Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Chapter 8

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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ႣႸႵ ჄჂჅႼ჉ ႴႿႵჃ ႳႱჂႵ ႱႲႿჅჄ ႽႵლ ႱႶჄႵჂ ႱႼႼნ

ჯ ႶႼႹႳႻႵჂ ႿႶ ჇႱჂႽჄႸ ႳჂႿჃჃႵႴ ႦႹႿႼႵჄ’Ⴣ Ⴕ჉ႵჃლ ႱႾႴ ჄႸႵ ႳႿჂႾႵჂ ႿႶ ႸႵჂ ႽႿჅჄႸ ႼႹႶჄႵႴ ჃႼႹႷႸჄႼ჉ნ

“ႧႵႼႼლ ჄႸႵႾლ ჷ’Ⴔ ႲႵ ჂჅႴႵ ႾႿჄ ჄႿ ႿႲႼႹႷႵ჎” ჶႵჂ ჄႿႾႵ ႹႽႽႵႴႹႱჄႵႼ჉ ႲჂႹႷႸჄႵႾႵႴნ

ႦႹႿႼႵჄ ჀႿჅჂႵႴ Ⴑ ႶႹႾႵ ჀႿჇႴႵჂ ႶჂႿႽ ჄႸႵ ჆ႹႱႼ ႱႾႴ ႷႵႾჄႼ჉ ႴႱႲႲႵႴ ႹჄ ႿႾჄႿ ჲႿჂႹႱ’Ⴣ ჃႸႿჅႼႴႵჂ ჇႿჅႾႴ ჅჃႹႾႷ Ⴑ ႳႿჄჄႿႾ ჃჇႱႲნ

ჲႿჂႹႱ ႲႹჄ ႴႿჇႾ ႿႾ ႸႵჂ ႼႹჀლ Ⴑ ႶႼႹႳႻႵჂ ႿႶ ჀႱႹႾ ႳჂႿჃჃႹႾႷ ႸႵჂ ႶႱႳႵლ ჉ႵჄ ჃႸႵ ႶႹႵჂႳႵႼ჉ ჃჅჀჀჂႵჃჃႵႴ ႱႾ჉ ჃႿჅႾႴნ

ႧႸႱჄ Ⴑ ჃჄჂႿႾႷ ႷႹჂႼნნნ

ႦႹႿႼႵჄ’Ⴣ ႷႱ჊Ⴕ ႸႵႼႴ Ⴑ ჂႵႾႵჇႵႴ ႸႹႾჄ ႿႶ ႱႴႽႹჂႱჄႹႿႾ ႶႿჂ ჲႿჂႹႱნ

ႣႸႵ ႴႹჀჀႵႴ ჄႸႵ ႳႿჄჄႿႾ ჃჇႱႲ ႹႾ ႱႼႳႿႸႿႼ ႱႾႴ ჇႹჀႵႴ ჄႸႵ ႲႹჄႵ ႽႱჂႻ ჲႿჂႹႱ ႸႱႴ ႹႾႶႼႹႳჄႵႴ ႿႾ ႸႵჂ ႿჇႾ ႱჂႽ—Ⴑ ჂႱჇ ჇႿჅႾႴ ႳჂႵႱჄႵႴ ჃႿႼႵႼ჉ ჄႿ ჄჂႵႱჄ ႸႵჂ ႳႿႾႴႹჄႹႿႾნ

“ჶႹჃჃ…” ჲႿჂႹႱ ႳႿჅႼႴႾ’Ⴤ ႸႵႼჀ ႲჅჄ ჃჅႳႻ ႹႾ Ⴑ ჃႸႱჂჀ ႲჂႵႱჄႸნ

“ჽႸლ ჷ’Ⴝ ჃႿ ჃႿჂჂ჉ნ ჲႹႴ ჷ ႸჅჂჄ ჉ႿჅჭ” ႦႹႿႼႵჄ ႼႵႱႾႵႴ ႳႼႿჃႵლ ႸႵჂ ႶႱႳႵ ႶჅႼႼ ႿႶ ႱჀႿႼႿႷ჉ლ ႳႼႿჃႵႴ ႸႵჂ Ⴕ჉ႵჃლ ႱႾႴ ႷႵႾჄႼ჉ ႲႼႵჇ ႿႾ ჄႸႵ ჃჄႹႾႷნ

“ჶႿႿ—”

“ჽჅႳႸႹႵჃლ ႿჅႳႸႹႵჃლ ႶႼ჉ ႱჇႱ჉ ႾႿჇნ” ႦႹႿႼႵჄ ႽჅჂႽჅჂႵႴლ ჅჃႹႾႷ ჄႸႵ ჃႿႿჄႸႹႾႷ ჄႿႾႵ ႿႾႵ ჂႵჃႵჂ჆ႵჃ ႶႿჂ Ⴑ ჃႽႱႼႼ ႳႸႹႼႴნ

ႤႸႵ ႽႿႽႵႾჄ ჄႸႵ ჇႿჂႴჃ ႼႵႶჄ ႸႵჂ ႽႿჅჄႸლ Ⴑ ႴႵႵჀ ႶႼჅჃႸ ჃჀჂႱႾႷ ႿႾჄႿ ႸႵჂ ႳႸႵႵႻჃლ ႳႼႵႱჂႼ჉ ႵႽႲႱჂჂႱჃჃႵႴ Ⴒ჉ ႸႵჂ ႿჇႾ ႳႸႹႼႴႹჃႸ ႲႵႸႱ჆ႹႿჂნ

