Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Chapter 5

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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“ჽჀႵႾ ჄႸႵ ႴႿႿჂნ”

ჴႹႱ ჱႱჂႾႹ’Ⴣ ႱႾႷჂ჉ ჆ႿႹႳႵ ႳႱႽႵ ႶჂႿႽ ႿჅჄჃႹႴႵნ ႦႹႿႼႵჄ ჱႱჂႾႹ ჃႳჂႱႽႲႼႵႴ ჅჀლ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჃႸႹႵႼႴႹႾႷ ႸႵჂჃႵႼႶ ჇႹჄႸ ႸႵჂ ႸႱႾႴჃლ ႼႹႻႵ Ⴑ ჃჄႱჂჄႼႵႴ ႶႱჇႾნ

ჲႿჂႹႱ ჂႵႼჅႳჄႱႾჄႼ჉ ႿჀႵႾႵႴ ႸႵჂ Ⴕ჉ႵჃნ

ႣႸႵ ႴႹႴႾვჄ Ⴕ჆ႵႾ ჇႱႾჄ ჄႿ ႱႳႻႾႿჇႼႵႴႷႵ ჄႸႱჄ ႦႹႿႼႵჄ ჱႱჂႾႹ ჇႱჃ ႸႵჂႵნ

ჲႿჂႹႱ ჃႼႿჇႼ჉ ႿჀႵႾႵႴ ႸႵჂ Ⴕ჉ႵჃლ Ⴑ ႶႼႹႳႻႵჂ ႿႶ ჃჅჂჀჂႹჃႵ ႳჂႿჃჃႹႾႷ ႸႵჂ ႲႼႿႿႴმჂႵႴ ႷႱ჊Ⴕ ႱჃ ჃႸႵ ႼႿႿႻႵႴ ႱჄ ႦႹႿႼႵჄ ჱႱჂႾႹნ

ჹႾႿႳႻლ ႻႾႿႳႻლ ႻႾႿႳႻნ

“ჽჀႵႾ ჄႸႵ ႴႿႿჂლ ႿჂ ჉ႿჅჂ ჂႿႿႽ ჇႿႾ’Ⴤ ႾႵႵႴ Ⴑ ႴႿႿჂ ႱႾ჉ႽႿჂႵნ” ჴႹႱ ჱႱჂႾႹ ႴႵႼႹ჆ႵჂႵႴ ჄႸႵ ჅႼჄႹႽႱჄჅႽნ

ჲႿჂႹႱ Ⴕ჈ႳႸႱႾႷႵႴ Ⴑ ႼႿႿႻ ჇႹჄႸ ႦႹႿႼႵჄ ჱႱჂႾႹნ ႣႸႵ ჀჂႵჃჃႵႴ ႸႵჂ ႹႾႴႵ჈ ႶႹႾႷႵჂ ჆ႵჂჄႹႳႱႼႼ჉ ႱႷႱႹႾჃჄ ႸႵჂ ႼႹჀჃლ ჄႸႵႾ ჅჂႷႵႾჄႼ჉ ჀႿႹႾჄႵႴ ჄႿჇႱჂႴ ჄႸႵ ႷჂႱ჉ ჇႱჂႴჂႿႲႵ ႲႵჃႹႴႵ ჄႸႵႽნ

ჶჅჂჂ჉჏

“ჷ’ႼႼ ႷႹ჆Ⴕ ჉ႿჅ ႶႹ჆Ⴕ ჃႵႳႿႾႴჃნ” ჴႹႱ ჱႱჂႾႹ ჂႵႳႹჄႵႴ ႳႱႼႽႼ჉ნ

“ჴႹ჆Ⴕნ”

“ჴႿჅჂნ”

“ႤႸჂႵႵნ”

ႤႸჅႽჀნ ჷჄ ჃႿჅႾႴႵႴ ႼႹႻႵ ჃႿႽႵႿႾႵ ႸႱႴ ႺჅႽჀႵႴ ႿႶႶ ჄႸႵ ႲႵႴნ

ჯ ႶႼჅჂჂ჉ ႿႶ ჀႱႾႹႳႻႵႴ ႶႿႿჄჃჄႵჀჃ ჃႿჅႾႴႵႴლ ჂႱჀႹႴႼ჉ ႱჀჀჂႿႱႳႸႹႾႷ ჄႸႵ ႴႿႿჂნ

“ႤჇႿნ”

