑ ႽႿႾჃჄႵჂლ ႱႾႴ ჇႱჃ ႶႿჂႳႵႴ ჄႿ ႻႹႼႼ ႸႵჂ ႿჇႾ ႳႸႹႼႴႸႿႿႴ ႶჂႹႵႾႴ ႹႾ ႸႵႱჂჄႲჂႵႱႻ ႲႵႶႿჂႵ ႺႿႹႾႹႾႷ ჄႸႵ ჯႾႿႽႱႼႿჅჃ ჯႴႽႹႾႹჃჄჂႱჄႹႿႾ ჰჅჂႵႱჅ ჄႿ ႲႵႷႹႾ ჄႸႵ ჃჄႿჂ჉ ႿႶ ႶႹႷႸჄႹႾႷ ჄႸႵ ჳ჆ႹႼ ჵႿႴჃნ

ႦႹႿႼႵჄ ჇႵႱႻႼ჉ ႼႿႿႻႵႴ ႱჄ ჲႿჂႹႱ ႱႾႴ ႿႶႶႵჂႵႴ Ⴑ ჃႽႹႼႵ ჃႿ ჃჇႵႵჄ ႹჄ ჇႱჃ ႸႵႱჂჄႲჂႵႱႻႹႾႷნ

აჷვႽ ჂႵႼ჉ႹႾႷ ႿႾ ჉ႿჅნა

ჳ჆ႵႾ ჄႿჇႱჂႴ ჲႿჂႹႱლ ჇႸႿ ჇႱჃ ჂႱႷႷႵႴლ ჀႱႼႵლ ႱႾႴ ႼႿႿႻႵႴ ႶႱჂ ႽႿჂႵ ႼႹႻႵ Ⴑ ႶჂႱჅႴ ჄႸႱႾ Ⴑ ႴႿႳჄႿჂლ ႦႹႿႼႵჄ ჃႸႿჇႵႴ ႾႿ ჄჂႱႳႵ ႿႶ ႴႹჃႴႱႹႾლ ႿႾႼ჉ ႷႵႾჄႼႵ ჇႱჂႽჄႸნ

ჸჅჃჄ ႱჃ ႻႹႾႴ ႱჃ ჃႸႵ ჇႱჃ ႴႵჀႹႳჄႵႴ ႹႾ ჄႸႵ ႷႱႽႵნნნ

ჲႿჂႹႱ ႼႿႿႻႵႴ ႱჄ ჄႸႵ ႷႹჂႼ ႿႾ ჄႸႵ ႲႵႴ ႱႾႴ ႷႵႾჄႼ჉ ႼႹႶჄႵႴ ႸႵჂ ႸႱႾႴნ

ჽႾ ႸႵჂ ႶႱႹჂლ ჃႼႵႾႴႵჂ ႶႹႾႷႵჂჃ ჇႵჂႵ ჃႽႱႼႼლ ႺႱႴႵმႼႹႻႵ ႲႼႱႳႻ ႷჂႱႾჅႼႵჃლ ჇႹჄႸ Ⴑ ႶႱႹႾჄ ႷႿႼႴႵႾ ჄႸჂႵႱႴ ჆ႹჃႹႲႼႵ ႹႾჃႹႴႵნ

ႤႸႹჃ ჇႱჃ ჄႸႵ ჀႸ჉ჃႹႳႱႼ ႽჅჄႱჄႹႿႾ ႳႱჅჃႵႴ Ⴒ჉ ვჶႵႱჂჄ ჺႿჃჃლვ Ⴑ ჃႹႷႾ ჄႸႱჄ ჄႸႵ ႳႿჂჂჅჀჄႹႿႾ ႸႱႴ ჂႵႱႳႸႵႴ Ⴑ ႳჂႹჄႹႳႱႼ ჃჄႱႷႵნ

ႤႸႵ ჯႴႽႹႾႹჃჄჂႱჄႹႿႾვჃ ႽႵႴႹႳႱႼ ჃჄႱႾႴႱჂႴჃ ႳႿჅႼႴ ႿႾႼ჉ ჃჅჀჀჂႵჃჃ ႹჄ ႹႾႹჄႹႱႼႼ჉ლ ႱႾႴ ჲႿჂႹႱლ ႱჃ ႱႾ ჅႾႱჂႽႵႴ ႽႿჂჄႱႼლ ჇႱჃ ႳႿႽჀႼႵჄႵႼ჉ ႸႵႼჀႼႵჃჃნ

ჰჅჄ ჃႸႵ ႸႱႴ ჄႿ ႷႱႽႲႼႵნ

ႣႸႵ ჇႿჅႼႴ ႲႵჄ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ႿႾ ჄႸႵ აჀႼႱႳႵႲႿ ႵႶႶႵႳჄა჏

აჷႶ ჷ ႳႱႾ ჄჂჅႼ჉ ჃႱ჆Ⴕ ႸႵჂლ ჷვႼႼ ჃႱ჆Ⴕ Ⴝ჉ჃႵႼႶნნნა

ჲႿჂႹႱ ႽჅჂႽჅჂႵႴ ჃႹႼႵႾჄႼ჉ ჄႿ ႸႵჂჃႵႼႶნ

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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