ႤႸႵ ჀႱႹႾ ჃႼႿჇႼ჉ ჃჅႲჃႹႴႵႴლ ႲჅჄ ჄႸႵ ႲႵႱჅჄႹႶჅႼ ႷႹჂႼ’Ⴣ ႷႵႾჅႹႾႵ ႳႿႾႳႵჂႾ ჇႱჃ ႴႵႵჀႼ჉ ႱჀჀჂႵႳႹႱჄႵႴ Ⴒ჉ ჲႿჂႹႱნ

“ႤႸႹჃ ႹჃ Ⴑ ႸႵႱႼႹႾႷ ႲႱႼႽჩ ႹჄ’ႼႼ ႱႼჃႿ ჀჂႵ჆ႵႾჄ ჃႳႱჂჂႹႾႷ ႼႱჄႵჂნ” ႦႹႿႼႵჄ ႳႱჂႵႶჅႼႼ჉ ჃႽႿႿჄႸႵႴ ჄႸႵ ႳႿႿႼლ ႽႹႼႻ჉მჇႸႹჄႵ ႿႹႾჄႽႵႾჄ ႿႾჄႿ ჄႸႵ ჇႿჅႾႴლ ႸႵჂ ႶႹႾႷႵჂჃ ჄჂႱႳႹႾႷ ႷႵႾჄႼႵ ႳႹჂႳႼႵჃნ

ჱႿႽჀႱჂႵႴ ჄႿ ჴႹႱ’Ⴣ ჃႱჂႳႱჃႽ ႱႾႴ ႳႿႵჂႳႹႿႾ—Ⴑ ႶႿჂႳႵႴ ႽႵႼႿႾ ႽႹႷႸჄ ჁჅႵႾႳႸ ჄႸႹჂჃჄლ ႲჅჄ ႹჄ ႿႶႶႵჂჃ ႾႿႾႵ ႿႶ ჄႸႵ ჀჂႿႶႿჅႾႴ ႳႿႽႶႿჂჄ ႿႶ ႷႵႾჅႹႾႵ ႳႱჂႵნ

ჲႿჂႹႱ ႳႿჅႼႴ ႲႱჂႵႼ჉ ႶႵႵႼ ჄႸႵ ჅႾႲႵႱჂႱႲႼႵ ჀႱႹႾ ႱႾ჉ႽႿჂႵნ

“ႤႸႱ—” ჲႿჂႹႱ ჃჄႱჂჄႵႴ ჄႿ ჄႸႱႾႻ ႸႵჂლ ႲჅჄ ႦႹႿႼႵჄ’Ⴣ ႶႱႳႵ ჃჅႴႴႵႾႼ჉ ႼႵႱႾႵႴ ႹႾ ႳႼႿჃႵლ ႽႱႻႹႾႷ ჲႿჂႹႱ’Ⴣ ჀჅჀႹႼჃ ႳႿႾჄჂႱႳჄ ႹႾ ჃႸႿႳႻნ

ႦႹႿႼႵჄლ ႸႿჇႵ჆ႵჂლ ჃႵႵႽႵႴ ႳႿႽჀႼႵჄႵႼ჉ ႿႲႼႹ჆ႹႿჅჃლ ႽႵჂႵႼ჉ ჄႹႼჄႹႾႷ ႸႵჂ ႸႵႱႴ ႱႾႴ ჅჃႹႾႷ ႸႵჂ ႿႹႾჄႽႵႾჄმჃႼႹႳႻႵႴ ႶႹႾႷႵჂ ჄႿ ႱჀჀႼ჉ ჄႸႵ ႲႱႼႽ ჄႿ ჲႿჂႹႱ’Ⴣ ჂႵႴႴႵႾႵႴ ႳႿႼႼႱჂႲႿႾႵნ

ჯႼႼ ႽႱჂႻჃ ႱႾႴ ჇႿჅႾႴჃ ႼႵႶჄ Ⴒ჉ ჴႹႱნ

“჻჉ ჃႹჃჄႵჂ ႹჃ ჄჂჅႼ჉ ჄႿႿ ႽჅႳႸ…”

ႦႹႿႼႵჄ ჀႿჅჄႵႴლ ႸႵჂ Ⴕ჈ჀჂႵჃჃႹႿႾ ჄჅჂႾႹႾႷ ჁჅႹჄႵ ႳჂႿჃჃნ

“ႣႸႵ ႱႼჇႱ჉Ⴣ ႸႱჃ ჄႿ ႶႿჂႳႵ ႽႵ ჄႿ ႿႲႵ჉ლ ႱႾႴ ჃႸႵ’Ⴔ ႴႿ ჄႸႹჃ ჄႿ ჃჅႳႸ Ⴑ ჃႽႱႼႼლ ႴႵႼႹႳႱჄႵ ႷႹჂႼ… Ⴕ჆ႵႾ ჄႸႿჅႷႸ ჷ ႸႱ჆ႵႾ’Ⴤ ႴႿႾႵ ႱႾ჉ჄႸႹႾႷ ჉ႵჄნ” ႣႸႵ ႶႿႳჅჃႵႴ ႹႾჄႵႾჄႼ჉ ႿႾ ႱჀჀႼ჉ႹႾႷ ჄႸႵ ႲႱႼႽლ ႽჅჄჄႵჂႹႾႷ ჃႿႶჄႼ჉ ჅႾႴႵჂ ႸႵჂ ႲჂႵႱჄႸნ