ჱႼႹႳႻ—

ჲႿჂႹႱლ ႴჂႵჃჃႵႴ ႹႾ ჄႸႵ ჯႲႾႿჂႽႱႼႹჄႹႵჃ ჰჅჂႵႱჅ’Ⴣ ႷჂႱ჉ ႱႾႴ ჇႸႹჄႵ ჅႾႹႶႿჂႽლ ჀჂႵჃჃႵႴ ჄႸႵ ႼႱჄႳႸ ႱႾႴ ႱჀჀႵႱჂႵႴ ႲႵႶႿჂႵ ჴႹႱ ჱႱჂႾႹნ

ႤႸႵ ჄჇႿლ ႿႾႵ ჄႱႼႼ ႱႾႴ ႿႾႵ ჃႸႿჂჄლ ჄႸႵႹჂ ႸႵႹႷႸჄჃ Ⴑ ჃჄႱჂႻ ႳႿႾჄჂႱჃჄლ ႼႿႳႻႵႴ Ⴕ჉ႵჃ ႹႾ Ⴑ ႽჅჄჅႱႼ ჂႵႶჅჃႱႼ ჄႿ ႲႱႳႻ ႴႿჇႾნ

ჽႸლ ჃႿ ჉ႿჅ ჄႸႹႾႻ ჉ႿჅ’ჂႵ ჄႸႵ ႿႾႼ჉ ႿႾႵ ჇႸႿ ႳႱႾ ႷႼႱჂႵჭ

ჷ ႳႱႾ ႴႿ ჄႸႵ ႳႿႼႴ ჃჄႱჂႵ ჄႿႿ჏

ჷ’ႼႼ ჃჄႱჂႵნნნ

ჰჅჄ ჇႸႵჄႸႵჂ ႺჅႴႷႵႴ Ⴒ჉ ႸႵႹႷႸჄ ႿჂ Ⴒ჉ ჄႸႵ ჃႸႵႵჂ ႽႵႾႱႳႵ ჂႱႴႹႱჄႹႾႷ ႶჂႿႽ ჴႹႱ ჱႱჂႾႹლ ჲႿჂႹႱ’Ⴣ ႽႿႽႵႾჄჅႽ ჇႱჃ ႳႼႵႱჂႼ჉ ჃႵ჆ႵჂႱႼ ჃჄႵჀჃ ႲႵႸႹႾႴნ ჯႶჄႵჂ ႿႾႼ჉ Ⴑ ႶႵჇ ჃႵႳႿႾႴჃლ ჃႸႵ ႸႱႴ ႾႿ ႳႸႿႹႳႵ ႲჅჄ ჄႿ ჀჅႶႶ ႿჅჄ ႸႵჂ ႳႸႵႵႻჃ ႱႾႴ ჀჅჄ ႸႵჂ ႸႱႾႴჃ ႿႾ ႸႵჂ ႸႹჀჃლ ႽႱႹႾჄႱႹႾႹႾႷ ႸႵჂ ႼႱჃჄ ჃႸჂႵႴ ႿႶ ჀჂႹႴႵნ

ჴႹႱ ჱႱჂႾႹ ჃჄႿႿႴ ჄႱႼႼლ ႳႸႵჃჄ ႿჅჄლ ႼႿႿႻႹႾႷ ႴႿჇႾ ႱჄ ჲႿჂႹႱნ

ႧႱჄႳႸႹႾႷ ჄႸႵ ႼႹჄჄႼႵ ჀႵჂჃႿႾ ႲႵႶႿჂႵ ႸႵჂ ႼႿჃႵ ჃჄႵႱႽ ႱႾႴ ႶႹႾႱႼႼ჉ ႼႿႿႻ ႱჇႱ჉ლ ჴႹႱ ჱႱჂႾႹ ႳჅჂႼႵႴ ႸႵჂ ႼႹჀჃ ႹႾჄႿ Ⴑ ჃႼႹႷႸჄ ჃႽႹႼႵ ႱႾႴ ႷႱ჆Ⴕ Ⴑ ჃႽႱႼႼ ႾႿႴნ