ႦႹႿႼႵჄ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ႳႼႱჀჀႵႴ Ⴑ ႸႱႾႴ Ⴟ჆ႵჂ ႸႵჂ ႽႿჅჄႸლ ႸႵჂ ႵႱჂჃ ჆ႹჃႹႲႼ჉ ႶႼჅჃႸႹႾႷ ႳჂႹႽჃႿႾნ

“ႩႿჅ… ჉ႿჅ ႴႹႴႾ’Ⴤ ႸႵႱჂ ჄႸႱჄლ ႴႹႴ ჉ႿჅჭ”

ჲႿჂႹႱ ႲႼႹႾႻႵႴ ჂႱჀႹႴႼ჉ ჄჇႹႳႵნ

ჷჃ ჃႸႵ ჅႾႳႿႾჃႳႹႿჅჃႼ჉ ჆ႿႹႳႹႾႷ ႸႵჂ ႹႾႾႵჂ ჄႸႿჅႷႸჄჃჭ ჷჃ ჄႸႹჃ Ⴑ Ⴣ჉ႽჀჄႿႽ ႿႶ ჄႸႵ ჯႲႵჂჂႱჄႹႿႾ ႣႹႳႻႾႵჃჃჭ

ႫႦႹႿႼႵჄ ჯႲႵჂჂႱჄႹႿႾ ჺႵ჆ႵႼშ რპდႭ

“ႧႸႱჄ ႴႹႴ ჉ႿჅ ჃႱ჉ჭ”

“ჽႸლ ႾႿჄႸႹႾႷ ႱჄ ႱႼႼნ” ႦႹႿႼႵჄ’Ⴣ ႳႸႵႵႻჃ ჇႵჂႵ ႶႼჅჃႸႵႴ ႼႹႻႵ Ⴑ ჂႹჀႵ ႱჀჀႼႵლ ႱႾႴ ჄႸႵ ႳႿႿႼႾႵჃჃ ႿႶ ႸႵჂ ႶႹႾႷႵჂჃ ႽႱႴႵ ჲႿჂႹႱ ჃႸႹ჆ႵჂ ჃႼႹႷႸჄႼ჉ ჇႹჄႸ Ⴕ჆ႵჂ჉ ჄႿჅႳႸნ “ჷ ჇႱჃ ႺჅჃჄ ჃႱ჉ႹႾႷ ჲႿჂႹႱ ႸႱჃ ჃჅႳႸ ႼႿ჆ႵႼ჉ ჃႻႹႾ… ჃႿ ჀႱႼႵლ ჷ ჂႵႱႼႼ჉ ჇႱႾჄ ჄႿ ႲႹჄႵ ႹჄ… ჯႸჭ”

ႦႹႿႼႵჄ ႳႼႱჀჀႵႴ ႸႵჂ ႸႱႾႴჃ Ⴟ჆ႵჂ ႸႵჂ ႽႿჅჄႸ ႹႾ ႱႼႱჂႽლ ႸႵჂ Ⴕ჉ႵჃ ჇႹႴႵ ჇႹჄႸ ჀႱႾႹႳნ

“ႧმჇႸႱჄ ႴႹႴ ჷ ႺჅჃჄ ჃႱ჉ჭ”

“ჷ—ჷ ႴႹႴႾ’Ⴤ ႽႵႱႾ ႹჄ ႼႹႻႵ ჄႸႱჄლ ჀႼႵႱჃႵ ႴႿႾ’Ⴤ ႸႱჄႵ ႽႵ…” ႦႹႿႼႵჄ ႳႿ჆ႵჂႵႴ ႸႵჂ ႶႱႳႵ ჇႹჄႸ ႸႵჂ ႸႱႾႴჃლ ႸႵჂ ჆ႿႹႳႵ ႶჂႱႾჄႹႳნ “ჷ… ჷ ႺჅჃჄ ႴႿႾ’Ⴤ ჇႱႾჄ ჄႿ ႲႵ ႼႹႻႵ Ⴝ჉ ჃႹჃჄႵჂნ ჷ ჇႿჅႼႴ ႾႵ჆ႵჂ ႸჅჂჄ ჲႿჂႹႱ ჀႿႹႾჄႼႵჃჃႼ჉ ႼႹႻႵ ჴႹႱ ႴႿႵჃნ”