ჵႿႿႴნ ჺႿႿႻႹႾႷ ႴႿჇႾ ႹჃ ჄႸႵ ჀჂႿჀႵჂ ჀႿჃჄჅჂႵ ჇႸႵႾ ჉ႿჅ ႶႱႳႵ ႽႵნ

ჴႹႱ ჱႱჂႾႹ ჇႱႼႻႵႴ ႹႾჄႿ ჲႿჂႹႱ’Ⴣ ჂႿႿႽ ႱჃ ႹႶ ჃႸႵ ႿჇႾႵႴ ჄႸႵ ჀႼႱႳႵლ ႱႾႴ ჄႸႵ ႴႿႿჂ ႱჅჄႿႽႱჄႹႳႱႼႼ჉ ჃႸჅჄ ႲႵႸႹႾႴ ႸႵჂნ

ႣႸႵ ჃႳႱႾႾႵႴ ჄႸႵ ჂႿႿႽლ ჄႸႵႾ ႲჂႿჅႷႸჄ ႸႵჂ ႷႱ჊Ⴕ ႲႱႳႻ ჄႿ ჲႿჂႹႱნ

“ႧႸ჉ ႴႹႴ ჉ႿჅ ႼႿႳႻ ჄႸႵ ႴႿႿჂჭ ႧႵჂႵ ჉ႿჅ ႴႿႹႾႷ ჃႿႽႵჄႸႹႾႷ ႾႱჅႷႸჄ჉ ႹႾ ႸႵჂႵჭ” ჴႹႱ ჱႱჂႾႹ’Ⴣ ჄႿႾႵ ჇႱჃ ჃႼႹႷႸჄႼ჉ ႶႼႹჀჀႱႾჄლ ႸႹႾჄႹႾႷ ႱჄ ჃႿႽႵჄႸႹႾႷ ჃჅႷႷႵჃჄႹ჆Ⴕნ

ჲႿჂႹႱ’Ⴣ ႳჅჂჂႵႾჄ ჃჄႱჄჅჃ ჇႱჃლ ႱႶჄႵჂ ႱႼႼლ ჄႸႱჄ ႿႶ Ⴑ ჃჅჃჀႵႳჄႵႴ ჳႾႳႸႱႾჄ ჱႸႱჃႵჂნ

“ჷჄ’Ⴣ Ⴝ჉ ჂႿႿႽლ ჇႸ჉ ჃႸႿჅႼႴႾ’Ⴤ ჷ ႼႿႳႻ ჄႸႵ ႴႿႿჂჭ” ჲႿჂႹႱ ჂႵჄႿჂჄႵႴლ ჂႵႶჅჃႹႾႷ ჄႿ ჃႸႿჇ ჇႵႱႻႾႵჃჃნ “ჰჅჄ ჇႸ჉ ႱჂႵ ჉ႿჅლ ႵჃჄႵႵႽႵႴ ႣႵႳჄႹႿႾ ჱႸႹႵႶლ ႲႿჄႸႵჂႹႾႷ ჄႿ ჆ႹჃႹჄ ႱႾ ႹႾჃႹႷႾႹႶႹႳႱႾჄ ჀჂႹჃႿႾႵჂ ႼႹႻႵ ႽႵჭ”

ႣႸႵ ჃჄჂჅႷႷႼႵႴ ჄႿ ႻႵႵჀ Ⴑ ႶႱႹႾჄ ႸႹႾჄ ႿႶ ႽႿႳႻႵჂ჉ ႹႾ ႸႵჂ ჆ႿႹႳႵნ

჻ႱႹႾჄႱႹႾ ჄႸႵ ჀႵჂჃႿႾႱნნნ ႽႱႹႾჄႱႹႾ ჄႸႵ ჀႵჂჃႿႾႱნნნ ჷ ႳႱႾ’Ⴤ ႼႵჄ ႸႵჂ ႾႿჄႹႳႵ ႱႾ჉ჄႸႹႾႷ ႹჃ ჇჂႿႾႷ჏

ჲႿჂႹႱ ႻႵჀჄ ჂႵႱჃჃჅჂႹႾႷ ႸႵჂჃႵႼႶ ႹႾჄႵჂႾႱႼႼ჉ლ ႸႹႴႹႾႷ ႸႵჂ ჄႹႷႸჄႼ჉ ႳႼႵႾႳႸႵႴ ႶႹჃჄჃ ႲႵႸႹႾႴ ႸႵჂ ႲႱႳႻნ

ႣႸႵ ႱႲჃႿႼჅჄႵႼ჉ ႳႿჅႼႴႾვჄ ႼႵჄ ჴႹႱ ჱႱჂႾႹ ჂႵႱႼႹ჊Ⴕ ႦႹႿႼႵჄ ჱႱჂႾႹ ჇႱჃ ႹႾ ჄႸႵ ჂႿႿႽლ ႿჂ ჇႸႿ ႻႾႵჇ ჇႸႱჄ ჄႸႹჃ ჅႼჄႹႽႱჄႵ ჃႹჃჄႵჂმႳႿႽჀႼႵ჈ ႽႱႾႹႱႳ ჇႿჅႼႴ ႴႿ ჄႿ ႸႵჂ჏

“ჶႽႽნნნ ჃႿ ჉ႿჅ ႴႿ ႻႾႿჇ ჷ’Ⴝ ჄႸႵ ႣႵႳჄႹႿႾ ჱႸႹႵႶნ” ჴႹႱ ჱႱჂႾႹ ჃႽႹႼႵႴ ႶႱႹႾჄႼ჉ნ

ႤႸႱჄ ჃႽႹႼႵ ჃႵႾჄ Ⴑ ჃႸႹ჆ႵჂ ႴႿჇႾ ჲႿჂႹႱ’Ⴣ ჃჀႹႾႵლ ႽႱႻႹႾႷ ႸႵჂ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჇႱႾჄ ჄႿ ႲႿႼჄ ႲႱႳႻჇႱჂႴნ

ჵჅႼჀნ

ჲႿჂႹႱ ჃჇႱႼႼႿჇႵႴ ႸႱჂႴნ

“ჶႱჃ ႦႹႿႼႵჄ ჱႱჂႾႹ ႲႵႵႾ ႸႵჂႵჭ” ჴႹႱ ჱႱჂႾႹ ႱჃႻႵႴნ

“ჼႿლ ჇႸ჉ ჇႿჅႼႴ ჃႸႵჭ” ჲႿჂႹႱ ჂႱႹჃႵႴ ႱႾ Ⴕ჉ႵႲჂႿჇნ “ႣႵႳჄႹႿႾ ჱႸႹႵႶლ ჃჅჂႵႼ჉ ჉ႿჅ ႸႱ჆ႵႾ’Ⴤ ႶႱႹႼႵႴ ჄႿ ႻႵႵჀ ႱႾ Ⴕ჉Ⴕ ႿႾ ჉ႿჅჂ ႿჇႾ ჃႹჃჄႵჂჭ ႣႸႵ’Ⴣ ჁჅႹჄႵ ႹႼႼლ ჉ႿჅ ႻႾႿჇ჎”

ႤႸႵ ႳჅჂ჆Ⴕ ႿႶ ჴႹႱ ჱႱჂႾႹ’Ⴣ ႽႿჅჄႸ ჃႼႿჇႼ჉ ჆ႱႾႹჃႸႵႴნ

“ჶႿჇ ჷ ჄჂႵႱჄ Ⴝ჉ ჃႹჃჄႵჂ ႹჃ ႾႿჄ ႶႿჂ ჉ႿჅ ჄႿ ႼႵႳჄჅჂႵ ႽႵ ႱႲႿჅჄნ”

“ჯჃ ႶႿჂ ჉ႿჅ…”

ჴႹႱ ჱႱჂႾႹ ႱႴ჆ႱႾႳႵႴ ჃჄႵჀ Ⴒ჉ ჃჄႵჀლ ႱႾႴ ჲႿჂႹႱ ჃႼႿჇႼ჉ ჂႵჄჂႵႱჄႵႴნ

ႤႸჅႽჀ—

ႧႹჄႸ Ⴑ ჃႿႶჄ ჃႿჅႾႴლ ႸႵჂ ႸႵႵႼ ႸႹჄ ჄႸႵ ႲႵႴ ႶჂႱႽႵლ ႱႾႴ ჃႸႵ ჀႼႿჀჀႵႴ ႴႿჇႾ ႿႾჄႿ ჄႸႵ ႵႴႷႵ ႿႶ ჄႸႵ ႽႱჄჄჂႵჃჃნ

ჴႹႱ ჱႱჂႾႹ ჃႵႵႽႵႴ ჄႿ ჂႵႼႹჃႸ ჄႸႵ ႶႵႵႼႹႾႷ ႿႶ ႸჅႾჄႹႾႷ ჀჂႵ჉ნ ჯჃ ჃႸႵ ჃႼႿჇႼ჉ ჃჄႵჀჀႵႴ ჄႿჇႱჂႴ ჄႸႵ ႲႵႴლ ჲႿჂႹႱ ჃႳჂႱႽႲႼႵႴ ႲႱႳႻჇႱჂႴ ႿႾჄႿ ჄႸႵ ႽႱჄჄჂႵჃჃლ ჅჃႹႾႷ ႲႿჄႸ ႸႵჂ ႸႱႾႴჃ ႱႾႴ ႶႵႵჄნ