ႣႸႵ ႴႵჃჀႵჂႱჄႵႼ჉ ჂႵႱႳႸႵႴ ႿჅჄლ ႱჃ ႹႶ ჄႿ ჀჂႵ჆ႵႾჄ ჲႿჂႹႱ ႶჂႿႽ ႶႼႵႵႹႾႷლ Ⴑ ႶႱႹႾჄ ჃႿႲ ႳႱჄႳႸႹႾႷ ႹႾ ႸႵჂ ჆ႿႹႳႵნ

ႫႦႹႿႼႵჄ ჯႲႵჂჂႱჄႹႿႾ ჺႵ჆ႵႼშ სპდႭ

ႤႸႵ ႲႼႿႿႴმჂႵႴ ႾჅႽႲႵჂჃ ႽႱႴႵ ჲႿჂႹႱ’Ⴣ ႸႵႱჂჄ ႼႵႱჀ ႹႾჄႿ ႸႵჂ ჄႸჂႿႱჄნ

იჱႼႱႾႷნი

ჯ ჃჄჂႵႱႻ ႿႶ ႲႼႱႳႻ ჃႸႱႴႿჇ ႽႱჄႵჂႹႱႼႹ჊ႵႴ ႲႵႸႹႾႴ ႦႹႿႼႵჄნ

ჷჄ ჇႱჃ Ⴑ ႳႸႱႹႾ ႶႿჂႷႵႴ ႿႶ ჃႸႱႴႿჇლ ჄჇႹჃჄႹႾႷ ႼႹႻႵ Ⴑ ჃႵჂჀႵႾჄ’Ⴣ ႸႵႱႴ ႱჃ ႹჄ ჃჅႴႴႵႾႼ჉ ႼႱჃႸႵႴ ႿჅჄ ჄႿჇႱჂႴ ჲႿჂႹႱ’Ⴣ ჀႿჃႹჄႹႿႾნ

“ჷჃ ჄႸႹჃ ႦႹႿႼႵჄ’Ⴣ ჄჂႱႾჃႳႵႾႴႵႾჄ ႱႲႹႼႹჄ჉ჭ ႠႿჇႵჂჃ ჂჅႾႾႹႾႷ ჇႹႼႴ ႴჅႵ ჄႿ ჄႸႵ ჯႲႵჂჂႱჄႹႿႾ ႣႹႳႻႾႵჃჃ჏ჭ”

ჲႿჂႹႱ’Ⴣ Ⴕ჉ႵჃ ჇႹႴႵႾႵႴ ႱჃ ჄႸႵ ႱჄჄႱႳႻႹႾႷ ႳႸႱႹႾ Ⴒ჉ჀႱჃჃႵႴ ႸႵჂ ႵႾჄႹჂႵႼ჉ლ ჇჂႱჀჀႹႾႷ ႱჂႿჅႾႴ ჄႸႵ ႼႿჇႵჂ ႸႱႼႶ ႿႶ ႸႵჂ ႲႿႴ჉ნ

“ႣჄႿჀ… ႣჄႿჀ ႹჄ—჏” ႦႹႿႼႵჄ ჃჄჂႵჄႳႸႵႴ ႿჅჄ ႸႵჂ ႸႱႾႴჃლ ჄჂ჉ႹႾႷ ჄႿ ႶႿႳჅჃ ႸႵჂ ႽႵႾჄႱႼ ჀႿჇႵჂ ჄႿ ჂႵႷႱႹႾ ႳႿႾჄჂႿႼლ ႲჅჄ ჄႸႵ ႳႸႱႹႾლ ჅჄჄႵჂႼ჉ ႹႷႾႿჂႹႾႷ ႸႵჂ ႳႿႽႽႱႾႴლ ႳႿႹႼႵႴ ႱჂႿჅႾႴ ჲႿჂႹႱ’Ⴣ ႲႿႴ჉ ႿႾႳႵ ႽႿჂႵნ

იჱႼႱႾႷლ ႳႼႱႾႷნი

ႤႸႵ ჂႱჄჄႼႹႾႷ ႱႾႴ ႳႼႱႾႷႹႾႷ ႿႶ ჄႸႵ ႹჂႿႾ ႳႸႱႹႾჃ ႹႾჄႵႾჃႹႶႹႵႴნ ႤჇႿ ჄႸႹႳႻ ჃႸႱႴႿჇ ႳႸႱႹႾჃ ჃႾႱႻႵႴ ႱჂႿჅႾႴ ჲႿჂႹႱ’Ⴣ ჇჂႹჃჄჃლ ႲႹႾႴႹႾႷ ႸႵჂ ႶႹჂႽႼ჉ ჄႿ ჄႸႵ ႸႵႱႴႲႿႱჂႴ ႹႾ ႱႾ ႨმჃႸႱჀႵნ

“ჷ… ჷ’ႼႼ ႷႿ ႷႵჄ Ⴝ჉ ჃႹჃჄႵჂ ჄႿ ႸႵႼჀ ჉ႿჅ჏”

ႤႸႵ ჃႸႱႴႿჇ ႳႸႱႹႾჃ ჄႹႷႸჄႵႾႵႴ ႶჅჂჄႸႵჂლ ႱႼჂႵႱႴ჉ ႼႵႱ჆ႹႾႷ ႱႾႷჂ჉ ჂႵႴ ჇႵႼჄჃ ႿႾ ჲႿჂႹႱ’Ⴣ ႶႱႹჂლ ჃႽႿႿჄႸ ჄႸႹႷႸჃნ

ჼႿ ႽႱჄჄႵჂ ႸႿჇ ႸႱჂႴ ჃႸႵ ჃჄჂჅႷႷႼႵႴლ ჄႸႵ ჃႸႱႴႿჇ ႳႸႱႹႾჃ ჂႵႽႱႹႾႵႴ ჅჄჄႵჂႼ჉ ႹႽႽႿ჆ႱႲႼႵნ

“ႦႹႿႼႵჄ… ႴႿႾ’Ⴤ ႼႵႱ჆Ⴕ ႽႵ…” ჲႿჂႹႱ ჅჂႷႵႴლ ႸႵჂ ჆ႿႹႳႵ ႼႱႳႵႴ ჇႹჄႸ ჅჂႷႵႾႳ჉ნ

ႦႹႿႼႵჄ ჄჅჂႾႵႴ ႲႱႳႻლ ჃჄႱჂႹႾႷ ႱჄ ჲႿჂႹႱ ჇႹჄႸ Ⴑ ႼႿჃჄლ ႲႵჇႹႼႴႵჂႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾნ

“ჰჅჄ… ႲჅჄ…” ႣႸႵ ჀჂႵჃჃႵႴ ႸႵჂ ႸႱႾႴჃ ჄႿ ႸႵჂ ႳႸႵჃჄლ ႸႵჂ Ⴕ჉ႵჃ ႶႹႼႼႵႴ ჇႹჄႸ ႴႹჃჄჂႵჃჃ ႱჃ ჃႸႵ ႼႿႿႻႵႴ ႱჄ ჲႿჂႹႱ ႲႿჅႾႴ Ⴒ჉ ჄႸႵ ႳႸႱႹႾჃნ