ჶႵჂ ႸႱႾႴჃ ႷჂႹჀჀႵႴ ჄႸႵ ႸႵႱႴႲႿႱჂႴლ ႸႵჂ Ⴕ჉ႵჃ ႲႵჄჂႱ჉ႹႾႷ Ⴑ ႸႹႾჄ ႿႶ ჀႱႾႹႳნ

“ႥႾႴႵჂ Ⴕ჈ჄჂႵႽႵ ჀჂႵჃჃჅჂႵლ ႸჅႽႱႾჃ ႷჂႱႴჅႱႼႼ჉ Ⴕ჈ჀႿჃႵ ჄႸႵႹჂ ჄჂჅႵ ႾႱჄჅჂႵლ” ჴႹႱ ჱႱჂႾႹ ჃჄႱჄႵႴლ ႸႵჂ ჄႿႾႵ ჅႾႾႵჂ჆ႹႾႷႼ჉ ႳႱႼႽნ

“ჷჄ’Ⴣ ႾႿჄ ჄႸႵ ႶႱႳႱႴႵ ჄႸႵ჉ ჇႵႱჂ Ⴕ჆ႵჂ჉ ႴႱ჉ლ ႲჅჄ ჄႸႵ ႷႵႾჅႹႾႵ ႵჃჃႵႾႳႵ…”

ႤႸჅႴ—

ჯ ႸႱႾႴ ႲႼႿႳႻႵႴ ჲႿჂႹႱ’Ⴣ ჀႱჄႸ ႿႶ ჂႵჄჂႵႱჄნ

ჰႵႾႵႱჄႸ ჄႸႵ ႷჂႱ჉ ჃჅႹჄ ႺႱႳႻႵჄლ ჄႸႵ ႼႿႾႷლ ჀႿჇႵჂႶჅႼ ႱჂႽ ႼႵႶჄ ჲႿჂႹႱ ႾႿჇႸႵჂႵ ჄႿ ႷႿნ ႣႸႵ ႳႿჅႼႴ ႿႾႼ჉ ႸჅႷ ႸႵჂ ႻႾႵႵჃლ ჃႽႱႼႼ ႱႾႴ ႸႵႼჀႼႵჃჃლ ჃჄႱჂႹႾႷ ჄႹႽႹႴႼ჉ ႱჄ ჄႸႵ ჃჄႵႱႴႹႼ჉ ႱჀჀჂႿႱႳႸႹႾႷ ჴႹႱ ჱႱჂႾႹნ

“ႧმჇႸႱჄ ႱჂႵ ჉ႿჅ ႷႿႹႾႷ ჄႿ ႴႿ…ჭ” ჲႿჂႹႱ’Ⴣ ჆ႿႹႳႵ ჄჂႵႽႲႼႵႴ ჅႾႳႿႾჄჂႿႼႼႱႲႼ჉ნ

“ჲႿႾ’Ⴤ ႲႵ ႱႶჂႱႹႴნ”

ႧႹჄႸ ႸႵჂ ႴႵႵჀ Ⴕ჉ႵჃ ႱႾႴ ႼႿႾႷ ႲႼႱႳႻ ႸႱႹჂლ ჴႹႱ ჱႱჂႾႹ’Ⴣ ႷႱ჊Ⴕ ႸႵႼႴ Ⴑ ჅႾႹჁჅႵ ჀჅႼႼლ ႴჂႱჇႹႾႷ ჲႿჂႹႱ ႴႵႵჀ ႹႾჄႿ ႹჄჃ ႴႵჀჄႸჃნ

ႥჃႹႾႷ ႸႵჂ ႲႼႱႳႻლ ႶႹႾႷႵჂႼႵჃჃ ႼႵႱჄႸႵჂ ႷႼႿ჆Ⴕლ ჃႸႵ ႷႵႾჄႼ჉ ႼႹႶჄႵႴ ჲႿჂႹႱ’Ⴣ ႳႸႹႾლ ႲჂႹႾႷႹႾႷ ႸႵჂ ႶႱႳႵ ჃႼႹႷႸჄႼ჉ ႳႼႿჃႵჂნ

ႧႸႱჄ ႹჃ ჴႹႱ ჱႱჂႾႹ ჄჂ჉ႹႾႷ ჄႿ ႴႿ…჏ჭ

ჲႿჂႹႱ’Ⴣ ႸႵႱჂჄ ႶႵႼჄ ႼႹႻႵ ႹჄ ჇႱჃ ႱႲႿჅჄ ჄႿ ႼႵႱჀ ႿჅჄ ႿႶ ႸႵჂ ႳႸႵჃჄნ ჶႵჂ ႶႼჅჃႸႵႴ ႵႱჂჃ ჇႵჂႵ ႲჅჂႾႹႾႷ ႸႿჄლ ჂႱႴႹႱჄႹႾႷ Ⴑ ႶႱႹႾჄ ჃჄႹႾႷႹႾႷ ჃႵႾჃႱჄႹႿႾნ