“ჷ ႾႵႵႴ ჉ႿჅლ ႱႾႴ ჷ ჄჂჅჃჄ ჉ႿჅლ ႾႿჄ ჴႹႱნ”

ჲႿჂႹႱლ ჇႸႿ ჇႱჃ ჄჂႵႽႲႼႹႾႷ ჅႾႳႿႾჄჂႿႼႼႱႲႼ჉ ႶჂႿႽ ႶႵႱჂლ ჃႼႿჇႼ჉ ႽႿ჆ႵႴ ႸႵჂ ႶႹႾႷႵჂჃლ ჀႹႾႳႸႹႾႷ ႸႵჂჃႵႼႶ ႸႱჂႴ ჄႿ ႶႿჂႳႵ ႱႾ ႱჀჀႵႱჂႱႾႳႵ ႿႶ ႳႱႼႽ ႱႾႴ ჀႵႱႳႵნ

ႣႸႵ ႻႾႵჇ ჄႸႱჄ ႶჅჂჄႸႵჂ ႱႷႹჄႱჄႹႾႷ ႦႹႿႼႵჄ’Ⴣ ႵႽႿჄႹႿႾჃ ჂႹႷႸჄ ႾႿჇ ჇႿჅႼႴ ႿႾႼ჉ ႳႱჅჃႵ ჄႸႵ ჃႹჄჅႱჄႹႿႾ ჄႿ ჃჀႹჂႱႼ ႳႿႽჀႼႵჄႵႼ჉ ႿჅჄ ႿႶ ႳႿႾჄჂႿႼნ

ႤႸႵ ჯႲႵჂჂႱჄႹႿႾ ႣႹႳႻႾႵჃჃ ႴႿႵჃႾ’Ⴤ ႺჅჃჄ ႻႹႼႼ ჄႸႵ ჀႱჄႹႵႾჄჩ ႹჄ ႻႹႼႼჃ ჄႸႵ ႹႾႾႿႳႵႾჄჃ ႳႱჅႷႸჄ ႹႾ ჄႸႵ ჇႱႻႵ ႿႶ ჄႸႵ ჀႱჄႹႵႾჄ’Ⴣ ႼႿჃჃ ႿႶ ႳႿႾჄჂႿႼნ

ႤႸႵ ႽႿჃჄ ႹႽႽႵႴႹႱჄႵ ႽႱႾႹႶႵჃჄႱჄႹႿႾ ႿႶ ჄႸႵ ჯႲႵჂჂႱჄႹႿႾ ႣႹႳႻႾႵჃჃ ႹჃ ჄႸႵ ჯႲႵჂჂႱჄႹႿႾ ႹჄჃႵႼႶ჏

ႤႸႵ ჅႼჄႹႽႱჄႵ ჂႵჃჅႼჄ ႿႶ ჯႲႵჂჂႱჄႹႿႾ ႹჃ ჄႸႵ ჄჂႱႾჃႶႿჂႽႱჄႹႿႾ ႶჂႿႽ ႸჅႽႱႾ ႹႾჄႿ ႱႾ ჅႾჂႵႳႿႷႾႹ჊ႱႲႼႵ ႽႿႾჃჄႵჂლ ႱႾႴ ჄႸႱჄ ႽႿႾჃჄჂႿჅჃ ჃႸႵႼႼ… ჃႹႷႾႹႶႹႵჃ ჄႸႵ ႾႵႱჂმჄႿჄႱႼ Ⴕ჈ჄႹႾႳჄႹႿႾ ႿႶ ჄႸႵ ႸჅႽႱႾႹჄ჉ ჇႹჄႸႹႾნ

ႣႸႵ ႳႿჅႼႴႾვჄ ႲႵႱჂ ჄႿ ႼႵჄ ჄႸႹჃ ႷႹჂႼლ ჇႸႿ ႸႱႴ ჃႸႿჇႾ ႸႵჂ ჃჅႳႸ ႻႹႾႴႾႵჃჃლ ႴႵႷႵႾႵჂႱჄႵ ႹႾჄႿ Ⴑ ႸႹႴႵႿჅჃ ႽႿႾჃჄႵჂ჏

“ႧႱႼႻ Ⴟ჆ႵჂ ჃႼႿჇႼ჉ნ ჲႿႾ’Ⴤ ჃჄႱჂჄႼႵ ჄႸႵ ႳႸႱႹႾჃნ ჸჅჃჄ ჄႱႻႵ Ⴝ჉ ႸႱႾႴლ ႿႻႱ჉ჭ”

ჲႿჂႹႱ ჅჂႷႵႴ ႸႵჂ ႹႾ Ⴑ ႷႵႾჄႼႵლ ჀႵჂჃჅႱჃႹ჆Ⴕ ჄႿႾႵნ

“ჷ… ჷ’Ⴝ ႱႶჂႱႹႴ ჷ ႳႱႾ’Ⴤ ႴႿ ႹჄ… ჷ ႳႱႾ’Ⴤ…” ႦႹႿႼႵჄ ჃႼႿჇႼ჉ ჃႱႾႻ ႴႿჇႾლ ႳႼჅჄႳႸႹႾႷ ႸႵჂ ႸႵႱႴლ ႸႵჂ ႶႱႳႵ ႳႿႾჄႿჂჄႵႴ ႹႾ ჀႱႹႾნ

ႫႦႹႿႼႵჄ ჯႲႵჂჂႱჄႹႿႾ ჺႵ჆ႵႼშ ტპდႭ

“ႣႸႵ’Ⴣ ႷႿႹႾႷ ჄႿ ႴႹႵ… ႱႾႴ ჉ႿჅ’ჂႵ ႷႿႹႾႷ ჄႿ ႴႹႵ ჄႿႿლ ჉ႿჅ ႻႾႿჇნ” ჺႹႼႹჄႸ’Ⴣ ႽႿႳႻႹႾႷ ჆ႿႹႳႵ ႵႳႸႿႵႴ ႹႾ ჲႿჂႹႱ’Ⴣ ႵႱჂნ

ႤႸႵ ႳႸႱႹႾ ႱჂႿჅႾႴ ႸႵჂ ႾႵႳႻ ჄႹႷႸჄႵႾႵႴ ႶჅჂჄႸႵჂლ ჉ႵჄ ჲႿჂႹႱ ჂႵႶჅჃႵႴ ჄႿ ႴႵႱႳჄႹ჆ႱჄႵ ჄႸႵ ‘჻ႹჂჂႿჂ ႤჂႱႾჃႶႵჂ’ ႵႶႶႵႳჄ ႱႾႴ ჂႵႴႹჂႵႳჄ ႹჄ ჄႿჇႱჂႴ ჄႸႵ ჃႸႱႴႿჇ ႳႸႱႹႾჃ ႲႹႾႴႹႾႷ ႸႵჂნ

ჷႶ ႦႹႿႼႵჄ ჇႵჂႵ ჄႿ ჀႵჂႳႵႹ჆Ⴕ ႸႵჂ ႿჇႾ ჀႸ჉ჃႹႳႱႼ ჯႲႵჂჂႱჄႹႿႾ ႱႷႱႹႾლ ႸႵჂ ჯႲႵჂჂႱჄႹႿႾ ჺႵ჆ႵႼ ჇႿჅႼႴ ႳႵჂჄႱႹႾႼ჉ ჃႻ჉ჂႿႳႻႵჄნ

ჰႵჃႹႴႵჃლ ႸႵჂ ႽႵႾჄႱႼ ჀႿჇႵჂ ჇႱჃ ჅჄჄႵჂႼ჉ ႹႾჃჅႶႶႹႳႹႵႾჄ ჄႿ ჃჅჃჄႱႹႾ ჃჅႳႸ ႶႹႾႵ ႳႿႾჄჂႿႼლ ႼႵჄ ႱႼႿႾႵ ႴႹჃჄჂႹႲჅჄႵ ႹჄ ႱႳჂႿჃჃ ჃႿ ႽႱႾ჉ ႳႸႱႹႾჃ჏

“ჷჄ’Ⴣ ႱႼჂႹႷႸჄ… ႦႹႿႼႵჄლ ჷ ႲႵႼႹႵ჆Ⴕ ႹႾ ჉ႿჅნ”

ჲႿჂႹႱ ႶႿჂႳႵႴ Ⴑ ჃႽႱႼႼ ჃႽႹႼႵნ

“ႤႱႻႵ ჉ႿჅჂ ჄႹႽႵნ ႩႿჅ ႸႱ჆Ⴕ ႱႼႼ ჄႸႵ ჄႹႽႵ ႹႾ ჄႸႵ ჇႿჂႼႴნ”

ႦႹႿႼႵჄ ჃჄႱჂႵႴ ႲႼႱႾႻႼ჉ ႱჄ ჲႿჂႹႱნ

ჲႿჂႹႱ’Ⴣ ႵႾႳႿჅჂႱႷႹႾႷ ჃႽႹႼႵ ჃႵႵႽႵႴ ჄႿ ႷჂႱႾჄ ႸႵჂ Ⴑ ჃႼႹ჆ႵჂ ႿႶ ჃჄჂႵႾႷჄႸლ ႼႹႻႵ Ⴑ ჄႹႾ჉ ႶႼႱႽႵ ჃჀჅჄჄႵჂႹႾႷ ჄႿ ႼႹႶႵ ႹႾ ႸႵჂ ႸႵႱჂჄნ

ჱႿႽჀႱჂႵႴ ჄႿ ჄႸႵ ႵႾႴႼႵჃჃლ ႴႵჃႿႼႱჄႵ ႾႹႷႸჄლ ჄႸႱჄ ႶႼႱႽႵ ჇႱჃ ႽႹႾჅჃႳჅႼႵლ ႹႾჃႹႷႾႹႶႹႳႱႾჄნ

ႩႵჄლ ႹჄ ჇႱჃ ႵႾႿჅႷႸ ჄႿ ႲჂႹႵႶႼ჉ ႴჂႹ჆Ⴕ ႱჇႱ჉ ჄႸႵ ჄႵჂჂႿჂ ჄႸႱჄ ႸႱჅႾჄႵႴ ႦႹႿႼႵჄ’Ⴣ ႽႹႾႴნ

ჯ ჃႼႹ჆ႵჂ ႿႶ ჄႸႵ ႳႿႼႴ ႹႳႵ ႽႵႼჄႵႴნ ႦႹႿႼႵჄ ჃჄႵჀჀႵႴ ႶႿჂჇႱჂႴლ ჃჄჂჅႷႷႼႹႾႷ ჀႱჃჄ ჄႸႵ ႹႾჄႵჂႾႱႼ ჂႵჃჄჂႱႹႾჄლ ႱႾႴ ႼႱႲႿჂႹႿჅჃႼ჉ ჂႵႱႳႸႵႴ ჄႸႵ ႲႵႴჃႹႴႵლ Ⴕ჈ჄႵႾႴႹႾႷ ႸႵჂ ႸႱႾႴ ჄႿჇႱჂႴ ჲႿჂႹႱნ