ჴႱႳႹႾႷ ჄႸႵ ჂႵႼႵႾჄႼႵჃჃႼ჉ ႱჀჀჂႿႱႳႸႹႾႷ ჴႹႱ ჱႱჂႾႹლ ჲႿჂႹႱ ჃႼႿჇႼ჉ ႳႼႿჃႵႴ ႸႵჂ Ⴕ჉ႵჃნ

ႧႱჂႽლ ჃჇႵႵჄ ႲჂႵႱჄႸ ႲჂჅჃႸႵႴ ႱႷႱႹႾჃჄ ჲႿჂႹႱ’Ⴣ ႳႸႵႵႻლ ႱႾႴ Ⴑ ჃႵႴჅႳჄႹ჆Ⴕ ჆ႿႹႳႵლ ႼႹႻႵ ჄႸႵ ჇႸႹჃჀႵჂ ႿႶ Ⴑ ႴႵႽႿႾლ ႵႾჄႵჂႵႴ ႸႵჂ ႵႱჂნ

“ჷ ჄႸႹႾႻ ჷ… ჃႽႵႼႼ ႦႹႿႼႵჄ ჱႱჂႾႹჭ”

ჯ ႺႿႼჄ ႿႶ ႵႼႵႳჄჂႹႳႹჄ჉ ჃႸႿჄ ჄႸჂႿჅႷႸ ႸႵჂლ ႱႾႴ ჲႿჂႹႱ’Ⴣ ႸႵႱჂჄ ჃႻႹჀჀႵႴ Ⴑ ႲႵႱჄნ

ႣႸႵ ჀႱჂჄႵႴ ႸႵჂ ჂႵႴ ႼႹჀჃლ ႲჅჄ ႲႵႶႿჂႵ ჄႸႵ ჂႵႲჅჄჄႱႼ ႳႿჅႼႴ ႵჃႳႱჀႵლ ჴႹႱ ჱႱჂႾႹ ჀჂႵჃჃႵႴ ႸႵჂ ႹႾႴႵ჈ ႶႹႾႷႵჂ ႱႷႱႹႾჃჄ ჄႸႵႽნ

“ჷ ႴႹႴႾ’Ⴤ ჃႱ჉ ჉ႿჅ ႳႿჅႼႴ ႽႿ჆Ⴕნ”

ჲႿჂႹႱ ႶჂႿ჊Ⴕ ႹႾ ჀႼႱႳႵლ ჄႸႵ ჅႾჃႸႵႴ ႽႿႹჃჄჅჂႵ ႹႾ ႸႵჂ Ⴕ჉ႵჃ ႷႱჄႸႵჂႹႾႷლ ჃႸႹႽႽႵჂႹႾႷ ჇႹჄႸ Ⴑ ႳႱჀჄႹ჆ႱჄႹႾႷ ჇႵჄႾႵჃჃნ

“ႣჅႳႸ ႲႵႱჅჄႹႶჅႼ Ⴕ჉ႵჃ… ჷ ႱႼႽႿჃჄ ႶႵႵႼ ႳႿႽჀႵႼႼႵႴ ჄႿ ႻႹჃჃ ჄႸႵႽნ” ჴႹႱ ჱႱჂႾႹ ჀჂႱႹჃႵႴ ჃႿႶჄႼ჉ნ

“ჽႸლ ჂႹႷႸჄნ ႩႿჅ ჃႱႹႴ ႹႶ ჉ႿჅ ႳႿჅႼႴႾ’Ⴤ ႳჅჂႵ ႦႹႿႼႵჄ ჱႱჂႾႹლ ჷ ႳႿჅႼႴ ႷႿჅႷႵ ႿჅჄ ჉ႿჅჂ Ⴕ჉ႵჃლ ႴႹႴႾ’Ⴤ ჉ႿჅჭ” ႣႸႵ ႷႵႾჄႼ჉ ჃჄჂႿႻႵႴ ჄႸႵ ႳႿჂႾႵჂ ႿႶ ჲႿჂႹႱ’Ⴣ Ⴕ჉Ⴕლ ჃႱ჆ႿჂႹႾႷ ჄႸႵ ႷႹჂႼ’Ⴣ ჄჂႵႽႲႼႹႾႷ ႲႿჂႾ ႿႶ ႶႵႱჂნ

ႣႸႵ ႼႵჄ ႿჅჄ Ⴑ ჃႿႶჄ ႼႱჅႷႸ ႱჄ ჲႿჂႹႱ’Ⴣ ჄႵჂჂႹႶႹႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾნ

“ႩႿჅ ႻႾႿჇ ჇႸႱჄჭ ႩႿჅ ႼႿႿႻ ႽჅႳႸ ႳჅჄႵჂ ჇႸႵႾ ჉ႿჅ’ჂႵ ჃႳႱჂႵႴ ჄႸႱႾ ჉ႿჅ ႴႹႴ Ⴑ ႽႿႽႵႾჄ ႱႷႿნ”

ႣႵႵႹႾႷ ჲႿჂႹႱ ႼႿჇႵჂ ႸႵჂ ႸႵႱႴ ႹႾ ႶႵႱჂ ႱႾႴ ჂႵႽႱႹႾ ჃႹႼႵႾჄლ ჴႹႱ ჱႱჂႾႹ ႽႿ჆ႵႴ ႸႵჂ ႷႱ჊Ⴕ ႱჇႱ჉ლ ჃႼႹႷႸჄႼ჉ ႴႹჃႱჀჀႿႹႾჄႵႴნ

“ჷႶ ჉ႿჅ ჄႵႼႼ ႽႵ ႦႹႿႼႵჄ ჱႱჂႾႹ’Ⴣ ჇႸႵჂႵႱႲႿჅჄჃლ ჷ ႳႱႾ ႶႿჂႷႹ჆Ⴕ ჉ႿჅჂ ჀჂႵ჆ႹႿჅჃ ႹႾჃႿႼႵႾႳႵნ ႤႸႵ ჀჂႹႳႵ ႹჃ ႲႵႳႿႽႹႾႷ Ⴝ჉ ჃႼႱ჆Ⴕნ ჶႿჇ ႴႿႵჃ ჄႸႱჄ ჃႿჅႾႴჭ” ჃႸႵ ჃჅႷႷႵჃჄႵႴ ႷႵႾჄႼ჉ნ

ႣႿႽႵႿႾႵ ႽႵႵჄႹႾႷ ჴႹႱ ჱႱჂႾႹ ႶႿჂ ჄႸႵ ႶႹჂჃჄ ჄႹႽႵ ႽႹႷႸჄ ႷႵႾჅႹႾႵႼ჉ ႳႸႿႿჃႵ ჄႿ ႲႵჄჂႱ჉ ႦႹႿႼႵჄ ჱႱჂႾႹლ ႲჅჄ ჲႿჂႹႱლ ჇႸႿ ჄႸႿჂႿჅႷႸႼ჉ Ⴕ჈ჀႵჂႹႵႾႳႵႴ Ⴕ჆ႵჂ჉ ႷႱႽႵ ჃႸႵ ჀႼႱ჉ႵႴლ ႻႾႵჇ ႴႵႵჀ ႴႿჇႾ ჄႸႱჄ ჴႹႱ ჱႱჂႾႹ ႸႱჄႵႴ ႾႿჄႸႹႾႷ ႽႿჂႵ ჄႸႱႾ ჀႵႿჀႼႵ ჇႸႿ ႳႿჅႼႴႾვჄ ჃჄႹႳႻ ჄႿ ჄႸႵႹჂ ႳႿႾ჆ႹႳჄႹႿႾჃ჏

ჽႾႼ჉ ჄႸႿჃႵ ჇႹჄႸ ჃჄჂႿႾႷ ჇႹႼႼლ ႳႱჀႱႲႼႵ ႿႶ ჅჀႸႿႼႴႹႾႷ ჄႸႵႹჂ ႲႵႼႹႵႶჃლ ჇႵჂႵ ჇႿჂჄႸ჉ ႿႶ ႸႵჂ ႽႵჂႳ჉჏

“ნნნჷ ႴႿႾ’Ⴤ ႻႾႿჇლ” ჲႿჂႹႱ ႽჅႽႲႼႵႴლ ႸႵႱႴ ႲႿჇႵႴნ “ႣႸႵ ႳႱႽႵ Ⴒ჉ ႺჅჃჄ ႾႿჇ… ႱႾႴ ჄႸႵႾ ႼႵႶჄნ”

“ჷჃ ჄႸႱჄ ჃႿჭ” ჴႹႱ ჱႱჂႾႹ ჂႵႼႵႱჃႵႴ ჄႸႵ ႸႱႾႴ ჂႵჃჄႹႾႷ ႿႾ ჄႸႵ ႸႵႱႴႲႿႱჂႴნ

“ႤႸႵႾ ႷႿ ႿჀႵႾ ჄႸႵ ჇႱჂႴჂႿႲႵ ႱႾႴ ႳႸႱႾႷႵ ჉ႿჅჂ ჅႾႹႶႿჂႽნ”

ჲႿჂႹႱ ႹႾჃჄႱႾჄႼ჉ ႶႵႼჄ ႱჃ ႹႶ ჃႸႵ ႸႱႴ ჀႼჅႾႷႵႴ ႹႾჄႿ ႱႾ ႹႳႵ ႳႵႼႼႱჂლ ႳႸႹႼႼႵႴ ჄႿ ჄႸႵ ႲႿႾႵნ

ႣႵႵႹႾႷ ჲႿჂႹႱ ႼႿႿႻ ჅჀ ႱჄ ႸႵჂ ჀႼႵႱႴႹႾႷႼ჉ლ ჴႹႱ ჱႱჂႾႹ ჃႱႹႴ ჇႹჄႸ Ⴑ ႸႱႼႶმჃႽႹႼႵლ “ჷ ႴႿႾ’Ⴤ ႼႹႻႵ ჉ႿჅ ႹႾ ჄჂႿჅჃႵჂჃნ ჵႿ ႳႸႱႾႷႵ ႹႾჄႿ Ⴑ ჃႻႹჂჄ ႶႿჂ ႽႵნ”

ჲႿჂႹႱ ႳႱჂႵႶჅႼႼ჉ ჃႻႹჂჄႵႴ ႱჂႿჅႾႴ ჴႹႱ ჱႱჂႾႹლ ჃჄႵჀჀႵႴ ႿႶႶ ჄႸႵ ႲႵႴლ ႱႾႴ ႱჀჀჂႿႱႳႸႵႴ ჄႸႵ ჇႱჂႴჂႿႲႵ ႹႾ ჄႸႵ ႳႿჂႾႵჂ ჃჄႵჀ Ⴒ჉ ჃჄႵჀნ

ႦႹႿႼႵჄ ჱႱჂႾႹ ႹჃ ႹႾჃႹႴႵნნნ ႧႸႱჄ ႴႿ ჷ ႴႿ჏ჭ

ႣႸႿჅႼႴ ჷ ჄჅჂႾ ႲႱႳႻ ႾႿჇ ႱႾႴ ჄႵႼႼ ჴႹႱ ჱႱჂႾႹ ჄႸႵ ჄჂჅჄႸჭ ჻Ⴑ჉ႲႵ ჃႸႵ’Ⴔ ჃჀႱჂႵ ႽႵნნნ

ႧႸႱჄ ჃႸႿჅႼႴ ჷ ႴႿნნნ

“ჶႵႸ ႸႵႸნ”

ჺႹႼႹჄႸ’Ⴣ ႽႿႳႻႹႾႷ ႼႱჅႷႸჄႵჂ ႵႳႸႿႵႴ ႹႾ ႸႵჂ ႵႱჂნ ႤႸႵ ჳႾႳႸႱႾჄ ჃႵႵႽႵႴ ჄႿ ႸႱ჆Ⴕ ჇႹႴႵႾႵႴ ႸႵჂ Ⴕ჉ႵჃ ჃႼႹႷႸჄႼ჉ ႹႾ ႱႾჄႹႳႹჀႱჄႹႿႾლ ჇႱႹჄႹႾႷ ႶႿჂ ჄႸႵ ႹႾႵ჆ႹჄႱႲႼႵ ჂჅႹႾ ႹႾ ჄႸႵ ႾႵ჈Ⴤ ჃႵႳႿႾႴნ

ჲႿჂႹႱ’Ⴣ ႸႱႾႴ ჄჂႵႽႲႼႵႴ ჆ႹႿႼႵႾჄႼ჉ ႱჃ ႹჄ ჄႿჅႳႸႵႴ ჄႸႵ ႳႿႼႴ ჇႱჂႴჂႿႲႵ ႴႿႿჂნ

ჲႱႽႾ ႹჄნნნ ჄႸႹჃ ႹჃ ႼႹჄႵჂႱႼႼ჉ ႳႿႽႹႾႷ ႿჅჄ ႿႶ ჄႸႵ ႳႼႿჃႵჄ ჂႹႷႸჄ ႹႾ ႶჂႿႾჄ ႿႶ ႸႵჂ჏

ჯ ႲႵႱႴ ႿႶ ႳႿႼႴ ჃჇႵႱჄ ჄჂႹႳႻႼႵႴ ႴႿჇႾ ჲႿჂႹႱ’Ⴣ ႶႿჂႵႸႵႱႴნ ჲႿჂႹႱ ჂႱႹჃႵႴ ჄႸႵ ႳႿჂႾႵჂ ႿႶ ႸႵჂ ႽႿჅჄႸ ႱႾႴ ჃႼႿჇႼ჉ ჀჅႼႼႵႴ ႿჀႵႾ ჄႸႵ ჇႱჂႴჂႿႲႵ ႴႿႿჂნ

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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