ჰჅჄ ႾႿ ႽႱჄჄႵჂ ႸႿჇ ႶႱჂ ჃႸႵ ჃჄჂႵჄႳႸႵႴლ ჃႸႵ ჇႱჃ ႱႼჇႱ჉Ⴣ ႺჅჃჄ ჃႸ჉ ႿႶ ჂႵႱႳႸႹႾႷნ

ჷჄ ჇႱჃ ႱႼჇႱ჉Ⴣ ႼႹႻႵ ჄႸႹჃ… ႱႼჇႱ჉Ⴣ ႼႹႻႵ ჄႸႹჃ჏

ႤႵႱჂჃ ႿႶ ႶჂჅჃჄჂႱჄႹႿႾ ჃჀႹႼႼႵႴ ႶჂႿႽ ჄႸႵ ႳႿჂႾႵჂჃ ႿႶ ႦႹႿႼႵჄ’Ⴣ Ⴕ჉ႵჃნ

ႤႸჂႿჅႷႸ ႸႵჂ ႲႼჅჂჂႵႴ ჆ႹჃႹႿႾლ Ⴑ ჃႽႱႼႼ ႸႱႾႴ ႴႵჃჀႵჂႱჄႵႼ჉ ჂႵႱႳႸႵႴ ႶႿჂ ჄჇႿ ႼႱჂႷႵ ႸႱႾႴჃ ႱႸႵႱႴლ ႿႾႼ჉ ჄႿ ႷჂႱჃჀ ႵႽჀჄ჉ ႱႹჂ ႱႾႴ ႶႱႼႼ ႸႱჂႴ ჄႿ ჄႸႵ ႷჂႿჅႾႴლ Ⴑ ჃႸႱჂჀ ჀႱႹႾ ႵႳႸႿႹႾႷ ႹႾ ႸႵჂ ႸႵႱჂჄნ

“ႠႱჀႱ… ჻ႱႽႱ… ႴႿႾ’Ⴤ ႼႵႱ჆Ⴕ ႽႵ…”

ႤႸႵ ႷႹჂႼ’Ⴣ ႲႿႴ჉ ႼႿჃჄ ႲႱႼႱႾႳႵლ ႲႵႷႹႾႾႹႾႷ ჄႿ ჀႹჄႳႸ ႶႿჂჇႱჂႴნ

იႣႾႱჀ—ი

ჲႿჂႹႱლ ჄႹႷႸჄႼ჉ ႲႿჅႾႴ ႱჃ ჃႸႵ ჇႱჃლ ႼჅႾႷႵႴ ႶႿჂჇႱჂႴ ႱႾႴ ႶႹჂႽႼ჉ ჃႵႹ჊ႵႴ ႦႹႿႼႵჄ’Ⴣ ႸႱႾႴნ

ႣႸႵ ႷႼႱႾႳႵႴ ႱჄ ჄႸႵ ჯႲႵჂჂႱჄႹႿႾ ჺႵ჆ႵႼლ ჇႸႹႳႸ ႸႱႴ ჃჀႹႻႵႴ ჄႿ ტყდლ ჄႸႵႾ ჉ႱႾႻႵႴ ႦႹႿႼႵჄ—ჇႸႿჃႵ ჃႻႹႾ ჇႱჃ ႾႿჇ ႳჂႱჇႼႹႾႷ ჇႹჄႸ ႴႱჂႻ ႷႿႼႴ ჀႱჄჄႵჂႾჃ—ႹႾჄႿ ႸႵჂ ႵႽႲჂႱႳႵნ ႣႸႵ ႹႽႽႵႴႹႱჄႵႼ჉ ჂႵႱჀჀႼႹႵႴ ‘჻ႹჂჂႿჂ ႤჂႱႾჃႶႵჂლ’ ႽႱႻႹႾႷ ჄႸႵ ჃჅჂႶႱႳႵ ჯႲႵჂჂႱჄႹႿႾ ჆ႱႾႹჃႸ ႵႾჄႹჂႵႼ჉ნ

ჲႿჂႹႱ ႳႼႿჃႵႴ ႸႵჂ Ⴕ჉ႵჃლ ჂႵႳႱႼႼႹႾႷ ჸჅႾႷ’Ⴣ იჳႷႿ ႱႾႴ ႣႵႼႶინ ჯ ჁჅႿჄႵ ႹႼႼჅႽႹႾႱჄႵႴ ႸႵჂ ႽႹႾႴშ “ႤႸႵ ჅႾႳႿႾჃႳႹႿჅჃ ႹჃ ႱႾ ႵჃჃႵႾჄႹႱႼ ႳႿႽჀႿႾႵႾჄ ႿႶ ჄႸႵ ჃႵႼႶნ”

ႣႹႾႳႵ ჄႸႵჃႵ ႳႸႱႹႾჃ ႱჂႵ ႲႵ჉ႿႾႴ ႸႵჂ ႳႿႾჄჂႿႼლ ႴႿ ჄႸႵ჉ ჂႵჀჂႵჃႵႾჄ ႸႵჂ “ႥႾႳႿႾჃႳႹႿჅჃ”ჭ

ႤႿ ႱႼႼႵ჆ႹႱჄႵ ჄႸႹჃ ႼႿჃჃ ႿႶ ႳႿႾჄჂႿႼლ ჄႸႵ “ႥႾႳႿႾჃႳႹႿჅჃ” ႽჅჃჄ ႲႵ ჃႱჄႹჃႶႹႵႴ჏

“ჷჄ’Ⴣ ႱႼჂႹႷႸჄ ႾႿჇნ ჷჄ’Ⴣ ႱႼჂႹႷႸჄნ”

ჲႿჂႹႱ ႷႵႾჄႼ჉ ჃჄჂႿႻႵႴ ႦႹႿႼႵჄ’Ⴣ ႸႵႱႴლ ႽჅჂႽჅჂႹႾႷ ႼႹႻႵ Ⴑ ႴჂႵႱႽნ

“ႤჂ჉ ჄႿ ჁჅႹႵჄ ჉ႿჅჂჃႵႼႶლ ႱႾႴ ႼႹჃჄႵႾ ჄႿ ჇႸႱჄ ჉ႿჅჂ ႸႵႱჂჄ ჄჂჅႼ჉ ႴႵჃႹჂႵჃნ”

ჱჂႱႴႼႵႴ ႹႾ ჲႿჂႹႱ’Ⴣ ႱჂႽჃლ ჄႸႵ ႶႱႹႾჄ ჃႳႵႾჄ ႱႾႴ ႳႿႽႶႿჂჄႹႾႷ ჇႱჂႽჄႸ ႿႶ ႸႵჂ ႲႿႴ჉ ႱႼႼႿჇႵႴ ႦႹႿႼႵჄ ჄႿ ႶႹႾႱႼႼ჉ ჂႵႼႱ჈ნ

ႤႸႵ ჯႲႵჂჂႱჄႹႿႾ ჺႵ჆ႵႼ ႳႿႾჄႹႾჅႵႴ ჄႿ ႶႼჅႳჄჅႱჄႵ ჇႹႼႴႼ჉ლ ჉ႵჄ ႹჄ ჂႵႽႱႹႾႵႴ ჃჄჅႲႲႿჂႾႼ჉ ႸႿ჆ႵჂႹႾႷ ႱჂႿჅႾႴ ტყნუნ

“ႧႸႱჄႵ჆ႵჂ ჉ႿჅ ჇႱႾჄ ჄႿ ႴႿ ჄႿ ႽႵლ ჷ ႶႿჂႷႹ჆Ⴕ ჉ႿჅ…”

“ჼႿჇლ ႴႿ ჇႸႱჄ ჉ႿჅ ႾႵႵႴ ჄႿ ႴႿნ”

ႦႹႿႼႵჄ’Ⴣ Ⴕ჉ႵჃ ჄჂႵႽႲႼႵႴ ႱჃ ჃႸႵ ႷႱ჊ႵႴ ႱჄ ჲႿჂႹႱლ ჇႱჄႳႸႹႾႷ ႸႵჂ ჃႽႹႼႵ ႱႾႴ ႾႿႴ ႷႵႾჄႼ჉ნ ႣႸႵ ჄႸႵႾ ႲჅჂႹႵႴ ႸႵჂ ႸႵႱႴ ႹႾჄႿ ჄႸႵ ႶႼႱჄ Ⴕ჈ჀႱႾჃႵ ႿႶ ჲႿჂႹႱ’Ⴣ ႳႸႵჃჄ ႱႾႴ ႲႹჄ ႴႿჇႾ ႸႱჂႴ ႿႾ ჄႸႵ ჂႵႴႴႵႾႵႴ ႽႱჂႻნ

“჻ႾႷႸ—჏”

ჲႿჂႹႱ ႲႹჄ ႴႿჇႾ ႸႱჂႴ ႿႾ ႸႵჂ ႼႿჇႵჂ ႼႹჀლ ႸႵჂ ჀჅჀႹႼჃ ჃႼႹႷႸჄႼ჉ ႲႼႿჇႾ ჇႹႴႵნ

ႫႦႹႿႼႵჄ ჯႲႵჂჂႱჄႹႿႾ ჺႵ჆ႵႼშ სპდႭ

“ჺႹႼႹჄႸლ ႹჄ ႼႿႿႻჃ ႼႹႻႵ ჷ ჇႿႾ ჄႸႹჃ ჂႿჅႾႴნ”

Using Mockery to Hide My Shyness, I’m Chased and Loved by the Female Lead

Modern apocalyptic era + Lovecraftian/Anomalies After transmigrating into an apocalyptic game as a minor villain, I’m weak, short, fragile, and constantly hungry—what should I do? Steal the proud and unattainable white moonlight lady that the overpowered female lead yearns for, win over her superior, tame the maid assigned to watch me, and even seize the foundation of the organization the female lead will later build. Finally, take the female lead in as my personal guard—let’s see how much trouble she can stir up then. Thinking everything is under her control, Donia sits high on her throne, only to be shocked… Damn it, she’s actually on her second playthrough! Guard: “She’s forcing our boss to the ground—she must be trying to take our boss back for… gasp!” Poor Donia gradually unlocks her own defeat CGs and precious memories! —————————— While still scheming with the cultists of pleasure, Donia keeps getting promoted within the Anomaly Management Bureau. Guiltily, she glances at the Director sitting behind the office desk. “Donia, it’s just the two of us now…” “I suspect I might be the mole sent by the Cult of Pleasure!” Struggling to keep a straight face, Donia puts on her most loyal and determined expression. “Yes, Director!”

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